Is there an issue? Send a MessageReason:
None
Changed line(s) 1,8 (click to see context) from:
The Beautiful South were a British SophistiPop band active from 1988 to 2007. Variously classed as JanglePop, Northern Soul[[note]]A flexible term first applied to American R&B records and the provincial British scene that sprang up around them.[[/note]] and Alternative Pop Rock, the Beautiful South formed after the breakup of the Housemartins, an IndiePop group that had gained traction in the mid-1980s. While the Housemartins' former bassist Norman Cook went in a house/funk direction that would eventually lead him to become Music/FatboySlim, leader Paul Heaton started a new band that would be more influenced by Burt Bacharach, soul and jazz. He pulled Housemartins drummer Dave Hemmingway up front with him to serve as a secondary lead vocalist.
The band is best known for their biting wit and mastery of LyricalDissonance. Heaton and bandmate Dave Rotheray often wrote pleasant-sounding pop tunes that were pared with lyrics that were dark, satirical, political or otherwise atypical in some fashion.
With two lead singers, The Beautiful South emphasized vocal harmonies, especially between female vocalists. The first of these was Northern Irish singer Briana Corrigan, who left after their third album, ''0898 Beautiful South''. Jacqui Abbott sang on the next four albums, while Alison Wheeler was a member for the final three. With three-part vocal harmonies and smooth playing from the band, the Beautiful South exhibited a honeyed sound that could cover very barbed lyrics.
The band broke up amiably in 2007, citing "musical similarities." Since then, members Dave Stead, David Hemingway and Wheeler have toured with other musicians as the New Beautiful South, and Paul Heaton and Jacqui Abbott have started recording as a duo.
The band is best known for their biting wit and mastery of LyricalDissonance. Heaton and bandmate Dave Rotheray often wrote pleasant-sounding pop tunes that were pared with lyrics that were dark, satirical, political or otherwise atypical in some fashion.
With two lead singers, The Beautiful South emphasized vocal harmonies, especially between female vocalists. The first of these was Northern Irish singer Briana Corrigan, who left after their third album, ''0898 Beautiful South''. Jacqui Abbott sang on the next four albums, while Alison Wheeler was a member for the final three. With three-part vocal harmonies and smooth playing from the band, the Beautiful South exhibited a honeyed sound that could cover very barbed lyrics.
The band broke up amiably in 2007, citing "musical similarities." Since then, members Dave Stead, David Hemingway and Wheeler have toured with other musicians as the New Beautiful South, and Paul Heaton and Jacqui Abbott have started recording as a duo.
to:
The Beautiful South were a British SophistiPop band active from 1988 to 2007. Variously classed as JanglePop, Northern Soul[[note]]A flexible term first applied to American R&B records and the provincial British scene that sprang up around them.[[/note]] and Alternative Pop Rock, as well as having a mid-'90s renaissance/peak parallel with BritPop, the Beautiful South formed after the breakup of the Housemartins, an IndiePop group that had gained traction in the mid-1980s.mid-1980s -- including an unlikely UK Number One single with an ACappella cover of the [[Music/TheIsleyBrothers Isley-Jasper-Isley]] song "Caravan Of Love". While the Housemartins' former bassist Norman Cook went in a house/funk direction that would eventually lead him to become Music/FatboySlim, leader Paul Heaton started a new band that would be more influenced by Burt Bacharach, soul and jazz. He pulled Housemartins drummer Dave Hemmingway Hemingway up front with him to serve as a secondary lead vocalist.
The band is best known for their biting wit and mastery ofLyricalDissonance. LyricalDissonance: Heaton and bandmate guitarist Dave Rotheray often wrote pleasant-sounding pop tunes that were pared paired with lyrics that were dark, satirical, political or otherwise atypical in some fashion.
fashion. Depending on who you listen to, they were almost equally lauded and derided for this deployment of what was most frequently called "irony" under the cover of sweet melodies, leading to a not insubstantial HateDom as well as huge success.
With two lead singers,The the Beautiful South emphasized vocal harmonies, especially between male and female vocalists. The first of these female co-leads was Northern Irish singer Briana Corrigan, who left after their third album, ''0898 Beautiful South''. Jacqui Abbott sang on the next four albums, while Alison Wheeler was a member for the final three. With three-part vocal harmonies and smooth playing from the band, the Beautiful South exhibited a honeyed sound that could cover mask very barbed lyrics.
The band scored big early successes with the likes of their Heaton-sung debut No.2 single "Song For Whoever", "You Keep It All In" (both 1989) and the chart-topping duet "A Little Time" (1990) sung by Hemingway and Corrigan. Their commercial fortunes thereafter seemed to be on the gradual wane however, until the late-1994 release of GreatestHitsAlbum ''Carry On up the Charts: The Best of the Beautiful South'' unexpectedly went stratospheric -- it became the second-best selling album of the year, and with eventual 6x platinum status it has often been claimed that 1 in 7 UK households owned a copy. With the simultaneous rise of BritPop also bringing guitar-bass-drums music back into the chart mainstream, subsequently the group had its first Top 10 singles in over half a decade with the Abbott-fronted "Rotterdam" and "Don't Marry Her" then their biggest hit in 8 years with the Heaton-Abbott duet "Perfect 10", along with two more multi-platinum Number One albums, before slipping oddly quickly and quietly from million-selling ubiquity into becoming a fan-only act around the turn of the millennium.
