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* ''Literature/InTheMidstOfWinter'': When Padre Benito comes over to Concepción's home after the attack on her grandchildren, he finds that all evidence of the murder and rape has been contaminated, but he figures that in their Guatemalan village, the local police is so useless against the Mara Salvatrucha gang that evidence would not help.
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* In ''Literature/TheRulesOfSupervillainy'' the police of Falconcrest City are hopelessly overwhelmed by the city's supervillains. To be fair, they have super-tech and an army of thugs while the police... don't. It's also implied that many came to the city after the Nightwalker's death.

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* In ''Literature/TheRulesOfSupervillainy'' ''Literature/TheSupervillainySaga'' the police of Falconcrest City are hopelessly overwhelmed by the city's supervillains. To be fair, they have super-tech and an army of thugs while the police... don't. It's also implied that many came to the city after the Nightwalker's death.
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* ''Literature/EleanorAndPark'': When Eleanor calls the police after hearing gunshots right outside her house, not only seem less than interested, they make Eleanor get inside the house and let them despite the possibility there could be a violent criminal. To make matters worse, despite [[AbusiveParents Richie]] telling them that he ''shot at teenagers for being loud with an unlicensed handgun'', they don’t arrest him.

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* ''Literature/EleanorAndPark'': When Eleanor calls the police after hearing gunshots right outside her house, not only do they seem less than interested, they make Eleanor get inside the house and let them despite the possibility there could be a violent criminal. To make matters worse, despite [[AbusiveParents Richie]] telling them that he ''shot at teenagers for being loud with an unlicensed handgun'', they don’t arrest him.
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* ''Literature/EleanorAndPark'': When Eleanor calls the police after hearing gunshots right outside her house, not only seem less than interested, they make Eleanor get inside the house and let them despite the possibility there could be a violent criminal. To make matters worse, despite [[AbusiveParents Richie]] telling them that he ''shot at teenagers for being loud with an unlicensed handgun'', they don’t arrest him.
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* In ''Literature/TheNowhereGirls'', all the powerful adults in Prescott know each other, including the parents of the boys who raped Lucy. As a result, Chief Delaney refuses to take the accusations seriously and does everything he can to shut the Nowhere Girls down. [[spoiler:Averted by the sheriff of Fir County, where another one of the boys' victims lives. He takes the accusations seriously and is able to pressure Prescott law enforcement into bringing the rapists to justice.]]
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** Of particular note is the series' InspectorLestrade, Inspector Cramer, who is generally depicted as a good detective in his own right (and certainly, compared to most of the aforementioned careerists and authoritarians, is a certified genius) but who just has a bad habit of latching on to an obvious solution without adopting a more creative approach to the problem like Wolfe.

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** Of particular note is the series' InspectorLestrade, Inspector Cramer, who is generally depicted as a good detective in his own right (and certainly, compared to most of the aforementioned careerists and authoritarians, is a certified genius) but who just has a bad habit of latching on to an obvious solution without adopting a more creative approach to the problem like Wolfe. In one story, the nine-out-of-ten-cases point raised above is lampshaded when Cramer dryly notes that he actually ''has'' cleared nine cases by himself between the last case Wolfe was involved in and the current one.



** Even leaving aside the lack of development in forensic science, at the time Doyle started writing the Metropolitan Police had developed a reputation for being woefully incompetent and corrupt. It was also around this time that the UsefulNotes/JackTheRipper murders occurred, and it soon became apparent that the police were completely ill-equipped to deal with what was going on; as a result of this, serious and long-needed reforms began to be introduced.

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** Even leaving aside the lack of development in forensic science, at the time Doyle started writing the Metropolitan Police had developed a reputation for being woefully incompetent and corrupt. It was also around this time that the UsefulNotes/JackTheRipper murders occurred, and it soon became apparent that the police were completely ill-equipped to deal with what was going on; partly as a result of this, the lack of success in identifying the murderer, serious and long-needed reforms began to be introduced.

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* In Barbara Paul's ''The Fourth Wall,'' somebody (who is unknown for most of the book) is killing members of an acting troupe. The police are sympathetic and well-meaning; they are honest and competent. But somehow, no matter how many times the villain attacks people (using methods ranging from lacing someone's cold cream with acid to blowing up someone's house), the police never have any clues to follow, and the surviving actors must take matters in their own hands.



** In at least one book, deaths occur in part because civilians assume that this trope is in play and that the police will not be able to help them, leading them to try to take matters into their own hands without contacting the police for help. In ''Brotherhood In Death'', for instance, [[spoiler:the killers are rape victims who know enough about law to understand that their rapes are now past the statute of limitations. Initially they hope to have a fellow victim, whose rape was more recent, go to the police, but after she breaks under the pressure and kills herself, they assume that they have no choice but to make justice for themselves. It's only after the damage has been done that Eve gets a chance to tell them that what was done to them would be considered not just rape but ''conspiracy'' to commit rape - among several other crimes - which has a longer statute of limitations and could still have been prosecuted had it come to light before they'd resorted to murder (and the two surviving rapists have indeed been arrested and face prosecution)]].

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** In at least one book, deaths occur in part because civilians assume that this trope is in play and that the police will not be able to help them, leading them to try to take matters into their own hands without contacting the police for help. In ''Brotherhood In Death'', for instance, [[spoiler:the killers are rape victims who know enough about law to understand that their rapes are now past the statute of limitations. Initially they hope to have a fellow victim, whose rape was more recent, go to the police, but after she breaks under the pressure and kills herself, they assume that they have no choice but to make justice for themselves. It's only after the damage has been done that Eve gets a chance to tell them that what was done to them would be considered not just rape but ''conspiracy'' to commit rape - -- among several other crimes - -- which has a longer statute of limitations and could still have been prosecuted had it come to light before they'd resorted to murder (and the two surviving rapists have indeed been arrested and face prosecution)]].



* Part and parcel of the Literature/NancyDrew and Literature/TheHardyBoys books, since having a competent police force would render the need for crime solving eighteen-year-olds unnecessary. The same goes for Literature/TrixieBelden. Later books try to fix this slightly, making Chiefs [=McGinnis=] and Collig less actively incompetent and more of an "understaffed, overworked, SlaveToPR encouraged to wrap up cases in a pretty bow to keep their records looking good" kind of situation.

