History NothingIsScarier / LiveActionTV

** In "[[Recap/TheTwilightZoneS1E11AndWhenTheSkyWasOpened And When the Sky Was Opened]]", three astronauts return from a space mission and begin to [[CessationOfExistence disappear]] one by one -- that is, their names are stricken from reports, and everyone but the astronauts, including their own parents, lose all memory of them. We ''never find out why this is happening.'' One of the astronauts briefly muses that they were supposed to die in the mission, but survived, causing the universe to [[BalancingDeathsBooks begin to balance itself]], but this fails to explain why they're outright vanishing from the fabric of reality itself.
** In "[[Recap/TheTwilightZoneS2E42TheEyeOfTheBeholder The Eye of the Beholder]]", a doctor and a nurse discuss the patient of their experimental reconstructive surgery -- a woman whose face is so deformed that other people have hated and reviled her all her life. And they're preparing to ''take off the bandages'' to see if the surgery has worked. The set-up to TheReveal is so effective that it strips the rest of the episode of any possible {{Narm}}-itude.
** In "[[Recap/TheTwilightZoneS3E74DeathsHeadRevisited Deaths-Head Revisited]]", [[NaziProtagonist Gunther Lutze]] tortured his prisoners in a manner that one of his victims, Becker, described as "unspeakable". He is forced to undergo it. It's unknown what exactly he did (though the fact that he was clutching at his [[EyeScream eyes]] and [[GroinAttack groin]] gives us a few ideas), but the agony is so great that it causes his final descent into insanity.

* Used to excellent effect in ''Series/ThePhantomOfTheOpera'', as unlike all other portrayals of the character, we '''never''' see Creator/CharlesDance's Phantom face [[TheFaceless behind his mask]]. Whether he's hideously deformed or merely ugly it just isn't shown, as the Phantom faces away from the camera when he takes the mask off. Judging by Christine’s reaction, it probably isn't pretty, but letting your mind fill in the blanks is even worse.

'''Lister:''' ''[slight quaver in him voice]'' Amiss? God, no. What could possibly be amiss?

** In "Bushwhacked", the entire derelict ship is one long example of this: nothing but empty corridors, signs of habitation, and a crewman's log that interrupts right in the middle. But you know something's wrong, because [[TheEmpath River]] is acting very odd. This is also one of those cases where the crew discovering what caused the disaster is in fact as scary as the nothing preceding it, made even scarier when one survivor of derelict ship is dangerously [[BeingTorturedMakesYouEvil affected]] by whatever the hell happened to him.

** Played straight in the ''Literature/RedDwarf'' novels, which detail how harrowing the first few weeks are for Lister being pretty much alone on the ship before he climatizes to it.

** What makes the Djinn in "[[Recap/TheWitcher2019S01E05BottledAppetites Bottled Appetites]]" more unsettling than other mystical creatures is the fact that we don't see its true form or know if it has one at all. The first we "see" of it is just a ripple in a lake and a strong wind before it goes down Jaskier's throat. At the end of episode, as Yennefer tries to control the Djinn, we see its frightening shadow crawl over the walls and destroy the roof of a castle, but nothing else.

** Vereena the Bruxa lover of Nivellen from "[[Recap/TheWitcher2019S02E01AGrainOfTruth A Grain of Truth]]", like the previous creature examples, is unsettling thanks to some effective MonsterDelay. In the ColdOpen, ''something'' brutally kills three villagers in seconds, entirely out of frame, with only a screech and the sound of fluttering wings being heard. When Geralt and Ciri first enter Nivellen's castle and make rest, they hear something scampering around above them which Nivellen explains as Vereena, a dear companion to him and whom Ciri assumes is a cat. When she makes her appearance, first peering her eye through a slat in the ceiling and then [[WallCrawl crawling]] down the wall to Ciri in bed, she doesn't do anything harmful and looks like a normal woman, nonwithstanding her huge pupils and twitchy ''Film/{{Juon}}''-esque movement. However, when Geralt catches on and attacks her, the buildup is paid off as she reveals lamprey-like teeth, blows him back with a sonic scream and turns into a bat-like creature.
** "[[Recap/TheWitcher2019S02E02KaerMorhen Kaer Morhen]]" has an example of this [[spoiler:with Eskel's BodyHorror transformation. At first, nothing seems off, just that the Witcher in question seems to be in pain from a wound as well as acting like an aggressive {{Jerkass}} -- he apparently killed a Leshy but forgot to burn it. While cavorting with a prostitute, Geralt attempts to check Eskel's wound but is brushed off by the latter. Later, when having sex with the whore, a plant grows from the wound in his back before the camera cuts away. The next sequence is exploring in the dark horror-movie-style as Geralt discovers the prostitute dead and rooted to wall before he is attacked by Eskel in a horrifying [[PlantPerson plant-like]] form.]]

** This trope is partly what makes BigBad Imperial Officer Moff Gideon's first appearance quite unnerving, especially in [[Recap/TheMandalorianS1E8Chapter8Redemption the Season 1 finale]]. [[spoiler:His arrival by killing his subordinate ([[TheManBehindTheMan the previous antagonist]], the Client) and landing in a fancy TIE Fighter is treated with immense grandeur, which is belied by the fact that Gideon isn't a scary Sith Lord but rather just a middle-aged man in dark armor and a cape. What ''does'' make him intimating is that with nothing but [[WickedCultured words alone]], Gideon completely dismantles the confident bravado of the heroes, revealing that he knows the identity and background of each one of them, including the previously NoNameGiven protagonist Din Djarin. He eloquently makes it clear how screwed they are if they don't give him the Child and the [[Creator/GiancarloEsposito performance]] completely sells it.]]

* ''Series/TheSopranos'': This one's not so much scary as extremely tense, but in the final scene of the final episode the family is in a diner, waiting for the daughter, Meadow, to show up. The scene is shot using slightly odd angles with slightly jumpy cuts, and the camera keeps focusing on people sitting nearby. The whole effect is rather unsettling, as though something big and terrible is about to happen, especially given that in the previous few episodes [[spoiler:most of the show's characters have been shot dead by a rival 'family']]. The tension builds as Meadow approaches the diner, then she opens the door... and the series ends.

* ''Series/StormChasers'':
** Several chases, especially early in the series, involve tornadoes that are either hidden in the night, or wrapped in rain and invisible. At one point Josh's truck-mounted Doppler radar goes out, and he fixes it just in time to warn his team of a giant tornado bearing down on them.
** The TWISTEX team follows a supercell onto an Indian reservation, where there's no cell service to follow the National Weather Service's radar, compounded by dense fog. Suddenly the fog clears to reveal ''two'' tornadoes on either end of their convoy.