The band broke up amiably in 2007, wittily subversive to the end by citing"musical similarities.the cause as "[[CreativeDifferences musical]] ''[[CreativeDifferences similarities]]''." Since then, members Dave Stead, David Hemingway and Hemingway, Wheeler and Dave Stead have toured with other musicians as The South and the New Beautiful South, and Paul Heaton has recorded several solo albums and also reconvened with Jacqui Abbott have started Abbott, leading to the pair recording and touring again as a duo.
The band is best known for their biting wit and mastery of
With two lead singers,
The band scored big early successes with the likes of their Heaton-sung debut No.2 single "Song For Whoever", "You Keep It All In" (both 1989) and the chart-topping duet "A Little Time" (1990) sung by Hemingway and Corrigan. Their commercial fortunes thereafter seemed to be on the gradual wane however, until the late-1994 release of GreatestHitsAlbum ''Carry On up the Charts: The Best of the Beautiful South'' unexpectedly went stratospheric -- it became the second-best selling album of the year, and with eventual 6x platinum status it has often been claimed that 1 in 7 UK households owned a copy. With the simultaneous rise of BritPop also bringing guitar-bass-drums music back into the chart mainstream, subsequently the group had its first Top 10 singles in over half a decade with the Abbott-fronted "Rotterdam" and "Don't Marry Her" then their biggest hit in 8 years with the Heaton-Abbott duet "Perfect 10", along with two more multi-platinum Number One albums, before slipping oddly quickly and quietly from million-selling ubiquity into becoming a fan-only act around the turn of the millennium.
The band broke up amiably in 2007, wittily subversive to the end by citing
Changed line(s) 11,21 (click to see context) from:
* 1989 - ''Welcome to the Beautiful South''
* 1990 - ''Choke''
* 1992 - ''0898 Beautiful South''
* 1994 - ''Miaow''
* 1996 - ''Blue is the Colour''
* 1998 - ''Quench''
* 2000 - ''Painting It Red''
* 2003 - ''Gaze''
* 2004 - ''Golddiggas, Headnodders and Pholk Songs''
* 2006 - ''Superbi''
* 1990 - ''Choke''
* 1992 - ''0898 Beautiful South''
* 1994 - ''Miaow''
* 1996 - ''Blue is the Colour''
* 1998 - ''Quench''
* 2000 - ''Painting It Red''
* 2003 - ''Gaze''
* 2004 - ''Golddiggas, Headnodders and Pholk Songs''
* 2006 - ''Superbi''
to:
* 1989 - ''Welcome to the Beautiful South''
South'' (UK #2)
* 1990 -''Choke''
''Choke'' (#2)
* 1992 - ''0898 BeautifulSouth''
South'' (#4)
* 1994 -''Miaow''
''Miaow'' (#6)
* 1994 - ''[[Film/CarryOnSeries Carry On]] up the Charts: The Best of'' (#1)
* 1996 - ''Blue is theColour''
Colour'' (#1)
* 1998 -''Quench''
''Quench'' (#1)
* 2000 - ''Painting ItRed''
Red'' (#2)
* 2001 - ''Solid Bronze: Great Hits'' (#10)
* 2003 -''Gaze''
''Gaze'' (#14)
* 2004 - ''Golddiggas, Headnodders and PholkSongs''
Songs'' (#11)
* 2006 -''Superbi''
''Superbi'' (#6)
* 2007 - ''Soup'' (#15) -- combined Housemartins and Beautiful South compilation
* 1990 -
* 1992 - ''0898 Beautiful
* 1994 -
* 1994 - ''[[Film/CarryOnSeries Carry On]] up the Charts: The Best of'' (#1)
* 1996 - ''Blue is the
* 1998 -
* 2000 - ''Painting It
* 2001 - ''Solid Bronze: Great Hits'' (#10)
* 2003 -
* 2004 - ''Golddiggas, Headnodders and Pholk
* 2006 -
* 2007 - ''Soup'' (#15) -- combined Housemartins and Beautiful South compilation
Changed line(s) 23,24 (click to see context) from:
* TheAlcoholic: "Old Red Eyes Is Back" is a song about poorly disguised alcoholism. Also, most of the denziens of "Liar's Bar".
* AnimatedMusicVideo: "How Long's A Tear Take To Dry," courtesy of none other than Creator/HannaBarbera.
* AnimatedMusicVideo: "How Long's A Tear Take To Dry," courtesy of none other than Creator/HannaBarbera.
to:
* TheAlcoholic: "Old Red Eyes Is Back" is a song about poorly disguised alcoholism. Also, most of the denziens denizens of "Liar's Bar".