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* Part and parcel of the Literature/NancyDrew and Literature/TheHardyBoys books, since having a competent police force would render the need for crime solving eighteen-year-olds 18-year-olds unnecessary. The same goes for Literature/TrixieBelden. Later books try to fix this slightly, making Chiefs [=McGinnis=] and Collig less actively incompetent and more of an "understaffed, overworked, SlaveToPR encouraged to wrap up cases in a pretty bow to keep their records looking good" kind of situation.



* ''Literature/TortallUniverse'': In the ''Literature/BekaCooper'' trilogy, this seems to be the case for Night Watch and any of the Dogs portrayed unsympathetically. Taken up [[UpToEleven a notch]] with Sir Lionel of Trebond, which causes this trope in the Port Caynn Guard by extension — he's not only incompetent, [[spoiler:he's an incredible coward willing to put up with huge amounts of criminal activity to save his skin]].

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* ''Literature/TortallUniverse'': In the ''Literature/BekaCooper'' trilogy, this seems to be the case for Night Watch and any of the Dogs portrayed unsympathetically. Taken up [[UpToEleven a notch]] with Sir Lionel of Trebond, which causes this trope in the Port Caynn Guard by extension -- he's not only incompetent, [[spoiler:he's an incredible coward willing to put up with huge amounts of criminal activity to save his skin]].



* In Barbara Paul's ''The Fourth Wall,'' somebody (who is unknown for most of the book) is killing members of an acting troupe. The police are sympathetic and well-meaning; they are honest and competent. But somehow, no matter how many times the villain attacks people (using methods ranging from lacing someone's cold cream with acid to blowing up someone's house), the police never have any clues to follow, and the surviving actors must take matters in their own hands.

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* In Barbara Paul's ''The Fourth Wall,'' somebody (who is unknown for most of the book) is killing members of an acting troupe. The police are sympathetic and well-meaning; they are honest and competent. But somehow, no matter how many times the villain attacks people (using methods ranging from lacing someone's cold cream with acid to blowing up someone's house), the police never have any clues to follow, and the surviving actors must take matters in their own hands.
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* In ''Literature/LovecraftCountry'', the story is set during the Jim Crow era, and the protagonists are a working-class African-American family while the villains are wealthy white men. To whom the police are useful is unfortunately historically accurate.
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* In "Literature/BanditsInYourGrocersFreezer", the police refuse to come and rid the Oasis Market of the fantasy bandits who killed the manager and are camping out to rob people. Supposedly the market isn't in the county and out of their jurisdiction; the sheriff recommends Pete talks to the FBI who think it's a hoax and threaten to arrest him.
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* ''Literature/TheToughGuideToFantasyland'': Guards, or the Town Watch, are completely useless. They only ever arrive on the scene late when a tavern brawl or riot breaks out. Guards are few in number and uniformly stupid. However, Tourists will be glad of this when having to make a hasty exit from a Town.
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Entry Pimp.

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* ''Literature/TwentySixSixtySix'': When it comes to the serial murders. Evidence is frequently lost, few leads are followed through, and certain steps in logic are never taken. Not even pressure from the government makes a difference.
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* ''Literature/Reaper2016'': Unilaw are now the global law enforcement agency, and they ''stink'' at their job. Jex and Nathan are drawn into the investigation when every teenager who worked in the body stacks (where the frozen bodies of Game players are stored) who had a player die is pulled in for questioning. At one point, they're on the point of arresting a ''baby'' whose identity has been used to hack something. JustifiedTrope as they are dealing with an unprecedented attack, and most of them are teenagers because of the way society is shaped around [[VirtualReality Game]].
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* In ''Literature/TheAdventuresOfPinocchio'', in what is probably a satire towards the flaws of the justice system, features a town called "Acchiappa-Citrulli" (Catch-Fools), where the police officers and the Judge prefer to put the blame and arrest the victims of crimes instead of bringing the real criminals to justice. Case in point: Pinocchio suing the Fox and the Cat for robbing him with a [[GrowsOnTrees money grows on trees]] scam, only to be arrested because he fell for it.
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* ''Literature/HolmesOnTheRange'': Often averted, although the brothers are the ones to do the real mystery-solving, the actual authorities are generally competent at their jobs (although there are exceptions).
** Jim Martin is a bit of a blunderer and somewhat cowardly in the first book, but is introduced out searching for an escaped killer, and during Old Red's summation, gradually shows signs of believing him. He spends the final shootout that follows this cowering in a corner, but does get off a couple shots, one of which might have hit [[spoiler: Ully [[=McPherson=]]].
** The brothers themselves are the police (railroad police anyway) in ''On the Wrong Track'', and while a bit gruff, Colonel Crowe is a fairly shrewd fellow, who has another agent planted on the train who also does a good job.
** Mahoney from ''The Black Dove'' is an active menace to the characters and has no interest in solving the crime, but is corrupt rather than incompetent.
** Milford Bales in ''A Crack in the Lens'' spends a lot of the novel hostile and pursuing a vendetta against Old Red, and has obviously overlooked quite a few crimes in his town over the last five years, but he does come around and prove helpful in the end, and has forced the local DenOfIniquity to relocate to outside of city limits. His deputy also works to prevent the brothers from falling victim to a lynch mob. The county sheriff on the other hand, is an utter jerk who is either complicit or willfully blind in the various murders.
** Sergeant Ryan in ''World's Greatest Sleuth'' is described as [[ReasonableAuthorityFigure "Shockingly Reasonable"]] in the appendix, and while he does voice the belief that the death was an accidental one, he voices some decent logic for doing so, is shown to still be thorough investigating things anyway, and ultimately doen't obstruct the brothers at a key point in the case.
** Marshal Hinkle in ''The Double-A Western Detective Agency'' is a fair-minded, inviting man who works hard to keep the peace and doesn't kowtow to corrupt local interests, while his deputy Flip Hinkle is an earnest, well-meaning guy who steps aside and lets the brothers and Diana do their thing when the choice is in his shoulders.
** Played completely straight with Marshal Nickles, from one of the short stories in ''Dear Mr. Holmes''. He is a bullying, bigoted man who is quick to seize the obvious solution and reluctant to admit that he's wrong
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* The City Watch in the ''Literature/{{Discworld}}'' novels started out in ''Discworld/GuardsGuards'' as basically an intentional parody of itself; the Thieves' Guild was better at regulating crime, for one, and eventually the watches were filled up by Vetinari with useless no-hopers, led by an alcoholic Sam Vimes on nights. Then events happened, propelling things to the current status- where the Watch is one of the most effective and best run parts of the city, and admired throughout the Disc.

