History Music / TheAustinLoungeLizards

* FilkSong: Many, such as "Leonard Cohen's Day Job".

* EverythingIsBetterWithMonkeys: "Monkey On My Back".

Several of their songs have been made into music videos, including [[https://www.youtube.com/watch?v=rnE5zvosplc Too Big To Fail]], [[https://www.youtube.com/watch?v=xNuCfD5bICQ Go Ahead And Die]], and [[https://www.youtube.com/watch?v=mYodDH4qZQo The Drugs I Need]]. Their cover of C-U-B-A was also featured in Creator/MichaelMoore's film {{Sicko}}.

* OdeToIntoxication: "Buenos Dias, Budweiser" and "A Case of Coors Beer."

Several of their songs have been made into music videos, including [[http://www.youtube.com/watch?v=rnE5zvosplc Too Big To Fail]], [[http://www.youtube.com/watch?v=xNuCfD5bICQ Go Ahead And Die]], and [[http://www.youtube.com/watch?v=mYodDH4qZQo The Drugs I Need]]. Their cover of C-U-B-A was also featured in [[MichaelMoore Michael Moore's]] film {{Sicko}}.

* CoverVersion: They started out doing mostly these, but moved on to original work later. Notable examples include [[Music/PinkFloyd Brain Damage]] and [[IrvingBerlin C-U-B-A]].

* AffectionateParody: Mostly of country music cliches, but they also poke fun at TheBeachBoys in "Hey Little Minivan," mariachi music in "Buenos Dias, Budweiser," among others.

* CoverSong: They started out doing mostly these, but moved on to original work later. Notable examples include [[Music/PinkFloyd Brain Damage]] and [[IrvingBerlin C-U-B-A]].

* CoverSong: They started out doing mostly these, but moved on to original work later. Notable examples include [[PinkFloyd Brain Damage]] and [[IrvingBerlin C-U-B-A]].

Their politically-themed songs tend to have a liberal leaning, which poke fun at conservative politicians (''The Ballad of Ronald Reagan,'' ''Gingrich the Newt'') or satirize current political issues (''Go Ahead and Die''). All the group’s members contribute to songwriting, but the two principal songwriters have been Card and Deisler. Card’s lyrics often rely on clever word plays, double entendres, and off-beat but sometimes poignant narratives about ordinary life. His most frequent subject matter is love, especially comically forlorn yearning. (''The Dogs, they Really Miss You''). Deisler’s lyrics, in contrast, focus on the existentially absurd, often combining absurdly unexpected pairings (such as making Richard Petty the subject of a surreal Luis Buñuel film) as well as pitiable, sometimes lovable characters bewilderingly unaware of their own absurdity and oddness (''Wendell the Uncola Man''). The band often pokes fun at country music clichés, for example the "we were happier when we were poor" trope exaggerated into absurdity in "''Love in a Refrigerator Box''". Deisler's lyrics also marry comedy with a remarkably dark vision of humanity and its future (''Bonfire of the Inanities'').

* WhatDoYouMeanItsNotAwesome: Hey, little minivan, we're going to the ''grocery store''!

* BlahBlahBlah: "Old Blevins", in which the song's narrator meets the titular man in a bar, who seems to have some deep and abiding wisdom he's desperate to share:

He said "Blah blah blah blah blah blah blah blah\\

The Austin Lounge Lizards are a satirical folk/country/bluegrass band based out of Austin, Texas. The band consists of founding members Hank Card, Tom Pittman, and Conrad Deisler, along with Darcie Deaville (2008) and Bruce Jones (2010). The band is best known for highly literate, sharply pointed lyrics that poke fun at politics, love, religion and the culture in general. The name comes from a story told by Deisler, "I think it was a slang term I'd heard my grandmother use to describe gentlemen of easy virtue who hung around in bars. When we started out, that's just what we were doing—hanging out and playing for beer and tips and stuff like that."

* AffectionateParody: Mostly of country music cliches, but they also poke fun at TheBeachBoys in ''Hey Little Minivan,'' mariachi music in ''Buenos Dias, Budweiser,'' among others.
* BilingualBonus: Knowing Spanish makes ''Buenos Dias, Budweiser'' much more funny.
* BlahBlahBlah: ''Old Blevins'', in which the song's narrator meets the titular man in a bar, who seems to have some deep and abiding wisdom he's desperate to share:

* TheCatfish: ''Boudreaux Was a Nutcase.'' This one's a large-mouthed bass, named Moby Jack.

* CorruptCorporateExecutive: In ''Go Ahead And Die,'' a health insurance CEO is portrayed as a stereotypical pirate.

* DoggedNiceGuy: The theme of ''Just a Friend.''
* EverythingIsBetterWithMonkeys: ''Monkey On My Back.''
* EverythingIsBigInTexas: ''Another Stupid Texas Song'' mocks this mercilessly.

* FilkSong: Many, such as ''Leonard Cohen's Day Job.''
* GriefSong: Parodied in ''The Dogs, They Really Miss You.''
* HolierThanThou: Parodied in ''Jesus Loves Me, But He Can't Stand You.''
* OdeToIntoxication: ''Buenos Dias, Budweiser'' and ''A Case of Coors Beer.''

* SideEffectsInclude: ''The Drugs I Need,'' the music video provides the picture for the trope page.
* StrawmanPolitical: Frequently done for laughs, particularly in ''The Ballad of Ronald Reagan'' and ''Gingrich the Newt.''
* TakeThat: Though they've been doing these since the beginning, it's been turned up in ''The Drugs I Need.''
* TitleDrop: ''Strange Noises In The Dark,'' and ''The Drugs I Need.''