* AnimatedMusicVideo: "How Long's A Tear Take ToDry," Dry", courtesy of none other than Creator/HannaBarbera.
* AnimatedMusicVideo: "How Long's A Tear Take To
Changed line(s) 26 (click to see context) from:
--> "Prevent the hoards of impressionable young fans from blowing their heads off in a [[CrossesTheLineTwice gun-gobbling frenzy]]. ''Or taking up smoking''."
to:
--> "Prevent the hoards hordes of impressionable young fans from blowing their heads off in a [[CrossesTheLineTwice gun-gobbling frenzy]]. ''Or taking up smoking''."
Changed line(s) 40,41 (click to see context) from:
** Their first hit was "You Keep It All In", a pleasant-sounding ditty with the lyrics "Last night, the conversation we had last night/When all I wanted to do was stab you in the heart..."
** "A Little Time" is a warm, soft song from the point of a man and a woman whose relationship is crumbling.
** "A Little Time" is a warm, soft song from the point of a man and a woman whose relationship is crumbling.
to:
** Their first Early hit was "You Keep It All In", In" was a pleasant-sounding ditty with the lyrics "Last night, the conversation we had last night/When all I wanted to do was stab you in the heart..."
** "A LittleTime" Time", the band's sole UK Number One single, is a warm, soft song 'love song' sung from the point of a man and a woman whose relationship is crumbling.
** "A Little
* SelfDeprecation: The band's second GreatestHitsAlbum was entitled the deliberately underwhelming-sounding ''Solid Bronze''.
Changed line(s) 55 (click to see context) from:
* TakeThat: A hallmark of Paul's writing, even back in his Housemartins days.
to:
* TakeThat: A hallmark of Paul's writing, even back in his Housemartins days.days.
* UnusualEuphemism: "Sandra Bullocks", for "sweaty bollocks", in the [[Bowdlerization bowdlerised]] radio version of "Don't Marry Her".
* UnusualEuphemism: "Sandra Bullocks", for "sweaty bollocks", in the [[Bowdlerization bowdlerised]] radio version of "Don't Marry Her".
Is there an issue? Send a MessageReason:
None
Changed line(s) 27 (click to see context) from:
* BigBeautifulWoman: "Perfect 10": "She's a perfect ten/But she wears a twelve/Baby, save a little two for me."
to:
* BigBeautifulWoman: "Perfect 10": "She's a perfect ten/But she wears a twelve/Baby, save keep a little two for me."
* BiggerIsBetterInBed: The other half of "Perfect 10", although the singer notes that there's a range of size that she can tolerate and too large might cause some problems. "Well if he's XXL, well what the hell/Every penny don't fit the slot."
* BiggerIsBetterInBed: The other half of "Perfect 10", although the singer notes that there's a range of size that she can tolerate and too large might cause some problems. "Well if he's XXL, well what the hell/Every penny don't fit the slot."
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
The band is best known for the biting wit and their mastery of LyricalDissonance. Heaton and bandmate Dave Rotheray often wrote pleasant-sounding pop tunes that were pared with lyrics that were dark, satirical, political or otherwise atypical in some fashion.
to:
The band is best known for the their biting wit and their mastery of LyricalDissonance. Heaton and bandmate Dave Rotheray often wrote pleasant-sounding pop tunes that were pared with lyrics that were dark, satirical, political or otherwise atypical in some fashion.
Is there an issue? Send a MessageReason:
None
* ArsonMurderAndJaywalking: When they released their debut album, Woolworth's refused to stock it due to the album's cover, which depicted a woman with a gun in her mouth next to a man smoking. The band replied in typical fashion saying the store wanted to:
--> "Prevent the hoards of impressionable young fans from blowing their heads off in a [[CrossesTheLineTwice gun-gobbling frenzy]]. ''Or taking up smoking''."
--> "Prevent the hoards of impressionable young fans from blowing their heads off in a [[CrossesTheLineTwice gun-gobbling frenzy]]. ''Or taking up smoking''."
Changed line(s) 39 (click to see context) from:
* MuseAbuse: "Song For Whoever" is about a songwriter who cynically sees his lover's grief as inspiration, and doesn't even remember her name.
to:
* MuseAbuse: "Song For Whoever" is about a songwriter who cynically sees his lover's grief as inspiration, and either doesn't even remember her name.name or has used so many lovers as fodder for his musical career that he struggles to recall them all.
-->''Deep, so deep''\\
''The number-one I hope to reap''\\
''Depends upon the tears you weep''\\
''So cry, lover, cry''
-->''Deep, so deep''\\
''The number-one I hope to reap''\\
''Depends upon the tears you weep''\\
''So cry, lover, cry''
Is there an issue? Send a MessageReason:
None
Added DiffLines:
The band is best known for the biting wit and their mastery of LyricalDissonance. Heaton and bandmate Dave Rotheray often wrote pleasant-sounding pop tunes that were pared with lyrics that were dark, satirical, political or otherwise atypical in some fashion.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* OneWomanSong: Parodied to hell and back in "Song For Whoever":
-->''Oh Cathy, Oh Alison, Oh Phillipa, Oh Sue\\
You made me so much money, I wrote this song for you\\
Jennifer, Alison, Phillipa, Sue, Deborah, Annabel, too...''