* ''Series/{{Bloodline}}'' has multiple flash-forwards to a scene where [[spoiler:the show's main character carries his unconscious brother through the mud during a rainstorm, dropping him in a boat, dousing him with gasoline and lighting him on fire]]. Then in episode 10, we get a scene where the characters are trying on suits for a sister's wedding, only for them to be wearing the same clothing from those flash-forwards, letting us know that moment is near.

* ''Series/TheOuterLimits1963'' had an episode called "Cry of Silence" that was intended to work off this trope. Unfortunately, the first half of the episode involves possessed killer ''tumbleweeds'', and a later scene features possessed Frogs and Toads; both of these tend to invoke giggles rather than shudders.

Examples of NothingIsScarier in live-action TV.

!!Wait for it...

!!Nothing at all

!!There all along

* The Series/MaxHeadroom [[https://www.youtube.com/watch?v=cycVTXtm0U0 incident]], more so with [[https://www.youtube.com/watch?v=sM7Q1WiepoQ its successor]]: the voice is replaced by a screeching static sound, and nothing actually happens in the video; no {{Take That}}s at politicians or corporations, no spanking, just a man in a [[UncannyValley creepy mask]] bopping his head around. In addition, the delay between the interruption of the news show and the actual video makes it all the more shocking. Needless to say, it comes as surprisingly as a [[ScreamerPrank screamer]].

** On the rare flip side, this trope is invoked [[MookHorrorShow for the villains]] in [[Recap/TheMandalorianS2E8Chapter16TheRescue Chapter 16]]. During the DarkestHour for the heroes, a lone X-Wing shows up, and all the Dark Troopers suddenly pause their assault to focus on the new arrival. The heroes are baffled, and Gideon [[OhCrap slowly begins to lose his smug composure]] as he eventually puts two and two together in his head and before having a VillainousBreakdown when he realizes that a Jedi [[spoiler:(Luke Skywalker)]] is coming for him.

** In "[[Recap/TheXFilesS02E03Blood Blood]]", there's something making people go crazy and murderous with paranoia, with violent electronic messages telling them "KILL EM ALL". Mulder eventually deduces that people were exposed to a pesticide with a chemical that induces fear and hallucinations of subliminal messages... [[spoiler:until the TwistEnding when Mulder (believing that he's solved it) gets a message saying "ALL DONE. BYE BYE", implying that ''there was someone sending the messages'', but we never learn who or what it was]].

* ''Series/TheAvengers1960s'': There is a fairly long scene in the middle of "Don't Look Behind You" with Cathy Gale walking around in a large, spooky house in the countryside. It seems at first like no-one else is present in the house, but then things in rooms begin to get changed while she is out of the room. There is no {{BGM}} at all during this scene; just the sound of Gale's footsteps.

** Probably the most frightening is the Season 5 episode "[[Recap/BuffyTheVampireSlayerS5E17Forever Forever]]", where Dawn recruits Spike's assistance to bring [[spoiler:Joyce]] back from the dead. The final scene of the episode is lifted directly from the short story "The Monkey's Paw", and is equally chilling.

-->'''Michael:''' The same things that scare people as kids scare them as adults: fear of the dark [lights go out around the [[{{Jerkass}} bastich]]], fear of being alone [car won't start and cell phone is jammed], and fear of the unknown, [the gang peels rubber towards Mook, spitting bullets]. Granted, the last bit proves there's ''something'' after him, but it's not the something he thinks it is, so it still fits.
* ''Series/{{Chernobyl}}'' begins ''after'' the reactor explosion, and only shows the lead-up and the event itself in flashback in the fifth episode, when Legasov discusses it in his testimony.

* ''Series/ColdCase'': The ending of "Offender", where we find out who really molested and killed the boy. The killer lures the boy into the garage supposedly to fix his knee. Then, he shuts the garage and approaches the boy, whose expression changes to one of terror as the door shuts.
** ''Cold Case'' is surprisingly good at this. Another fine example would be the rape/murder flashback in "Death Sentence: Final Appeal".

*** "The Dead Planet", the first episode of the serial [[Recap/DoctorWhoS1E2TheDaleks "The Daleks"]], where the TARDIS crew explore a strange petrified jungle where everything is dead, and yet they have the feeling that something is following them. They enter a deadly-beautiful ruined city with long corridors and proportions built uncomfortably for human bodies, and begin to be aware that something ''else'' is following them. We only get to see any monsters right at the very end of the story via a ShakyPOVCam shot as it suddenly ambushes Barbara at the end of a corridor, and even then, only its hand is visible. [[NightmareRetardant Or — well — its]] [[SpecialEffectFailure/DoctorWho plunger]].