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* The City Watch in the ''Literature/{{Discworld}}'' novels started out in ''Discworld/GuardsGuards'' ''Literature/GuardsGuards'' as basically an intentional parody of itself; the Thieves' Guild was better at regulating crime, for one, and eventually the watches were filled up by Vetinari with useless no-hopers, led by an alcoholic Sam Vimes on nights. Then events happened, propelling things to the current status- where the Watch is one of the most effective and best run parts of the city, and admired throughout the Disc.
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Puppet Master is not a trope


* Cops tend to be fairly useless in Creator/StephenKing's books. Even when they're persuaded to investigate the strange goings-on in a particular novel, they have a tendency to get bumped off before they can help the heroes. There's a BIG exception in ''Literature/NeedfulThings'', though; the main character, a small-town sheriff, manages to single-handedly fight off a demonic PuppetMaster. Most of his deputies manage to handle themselves half-decently considering the circumstances, too.

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* Cops tend to be fairly useless in Creator/StephenKing's books. Even when they're persuaded to investigate the strange goings-on in a particular novel, they have a tendency to get bumped off before they can help the heroes. There's a BIG exception in ''Literature/NeedfulThings'', though; the main character, a small-town sheriff, manages to single-handedly fight off a demonic PuppetMaster.puppet master. Most of his deputies manage to handle themselves half-decently considering the circumstances, too.
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* In ''{{Literature/One Of Us Is Lying}}''And how. Granted, there would be no plot if the police did an even half-competent job of investigating Simon's murder, but this novel reads like [=McManus=] has a personal grudge. Every time we see the police, they're being played like fiddles and out-copped by Bronwyn's fifteen-year-old sister. It's implied that they don't care who really did it, just who they can blame it on, for example when Nate is told early on that he's "the obvious outlier and scapegoat." [[spoiler: Sure enough, he's the one arrested on evidence that could easily have been planted, and was.]]

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* In ''{{Literature/One Of Us Is Lying}}''And ''Literature/OneOfUsIsLying'' And how. Granted, there would be no plot if the police did an even half-competent job of investigating Simon's murder, but this novel reads like [=McManus=] has a personal grudge. Every time we see the police, they're being played like fiddles and out-copped by Bronwyn's fifteen-year-old sister. It's implied that they don't care who really did it, just who they can blame it on, for example when Nate is told early on that he's "the obvious outlier and scapegoat." [[spoiler: Sure enough, he's the one arrested on evidence that could easily have been planted, and was.]]
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* In ''{{Literature/OneOfUsIsLying}}''And how. Granted, there would be no plot if the police did an even half-competent job of investigating Simon's murder, but this novel reads like [=McManus=] has a personal grudge. Every time we see the police, they're being played like fiddles and out-copped by Bronwyn's fifteen-year-old sister. It's implied that they don't care who really did it, just who they can blame it on, for example when Nate is told early on that he's "the obvious outlier and scapegoat." [[spoiler: Sure enough, he's the one arrested on evidence that could easily have been planted, and was.]]

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* In ''{{Literature/OneOfUsIsLying}}''And ''{{Literature/One Of Us Is Lying}}''And how. Granted, there would be no plot if the police did an even half-competent job of investigating Simon's murder, but this novel reads like [=McManus=] has a personal grudge. Every time we see the police, they're being played like fiddles and out-copped by Bronwyn's fifteen-year-old sister. It's implied that they don't care who really did it, just who they can blame it on, for example when Nate is told early on that he's "the obvious outlier and scapegoat." [[spoiler: Sure enough, he's the one arrested on evidence that could easily have been planted, and was.]]
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* In ''{{Literature/OneOfUsIsLying}}''And how. Granted, there would be no plot if the police did an even half-competent job of investigating Simon's murder, but this novel reads like [=McManus=] has a personal grudge. Every time we see the police, they're being played like fiddles and out-copped by Bronwyn's fifteen-year-old sister. It's implied that they don't care who really did it, just who they can blame it on, for example when Nate is told early on that he's "the obvious outlier and scapegoat." [[spoiler: Sure enough, he's the one arrested on evidence that could easily have been planted, and was.]]
** Less prominent in ''One of Us is Next'' as the main characters aren't suspects, but near the end one of the detectives from the first book is seen again, still being played like a fiddle, [[spoiler: still apparently taking what known murderers tell him at face value]].
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Neither is the police in The Shadow Over Innsmouth useless, nor is the audience given a reason to expect they are useless. Not A Subversion.


* Played straight in most of the Franchise/CthulhuMythos, but subverted in ''Literature/TheShadowOverInnsmouth''. The narrator never meets any police officers during his stay in Innsmouth, but once he reports what happened to him during his time there to the government, a large number of policemen arrive in town and begin arresting most of the townspeople (which largely consist of HalfHumanHybrid cultists), destroying buildings with fire and dynamite, and to top it off, bombarded the nearby Devil Reef--which contained a portal to the Deep Ones' realm--with depth charges and torpedoes launched from a submarine. The narrator, while going insane towards the end of the story due to his psychic connections with the Deep Ones and utterly convinced of their power, still admits that the bombardment by a single submarine seriously hurt Y’ha-nthlei (though it wasn't destroyed).
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* Played straight in most of the Franchise/CthulhuMythos, but subverted in ''Literature/TheShadowOverInnsmouth''. The narrator never meets any police officers during his stay in Innsmouth, but once he reports what happened to him during his time there to the government, a large number of policemen arrive in town and begin arresting most of the townspeople (which largely consist of HalfHumanHybrid cultists), destroying buildings with fire and dynamite, and to top it off, bombarded the nearby Devil Reef--which contained a portal to the Deep Ones' realm--with depth charges and torpedoes launched from a submarine.