-->''Oh Cathy, Oh Alison, Oh Phillipa, Oh Sue\\
You made me so much money, I wrote this song for you\\
Jennifer, Alison, Phillipa, Sue, Deborah, Annabel, too...''
Is there an issue? Send a MessageReason:
None
Changed line(s) 27 (click to see context) from:
* CoverVersion: Their covers include Pebbles' "Girlfriend" and Fred Neil's "Everybody's Talkin'", already CoveredUp by Music/HarryNilsson. Eventually the band released an (almost)[[note]]"This Old Skin" is presented as a cover of The Heppelbaums, who are actually The Beautiful South[[/note]] all-covers album, which featured songs by Music/WillieNelson ("Valentine"), Music/RufusWainwright ("Rebel Prince"), Music/TheRamones ("Blitzkrieg Bop") and Music/BlueOysterCult ("Don't Fear the Reaper")!
to:
* CoverVersion: Their covers include Pebbles' "Girlfriend" and Fred Neil's "Everybody's Talkin'", already CoveredUp by Music/HarryNilsson. Eventually the band released ''Golddiggas, Headnodders and Pholk Songs'', an (almost)[[note]]"This Old Skin" is presented as a cover of The Heppelbaums, who are actually The Beautiful South[[/note]] all-covers album, which featured songs by Music/WillieNelson ("Valentine"), Music/RufusWainwright ("Rebel Prince"), Music/TheRamones ("Blitzkrieg Bop") and Music/BlueOysterCult ("Don't Fear the Reaper")!
Is there an issue? Send a MessageReason:
None
Changed line(s) 33 (click to see context) from:
** Taken UpToEleven with "Hold Me Close (Underground)", where the singer promises that they'll carry on making love, even when they're dead.
to:
** Taken UpToEleven with "Hold Me Close (Underground)", where the singer promises that they'll carry on making love, [[TogetherInDeath even when they're dead.dead]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 33 (click to see context) from:
* IntercourseWithYou: "Hold Me Close (Underground)" takes this UpToEleven, where the singer promises that they'll carry on making love even when they're dead.
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 33 (click to see context) from:
* IntercourseWithYou: "Hold Me Close (Underground)" takes this UpToEleven, where the singer promises that they'll making love even when they're dead.
to:
* IntercourseWithYou: "Hold Me Close (Underground)" takes this UpToEleven, where the singer promises that they'll carry on making love even when they're dead.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* IntercourseWithYou: "Hold Me Close (Underground)" takes this UpToEleven, where the singer promises that they'll making love even when they're dead.
Is there an issue? Send a MessageReason:
None
* AnimatedMusicVideo: "How Long's A Tear Take To Dry," courtesy of none other than Creator/HannaBarbera.
Changed line(s) 38 (click to see context) from:
* {{Retraux}}: The "How Long's a Tear Take to Dry?" video is done in the style of a Creator/HannaBarbera BandToon. As an added bonus it was even animated by the duo themselves!
to:
* {{Retraux}}: The "How Long's a Tear Take to Dry?" video is done in the style of a Creator/HannaBarbera BandToon. As an added bonus it was even animated by The studio itself [[ParodyAssistance provided the duo themselves!animation]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,4 (click to see context) from:
The Beautiful South were a British SophistiPop band active from 1988 to 2007. Variously classed as JanglePop, Northern Soul[[note]]A flexible term first applied to American R&B records and the provincial British scene that sprang up around them.[[/note]] and Alternative Pop Rock, the Beautiful South formed after the breakup of the Housemartins, an IndiePop group that had gained traction in the mid-1980s. While the Housemartins' former bassist Norman Cook went in a house/funk direction that would eventually lead him to become Music/FatboySlim, leader Paul Heaton started a new band that would be more influenced by Music/BurtBacharach, soul and jazz. He pulled Housemartins drummer Dave Hemmingway up front with him to serve as a secondary lead vocalist.
With two lead singers the Beautiful South emphasized vocal harmonies, a trait that went further when they brought lead female vocalists into the mix. The first of these was Northern Irish singer Briana Corrigan, who left after their third album, ''0898 Beautiful South''. Jacqui Abbott sang on the next four albums, while Alison Wheeler was a member for the final three. With three-part vocal harmonies and smooth playing from the band, the Beautiful South exhibited a honeyed sound that could cover very barbed lyrics.