*** [[Recap/DoctorWhoS1E3TheEdgeOfDestruction "The Edge of Destruction"]] has no clear enemy for the first episode, with the malevolent presence represented by the TARDIS doors opening and closing and everyone on the ship going slightly mad thanks to its psychic influence. The second episode of the serial shows them actually puzzling through the problem and isn't half as scary, but the first episode is just horrifying.
*** "World's End", first episode of [[Recap/DoctorWhoS2E2TheDalekInvasionOfEarth "The Dalek Invasion of Earth"]], opens with a shot of a cyborg committing suicide in a CrapsackWorld version of London where a sign informs us "it is forbidden to dump bodies into the river". The crew spend the episode wondering around, trying to imagine who or what could be responsible for the total collapse of civilisation. Then something comes out of the Thames... with its eyestalk wobbling back and forth and its plunger waving.
*** Episode 1 of [[Recap/DoctorWhoS2E7TheSpaceMuseum "The Space Museum"]] has the crew caught in a TARDIS technical fault in which they are unable to interact with or see anyone, can't leave footprints, and time occasionally flows backwards or skips ahead of events they have no recollection of doing. It is very spooky and atmospheric and especially stands out when the rest of the serial is a fairly light-hearted comedy story.
** [[Recap/DoctorWhoS29E3Gridlock "Gridlock"]]: Only the Macra's eyes and claws are clearly seen through the haze that permeates the bottom of the Motorway, which makes it more terrifying when they reach out and grab a hapless FlyingCar to crack it open and devour the passengers.
** The [[Recap/DoctorWhoS30E8SilenceInTheLibrary Vashta]] [[Recap/DoctorWhoS30E9ForestOfTheDead Nerada]] embody this trope. They can be seen under the right circumstances, but mostly the only sign of them is the room getting darker and darker, and the lights shorting out one by one...
** There's a scene near the beginning of [[Recap/DoctorWhoS31E1TheEleventhHour "The Eleventh Hour"]] where Amy has the Doctor handcuffed and he lets slip where Prisoner Zero is hiding. She starts walking towards the door, and he's screaming at her not to open it, but she walks through anyway... the appearance of the giant piranha-eel thing suspended from the ceiling directly behind Amy's head is actually a bit of a relief compared to the empty, dusty room that's always been in your house but you've never noticed it that the Doctor is yelling to ''get out of now''.
** While the Silence in the series itself don't really count, series 6's advertisements talked a lot about them, and they released a couple of seconds-long videos as an advertisement. These videos show... Well, absolutely nothing except for a couple of empty streets on CCTV footage. People were pausing and going through them frame by frame but still seeing nothing unusual, except for the occasional flickering of the screen. And they ''scared the pants off of everyone.'' In one of them, you can see one of the Silence. It isn't doing anything, just standing there in plain sight. The thing about the Silence is that as soon as you lose sight of them you completely forget about them. So the characters take to marking their arms when they had seen one and constantly checking. The moment that was nothing more than Amy glancing down to see her arm literally ''covered'' in tally marks was seriously scary.
** In [[Recap/DoctorWhoS32E11TheGodComplex "The God Complex"]], a HellHotel has a room that contains each visitor's greatest fear. When the Doctor finds his room, the audience doesn't see it. All we get is a dark room with the sound of the Cloister Bell (which only goes off in big emergencies) and the Doctor remarking "Of course, who else would it be?" Knowing the Doctor, whatever is on the other side may be too much for humans to comprehend. [[spoiler:In [[Recap/DoctorWho2013CSTheTimeOfTheDoctor "The Time of the Doctor"]], we find out that it's the cracks in time from the fifth series.]]
** Used effectively (and effects-savingly) in [[Recap/DoctorWhoS33E8ColdWar "Cold War"]]: Immediately after Skaldak leaves his armor, all we see is something just out of frame rushing past; later, aside from a few closeups of his face in the shadows, all we see is a pair of ''very'' large claws. Also, when Clara realizes Skaldak has abandoned his armor, she's searching all over the room without finding anything, invoking this in spades.
* ''Series/GameOfThrones'' employed this in "[[Recap/GameOfThronesS8E3TheLongNight The Long Night]]", centered around the undead army attacking Winterfell at night, in the middle of a [[WeatherOfWar snowstorm]], and with barely any light sources. On one hand, the fact nothing could be seen, only heard - along with the horrible growls of the wights, there were replying weapon strikes - made for an atmospheric threat that the horror was all around and could appear at any time. On the other, it bordered on sensory deprivation and [[https://variety.com/2019/tv/news/game-of-thrones-dark-battle-of-winterfell-cinematography-1203199892/ raised many complaints that the battle was nigh incomprehensible]].
* ''Series/JeopardyCBBC'' is all over this with its FoundFootage elements. The first season is the school kids camping in the bush, with one girl Sarah catching a glimpse of lights in the sky believing they were visited by aliens. Soon both their teachers go missing while trying to find help, leaving the kids alone while more strange events take place. What’s most unsettling is that we never once see the aliens themselves, only the “[[RedEyesTakeWarning red-eye virus]]” which is a result of their abduction and its [[JumpScare incredibly startling]] every time it happens.
** There’s also Nothing At All elements in the first series, as the kids are [[MaybeMagicMaybeMundane uncertain]] whether they’re dealing with something supernatural or a real world threat that’s just as frightening.
* ''Series/Legion2017'': In classic monster movie fashion, the show establishes an atmosphere of pervasive, surreal menace that you'll be quivering all over just ''waiting'' for something creepy to happen, especially during the scenes taking place inside David's head where you just know the danger is never far away, and even when it seems safe, you [[ThroughTheEyesOfMadness can't trust what we're seeing]]. And when you hear that [[HellIsThatNoise frantic-sounding warbling trumpet noise]] that heralds the arrival of the Devil with the Yellow Eyes, that means it's time to run.

** This trope is partly what makes BigBad Imperial Officer Moff Gideon's first appearance quite unnerving especially in the Season 1 finale. [[spoiler: His arrival by killing his subordinate and [[TheManBehindTheMan previous]] antagonist Creator/WernerHerzog's the Client and landing in a fancy TIE Fighter is treated immense grandeur which is belied by the fact Gideon isn't a scary Sith Lord but just a middle aged man in dark armor and a cape. What does make him intimating though is that with nothing but [[WickedCultured words alone]] Gideon completely dismantles the confident bravado of heroes, revealing that he knows identity and background of each one of them including the previously NoNameGiven protagonist Din Djarin. He eloquently makes it clear how screwed they are if they don't give him The Child and the [[Creator/GiancarloEsposito performance]] completely sells it]].
** Similarly in Season 2, the Dark Troopers are all the more threatening by the fact that even their introduction is ambiguous in Chapter 12. All they look like is a bunch of mechanical black shapes lined up against the wall, but since Gideon is attending them, there's no doubt they're gonna spell trouble for heroes. When we finally seen them in action in Chapter 14 and especially in Chapter 16, the build up was well earned as the Dark Troopers [[spoiler: effortlessly take Grogu and later almost kill Mando and his allies]].
** The red-eyed shadow creatures seen in the ColdOpen of Season 2 are quite unnerving due to the fact unlike most Star Wars alien monsters we never get a proper look at them [[TheDarknessGazesBack beyond many pairs of red eyes]]. They are [[WeakenedByTheLight warded off by street lights]], but when Mando subjects SmugSnake Gor Koresh to some UnwillingSuspension, he shoots the light out before walking away at which the creatures swarm in the darkness and it cuts to the title card as Koresh screams.
** On the rare flip side in this trope is invoked for the villains in Chapter 16. As during the DarkestHour for the heroes, a lone X-Wing shows up and all the Dark Troopers suddenly pause their assault and focus on the new arrival. The heroes are baffled and Gideon slowly begins to lose his smug composure as he eventually puts two and two together in his head and before having a OhCrap [[VillainousBreakdown flip out]] when he learns a Jedi [[spoiler: Luke Skywalker]] is coming to him.

