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Changed line(s) 59 (click to see context) from:
--> ''But his expression changed, she had seen\\
to:
Changed line(s) 66 (click to see context) from:
--> ''The sheets are gray, left since the day she went away, I lost all power''
to:
Changed line(s) 69 (click to see context) from:
--> ''She was happier than she'd ever been\\
to:
Changed line(s) 80 (click to see context) from:
--> ''Mary is so pretty\\
to:
Changed line(s) 85 (click to see context) from:
--> ''Welcome to my life, tattoo\\
to:
Changed line(s) 94 (click to see context) from:
--> ''I danced with Linda\\
to:
Changed line(s) 98 (click to see context) from:
--> ''Our old man didn't like our appearance\\
to:
Changed line(s) 105 (click to see context) from:
--> ''I can't reach you\\
to:
Changed line(s) 117,120 (click to see context) from:
--> ''Your father doesn't like me''
--> ''Told you that you couldn't see me anymore''
--> ''That's why we meet in secret''
--> ''That's why we're hiding here''
--> ''Told you that you couldn't see me anymore''
--> ''That's why we meet in secret''
--> ''That's why we're hiding here''
to:
--> ''Told
Told you that you couldn't see me
--> ''That's
That's why we meet in
--> ''That's
That's why we're hiding here''
Changed line(s) 123,126 (click to see context) from:
--> ''She ripped her glittering gown''
--> ''Couldn't face another show, no''
--> ''Her deodorant had let her down''
--> ''She should have used Odorono''
--> ''Couldn't face another show, no''
--> ''Her deodorant had let her down''
--> ''She should have used Odorono''
to:
--> ''Couldn't
Couldn't face another show,
--> ''Her
Her deodorant had let her
--> ''She
She should have used Odorono''
Changed line(s) 128,133 (click to see context) from:
--> ''Then, when just about to crack''
--> ''He found another cream - Medac''
--> ''When Henry in the mirror peered''
--> ''His pimples all had disappeared''
--> ''Henry laughed and yelled "I got 'em!''
--> ''Me face is like a baby's bottom"''
--> ''He found another cream - Medac''
--> ''When Henry in the mirror peered''
--> ''His pimples all had disappeared''
--> ''Henry laughed and yelled "I got 'em!''
--> ''Me face is like a baby's bottom"''
to:
--> ''He
He found another cream -
--> ''When
When Henry in the mirror
--> ''His
His pimples all had
--> ''Henry
Henry laughed and yelled "I got
--> ''Me
Me face is like a baby's bottom"''
Changed line(s) 135,136 (click to see context) from:
--> ''Henry Pond had no fun''
--> ''Had a face like a currant bun''
--> ''Had a face like a currant bun''
to:
--> ''Had
Had a face like a currant bun''
Changed line(s) 150,154 (click to see context) from:
--> ''What's for tea, Mum?''
--> ''What's for tea, darling?''
--> ''Darling, I said "what's for tea?"''
--> ''What's for tea, daughter?''
--> ''Heinz baked beans''
--> ''What's for tea, darling?''
--> ''Darling, I said "what's for tea?"''
--> ''What's for tea, daughter?''
--> ''Heinz baked beans''
to:
--> ''What's
What's for tea,
--> ''Darling,
Darling, I said "what's for
--> ''What's
What's for tea,
--> ''Heinz
Heinz baked beans''
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Deleted line(s) 134,146 (click to see context) :
* RatedMForManly: "Tattoo"
--> ''Me and my brother were talking to each other''
--> ''About what makes a man a man''
--> ''Was it brain or brawn, or the month you were born''
--> ''We just couldn't understand''
--> ''(...) We knew what we had to do''
--> ''We went downstairs, past the barber and the gymnasium''
--> ''And got our arms tattooed''
--> ''Welcome to my life, tattoo''
--> ''I'm a man now, thanks to you''
--> ''I expect I'll regret you''
--> ''But the skin graft man won't get you''
--> ''You'll be there when I die, tattoo''
--> ''Me and my brother were talking to each other''
--> ''About what makes a man a man''
--> ''Was it brain or brawn, or the month you were born''
--> ''We just couldn't understand''
--> ''(...) We knew what we had to do''
--> ''We went downstairs, past the barber and the gymnasium''
--> ''And got our arms tattooed''
--> ''Welcome to my life, tattoo''
--> ''I'm a man now, thanks to you''
--> ''I expect I'll regret you''
--> ''But the skin graft man won't get you''
--> ''You'll be there when I die, tattoo''
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Changed line(s) 59,61 (click to see context) from:
--> ''But his expression changed, she had seen''
--> ''As he leant to kiss her face... It ended there''
--> ''He claimed a late appointment..." [[ProductPlacement If only she'd used Odorono...]]''