With two lead singers the Beautiful South emphasized vocal harmonies, a trait that went further when they brought lead female vocalists into the mix. The first of these was Northern Irish singer Briana Corrigan, who left after their third album, ''0898 Beautiful South''. Jacqui Abbott sang on the next four albums, while Alison Wheeler was a member for the final three. With three-part vocal harmonies and smooth playing from the band, the Beautiful South exhibited a honeyed sound that could cover very barbed lyrics.
to:
The Beautiful South were a British SophistiPop band active from 1988 to 2007. Variously classed as JanglePop, Northern Soul[[note]]A flexible term first applied to American R&B records and the provincial British scene that sprang up around them.[[/note]] and Alternative Pop Rock, the Beautiful South formed after the breakup of the Housemartins, an IndiePop group that had gained traction in the mid-1980s. While the Housemartins' former bassist Norman Cook went in a house/funk direction that would eventually lead him to become Music/FatboySlim, leader Paul Heaton started a new band that would be more influenced by Music/BurtBacharach, Burt Bacharach, soul and jazz. He pulled Housemartins drummer Dave Hemmingway up front with him to serve as a secondary lead vocalist.
With two leadsingers the singers, The Beautiful South emphasized vocal harmonies, a trait that went further when they brought lead especially between female vocalists into the mix.vocalists. The first of these was Northern Irish singer Briana Corrigan, who left after their third album, ''0898 Beautiful South''. Jacqui Abbott sang on the next four albums, while Alison Wheeler was a member for the final three. With three-part vocal harmonies and smooth playing from the band, the Beautiful South exhibited a honeyed sound that could cover very barbed lyrics.
With two lead
Changed line(s) 24 (click to see context) from:
* {{Bowdlerization}}: The single "Don't Marry Her" changed the rather unsubtle line "don't marry her, fuck me" to "don't marry her, have me". It also changed the line "sweaty bollocks" to "[[Creator/SandraBullock Sandra Bullocks]]"
to:
* {{Bowdlerization}}: The single "Don't Marry Her" changed the rather unsubtle line "don't marry her, fuck me" to "don't marry her, have me". It also changed the line "sweaty bollocks" to "[[Creator/SandraBullock Sandra Bullocks]]"Bullocks]]".
Changed line(s) 32 (click to see context) from:
* LyricalDissonance: A hallmark of the band's work. Their first hit was "You Keep It All In", a pleasant-sounding ditty with the lyrics "Last night, the conversation we had last night/When all I wanted to do was stab you in the heart..."
to:
* LyricalDissonance: A hallmark of the band's work. work.
** Their first hit was "You Keep It All In", a pleasant-sounding ditty with the lyrics "Last night, the conversation we had last night/When all I wanted to do was stab you in the heart..."
** Their first hit was "You Keep It All In", a pleasant-sounding ditty with the lyrics "Last night, the conversation we had last night/When all I wanted to do was stab you in the heart..."
Changed line(s) 37 (click to see context) from:
* {{Retraux}}: The "How Long's a Tear Take to Dry?" video is done in the style of a Hanna-Barbera BandToon.
to:
* {{Retraux}}: The "How Long's a Tear Take to Dry?" video is done in the style of a Hanna-Barbera BandToon.Creator/HannaBarbera BandToon. As an added bonus it was even animated by the duo themselves!
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* GrowOldWithMe: "Prettiest Eyes" tells a story of an old man looking proudly back on the years he had spent with his partner:
-->''Let's take a look at these crows' feet, just look,\\
Sitting on the prettiest eyes.\\
Sixty 25th of Decembers,\\
Fifty-nine 4th of Julys''
-->''Let's take a look at these crows' feet, just look,\\
Sitting on the prettiest eyes.\\
Sixty 25th of Decembers,\\
Fifty-nine 4th of Julys''
Is there an issue? Send a MessageReason:
add explanation of the "almost" all-covers album
Changed line(s) 26 (click to see context) from:
* CoverVersion: Their covers include Pebbles' "Girlfriend" and Fred Neil's "Everybody's Talkin'", already CoveredUp by Music/HarryNilsson. Eventually the band released an (almost) all-covers album, which featured songs by Music/WillieNelson ("Valentine"), Music/RufusWainwright ("Rebel Prince"), Music/TheRamones ("Blitzkrieg Bop") and Music/BlueOysterCult ("Don't Fear the Reaper")!
to:
* CoverVersion: Their covers include Pebbles' "Girlfriend" and Fred Neil's "Everybody's Talkin'", already CoveredUp by Music/HarryNilsson. Eventually the band released an (almost) (almost)[[note]]"This Old Skin" is presented as a cover of The Heppelbaums, who are actually The Beautiful South[[/note]] all-covers album, which featured songs by Music/WillieNelson ("Valentine"), Music/RufusWainwright ("Rebel Prince"), Music/TheRamones ("Blitzkrieg Bop") and Music/BlueOysterCult ("Don't Fear the Reaper")!