** For the first few episodes of ''Series/{{Daredevil|2015}}'', [[ComicBook/TheKingpin Wilson Fisk]] is barely seen or heard from at all, only hearing his voice in the first episode, and most of his interactions being conducted through James Wesley. Only in the last minutes of the third episode do we finally get to see Fisk on-camera. Everything is building up his threat level with even hardcore hitmen like Healy being terrified enough to take their own lives upon revealing the name. When we finally meet Fisk for real in "In the Blood," he comes across as friendly, socially awkward and a bit of a romantic with Vanessa, putting the viewer off guard...until the end of the episode when he kills Anatoly for interrupting Fisk and Vanessa's date, by [[NoHoldsBarredBeatdown beating him unconscious]] and [[OffWithHisHead decapitating him with a car door]].
** ''Series/JessicaJones2015'': In the first episode, the only glimpses we get of Kilgrave are quick flashbacks to Jessica's time under his control, in which only his hand is visible. The lasting impact of his mind control is more prominent as demonstrated with Jessica and Hope. In the second episode, Kilgrave makes his first physical onscreen appearance, but he's always shot from behind or in shadow. This makes Kilgrave more menacing as said onscreen appearance involves him taking over an apartment, making the parents cook him dinner and forcing the kids to lock themselves up in the closet. It's not until the third episode when Jessica tracks Simpson to another apartment that Kilgrave has taken over that we get to see his face for the first time.
*** "AKA 99 Friends" is a notable case of this as despite Kilgrave being completely absent from the episode, we get more images of just how terrifying he is as conveyed through his various victims. At one point, off-camera, he even makes a little girl deliver Jessica a message.
** ''Series/WandaVision'' does a truly excellent job of this trope. Throughout the first three episodes which mostly consist of fun {{Sitcom}} hijinks with Avengers couple Vision and Wanda, there’s a strong undercurrent of dread as the situation is clearly not natural and the lack of any explanation even as reality seeps through the false setting is all the more effectively [[UncannyValley uncanny]]. That combined with creepy scenes like in Episode 1 where Vision’s boss Mr Hart starts asking questions before suddenly choking on his food and the background LaughTrack ''disappears'' all hint towards the idea there’s something terribly wrong going on. [[spoiler: Eventually it’s revealed just about everything in Westview is under Wanda’s control and she’s created a false reality to cope with her grief after losing Vision]].
*** [[spoiler: The buildup to the [[EvilAllAlong Agnes reveal]] invokes this and There All Along. On the surface she just seems like a typical NosyNeighbour and gal pal of Wanda, except a lot of the things Agnes says and the way she acts is a bit off in subtle ways. She casually replies to the phrase “the Devil is in the detail” with a matter of fact “[[WeirdAside that’s not the only place he is]]”. Moreover there’s the fact Agnes turns up in every episode without Wanda questioning her presence and just invites herself into household casually remarking in Episode 5 that she was watching the family through her kitchen window. Agnes also directly witnesses Wanda use her powers and the twins RapidAging and unlike other normal people in the neighborhood isn’t amazed. It’s finally revealed in Episode 7 that’s Agnes is Agatha Harkness a powerful evil witch, who’s been manipulating events all along]].
*** [[spoiler: Speaking of Episode 7, the scene in Agnes’s house strongly invokes and somehow makes ''Series/YoGabbaGabba'' playing on TV utterly nerve wracking. After sending her two sons over to Agnes’s house and attacking Monica Rambeau, Wanda is brought over to Agnes’s house herself to calm down, but things only become more tense as Wanda notices there are [[FliesEqualsEvil flies in the room]], half eaten sandwiches on the table and her sons have [[MissingChild disappeared]]. Wanda asks where they are and Agnes from the kitchen says they’re probably playing with in the ''[[CreepyBasement basement]]'', Wanda then goes through Agnes’s surprisingly dark and messy house which is full of creepy plastic coverings and she goes down a flight of stairs and through another corridor where the walls are now stone and covered in vines and there’s the [[HellIsThatNoise sound of wind]]. Wanda then discovers Agnes’s demonic possessions and Agatha reveals herself with a fun song which if anything comes as a blessed relief compared to the pulse pounding tension beforehand]].
** ''Series/{{Loki|2021}}'' Episode 6 “For All Time. Always”. In a similar example to ''[=WandaVision=]'' Episode 7, entering the Citadel at the End of Time meeting it’s occupant, the built up antagonist who’s been behind everything, not only in the show [[GreaterScopeVillain but the whole MCU]] [[spoiler:He Who Remains]] is an effective example of this. So far the show has had a RaygunGothic meets ''Series/MadMen'' quirky tone with a couple of departures into outlandish SciFi and HighFantasy, so Loki and Sylvie going outside time and into a ominous mansion in space to face TheManBehindTheMan is a sharp turn into outright suspense. The atmosphere only gets more unsettling inside the Citadel, as it [[ObviouslyEvil looks like it’s been built by Sauron]] with pitch black stone, high windows and creepy statues, yet there’s not a soul in sight which unnerves both Loki and Sylvie - then [[{{Mascot}} Miss Minutes]] gives them a JumpScare. After that an elevator comes down and Loki and Sylvie wait weapons drawn, [[spoiler:Only for the doors to open to reveal an affable and not in the least frightening normal looking guy chewing an apple who welcomes them to his abode.]]
* ''Series/{{MASH}}'' does it for comedy in one episode. BJ bets the gang that he can get every one of them with an epic prank inside of a week, which he does, except for Hawkeye, who thinks he has foiled him by sleeping outside in a bathtub surrounded by barbed wire and jumping at every sound. In the morning, BJ informs him that "The greatest joke ... was the joke that never came."[[note]]The five other "victims" BJ got, Charles, Col. Potter, "Hot Lips", Klinger, and Father Mulcahy were in on it and made it look like they were gotten in more elaborate and underhanded ways, adding to Hawkeye's fear.[[/note]]

* ''Series/StarTrekTheNextGeneration'' has plenty of this with the more unknowable and frightening threats the crew encounter, but a truly unsettlingly example happens in “[[Recap/StarTrekTheNextGenerationS4E14Clues Clues]]”. The crew go through a wormhole and everyone with the exception of loveable android Data are knocked out, Data claims they were only unconscious for 30 seconds and crew believe him. Except there are hints and signs that Data was actually lying and is acting uncharacteristically suspicious about it, the truth is eventually revealed and turns out Data had to lie to keep the crew safe but the sheer uncertainty and creepy tension beforehand was effectively chilling.