--> ''As he leant to kiss her face... It ended there''
--> ''He claimed a late appointment..." [[ProductPlacement If only she'd used Odorono...]]''
to:
--> ''But his expression changed, she had seen''
--> ''Asseen\\
As he leant to kiss herface... face\\
It endedthere''
--> ''Hethere\\
He claimed a late appointment..." \\
[[ProductPlacement If only she'd used Odorono...]]''
--> ''As
As he leant to kiss her
It ended
--> ''He
He claimed a late appointment...
[[ProductPlacement If only she'd used Odorono...]]''
Changed line(s) 67,73 (click to see context) from:
--> ''She was happier than she'd ever been''
--> ''As he praised her for her grace''
--> ''But his expression changed, she had seen''
--> ''As he leant to kiss her face''
--> ''It ended there''
--> ''He claimed a late appointment''
--> ''She quickly turned to hide her disappointment''
--> ''As he praised her for her grace''
--> ''But his expression changed, she had seen''
--> ''As he leant to kiss her face''
--> ''It ended there''
--> ''He claimed a late appointment''
--> ''She quickly turned to hide her disappointment''
to:
--> ''She was happier than she'd ever been''
--> ''Asbeen\\
As he praised her for hergrace''
--> ''Butgrace\\
But his expression changed, she hadseen''
--> ''Asseen\\
As he leant to kiss herface''
--> ''Itface\\
It endedthere''
--> ''Hethere\\
He claimed a lateappointment''
--> ''Sheappointment\\
She quickly turned to hide her disappointment''
--> ''As
As he praised her for her
--> ''But
But his expression changed, she had
--> ''As
As he leant to kiss her
--> ''It
It ended
--> ''He
He claimed a late
--> ''She
She quickly turned to hide her disappointment''
Changed line(s) 78,81 (click to see context) from:
--> ''Mary is so pretty''
--> ''The prettiest in the land''
--> ''Guys come from every city''
--> ''Just to shake her shaky hands''
--> ''The prettiest in the land''
--> ''Guys come from every city''
--> ''Just to shake her shaky hands''
to:
--> ''Mary is so pretty''
--> ''Thepretty\\
The prettiest in theland''
--> ''Guysland\\
Guys come from everycity''
--> ''Justcity\\
Just to shake her shaky hands''
--> ''The
The prettiest in the
--> ''Guys
Guys come from every
--> ''Just
Just to shake her shaky hands''
Changed line(s) 83,85 (click to see context) from:
--> ''Welcome to my life, tattoo''
--> ''I'm a man now, thanks to you''
--> ''I expect I'll regret you''
--> ''I'm a man now, thanks to you''
--> ''I expect I'll regret you''
to:
--> ''Welcome to my life, tattoo''
--> ''I'mtattoo\\
I'm a man now, thanks toyou''
--> ''Iyou\\
I expect I'll regret you''
--> ''I'm
I'm a man now, thanks to
--> ''I
I expect I'll regret you''
Changed line(s) 92,94 (click to see context) from:
--> ''I danced with Linda''
--> ''I danced with Jean''
--> ''I danced with Cindy''
--> ''I danced with Jean''
--> ''I danced with Cindy''
to:
--> ''I danced with Linda''
--> ''ILinda\\
I danced withJean''
--> ''IJean\\
I danced with Cindy''
--> ''I
I danced with
--> ''I
I danced with Cindy''
Changed line(s) 96,97 (click to see context) from:
--> ''Our old man didn't like our appearance''
--> ''He said that only women wear long hair.''