Is there an issue? Send a MessageReason:
no bolding for creators
Changed line(s) 1,2 (click to see context) from:
'''The Beautiful South''' were a British SophistiPop band active from 1988 to 2007. Variously classed as JanglePop, Northern Soul[[note]]A flexible term first applied to American R&B records and the provincial British scene that sprang up around them.[[/note]] and Alternative Pop Rock, the Beautiful South formed after the breakup of the Housemartins, an IndiePop group that had gained traction in the mid-1980s. While the Housemartins' former bassist Norman Cook went in a house/funk direction that would eventually lead him to become Music/FatboySlim, leader Paul Heaton started a new band that would be more influenced by Music/BurtBacharach, soul and jazz. He pulled Housemartins drummer Dave Hemmingway up front with him to serve as a secondary lead vocalist.
to:
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* SelfTitledAlbum: Semi-examples with ''Welcome to the Beautiful South'' and ''0898 Beautiful South''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
'''The Beautiful South''' were a British SophistiPop band active from 1988 to 2007. Variously classed as JanglePop, Northern Soul[[note]]A flexible term first applied to American R&B records and the provincial British scene that sprang up around them.[[/note]] and Alternative Pop Rock, the Beautiful South formed after the breakup of the Housemartins, an IndiePop group that had gained traction in the mid-1980s. While the Housemartins' former bassist Norman Cook went in a house/funk direction that would eventually lead him to become Music/FatboySlim, leader Paul Heaton started a new band that would be more influenced by Music/BurtBacharach, soul and jazz. He pulled Housemartins drummer Dave Rotheray up front with him to serve as a secondary lead vocalist.
to:
'''The Beautiful South''' were a British SophistiPop band active from 1988 to 2007. Variously classed as JanglePop, Northern Soul[[note]]A flexible term first applied to American R&B records and the provincial British scene that sprang up around them.[[/note]] and Alternative Pop Rock, the Beautiful South formed after the breakup of the Housemartins, an IndiePop group that had gained traction in the mid-1980s. While the Housemartins' former bassist Norman Cook went in a house/funk direction that would eventually lead him to become Music/FatboySlim, leader Paul Heaton started a new band that would be more influenced by Music/BurtBacharach, soul and jazz. He pulled Housemartins drummer Dave Rotheray Hemmingway up front with him to serve as a secondary lead vocalist.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* {{Bowdlerization}}: The single "Don't Marry Her" changed the rather unsubtle line "don't marry her, fuck me" to "don't marry her, have me". It also changed the line "sweaty bollocks" to "[[Creator/SandraBullock Sandra Bullocks]]"
Is there an issue? Send a MessageReason:
None
Changed line(s) 31 (click to see context) from:
* {{Retraux}}: The "How Long's a Tear Take to Dry?" video is done in the style of a Hanna-Barbera BandToon.
to:
* {{Retraux}}: The "How Long's a Tear Take to Dry?" video is done in the style of a Hanna-Barbera BandToon.BandToon.
* TakeThat: A hallmark of Paul's writing, even back in his Housemartins days.
* TakeThat: A hallmark of Paul's writing, even back in his Housemartins days.
Is there an issue? Send a MessageReason:
None
Changed line(s) 31 (click to see context) from:
* QuarrellingSong: "I Keep it All In" and "A Little Time" are both musical lovers' quarrels.
to:
* QuarrellingSong: "I Keep it All In" and "A Little Time" are both musical lovers' quarrels.{{Retraux}}: The "How Long's a Tear Take to Dry?" video is done in the style of a Hanna-Barbera BandToon.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,4 (click to see context) from:
The Beautiful South were a British band active from 1988 to 2007. Variously classed as SophistiPop, JanglePop, Northern Soul[[note]]A flexible term first applied to American R&B records and the provincial British scene that sprang up around them.[[/note]] and Alternative Pop Rock, the Beautiful South formed after the breakup of the Housemartins, a JanglePop group that had gained traction in the mid-1980s. While the Housemartins' former bassist Norman Cook went in a house/funk direction that would eventually lead him to become Music/FatboySlim, leader Paul Heaton started a new band that would be more influenced by Music/BurtBacharach, soul and jazz. He pulled Housemartins drummer Dave Rotheray up front with him to serve as a secondary lead vocalist.
With two lead singers the Beautiful South emphasized vocal harmonies, a trait that went further when they brought lead female vocalists into the mix. The first of these was Northern Irish singer Briana Corrigan, who left after their third album. Jacqui Abbott sang on the next four albums, while Alison Wheeler was a member for the final three. With three-part vocal harmonies and smooth playing from the band, the Beautiful South exhibited a honeyed sound that could cover very barbed lyrics.
With two lead singers the Beautiful South emphasized vocal harmonies, a trait that went further when they brought lead female vocalists into the mix. The first of these was Northern Irish singer Briana Corrigan, who left after their third album. Jacqui Abbott sang on the next four albums, while Alison Wheeler was a member for the final three. With three-part vocal harmonies and smooth playing from the band, the Beautiful South exhibited a honeyed sound that could cover very barbed lyrics.
to:
With two lead singers the Beautiful South emphasized vocal harmonies, a trait that went further when they brought lead female vocalists into the mix. The first of these was Northern Irish singer Briana Corrigan, who left after their third
Changed line(s) 13 (click to see context) from:
* 1996 - ''Blue Is the Colour''
to:
* 1996 - ''Blue Is is the Colour''
Changed line(s) 20 (click to see context) from:
!!Tropes
to:
Changed line(s) 22 (click to see context) from:
* BigBeautifulWoman: "Perfect Ten": "She's a perfect ten/But she wears a twelve/Baby, save a little two for me."
to:
* BigBeautifulWoman: "Perfect Ten": 10": "She's a perfect ten/But she wears a twelve/Baby, save a little two for me."