** The pilot episode combines this with parental fears in its very first scene. Mary Winchester heads into her son Sam's room, and sees a man standing over his cradle. She assumes its John, her husband, and goes downstairs. She then sees that John has fallen asleep in front of the television. Cue OhCrap, and her running up the stairs. When John wakes up, he heads into his son's room, and sees that baby Sam is seemingly alright. And then blood drips down from ceiling, causing John to find Mary's corpse on the ceiling, her stomach sliced open. We don't know who the man/creature was (at least, not until later on), but its clear that its something ''bad''.
** Continuing on, the final two episodes of Season 1 have this sense of dread to them, as John, Sam, and Dean have tracked down the demon that killed Mary. In the former episode, they arrive in a normal neighborhood, and after encountering a mother taking her six-month daughter out on a stroll, they realize she's the demon's next target. From there, the anticipation rises as night falls and Sam and Dean make their move on the demon. While they save the mother and her daughter, they don't manage to kill the demon. However, we do get a glimpse of the demon - or more specifically, his [[SupernaturalGoldEyes yellow eyes]].
** And then in the episode after, the finale of Season 1, the boys manage to rescue John from the captivity of demons. However, since the audience doesn't know what the demons did to John while he was captured, there's a constant sense of dread that something will happen. [[spoiler: It turns out that the Yellow-Eyed Demon has possessed John.]]
** Hellhounds. Completely invisible, which makes it all the more scarier when they come drag someone to {{Hell}}.
** The Season 4 premiere plays with this trope, as the audience doesn't know who - or what - resurrected Dean. And all throughout the episode, things such as loud static noises, demons with their eyes burned out, and a psychic going blind upon glancing on the thing's true form, give us hints as to what, but it doesn't even remotely resemble anything the Winchesters encountered. [[spoiler: Meet Castiel, [[OurAngelsAreDifferent Angel of the Lord]].]]
** The Season 4 finale ends with [[spoiler: Lucifer being freed. We don't see Lucifer himself, though. All we see is a bright light emerging from the hole leading to his cage.]]
** Season 13's episodes "The Bad Place" and "Wayward Sisters" have the inhabitants of the Bad Place, an alternate world filled with monsters. One of them is apparently of colossal size, but all we see of it is a footprint it leaves behind, and we only get to hear its roars. [[spoiler: Its true face is shown at the end of "Wayward Sisters", and it appears to be ''Supernatural'''s answer to Film/KingKong.]]
* ''Series/{{Torchwood}}'': In [[Recap/TorchwoodS1E8TheyKeepKillingSuzie "They Keep Killing Suzie"]], Gwen's driving Suzie through the night. Suzie tells her that something evil is in the darkness, but it doesn't show up until a later episode.

** In Episode 3 "Betrayer Moon" we don't fully see the Striga monster until the end of the episode when Geralt fights it. We do however quickly learn that it's fast, feral and has killed a Witcher (someone who hunts monsters for a living).[[spoiler: This makes the reveal that Striga is a massive, hideously cursed inbred princess that still drags it's ambilocal cord behind it all the more terrifying]].
** A similar buildup happen in Episode 8 "Much More" as Geralt and CoolHorse Roach comes across a man in a forest burying a bunch of bodies after the siege of Cintra, Geralt senses ''something'' is wrong and advises the old man to leave. The old man claims he can’t leave the bodies to crows, but Geralt states it's not the crows he should worry about. [[spoiler: Then to prove his point the ground breaks open and they're attacked by ghouls]].
** The Djinn in Episode 5 “Bottled Appetites”, what makes it more unsettling than other mystical creatures is the fact we don’t see it’s true form or know if it has one at all. The first we “see” of it is just a ripple in a lake and a strong wind before it goes down Jaskier’s throat. At the end of episode as Yennefer tries to control the Djinn, we see its frightening shadow crawl over the walls and destroy the roof of a castle but nothing else.
** Vereena the Bruxa lover of Nivellen from Season 2 episode “A Grain of Truth” like the previous creature examples is unsettling thanks to some effective MonsterDelay. In the ColdOpen ''something'' brutally kills three villagers in seconds, entirely out of frame with only a screech and the fluttering wings being heard. When Geralt and Ciri first enter Nivellen’s castle and make rest, they hear something scampering around above them and Nivellen explains it’s Vereena, a dear companion to him and whom Ciri assumes is a cat. When she makes her appearance, first peering her eye through a slat in the ceiling and then [[WallCrawl crawling]] down the wall to Ciri in bed she doesn’t do anything harmful and looks like a normal woman — despite her very creepy huge pupils and twitchy [[Film/{{JuOn}} Grudge]]-like movement. When Geralt catches on however and attacks her, the build up is payed off as she reveals lamprey-like teeth, blows him back with a sonic scream and turns into a bat-like creature.
** Season 2 episode “Kaer Morhen” has a example of this [[spoiler: with Eskel’s BodyHorror transformation. At first nothing seems off, just that Witcher in question seems to be in pain from a wound and sweating as well as acting like an aggressive {{Jerkass}}, he apparently killed a Leshy but forgot to burn it. While cavorting with a prostitute Geralt attempts to check Eskel’s wound but is brushed off by the latter. Later when having sex with the whore, a plant grows from the wound in his back before it cutting away. The next sequence is exploring in the dark horror movie-style, as Geralt discovers the prostitute dead and rooted to wall before he is attacked by Eskel in a horrifying [[PlantMonster plant-like]] form.]]
** The build up to the series’s BigBad and ruler of the Nilfgaardian Empire Emhyr is an effective example of this, as nobody seems to know anything about him. Both Cahir and Fringilla in deep frightened awe of him and hold him in the highest regard but don’t let any real details about him slip, only what he has done for them. First time we “see” him is in Fringilla’s vision, where he is a faceless armoured man. Even an EvilChancellor like Dijkstra who has connections everywhere and is informed about everything going on the sphere, has some drunk VillainousBSOD over the fact he knows literally ''nothing'' about Emhyr or what kind person he is personally. More chilling by end we learn Emhyr can [[WouldHurtAChild organise the death of an elven baby]] to instigate conflict entirely from the shadows. Making TheReveal [[spoiler: that he is Duny, Ciri’s DisappearedDad all more shocking.]]

* ''Series/{{Angel}}'' has the episode Recap/AngelS01E14IveGotYouUnderMySkin, where a demon says that the dark void [[spoiler:that Ryan's mindscape turned out to really be]] was the darkest and most frightening hell it had ever known.
-->'''Ethros Demon''': Do you know what the most frightening thing in the world is? Nothing. That's what I found in [[spoiler:the boy. [[TheSoulless No conscience, no fear, no humanity]]—]]just a black void. [[spoiler:I couldn't control him, I couldn't get out, I had never even manifested until you brought me forth. I just sat there and watched as he destroyed everything around him. Not from a belief in evil, not for any reason at all. That boy's mind]] was the blackest hell I've ever known.