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* Played straight in most of the Franchise/CthulhuMythos, but subverted in ''Literature/TheShadowOverInnsmouth''. The narrator never meets any police officers during his stay in Innsmouth, but once he reports what happened to him during his time there to the government, a large number of policemen arrive in town and begin arresting most of the townspeople (which largely consist of HalfHumanHybrid cultists), destroying buildings with fire and dynamite, and to top it off, bombarded the nearby Devil Reef--which contained a portal to the Deep Ones' realm--with depth charges and torpedoes launched from a submarine. The narrator, while going insane towards the end of the story due to his psychic connections with the Deep Ones and utterly convinced of their power, still admits that the bombardment by a single submarine seriously hurt Y’ha-nthlei (though it wasn't destroyed).
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* Generally played fairly straight in the Literature/NeroWolfe novels and stories, though it is often justified and played with as well. As a GreatDetective, Nero Wolfe is naturally the genius who solves the cases the cops can't, and his assistant Archie Goodwin -- as the DeadpanSnarker -- naturally has some sarcastic things to say about this. And certainly, a high percentage of cops and prosecutors who show up tend to be either spineless careerists who are so invested in personal advantage that they're terrified of making a single step lest they make a mistake and end their careers, or pig-headed authoritarians who'll latch on to any excuse to throw their weight around and bully someone. However, Wolfe himself acknowledges that in nine out of ten cases, the police are more than capable of solving the crime, and indeed have plenty of advantages that he himself lacks (such as a sheer volume of manpower to chase down leads that he, with only Archie and a handful of freelance operatives, cannot hope to summon); it's just that when that tenth case comes along, they're out of their depth and his genius is needed.

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* Generally played fairly straight in the Literature/NeroWolfe novels and stories, though it is often justified and played with as well. As a GreatDetective, Nero Wolfe is naturally the genius who solves the cases the cops can't, and his assistant Archie Goodwin -- as the DeadpanSnarker and narrator -- naturally has some sarcastic things to say about this. And certainly, a high percentage of cops and prosecutors who show up tend to be either spineless careerists who are so invested in personal advantage that they're terrified of making a single step lest they make a mistake and end their careers, or pig-headed authoritarians who'll latch on to any excuse to throw their weight around and bully someone. However, Wolfe himself acknowledges that in nine out of ten cases, the police are more than capable of solving the crime, and indeed have plenty of advantages that he himself lacks (such as a sheer volume of manpower to chase down leads that he, with only Archie and a handful of freelance operatives, cannot hope to summon); it's just that when that tenth case comes along, they're out of their depth and his genius is needed.
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* Generally played fairly straight in the Literature/NeroWolfe novels and stories, though it is often justified and played with as well. As a GreatDetective, Nero Wolfe is naturally the genius who solves the cases the cops can't, and his assistant Archie Goodwin -- as the DeadpanSnarker -- naturally has some sarcastic things to say about this. And certainly, a high percentage of cops and prosecutors who show up tend to be either spineless careerists who are so invested in personal advantage that they're terrified of making a single step lest they make a mistake and end their careers, or pig-headed authoritarians who'll latch on to any excuse to throw their weight around and bully someone. However, Wolfe himself acknowledges that in nine out of ten cases, the police are more than capable of solving the crime, and indeed have plenty of advantages that he himself lacks (such as a sheer volume of manpower to chase down leads that he, with only Archie and a handful of freelance operatives, cannot hope to summon); it's just that when that tenth case comes along, they're out of their depth and his genius is needed.
** Of particular note is the series' InspectorLestrade, Inspector Cramer, who is generally depicted as a good detective in his own right (and certainly, compared to most of the aforementioned careerists and authoritarians, is a certified genius) but who just has a bad habit of latching on to an obvious solution without adopting a more creative approach to the problem like Wolfe.
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* ''Literature/BekaCooper'' plays with this. On one hand, the protagonist is a cop herself, and most others are portrayed sympathetically. On the ''other'' hand, the Corus police (known as the Dogs) are understaffed, overworked, and generally making up police work as they go, so even the reasonable Dogs are willing to dismiss cases that don't have enough evidence (like the Opal Murders, which Beka found out about because of her powers) or just don't make enough of a splash (like the Shadow Snake killing the children of poor parents who wouldn't ransom them with some item of value they had), ''especially'' in the Lower City. The Port Caynn Dogs fit this to a tee, being completely ineffective against Pearl Skinner, because their boss is a DirtyCoward.

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* The Aurors from ''Literature/HarryPotterAndTheOrderOfThePhoenix'' do very little good, unless they work with the [[LaResistance Order of the Phoenix]]: since the Ministry officially refuses to acknowledge [[BigBad Voldemort]]'s return, they end up [[NiceJobBreakingItHero helping the Death Eaters]] more than anything. They start [[AvertedTrope averting it]] in [[Literature/HarryPotterAndTheHalfBloodPrince the sequel]], and actually try to stop Voldemort. But then again, most of the aurors who aren't part of the Order of the Phoenix still [[MilitariesAreUseless never do anything useful]] (for their side) anyway. Even the ones with the Order are still incompetent, except for Moody. Tonks loses every fight she's in. No Auror can handle Bellatrix Lestrange... who is beaten by a housewife. Another Auror loses a battle with Neville's grandmother.[[note]]In fairness to the Aurors, it should be noted that the housewife mentioned above was a MamaBear who'd just lost a son, and saw another of her children being threatened. And Harry himself noted that he wouldn't want to cross [[NeverMessWithGranny Neville's grandmother]].[[/note]] It would seem [=McGonagall=] was fibbing when she told Harry about the high standards just to qualify for training for the Aurors in an effort to trick him into focusing more on his studies.