Changed line(s) 26 (click to see context) from:
* LyricalDissonance: A hallmark of the band's work. Their first hit was "You Keep It All In", a pleasant sounding ditty with the lyrics "Last night, the conversation we had last night/When all I wanted to do was stab you in the heart..."
to:
* LyricalDissonance: A hallmark of the band's work. Their first hit was "You Keep It All In", a pleasant sounding pleasant-sounding ditty with the lyrics "Last night, the conversation we had last night/When all I wanted to do was stab you in the heart...""
** "A Little Time" is a warm, soft song from the point of a man and a woman whose relationship is crumbling.
** "A Little Time" is a warm, soft song from the point of a man and a woman whose relationship is crumbling.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
The Beautiful South were a British band active from 1988 to 2007. Variously classed as SophistiPop, Northern Soul[[note]]A flexible term first applied to American R&B records and the provincial British scene that sprang up around them.[[/note]] and Alternative Pop Rock, the Beautiful South formed after the breakup of the Housemartins, a JanglePop group that had gained traction in the mid-1980s. While the Housemartins' former bassist Norman Cook went in a house/funk direction that would eventually lead him to become Music/FatboySlim, leader Paul Heaton started a new band that would be more influenced by Music/BurtBacharach, soul and jazz. He pulled Housemartins drummer Dave Rotheray up front with him to serve as a secondary lead vocalist.
to:
The Beautiful South were a British band active from 1988 to 2007. Variously classed as SophistiPop, JanglePop, Northern Soul[[note]]A flexible term first applied to American R&B records and the provincial British scene that sprang up around them.[[/note]] and Alternative Pop Rock, the Beautiful South formed after the breakup of the Housemartins, a JanglePop group that had gained traction in the mid-1980s. While the Housemartins' former bassist Norman Cook went in a house/funk direction that would eventually lead him to become Music/FatboySlim, leader Paul Heaton started a new band that would be more influenced by Music/BurtBacharach, soul and jazz. He pulled Housemartins drummer Dave Rotheray up front with him to serve as a secondary lead vocalist.
Is there an issue? Send a MessageReason:
None
* BreakupSong: "A Little Time": He left her, he regrets it, she's decided she's okay with it.
Changed line(s) 28 (click to see context) from:
* OdeToSobriety: "Liar's Bar" is the "subverted drinking song" version; the bar's regulars are such a terrible example that they'd discourage anyone from drinking, or at least from drinking ''there''.
to:
* OdeToSobriety: "Liar's Bar" is the "subverted drinking song" version; the bar's regulars are such a terrible example that they'd discourage anyone from drinking, or at least from drinking ''there''.''there''.
*QuarrellingSong: "I Keep it All In" and "A Little Time" are both musical lovers' quarrels.
*QuarrellingSong: "I Keep it All In" and "A Little Time" are both musical lovers' quarrels.
Is there an issue? Send a MessageReason:
None
Changed line(s) 21 (click to see context) from:
* TheAlcoholic: "Old Red Eyes Is Back" is a song about poorly disguised alcoholism.
to:
* TheAlcoholic: "Old Red Eyes Is Back" is a song about poorly disguised alcoholism. Also, most of the denziens of "Liar's Bar".
*BigBeautifulWoman: "Perfect Ten": "She's a perfect ten/But she wears a twelve/Baby, save a little two for me."
*BigBeautifulWoman: "Perfect Ten": "She's a perfect ten/But she wears a twelve/Baby, save a little two for me."
Changed line(s) 25 (click to see context) from:
* NobleBirdOfPrey: A falcon stares into the camera on the cover of ''Gaze''.
to:
* MuseAbuse: "Song For Whoever" is about a songwriter who cynically sees his lover's grief as inspiration, and doesn't even remember her name.
* NobleBirdOfPrey: A falcon stares into the camera on the cover of''Gaze''.''Gaze''.
* OdeToSobriety: "Liar's Bar" is the "subverted drinking song" version; the bar's regulars are such a terrible example that they'd discourage anyone from drinking, or at least from drinking ''there''.