* ''Series/{{Bones}}'': In one episode, the characters are investigating the dead body found in the middle of nowhere by a [=UFO=] hunter. The episode is known for several creepy moments, unusual for the crime drama. However, the scariest moment happens at the end, after the murder is solved. Booth and Brennan are in a field, lying on a car hood, stargazing and talking about the possibility of alien life. Suddenly, all sounds stop, even the crickets and the wind don't make a sound. Both characters are suddenly very uncomfortable. End of the episode. Made worse as, right after this happens, Booth asks "Did you hear that?" The viewers NEVER FIND OUT WHAT THEY HEARD.
* In ''Series/TheBoys'' what makes so many of the scenes with [[BewareTheSuperman Homelander]] (especially in season 1) so agonizingly tense is the fact in the majority of them, ''he doesn’t actually do anything'' and is just talking to people. Yet thanks to Creator/AntonyStarr’s chilling performance and presence, it’s damn impossible to relax knowing full well this is an unstoppable “super man” who can and will kill people in the blink of an eye, and is completely capable of any kind immorality with the heroes just about helpless to stop him. Even Homelander’s upbeat false boy scout remarks and attitude come off as vaguely threatening, and the terror the protagonists (who are secretly working against him and Voight) have in his company is palpable. Such as Hughie in Episode 5 where he has to be baptised, i.e dunked under water by Homelander who seems like he’s onto him, even though Homelander suspected nothing at the time.
** There's a haunting scene in Episode 2 where Homelander pressures a Security Analyst Anika to him find his teammate InvisibleJerkass Translucent, who’s gone missing. The sheer dread brought up his FauxAffablyEvil words is enough to scare both Anika and the audience, even though he does nothing to her.
--> Listen Anika, I’m the Homelander and I can do whatever the fuck I want okay? [he smiles and widens his eyes manically].
* ''Series/BuffyTheVampireSlayer'': "[[Recap/BuffyTheVampireSlayerS5E16TheBody The Body]]" - [[spoiler:in which Joyce's body is found]] - has very little actually happening, making it that much more depressing. And of course, since this is Buffy, nobody is safe from further abuse, even the fans. So it also eliminates the ''background soundtrack'' to remove the ''possible relief of tension it could provide.'' The effect is, shall we say, [[TearJerker powerful]].

** Waaaaaaaay way back in the classic series (in the [[Recap/DoctorWhoS1E2TheDaleks second serial!]]), Ian drinks from a river and the camera shows his face reacting in horror to something underwater. He has no idea what it was he saw and later on a secondary character in the same place is heard screaming in fear as he is dragged under the surface. What exactly it was is never revealed.
** From the same serial, when heroes have subdued a Dalek and the Doctor and Ian lift its head, they take a look inside at something the audience can’t see and are ''clearly [[BodyHorror aghast]]''. They tell Barbra and Susan to go into the corridor before lifting whatever is inside the Dalek out with a cloak and putting it on the floor. Worse still, after they leave the room, a rotted claw-like hand creeps out from underneath the cloak.

** There are many fans who find {{Missing Episode}}s scarier than surviving episodes thanks to this trope. Fans are occasionally forced to reevaluate a story thought of as a masterpiece of horror after the visuals are rediscovered and shown to be rather dull or [[SpecialEffectFailure poorly]] [[FightSceneFailure executed]] compared to a terrifying central concept. [[Recap/DoctorWhoS5E6FuryFromTheDeep "Fury from the Deep"]], in which the seaweed monster is represented by a terrifying electronic pounding that appears in the background of scenes, is one episode that probably benefits from an audio-only reconstruction rather than viewing a slideshow of dreadful seaweed costumes and foam.
** [[Recap/DoctorWhoS27E8FathersDay "Father's Day"]]: The Doctor and Rose have had a fight about her saving her father's life, and he goes back to the [[BiggerOnTheInside TARDIS]] to cool off. He opens the doors to find that his police box... is a ''police box''. The inside has straight-up vanished.
** [[Recap/DoctorWhoS28E11FearHer "Fear Her"]]: The drawing of Chloe's abusive father is never seen after it comes to life, the audience only seeing a red light and a shadow.
** The concept of [[VoidBetweenTheWorlds "the Void"]] as the gap which separates universes, according to the Tenth Doctor's explanation in [[Recap/DoctorWhoS28E12ArmyOfGhosts "Army of Ghosts"]].

** Played with famously in [[Recap/DoctorWhoS29E10Blink "Blink"]], when every time you see the Weeping Angels, people are safe. It's between these moments that they're lethal, but the audience is most frightened when everything is, for the moment, clearly fine by the story's rules.
** In [[Recap/DoctorWhoS30E10Midnight "Midnight"]], there is... ''[[EldritchAbomination something]]''... that torments the Doctor and the people he's traveling with. [[spoiler:We ''never'' find out anything about it, other than that it [[{{Deconstruction}} utterly deconstructs]] an ordinary ''Doctor Who'' episode and brings all of the Doctor's flaws to the forefront. Oh, and the clearest "description" of the monster is from one of the characters before he is immediately killed.]]

** [[Recap/DoctorWhoS31E12ThePandoricaOpens "The Pandorica Opens"]]: [[spoiler:never have the words "silence will fall" been more scary. ''Even the background music stops.'']] Earlier in the same episode, we suddenly hear [[spoiler:"silence will fall"]] spoken by a hideous, rasping voice out of goddamn nowhere, just before the TARDIS is hijacked. The source of the sound, and hence the source of the tampering, is ''never shown'' (and [[HandWave only vaguely alluded to]] in a much later episode).
** The central premise of [[Recap/DoctorWhoS34E4Listen "Listen"]]: The Doctor tries to find out ''why'' "nothing" is so unnerving, and concludes that there is a race so effective at hiding that no-one has ever seen them. In his investigation, he finds himself in several situations where he confronts a scary "nothing", but never actually sees them. [[spoiler:Because they probably don't exist. Sometimes your imagination playing tricks on you is just your imagination playing tricks on you, even in ''Doctor Who''.]]

-->'''Survivor''': [looking at Kaylee and Inara through the clinic’s widow] Cattle... Cattle for the slaughter.
-->'''Mal''': [[OOCIsSeriousBusiness Dope him]].
-->'''Simon''' I don't think that's --
-->'''Mal''': Just do it.
** Hell, the Reavers [[spoiler: who caused the aforementioned disaster]] in general are the epitome of this in the show. Unlike the [[Film/{{Serenity}} film]] which properly shows and explains them, in the TV show we don’t see the Reavers at all only their scary looking ships and ''what they do to people''... and as such they are much more terrifying. We know they are really bad news through the utter fear the Serenity crewmembers have of them and through Zoey who explains to CityMouse Simon the Reavers will RapePillageAndBurn them before [[ImAHumanitarian cannibalising]] them (hopefully in that order). Just flying by one of their ships has the whole crew on edge, even Inara [[HookerWithAHeartOfGold who is sexually open]] is seen setting up a suicide syringe for herself just in case. Worse still, we see that Reavers can jury-rig traps for ships [[ItCanThink displaying a horrible intelligence]].