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* The Aurors from ''Literature/HarryPotterAndTheOrderOfThePhoenix'' do very little good, unless they work with the [[LaResistance Order of the Phoenix]]: since the Ministry officially refuses to acknowledge [[BigBad Voldemort]]'s return, they end up [[NiceJobBreakingItHero helping the Death Eaters]] more than anything. They start [[AvertedTrope averting it]] in [[Literature/HarryPotterAndTheHalfBloodPrince the sequel]], and actually try to stop Voldemort. But then again, most of the aurors who aren't part of the Order of the Phoenix still [[MilitariesAreUseless never do anything useful]] (for their side) anyway. Even the ones with the Order are still incompetent, except for Moody. Tonks loses every fight she's in. No Auror can handle Bellatrix Lestrange... who is beaten by a housewife. Another Auror loses a battle with Neville's grandmother.[[note]]In fairness to the Aurors, it should be noted that the housewife mentioned above was a MamaBear who'd just lost a son, and saw another of her children being threatened. And Harry himself noted that he wouldn't want to cross [[NeverMessWithGranny Neville's grandmother]].[[/note]] It would seem [=McGonagall=] was fibbing when she told Harry about the high standards just to qualify for training for the Aurors in an effort to trick him into focusing more on his studies.



** This, however, isn't shown to be the norm, but simply a narrow-mindedness, rather than genuine incompetence, of the investigator in question. Overall, most police services in the Honorverse are shown to be quite competent, and [[CorruptCop even when corrupt]], they at least aren't completely bumbling in their corruption.
** Also, Honor didn't deduce anything, she ''knew'' that Lt. Mears was under some sort of influence, because of her [[PsychicPowers empathic sense]]. Which she had to present as being that of her treecat, to keep the {{masquerade}}. The investigator simply didn't believe in the 'cats PsychicPowers, because at that time they were more of a hypothesis rather than an established fact, and were dismissed even by many respectable scientists.
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* Played straight in most of the Literature/CthulhuMythos, but subverted in ''Literature/TheShadowOverInnsmouth''. The narrator never meets any police officers during his stay in Innsmouth, but once he reports what happened to him during his time there to the government, a large number of policemen arrive in town and begin arresting most of the townspeople (which largely consist of HalfHumanHybrid cultists), destroying buildings with fire and dynamite, and to top it off, bombarded the nearby Devil Reef--which contained a portal to the Deep Ones' realm--with depth charges and torpedoes launched from a submarine.

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* Played straight in most of the Literature/CthulhuMythos, Franchise/CthulhuMythos, but subverted in ''Literature/TheShadowOverInnsmouth''. The narrator never meets any police officers during his stay in Innsmouth, but once he reports what happened to him during his time there to the government, a large number of policemen arrive in town and begin arresting most of the townspeople (which largely consist of HalfHumanHybrid cultists), destroying buildings with fire and dynamite, and to top it off, bombarded the nearby Devil Reef--which contained a portal to the Deep Ones' realm--with depth charges and torpedoes launched from a submarine.
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* In ''Literature/YouAreDeadSignHerePlease'' the city of Dead Donkey does have a police force, but they are very determinedly guarding the q-tip factory, and thus avoiding doing any real work.