--> ''He said that only women wear long hair.''
to:
--> ''Our old man didn't like our appearance''
--> ''Heappearance\\
He said that only women wear long hair.''
--> ''He
He said that only women wear long hair.''
Changed line(s) 103,109 (click to see context) from:
--> ''I can't reach you''
--> ''With arms outstretched''
--> ''I can't reach you''
--> ''I crane my neck''
--> ''I can't reach''
--> ''Tryin' to get on you''
--> ''See, feel or hear from you''
--> ''With arms outstretched''
--> ''I can't reach you''
--> ''I crane my neck''
--> ''I can't reach''
--> ''Tryin' to get on you''
--> ''See, feel or hear from you''
to:
--> ''I can't reach you''
--> ''Withyou\\
With armsoutstretched''
--> ''Ioutstretched\\
I can't reachyou''
--> ''Iyou\\
I crane myneck''
--> ''Ineck\\
I can'treach''
--> ''Tryin'reach\\
Tryin' to get onyou''
--> ''See,you\\
See, feel or hear from you''
--> ''With
With arms
--> ''I
I can't reach
--> ''I
I crane my
--> ''I
I can't
--> ''Tryin'
Tryin' to get on
--> ''See,
See, feel or hear from you''
Changed line(s) 160 (click to see context) from:
* SpokenWordInMusic: "Armenia City in the Sky/Heinz Baked Beans" ends with a fanfare playing and every time the music stops someone speaks:
to:
* SpokenWordInMusic: "Armenia City in the Sky/Heinz "Heinz Baked Beans" ends with has a fanfare playing and every time the music stops someone speaks:
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Deleted line(s) 62,64 (click to see context) :
* AluminumChristmasTrees:
** The band recorded some real commercials around the time ''The Who Sell Out'' was recorded, some of which are featured on later reissues.
** The "Radio London reminds you to go to the church of your choice" jingle sounds strange today and an apparently unlikely thing for an anti-establishment pirate station to broadcast. But the jingle is completely genuine. In fact, evangelical organisations were major advertisers on many of the leading pirate stations.
** The band recorded some real commercials around the time ''The Who Sell Out'' was recorded, some of which are featured on later reissues.
** The "Radio London reminds you to go to the church of your choice" jingle sounds strange today and an apparently unlikely thing for an anti-establishment pirate station to broadcast. But the jingle is completely genuine. In fact, evangelical organisations were major advertisers on many of the leading pirate stations.
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None
Added DiffLines:
* CavalryBetrayal: In "Rael", the narrator is trying to fight off the "Red Chins", who are trying invade the titular country. He tells a captain to attack if the Red Chins take over Rael. The captain thinks the narrator is insane and abandons him.
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Changed line(s) 168 (click to see context) from:
* StepUpToTheMicrophone[=/=]VocalTagTeam: The album is a very collaborative work vocally, as opposed to its more Roger Daltrey-focused predecessors. Pete Townshend sings lead vocals on "Odorono", "Our Love Was", "Can't Reach You" and "Sunrise". He also has co-lead vocals on "Tattoo" and "Relax". John Entwistle sings lead vocals on "Heinz Baked Beans", "Medac" and "Silas Stingy". Keith Moon sings lead vocals on the bonus tracks "Jaguar" and "Girl's Eyes".
to:
* StepUpToTheMicrophone[=/=]VocalTagTeam: The album is a very collaborative work vocally, as opposed to its more Roger Daltrey-focused predecessors.predecessors and successors. Listening to it, one wouldn't even necessarily assume that Daltrey was the band's designated lead singer. Pete Townshend sings lead vocals on "Odorono", "Our Love Was", "Can't Reach You" and "Sunrise". He also has co-lead vocals on "Tattoo" "Mary Anne With the Shaky Hands," "Tattoo," and "Relax". John Entwistle sings lead vocals on "Heinz Baked Beans", "Medac" and "Medac", and co-leads on "Silas Stingy". Stingy" with Daltrey. For the 1995 reissue, Townshend sings lead on "Rael 2" and "Glittering Girl," the latter of which contains a verse sung by Entwistle; Townshend and Entwistle also sing alternating sections of "Jaguar." Daltrey and Townshend duet on the electric version of "Mary Anne With the Shaky Hands" and "Glow Girl," while Entwistle and Keith Moon sings lead vocals sing together on the bonus tracks "Jaguar" and "Girl's Eyes".