* ''Series/{{Legion}}'' uses this quite often to truly excellent effect, to the extent where it makes a [[ItMakesSenseInContext morbidly obsese man slowly walking forwards]] absolutely terrifying. In a manner not unlike the [[Franchise/TheSlenderManMythos Slender Man]] examples listed elsewhere on this page, half the time he appears the Devil with the Yellow Eyes isn't even ''doing'' anything, he's just [[MeaningfulBackgroundEvent hanging out in the background]], watching the characters. Watching ''[[ParanoiaFuel closely.]]''
** The show does a truly masterful job of replicating the ''[[SurrealHorror feeling]]'' of a nightmare, where things feel indescribably wrong but it's hard to say why. The scene in the psychiatrist's office, where a mass of disembodied hands are breaking through the walls, lit by eerie blood-red lighting, and ''nobody but Syd can see them,'' nor do we get to see what's on the other side of the wall, is an excellent example.
** A visibly terrified David singing [[SoundtrackDissonance "The Rainbow Connection"]] to Syd in his dreamworld, trying desperately to warn her of the danger but totally [[AndIMustScream unable to move or do anything about it.]] Way to make the fucking '''[[Film/TheMuppetMovie Muppets]]''' scary, guys.

* ''Series/MysteryScienceTheater3000'': Parodied in the [[Recap/MysteryScienceTheater3000S04E24ManosTheHandsOfFate presentation]] of ''Film/ManosTheHandsOfFate'', a movie where nothing happens for ''long'' periods of time. As the ''Manos'' characters stare at each other uncomfortably for a few minutes as scare chords play, one of the riffers responds by saying "Ambiguity is scary!"

* ''Series/ThePhantomOfTheOpera'': Used to excellent effect in this 1990 miniseries, as unlike all other portrayals of the character we '''never''' see Creator/CharlesDance’s Phantom face [[TheFaceless behind his mask]]. Whether he’s hideously deformed or merely ugly it just isn’t shown, as the Phantom faces away from the camera when he takes the mask off. Judging by Christine’s reaction it probably isn’t pretty, but letting your mind [[NightmareFace fill]] in the blanks is even worse.
* ''Series/RedDwarf'' while still a Sci-Fi comedy, surprisingly invokes this in the first two seasons. The protagonist Lister is [[LastOfHisKind the last man alive]] after a radiation leak that killed his crew leaving him the SoleSurvivor and he is three million years into deep space on a spaceship the size of a city, and his only company to keep him sane are a hologram of his {{Jerkass}} bunkmate, a humanoid that evolved from his cat and [[SapientShip senile ship's computer]]. It's made very clear that Lister is beyond rescue, there's [[AbsentAliens no alien life forms]] and there's nothing out there except a load of drifting rocks in [[SpaceIsolationHorror vast empty space]]. Subverted though as Lister is mostly upbeat about the situation and the tone shifts to comedic Sci-Fi adventure in the later seasons, rather than BlackComedy nihilism.
** Played straight in the ''[[Literature/RedDwarf Red Dwarf novels]]'' which detail how harrowing the first few weeks were for Lister being pretty much alone on the ship, before he climatized to it.
** The Despair Squid in "[[Recap/RedDwarfSeasonVBackToReality Back To Reality]]", originally the showrunners were going to phyiscally show the sea monster that destroyed the SSS Esperanto a deepsea mining ship, but the Despair Squid prop was deemed too [[SpecialEffectsFailure silly]] [[NightmareRetardant looking]]. So instead they employed this trope with the Despair Squid's only appearance being it's massive looming shadow that chases Starbug, which similar to ''Film/{{Jaws}}'' makes the monster's unseen presence quite menacing.

* ''Series/StrangerThings'' uses this to excellent effect in a ShoutOut to ''Film/TheMist'' as seen above. One of the RedShirt military gets a cable tied to a harness around his waist and sent through the portal in the Hawkins research lab. The scientists on our side of the Upside-Down [[spoiler: lose radio contact with him, hear the [[HellIsThatNoise Demogorgon snarling and screeching]], and pull back ''only'' the harness, covered in blood and goo. We don't even to see his corpse.]]
** Similarly, in 2x06, we don't see any of the gruesome details when [[spoiler: the Hawkins lab soldiers get ambushed by the Demodogs, simply a pitch-black room filled with fog and the soldiers' flashlights going out one by one as they're mauled and killed.]]

* ''Series/{{Torchwood}}'': Used very effectively in "[[Recap/TorchwoodS1E6Countrycide Countrycide]]" where it seems as if aliens are kidnapping and skinning people. Made even ''more'' creepy when we learn the danger is [[spoiler:the local villagers, who kidnap strangers in order to eat them. Just because it "makes them happy". It's the ''only'' episode in the entire Whoniverse that doesn't feature anything supernatural, which is completely PlayedForDrama. Gwen suffers a full-on breakdown from the realization that humans can be worse than any alien threat she'll ever face.]]
** And yet this isn't the last time ''Torchwood'' portrays humans as worse than aliens. ''Series/TorchwoodChildrenOfEarth'' and ''Series/TorchwoodMiracleDay'' both do that.

** "The Eye of the Beholder": A doctor and a nurse discuss the patient of their experimental reconstructive surgery - a woman whose face is so deformed that other people have hated and reviled her all her life. And they're preparing to ''take off the bandages'' to see if the surgery has worked. The set-up to TheReveal is so effective that it strips the rest of the episode of any possible Narm-itude.
** In "Death's Head Revisited", [[NaziProtagonist Gunther]] [[ForTheEvulz Lutze]] tortured his prisoners in a manner that one of his victims, Becker, described as "unspeakable". He is forced to undergo it. It's unknown what exactly he did (though the fact that he was clutching at his [[EyeScream eyes]] and groin gives us a few ideas), but the agony is so great that it causes his final descent into insanity.
** In "And When the Sky Was Opened", three astronauts return from a space mission and begin to [[CessationOfExistence disappear]] one by one--that is, their names are stricken from reports, and everyone but the astronauts, including their own parents, lose all memory of them. We ''never find out why this is happening.'' One of the astronauts briefly muses that they were supposed to die in the mission, but survived, causing the universe to [[BalancingDeathsBooks begin to balance itself]], but this fails to explain why they're outright vanishing from the fabric of reality itself.
* ''Series/TwinPeaks'', already a somewhat creepy and unsettling series, also had a vibe throughout it that there was something beyond the town, just watching. Many viewers think that it was a {{Wendigo}}, never seen but felt.