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* In ''Literature/YouAreDeadSignHerePlease'' the city of Dead Donkey does have a police force, but they are very determinedly guarding the q-tip factory, and thus avoiding doing any real work.work.
* In Barbara Paul's ''The Fourth Wall,'' somebody (who is unknown for most of the book) is killing members of an acting troupe. The police are sympathetic and well-meaning; they are honest and competent. But somehow, no matter how many times the villain attacks people (using methods ranging from lacing someone's cold cream with acid to blowing up someone's house), the police never have any clues to follow, and the surviving actors must take matters in their own hands.
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* Played straight in most of the Literature/CthulhuMythos, but subverted in ''Literature/TheShadowOverInnsmouth''. The narrator never meets any police officers during his stay in Innsmouth, but once he reports what happened to him during his time there to the government, a large number of policemen arrive in town and begin arresting most of the townspeople (which largely consist of HalfHumanHybrid cultists), destroying buildings with fire and dynamite, and to top it off, bombarded the nearby Devil Reef--which contained a portal to the Deep Ones' realm--with depth charges and torpedoes launched from a submarine.
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* Literature/AmeliaPeabody and her husband, who are detective archeologists, routinely ignore the police in their detective work. Justified, in that their adventures happen in Egypt in the 1880s to 1920s, where the police are indeed ineffectual, violent and corrupt. Things get better by the end of the series, but by then, their habits are ingrained, to the chagrin of the new police inspector.
* A variant occurs in ''Literature/{{Animorphs}}'', where going to the police or even sometimes the army is out of the question because a percentage of the force are controllers and going to either cover up whatever it was to keep the invasion secret or just turn in the Animorphs or both. It's hard to tell who's a controller and who isn't.
%%* In a slight variation, Animal Control remains silent throughout the alarming conflicts of web serial ''Literature/{{Barkwire}}''.
* Creator/EnidBlyton's popular ''[[Literature/TheFamousFive Famous Five]]'' series has the {{Big Bad}}s committing heinous acts and the police completely unable to find even the smallest piece of evidence against them. In the end, the police are the ones who arrest the BigBad, but it is a certain group of teenagers and a dog who find all the clues and figure it all out.
** The situation in one of Blyton's other series, ''Literature/FiveFindOuters'', is even worse: The local constable, Goon, detests the young protagonists (and children in general) and spends most of his time befriending the real criminal while arresting the innocent. (One novel has the villains using him to clear out the innocent bystander who's moved in on top of their stash by tipping him off that the man has a criminal record.) The rest of the police, notably ReasonableAuthorityFigure Inspector/Superintendent Jenks, do at least respect and work with the children, even if they don't seem to do much without them.
* ''Literature/BooksOfBayern'': In ''Goose Girl'', Ani[=/=]Isi is snatched off the streets during the festival and the King's Soldiers, who are there, don't do squat. Later she points this out:
-->"Did you know that there are men who call themselves Peace-Keepers, obeying their own code of law and not the King's, sworn to keep the streets safe because the King's soldiers do not, or will not?"
* ''Literature/TheBusinessOfDying'' has the London police force not be bad, since they are doing their jobs with the material and information given to them. But they do get lazy when they get Mark Wells, the dead prostitute's pimp, into custody and are a little too intent on convicting him of the crime.
* In the ''Literature/ChildrenOfTheRedKing'' series, the police appear occasionally, but there's not really anything they can do about say, a murder committed by a 300 year old magically animated sword. Generally, they just ignore it and hope the endowed people can solve their own problems.
* Downplayed in Creator/AgathaChristie's novels, where the police officers are typically described as quite competent, but because their actions are limited by the standard procedures, they are frequently misled by false evidences, leading them to arrest the wrong suspect. On the other hand, the amateur sleuths often perform better because the people they talk to are less on their guard during the "interrogations", and are therefore more willing to reveal information about the case, which is usually vital to solving the whole thing.
* In ''Literature/TheCloakSociety'', they do not appeal to the police for most of the trilogy -- indeed, the danger of coming to public attention, the warrants on some of them, and the villains' report that one of them has been kidnapped mean they avoid them entirely. Later, however, [[spoiler: they appeal to the police for help -- more on the reasoning that JurisdictionFriction means the police will want to support them than because the police ought to handle it]].
* In Creator/NeilGaiman's ''Literature/{{Coraline}}'', the titular character calls the police after her parents disappear without a trace. While she explains herself in terms that may sound like a child having a nightmare, it's still no laughing matter when she tells how her Other Mother probably made them disappear; rather than brush her off, it would seem more likely for the modern police to interpret what happened as murder or kidnapping over custody disagreement.
* In the children's book ''Literature/{{Corduroy}}'', the night security guard takes a stuffed bear as a perfectly logical explanation for the crash he heard. He puts Corduroy back on his shelf and does no further investigation into the incident.
* A common problem in the ''Literature/CormoranStrikeNovels'', but only to a degree, as the police are not so much incompetent as they are unwilling to explore other possibilities when they already have a perfectly reasonable suspect or explanation at hand.
** In ''Literature/TheCuckoosCalling'' the police are convinced that Lula Landry committed suicide, and don't appreciate the hero's investigation that aims to prove otherwise.
** In ''Literature/TheSilkworm'' they latch unto [[spoiler:Leonora Quine]] as the murderer for some fairly reasonable reasons, but then absolutely refuse to consider other suspects.
** In ''Literature/CareerOfEvil'' Strike provides the police with 4 suspects from his past that could be responsible for [[spoiler:sending him a severed human leg in the mail]]. They latch into the wrong one and ignore all the others.
* A military variant happens in ''Literature/TheDestroyer'' #113, "The Empire Dreams". The neo-nazi villains successfully blitz London ''three times'' because the same obstructive RAF officer keeps refusing to take the reports seriously. The first time he rejects the reports because they were made by a farmer and a meteorologist and who would fly UsefulNotes/{{W|orldWarII}}W2-era planes anyway? He later rejects a second report because it says the planes come from the direction of the English Channel, and the first planes ''obviously'' came from Ireland. In the third case they actually have a tight security net up, but fail to consider planes launched from ''within'' Britain, so he rejects those claims too, because "nothing can get through our security measures". He then accuses the near-hysterical official reporting the bombings of being drunk, while ''gunshots, explosions and screams can be heard in the background''. The villains later seize Paris by kidnapping roughly over a dozen important officials, including the French President, and torturing them until they sign a surrender. The entire coup is carried out one morning without any mention of interference from bodyguards or police, and the new regime has their jackbooted neo-nazi skinhead troops marching in the streets the same day, with no visible resistance at all.
* The City Watch in the ''Literature/{{Discworld}}'' novels started out in ''Discworld/GuardsGuards'' as basically an intentional parody of itself; the Thieves' Guild was better at regulating crime, for one, and eventually the watches were filled up by Vetinari with useless no-hopers, led by an alcoholic Sam Vimes on nights. Then events happened, propelling things to the current status- where the Watch is one of the most effective and best run parts of the city, and admired throughout the Disc.