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Changed line(s) 154 (click to see context) from:
* SellOut: This album is a massive [[LampshadeHanging lampshade]] of the group's numerous commercial endeavours during the late 1960's, including recording radio promos for Coca-Cola, Heinz Baked Beans, a car dealer, a maker of guitar strings, the United States Air Force, and anyone else they felt would reimburse them for their trouble. [[http://www.thewho.net/linernotes/WhoSellOut.htm The original plan]] was to entice the companies mentioned on the album to pay for the references. No one was interested, but the band was blatant enough about it that many listeners [[IMeantToDoThat took the album as intentional satire]].
to:
* SellOut: This album is a massive [[LampshadeHanging lampshade]] of the group's numerous commercial endeavours during the late 1960's, 1960s, including recording radio promos for Coca-Cola, Heinz Baked Beans, a car dealer, a maker of guitar strings, the United States Air Force, and anyone else they felt would reimburse them for their trouble. [[http://www.thewho.net/linernotes/WhoSellOut.htm The original plan]] was to entice the companies mentioned on the album to pay for the references. No one was interested, but the band was blatant enough about it that many listeners [[IMeantToDoThat took the album as intentional satire]].
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None
Deleted line(s) 10,11 (click to see context) :
The album was listed at #115 in ''Magazine/RollingStone''[='=]s [[Music/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums Of All Time]].
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No longer a trope.
Deleted line(s) 173,174 (click to see context) :
* YourCheatingHeart: "I Can See For Miles", where the protagonist tells his girlfriend that he can see through her schemes.
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Changed line(s) 117 (click to see context) from:
* PackagedAsOtherMedium: The album cover is designed to look like an advertisement in a magazine.
to:
* PackagedAsOtherMedium: The album cover is designed to look like an advertisement in a magazine. The album itself is meant to sound like a radio broadcast.
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Changed line(s) 57,58 (click to see context) from:
!! Mary Anne With The Shaky Tropes:
to:
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Changed line(s) 64 (click to see context) from:
* AluminumChristmasTrees: The band recorded some real commercials around the time ''The Who Sell Out'' was recorded, some of which are featured on later reissues.
to:
* AluminumChristmasTrees: AluminumChristmasTrees:
** The band recorded some real commercials around the time ''The Who Sell Out'' was recorded, some of which are featured on laterreissues.reissues.
** The "Radio London reminds you to go to the church of your choice" jingle sounds strange today and an apparently unlikely thing for an anti-establishment pirate station to broadcast. But the jingle is completely genuine. In fact, evangelical organisations were major advertisers on many of the leading pirate stations.
** The band recorded some real commercials around the time ''The Who Sell Out'' was recorded, some of which are featured on later
** The "Radio London reminds you to go to the church of your choice" jingle sounds strange today and an apparently unlikely thing for an anti-establishment pirate station to broadcast. But the jingle is completely genuine. In fact, evangelical organisations were major advertisers on many of the leading pirate stations.
Is there an issue? Send a MessageReason:
None
Changed line(s) 116 (click to see context) from:
* PapaBear: "Someone's Coming"
to:
* PapaBear: PapaWolf: "Someone's Coming"
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None
Changed line(s) 168 (click to see context) from:
* StepUpToTheMicrophone[=/=]VocalTagTeam: The album is a very collaborative work vocally, as opposed to its more Roger Daltery-focused predecessors. Pete Townshend sings lead vocals on "Odorono", "Our Love Was", "Can't Reach You" and "Sunrise". He also has co-lead vocals on "Tattoo" and "Relax". John Entwistle sings lead vocals on "Heinz Baked Beans", "Medac" and "Silas Stingy". Keith Moon sings lead vocals on the bonus tracks "Jaguar" and "Girl's Eyes".
to:
* StepUpToTheMicrophone[=/=]VocalTagTeam: The album is a very collaborative work vocally, as opposed to its more Roger Daltery-focused Daltrey-focused predecessors. Pete Townshend sings lead vocals on "Odorono", "Our Love Was", "Can't Reach You" and "Sunrise". He also has co-lead vocals on "Tattoo" and "Relax". John Entwistle sings lead vocals on "Heinz Baked Beans", "Medac" and "Silas Stingy". Keith Moon sings lead vocals on the bonus tracks "Jaguar" and "Girl's Eyes".