* ''Series/TheWeirdAlShow'': Parodied in an episode that aired shortly after ''Film/TheBlairWitchProject'' became a hit. Al announced that they would show a clip of the upcoming ''Blair Witch 2'' (years before [[Film/BookOfShadowsBlairWitch2 the film was actually made]]), which will be "the first film done entirely with the lens cap on." Cut to a solid black screen and a woman's voice screaming, "oh no, it's coming, it's so big and ''so horrible!'' AAAAAH!" Cut back to Al, who says "now isn't it scarier when they leave it to your imagination?"
* Pretty much a CentralTheme of ''Series/TheXFiles'' between government conspiracies, or the regular extraterrestrial and supernatural forces Mulder and Scully encounter almost none of it is given a clear or satisfying explanation/payoff, making the threats all the more unknowable and terrifying. There’s also episodes where the MonsterOfTheWeek doesn’t even physically appear in any form which is extremely disturbing.
*** In “[[Recap/TheXFilesS02E01LittleGreenMen Little Green Men]]” Mulder finds himself stuck in a Survey station with a terrible storm raging outside with only a terrified Puerto Rican man Jorge for company, in the claustrophobic space. As the strange noises and light from outside become louder Jorge flees and Mulder finds him outside dead, having died of fright. We only get one look at an alien silhouette through a doorway, but everything else about the experience is more horrifying, due to its minimalism.
*** In “[[Recap/TheXFilesS02E03Blood Blood]]” there’s something making people go crazy and murderous with paranoia with violent electronic messages saying “KILL EM ALL”. Mulder eventually deduces people were exposed to a pesticide with a chemical that induces fear and gives hallucinations of subliminal messages. [[spoiler: Until the TwistEnding where Mulder thinking he’s solved it, gets a message saying “ALL DONE. BYE BYE” meaning ''there was someone sending the messages'' but we never learn who or what it was.]]

** The first and third series have this in a unique form. [[spoiler:Bad Wolf]] is strewn heavily throughout the season, but you don't even notice until they point it out. You think to yourself, "That won't catch me off guard again" until you realize that "Mr. Saxon" and "Vote Saxon" thread of series 3 connect to a newspaper article in [[Recap/DoctorWhoS28E10LoveAndMonsters "Love & Monsters"]] and ''the order to shoot the MonsterOfTheWeek'' in [[Recap/DoctorWho2006CSTheRunawayBride "The Runaway Bride"]]. The "Vote Saxon" posters actually first appear in series 1 of ''Series/{{Torchwood}}''.
** [[Recap/DoctorWhoS27E9TheEmptyChild "The Empty Child"]]/[[Recap/DoctorWhoS27E10TheDoctorDances "The Doctor Dances"]]: There's the Empty Child. We hear a recording of the Child saying "Are you my mummy?" over and over again. Then we find out that the tape has already run out.
** [[Recap/DoctorWhoS30E8SilenceInTheLibrary "Silence in the Library"]]/[[Recap/DoctorWhoS30E9ForestOfTheDead "Forest of the Dead"]]: One of the explorers is repeatedly urging the Doctor to get a move on... and then you (and the Doctor) realize that he's repeating because Vashta Nerada ate him without anyone noticing, and his suit is repeating his last words.
** As well as the Weeping Angels in [[Recap/DoctorWhoS31E4TheTimeOfAngels "The Time of Angels"]]. The first half of the episode is spent hunting a [[LivingStatue Weeping Angel]] that's hiding among a mausoleum of stone statues of an extinct two-headed species. The characters venture deep into the mausoleum in search of it, until that thing that was bothering them comes into focus — [[spoiler:the stone statues only have ''one'' head, meaning ''all'' the statues are Weeping Angels.]]

* A surprisingly chilling example in ''Series/RedDwarf'' series 5 episode “[[Recap/RedDwarfSeasonVQuarantine Quarantine]]”. Lister, Cat and Kryten get put in a DecontaminationChamber by the ever anal Rimmer in fear of getting a holo-virus and seriously getting on each other’s nerves. Eventually they figure out enough time has passed for them by the Space Corps Directives to plead their case. Then Rimmer reveals he has been listening to them talk the entire time from behind tinted glass, his CreepyMonotone and the dark window do a good job of being unnerving as Lister asks how long he’s been listening. [[spoiler: Turns out he’s been infected with the holo-virus and it’s credit to the show’s writing and acting that Rimmer can come off as scary even while wearing a hilarious gingham dress and a penguin puppet.]]
-->'''Kryten''': He's playing by the book! We've nailed him!
-->'''Rimmer''': (voice only, sounding oddly strained) Gentlemen. Your conversation makes interesting listening.
-->'''Lister''': Rimmer, is that you?
-->'''Rimmer''': Oh, yes.
-->'''Lister''': 'Ow long have you been listening?
-->'''Rimmer''': Two, maybe three hours.
-->'''Lister''': Well, no one's got any disease, man.
-->'''Cat''': We're clean.
-->'''Kryten''': You have to re-screen us, sir, as per Directive 699.
-->'''Lister''': No one's got any virus and no one's smeggin' nuts!
-->'''Rimmer''': Well, that's good.
-->[The observation window depolarises, revealing Rimmer. He is NOT in uniform]
-->'''Rimmer''': Is something amiss?
-->'''Lister''': (slight quaver in him voice) Amiss? God no, what could possibly be amiss.
* ''Series/{{Psych}}'': In one episode, a killer is stalking a woman in a cabin, but only the viewer sees him. This leads to the ''extremely'' creepy shot of the woman talking on the phone, the killer nowhere in sight...''and then he moves away from the window in the background.''
* ''Series/{{Sherlock}}'': In "[[Recap/SherlockS01E02TheBlindBanker The Blind Banker]]", the titular detective is inside the house of a missing person, and he's trying to find out how the burglar was able to get out, despite all doors and windows being locked, and all other exits being sealed. [[spoiler: "Oh, stupid. Stupid. Obvious. [[OhCrap He's still here.]]]]

* ''Series/CobraKai'': We never get to see what Brucks looked like after he suffered a NoHoldsBarredBeatdown at the hands of Hawk, but the sheer brutality of the beatdown, followed by Hawk getting off him witha SlasherSmile and hands covered in blood tells us everything we need to know.