* In ''Literature/ADogsPurpose''. Bear's owners are reported for keeping him tied up on a leash in their yard all day. They don't pet him, play with him, let him loose, etc. The police come over to inspect, but their hands are tied because Bear's situation doesn't fit the minimal legal requirements for animal neglect: he has housing, food, and water.
* Averted with the Special Investigations unit in ''Literature/TheDresdenFiles'', led by Karrin Murphy, who among other things has [[Awesome/TheDresdenFiles taken down a tree-monster with a chainsaw]]. Though the unit still calls in Dresden for consulting, it's mentioned a few books in that they've learned enough to handle most of your usual supernatural riff-raff without the wizard's help. There are also things with enough power that getting the police involved would lead to a bloodbath. Several times Dresden convinces Murphy not to involve her unit by telling her what he's facing is "worse than the loup-garou", a {{Nigh Invulnerab|ility}}le variety of werewolf that rampaged through the station in the second book.
* In the Ancient Egyptian mystery novel ''Eater of Souls'', a serial killer's initial crimes go unsolved -- indeed, virtually unnoticed -- because the head of the city's police force is a lazy status-seeker who writes the victims off as "A death, not of the city", simply because he doesn't think his superiors in the nobility would want to be troubled about something as sordid as murder among visiting merchants or villagers.
* ''Literature/EmilyTheStrangeTheLostDays'' combines this and DirtyCop for the Blackrock police. A 13-year-old girl is living in a refrigerator box behind the local diner, and they just give her a ticket for doing so. When she is taken in for complaining to the local postal clerk, she tells the officers for hours that she had no memory of who she was and they release her, implying that the next time her "uncle" give him money to avoid this.
* In ''Literature/{{Hammerjack}}'', all the real law enforcement power rests with Corporate Special Services. Civilian police services still exist but are largely irrelevant and only handle matters that CSS considers too unimportant or too unpleasant to bother with themselves.
* The Aurors from ''Literature/HarryPotterAndTheOrderOfThePhoenix'' do very little good, unless they work with the [[LaResistance Order of the Phoenix]]: since the Ministry officially refuses to acknowledge [[BigBad Voldemort]]'s return, they end up [[NiceJobBreakingItHero helping the Death Eaters]] more than anything. They start [[AvertedTrope averting it]] in [[Literature/HarryPotterAndTheHalfBloodPrince the sequel]], and actually try to stop Voldemort. But then again, most of the aurors who aren't part of the Order of the Phoenix still [[MilitariesAreUseless never do anything useful]] (for their side) anyway. Even the ones with the Order are still incompetent, except for Moody. Tonks loses every fight she's in. No Auror can handle Bellatrix Lestrange... who is beaten by a housewife. Another Auror loses a battle with Neville's grandmother.[[note]]In fairness to the Aurors, it should be noted that the housewife mentioned above was a MamaBear who'd just lost a son, and saw another of her children being threatened. And Harry himself noted that he wouldn't want to cross [[NeverMessWithGranny Neville's grandmother]].[[/note]] It would seem [=McGonagall=] was fibbing when she told Harry about the high standards just to qualify for training for the Aurors in an effort to trick him into focusing more on his studies.
* After Literature/HonorHarrington is attacked by a crewmember who tries to assassinate her, she instantly deduces that he was under some kind of mind control, which the military police brush off as denial that someone she knew was an enemy agent.
** This, however, isn't shown to be the norm, but simply a narrow-mindedness, rather than genuine incompetence, of the investigator in question. Overall, most police services in the Honorverse are shown to be quite competent, and [[CorruptCop even when corrupt]], they at least aren't completely bumbling in their corruption.
** Also, Honor didn't deduce anything, she ''knew'' that Lt. Mears was under some sort of influence, because of her [[PsychicPowers empathic sense]]. Which she had to present as being that of her treecat, to keep the {{masquerade}}. The investigator simply didn't believe in the 'cats PsychicPowers, because at that time they were more of a hypothesis rather than an established fact, and were dismissed even by many respectable scientists.
* The police in ''Literature/HushHush'' are laughably useless. While some of it can be attributed to many of the characters [[ItWasHereISwear making Nora hallucinate some of the stuff she reports]], but it doesn't explain some of the random conclusions they come to (the first book has a detective argue that Nora and Patch must be dating, because [[InsaneTrollLogic Patch gave Nora a ride home]]), various uncalled-for remarks (''Crescendo'' has the detective flat-out tell Nora, "I think you're crazy", in response to her telling him she was drugged and chased), unprofessional behavior (in ''Silence'', the police handle a girl going missing for months and showing up out of nowhere with no memory whatsoever of her abduction by releasing her without taking statements or examining her mental health/bringing up the possibility of therapy), and enforcing OnlyBadGuysCallTheirLawyers. Of course, given that we really only see one particular detective [[spoiler:who is actually an angel undercover]], it's possible that it's just him who's a terrible cop.
* ''Literature/IAmNotASerialKiller'' has an [[PsychologicalHorror appropriately]] dark example. Not only are the police helpless enough to either believe or be unable to refute John's increasingly flimsy excuses for why he's always around when bad things happen and always manages to survive, even when he's outnumbered or outclassed, the FBI agent who investigates the Clayton killer case in ''Literature/MrMonster'' [[spoiler:is trying to find the SerialKillerKiller to ''stop'' them because he's even worse than the now-dead killer.]]
** This trend continues in the second trilogy-John and the rest of the slayers only work with the local force because they have to, and have clear contempt for them. Even when repeatedly warned by [[ReasonableAuthorityFigure Ostler]], [[FriendOnTheForce Kelly]], and [[TeenGenius John]], they refuse to stay out of an obviously strange and dangerous case. Predictably, it bites them in the ass.
* The police in ''Literature/{{Incompetence}}'', as the book's title suggests, are completely useless. Examples include an officer suffering from "Non-Specific Stupidity" who manages to handcuff himself while arresting a suspect, a food safety officer who brings SWAT teams on restaurant inspections and a police captain with anger management problems so severe that he opens fire at the pavement when told to calm down. The one police officer shown to display any form of competence is said to have zero promotion prospects due to this fact.
* Played with in the ''Literature/InDeath'' series. Protagonist Eve Dallas is a skilled and highly motivated detective; her Commander and (starting in the second novel) the Chief of Police are {{Reasonable Authority Figure}}s, and many other members of the police force in New York City and elsewhere are portrayed as taking their jobs seriously and doing them well. At the same time, the series repeatedly shows that the police as a whole are as mixed a bag of people as one might find anywhere, and Eve and her close colleagues encounter plenty of cops who fail at their jobs due to inexperience and lack of instincts, laziness, lack of caring, stubbornness, territoriality, greed, desire for personal glory, and so forth.