Is there an issue? Send a MessageReason:
None
Changed line(s) 91 (click to see context) from:
* FakeRadioShowAlbum: All throughout the album fake commercials and radio station jingles are heard. Several songs are also lyrically similar to a commercial.
to:
* FakeRadioShowAlbum: All throughout the album fake commercials and genuine radio station jingles are heard. Several songs are also lyrically similar to a commercial.
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Added DiffLines:
* EndOfAnEra: The album as a whole evokes this for the golden age of pirate radio, which was coming to an end following a UK government crackdown. By the time the album was released, most of the pirates had gone off air, including Radio London, from which the between-tracks jingles were taken.
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Changed line(s) 1,3 (click to see context) from:
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/11872633_350_350_7138.jpg]]
[[caption-width-right:350: ''Wonderful radio... London''.]]
[[caption-width-right:350: ''Wonderful radio... London''.]]
to:
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Changed line(s) 158 (click to see context) from:
* SpecialGuest: Al Kooper plays organ on this album.
to:
* SpecialGuest: SpecialGuest:
** Al Kooper plays organ on thisalbum.album.
** John "Speedy" keen from Thunderclap Newman wrote and sings backup on "Armenia City In The Sky".
** Al Kooper plays organ on this
** John "Speedy" keen from Thunderclap Newman wrote and sings backup on "Armenia City In The Sky".
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None
Changed line(s) 4,5 (click to see context) from:
''The Who Sell Out'' is the third studio album by Music/TheWho, released in 1967. A ConceptAlbum, it is formatted as a collection of unrelated songs with fake commercials and public service announcements in between them. Part of the intended irony of the title was that The Who were making commercials around this time.
to:
''The Who Sell Out'' is the third studio album by Music/TheWho, released in 1967. A ConceptAlbum, it is formatted as a collection of unrelated songs with fake commercials and public service announcements in between them. Part of the intended irony of the title was that The Who were making real commercials around this time.
Is there an issue? Send a MessageReason:
How To Create A Works Page explicitly says "No bolding is used for work titles."
Changed line(s) 4,5 (click to see context) from:
'''''The Who Sell Out''''' is the third studio album by Music/TheWho, released in 1967. A ConceptAlbum, it is formatted as a collection of unrelated songs with fake commercials and public service announcements in between them. Part of the intended irony of the title was that The Who were making commercials around this time.
to:
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Changed line(s) 64 (click to see context) from:
* AluminumChristmasTrees: The band recorded some real commercials around the time ''The Who Sell Out'' was recorded. Some of them are featured on the 1995 reissue.
to:
* AluminumChristmasTrees: The band recorded some real commercials around the time ''The Who Sell Out'' was recorded. Some recorded, some of them which are featured on the 1995 reissue.later reissues.
Is there an issue? Send a MessageReason:
Moving trivia items
Deleted line(s) 101 (click to see context) :
* NamesTheSame: Younger listeners might not realize the Top Gear jingle has nothing to do with the [[Series/TopGear greatest automobile magazine and TV series...in the world]], but rather the 60s music radio program.
Deleted line(s) 116 (click to see context) :
* ParodyRetcon: The band only claimed that the commercials were paroides ''after'' they found out they wouldn't be paid for them.
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None
Added DiffLines:
* ParodyRetcon: The band only claimed that the commercials were paroides ''after'' they found out they wouldn't be paid for them.
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Changed line(s) 79 (click to see context) from:
* DoubleEntendre: "Mary-Anne With The Shaky Hands
to:
* DoubleEntendre: "Mary-Anne With The Shaky HandsHands"