* NobleBirdOfPrey: A falcon stares into the camera on the cover of
* OdeToSobriety: "Liar's Bar" is the "subverted drinking song" version; the bar's regulars are such a terrible example that they'd discourage anyone from drinking, or at least from drinking ''there''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 23 (click to see context) from:
* CoverVersion[=/=]CoverAlbum: Their covers include Pebbles' "Girlfriend" and Fred Neil's "Everybody's Talkin'", already CoveredUp by Music/HarryNilsson. Eventually the band released an (almost) all-covers album, which featured songs by Music/WillieNelson ("Valentine"), Music/RufusWainwright ("Rebel Prince"), Music/TheRamones ("Blitzkrieg Bop") and Music/BlueOysterCult ("Don't Fear the Reaper")!
to:
* CoverVersion[=/=]CoverAlbum: CoverVersion: Their covers include Pebbles' "Girlfriend" and Fred Neil's "Everybody's Talkin'", already CoveredUp by Music/HarryNilsson. Eventually the band released an (almost) all-covers album, which featured songs by Music/WillieNelson ("Valentine"), Music/RufusWainwright ("Rebel Prince"), Music/TheRamones ("Blitzkrieg Bop") and Music/BlueOysterCult ("Don't Fear the Reaper")!
Is there an issue? Send a MessageReason:
None
Changed line(s) 5,6 (click to see context) from:
The band broke up amiably in 2007, citing "musical similarities." Since then, members Dave Stead, David Hemingway and Wheeler have toured with other musicians as the New Beautiful South.
to:
The band broke up amiably in 2007, citing "musical similarities." Since then, members Dave Stead, David Hemingway and Wheeler have toured with other musicians as the New Beautiful South.
South, and Paul Heaton and Jacqui Abbott have started recording as a duo.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
!!Tropes
* TheAlcoholic: "Old Red Eyes Is Back" is a song about poorly disguised alcoholism.
* BlondeBrunetteRedhead: The female vocalists. They started out with Briana Corrigan (redhead), later drafted Jacqui Abbott (brunette), and finally Alison Wheeler (blonde).
* CoverVersion[=/=]CoverAlbum: Their covers include Pebbles' "Girlfriend" and Fred Neil's "Everybody's Talkin'", already CoveredUp by Music/HarryNilsson. Eventually the band released an (almost) all-covers album, which featured songs by Music/WillieNelson ("Valentine"), Music/RufusWainwright ("Rebel Prince"), Music/TheRamones ("Blitzkrieg Bop") and Music/BlueOysterCult ("Don't Fear the Reaper")!
* LyricalDissonance: A hallmark of the band's work. Their first hit was "You Keep It All In", a pleasant sounding ditty with the lyrics "Last night, the conversation we had last night/When all I wanted to do was stab you in the heart..."
* NobleBirdOfPrey: A falcon stares into the camera on the cover of ''Gaze''.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
The Beautiful South were a British band active from 1988 to 2007. Variously classed as SophistiPop, Northern Soul[[note]]A flexible term first applied to American R&B records and the provincial British scene that sprang up around them.[[/note]] and Alternative Pop Rock, the Beautiful South formed after the breakup of the Housemartins, a JanglePop group that had gained traction in the mid-1980s. While the Housemartins' former bassist Norman Cook went in a house/funk direction that would eventually lead him to become Music/FatboySlim, leader Paul Heaton started a new band that would be more influenced by Music/BurtBacharach, soul and jazz. He pulled Housemartins drummer Dave Rotheray up front with him to serve as a secondary lead vocalist.
With two lead singers the Beautiful South emphasized vocal harmonies, a trait that went further when they brought lead female vocalists into the mix. The first of these was Northern Irish singer Briana Corrigan, who left after their third album. Jacqui Abbott sang on the next four albums, while Alison Wheeler was a member for the final three. With three-part vocal harmonies and smooth playing from the band, the Beautiful South exhibited a honeyed sound that could cover very barbed lyrics.
The band broke up amiably in 2007, citing "musical similarities." Since then, members Dave Stead, David Hemingway and Wheeler have toured with other musicians as the New Beautiful South.
!!Discography
* 1989 - ''Welcome to the Beautiful South''
* 1990 - ''Choke''
* 1992 - ''0898 Beautiful South''
* 1994 - ''Miaow''
* 1996 - ''Blue Is the Colour''
* 1998 - ''Quench''
* 2000 - ''Painting It Red''
* 2003 - ''Gaze''
* 2004 - ''Golddiggas, Headnodders and Pholk Songs''
* 2006 - ''Superbi''
With two lead singers the Beautiful South emphasized vocal harmonies, a trait that went further when they brought lead female vocalists into the mix. The first of these was Northern Irish singer Briana Corrigan, who left after their third album. Jacqui Abbott sang on the next four albums, while Alison Wheeler was a member for the final three. With three-part vocal harmonies and smooth playing from the band, the Beautiful South exhibited a honeyed sound that could cover very barbed lyrics.
The band broke up amiably in 2007, citing "musical similarities." Since then, members Dave Stead, David Hemingway and Wheeler have toured with other musicians as the New Beautiful South.
!!Discography
* 1989 - ''Welcome to the Beautiful South''
* 1990 - ''Choke''
* 1992 - ''0898 Beautiful South''
* 1994 - ''Miaow''
* 1996 - ''Blue Is the Colour''
* 1998 - ''Quench''
* 2000 - ''Painting It Red''
* 2003 - ''Gaze''
* 2004 - ''Golddiggas, Headnodders and Pholk Songs''
* 2006 - ''Superbi''