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Changed line(s) 3,4 (click to see context) from:
* The description of Victor's first entry into [[spoiler:the ancient movie theatre under Holy Wood]] perfectly shows Pterry's skill at taking mundane things and twisting them slightly so you visualise it in a different way, and this particular way is bloody terrifying in a manner that many gothic writers fail to capture.
* Right in the middle of several characters talking, there's an abrupt cut to the ancient sunken Holy Wood, with lobsters that [[WasOnceAMan may not really be lobsters]] walking its deep, drowned streets. It's a brief intrusion to remind you that none of these people in their relatively mundane reality have figured out quite how horribly wrong and unnatural the place is.
* Right in the middle of several characters talking, there's an abrupt cut to the ancient sunken Holy Wood, with lobsters that [[WasOnceAMan may not really be lobsters]] walking its deep, drowned streets. It's a brief intrusion to remind you that none of these people in their relatively mundane reality have figured out quite how horribly wrong and unnatural the place is.
to:
* The description of Victor's first entry into [[spoiler:the the ancient movie theatre under Holy Wood]] Wood perfectly shows Pterry's skill at taking mundane things and twisting them slightly so you visualise it in a different way, and this particular way is bloody terrifying in a manner that many gothic writers fail to capture.
* Right in the middle of several characters talking, there's an abrupt cut to the ancient sunken Holy Wood, with lobsters that [[WasOnceAMan may not really be lobsters]] walking its deep, drowned streets. It's a brief intrusion to remind you that none of these people in their relatively mundane reality have figured out quite how horribly wrong and unnatural the placeis.is.
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* Right in the middle of several characters talking, there's an abrupt cut to the ancient sunken Holy Wood, with lobsters that [[WasOnceAMan may not really be lobsters]] walking its deep, drowned streets. It's a brief intrusion to remind you that none of these people in their relatively mundane reality have figured out quite how horribly wrong and unnatural the place
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Changed line(s) 3 (click to see context) from:
* The description of Victor's first entry into [[spoiler: the ancient movie theatre under Holy Wood]] perfectly shows Pterry's skill at taking mundane things and twisting them slightly so you visualise it in a different way, and this particular way is bloody terrifying in a manner that many gothic writers fail to capture.
to:
* The description of Victor's first entry into [[spoiler: the [[spoiler:the ancient movie theatre under Holy Wood]] perfectly shows Pterry's skill at taking mundane things and twisting them slightly so you visualise it in a different way, and this particular way is bloody terrifying in a manner that many gothic writers fail to capture.capture.
* Right in the middle of several characters talking, there's an abrupt cut to the ancient sunken Holy Wood, with lobsters that [[WasOnceAMan may not really be lobsters]] walking its deep, drowned streets. It's a brief intrusion to remind you that none of these people in their relatively mundane reality have figured out quite how horribly wrong and unnatural the place is.
* Right in the middle of several characters talking, there's an abrupt cut to the ancient sunken Holy Wood, with lobsters that [[WasOnceAMan may not really be lobsters]] walking its deep, drowned streets. It's a brief intrusion to remind you that none of these people in their relatively mundane reality have figured out quite how horribly wrong and unnatural the place is.
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Capitalization was fixed from NightmareFuel.Moving Pictures to NightmareFuel.Moving Pictures Discworld. Null edit to update page.
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Changed line(s) 3 (click to see context) from:
* The description of Victor's first entry into [[spoiler: the ancient movie theatre under Holy Wood]] perfectly shows Pterry's skill at taking mundane things and twisting them slightly so you visualise it in a different way, and this particular way is bloody terrifying in a way that many gothic writers fail to capture.
to:
* The description of Victor's first entry into [[spoiler: the ancient movie theatre under Holy Wood]] perfectly shows Pterry's skill at taking mundane things and twisting them slightly so you visualise it in a different way, and this particular way is bloody terrifying in a way manner that many gothic writers fail to capture.
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He doesn\'t say he\'s drinking because he has a busy day tomorrow. \"Busy day tomorrow\" is what he says as a reason he\'s not having another drink. He says he\'s in the bar because he likes the atmosphere.
Changed line(s) 3,4 (click to see context) from:
* The description of Victor's first entry into [[spoiler: the ancient movie theatre under Holy Wood]] perfectly shows Pterry's skill at taking mundane things and twisting them slightly so you visualise it in a different way, and this particular way is bloody terrifying in a way that many gothic writers fail to capture.
* Death downing one glass after another in a bar is mostly just funny, but discovering that he's going to be so busy tomorrow that even ''he'' decides INeedAFreakingDrink manages to be quite chilling.
* Death downing one glass after another in a bar is mostly just funny, but discovering that he's going to be so busy tomorrow that even ''he'' decides INeedAFreakingDrink manages to be quite chilling.
to:
* The description of Victor's first entry into [[spoiler: the ancient movie theatre under Holy Wood]] perfectly shows Pterry's skill at taking mundane things and twisting them slightly so you visualise it in a different way, and this particular way is bloody terrifying in a way that many gothic writers fail to capture.
* Death downing one glass after another in a bar is mostly just funny, but discovering that he's going to be so busy tomorrow that even ''he'' decides INeedAFreakingDrink manages to be quite chilling.capture.
* Death downing one glass after another in a bar is mostly just funny, but discovering that he's going to be so busy tomorrow that even ''he'' decides INeedAFreakingDrink manages to be quite chilling.
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* The Magic of the Silver Screen.
to:
* The Magic of the Silver Screen.Screen.
* The description of Victor's first entry into [[spoiler: the ancient movie theatre under Holy Wood]] perfectly shows Pterry's skill at taking mundane things and twisting them slightly so you visualise it in a different way, and this particular way is bloody terrifying in a way that many gothic writers fail to capture.
* Death downing one glass after another in a bar is mostly just funny, but discovering that he's going to be so busy tomorrow that even ''he'' decides INeedAFreakingDrink manages to be quite chilling.
* The description of Victor's first entry into [[spoiler: the ancient movie theatre under Holy Wood]] perfectly shows Pterry's skill at taking mundane things and twisting them slightly so you visualise it in a different way, and this particular way is bloody terrifying in a way that many gothic writers fail to capture.
* Death downing one glass after another in a bar is mostly just funny, but discovering that he's going to be so busy tomorrow that even ''he'' decides INeedAFreakingDrink manages to be quite chilling.
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* The whole Dungeon Dimension creatures, and the Dimension in general.
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* The whole Dungeon Dimension creatures, and the Dimension in general.general.
* The Magic of the Silver Screen.
* The Magic of the Silver Screen.
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Added DiffLines:
* The whole Dungeon Dimension creatures, and the Dimension in general.