** In at least one book, deaths occur in part because civilians assume that this trope is in play and that the police will not be able to help them, leading them to try to take matters into their own hands without contacting the police for help. In ''Brotherhood In Death'', for instance, [[spoiler:the killers are rape victims who know enough about law to understand that their rapes are now past the statute of limitations. Initially they hope to have a fellow victim, whose rape was more recent, go to the police, but after she breaks under the pressure and kills herself, they assume that they have no choice but to make justice for themselves. It's only after the damage has been done that Eve gets a chance to tell them that what was done to them would be considered not just rape but ''conspiracy'' to commit rape - among several other crimes - which has a longer statute of limitations and could still have been prosecuted had it come to light before they'd resorted to murder (and the two surviving rapists have indeed been arrested and face prosecution)]].
* ''Literature/TheInfected'' the police aren't ''useless'' per se, but entirely unequipped to deal with superpowers, and it makes them trigger-happy. The protagonist of the first book, Brian, is almost killed twice in police custody, though this is later shown to be a result of mind-control, his feud with the police for the rest of the series causes no shortage of headaches for everyone.
* In ''Literature/TheInkworldTrilogy'', Meggie and her aunt go to the police, but the police refuse to come. Also subverted, when one of the police turns out to be employed by the BigBad. ''Precisely'' one cop, who is able to hide the illegal activities of ''a town'', which include regularly kidnapping people.
* Cops tend to be fairly useless in Creator/StephenKing's books. Even when they're persuaded to investigate the strange goings-on in a particular novel, they have a tendency to get bumped off before they can help the heroes. There's a BIG exception in ''Literature/NeedfulThings'', though; the main character, a small-town sheriff, manages to single-handedly fight off a demonic PuppetMaster. Most of his deputies manage to handle themselves half-decently considering the circumstances, too.
* In the ''Literature/{{Montmorency}}'' series, especially the fourth book, the police do very little to help, including capturing the wrong person on a few occasions. But they try. Really, they do.
* Played with in ''Literature/MurderAtColefaxManor''. [[spoiler:While the chief inspector is reasonable, the player can decide to be one by deciding to arrest any of the cast without having any evidence or proof as to if they committed or were complicate in the murder.]]
* Part and parcel of the Literature/NancyDrew and Literature/TheHardyBoys books, since having a competent police force would render the need for crime solving eighteen-year-olds unnecessary. The same goes for Literature/TrixieBelden. Later books try to fix this slightly, making Chiefs [=McGinnis=] and Collig less actively incompetent and more of an "understaffed, overworked, SlaveToPR encouraged to wrap up cases in a pretty bow to keep their records looking good" kind of situation.
%%* Pretty much all of New Rochelle's department, from the Commissioner on down, in ''Literature/TheNorthAvenueIrregulars''.
* In ''{{Literature/Pretty Little Liars}}'' the police(and later the FBI!) are so incompetent that they can't even determine when a security video has been obviously faked. They do apologize to the girls at the end but still.
* The NYC police in ''Literature/{{Psmith}}, Journalist'' don't take any of the gangsters seriously, even when they're out to kill the main characters. Even if taken into custody, the gangsters can always provide each other with alibis and [[CardboardPrison get themselves released]].
* In ''Literature/TheRulesOfSupervillainy'' the police of Falconcrest City are hopelessly overwhelmed by the city's supervillains. To be fair, they have super-tech and an army of thugs while the police... don't. It's also implied that many came to the city after the Nightwalker's death.
* In the early Franchise/SherlockHolmes stories, the police inspectors of Scotland Yard were outright idiots, overlooking clues and coming to false conclusions. In ''The Sign of Four'' Holmes proclaims, "I would rather have the help of Toby (''a dog'') than the entire detective force of London!" This was improved in later stories, as Inspector Lestrade, especially, was shown to be more lacking in the specialized knowledge and HyperAwareness that Holmes possessed, than simply being a moron. Holmes even praised Lestrade and Gregson for their courage and tenacity, even if their own detective skills were lacking by comparison.
** This was in response to the development of forensic science; when Doyle started writing the stories, the police often failed to take statements from witnesses at crime scenes. As time passed and investigation improved, so did their treatment in the stories. Holmes was always better than them.
** Indeed, it's said that the real Scotland Yard detectives read Holmes novels, and took hints. It's worth noting that many things that Holmes does that are common police procedure today were barely given a lip service in the 19th century.
** Even leaving aside the lack of development in forensic science, at the time Doyle started writing the Metropolitan Police had developed a reputation for being woefully incompetent and corrupt. It was also around this time that the UsefulNotes/JackTheRipper murders occurred, and it soon became apparent that the police were completely ill-equipped to deal with what was going on; as a result of this, serious and long-needed reforms began to be introduced.
** Averted with Inspector Baynes in "The Adventure of Wysteria Lodge", whom Holmes gives high praise.
* Literature/SisterhoodSeries by Creator/FernMichaels: Played very straight! The cops know who killed Barbara Rutledge in a hit-and-run in ''Weekend Warriors'', but can't do anything about it because the driver uses DiplomaticImpunity. Indeed, the Vigilantes operate under this assumption, and considering how the police are often incompetent or in the bad guy's pockets, that assumption may not be too far off!
* This is a defining theme in ''Literature/SmallerAndSmallerCircles''. In at least one murder, the Quezon City police do nothing to process or contain the crime scene properly, and as a result, a vital piece of evidence goes missing, possibly stolen by locals for scrap. Luckily for IntrepidReporter Joanna, her camera footage of the scene is ''just'' clear enough for Father Saenz to later identify the evidence as [[spoiler:[[DepravedDentist a dental instrument]].]]
* The basis of Lance Manley's possibly true memoir ''Literature/StabProofScarecrows'': about his (short) time in the English police. It shows an organisation obsessed with looking good at the expense of public safety with Race & Diversity the focus of attention rather than actually solving crime.
* ''Literature/TortallUniverse'': In the ''Literature/BekaCooper'' trilogy, this seems to be the case for Night Watch and any of the Dogs portrayed unsympathetically. Taken up [[UpToEleven a notch]] with Sir Lionel of Trebond, which causes this trope in the Port Caynn Guard by extension — he's not only incompetent, [[spoiler:he's an incredible coward willing to put up with huge amounts of criminal activity to save his skin]].
** Even the Evening Watch, which is depicted as the best of the bunch, is limited, as much as they loathe to admit it. They're understaffed, underfunded, and have to put up with an unfortunately high level of laziness, corruption and brutality because of it. The well meaning cops do their best, but sometimes that's not enough.
* Detective Lieutenant Willer and his entire force in ''Literature/TyrannosaurCanyon'' are dismal at every point of the story. They allow the scene of a murder to degrade for several days before following up, blame the protagonist for everything, and are cowed into submission by the feds right before they could have been useful.
%%* In ''{{Literature/Valhalla}}'' by Ari Bach, the police are always a nuisance to be avoided, if not an obstacle.
* In ''Literature/VenissUnderground'', the police in Veniss city operate as a pay-to-hire business. They ignore the missing persons report filed by Nicola because she isn't rich enough to make investigating worth their while.
* In ''Literature/VeryBadDeaths'', Russell is hunting Alan, a serial torturer/killer, from information gleaned by his telepathic friend's brief brush with Alan's mind. When Russell gets a police officer to listen to him, she can only help him as a civilian because the police can't legally act on any of the (scant) information he has on the Alan.
* In ''Literature/YouAreDeadSignHerePlease'' the city of Dead Donkey does have a police force, but they are very determinedly guarding the q-tip factory, and thus avoiding doing any real work.

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