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* AlternativeDance: The album acts as an abridged history of the genre's formation, focusing on the band that [[TropeMaker invented]] and helped [[TropeCodifier codify]] it.

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* AlternativeDance: The album acts as an [[TheAbridgedHistory abridged history history]] of the genre's formation, focusing on the band that [[TropeMaker invented]] and helped [[TropeCodifier codify]] it.
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In 2023, New Order [[https://www.nme.com/news/music/new-order-announce-substance-1987-album-collection-reissues-remastered-preorder-3497440 announced a remastered reissue]] of ''Substance'' on CD and vinyl, with the CD version including two bonus discs containing the previously cassette-exclusive tracks plus additional B-sides and archival live recordings.
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''Substance'' is a compilation album by English AlternativeDance group Music/NewOrder, released in 1987. Released as a stopgap during the interim between 1986's ''Music/{{Brotherhood}}'' and 1989's ''Music/{{Technique}}'', specifically while the band were touring North America, the album compiles every 12" single released by New Order from their formation up until around the first half of 1987 ([[MyFriendsAndZoidberg plus "Procession"]], which is included on CD and cassette copies despite having only ever seen release as a 7" single).

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''Substance'' is a compilation album by English AlternativeDance group Music/NewOrder, released in 1987.1987 through Creator/FactoryRecords in the UK and Qwest Records in the US. Released as a stopgap during the interim between 1986's ''Music/{{Brotherhood}}'' and 1989's ''Music/{{Technique}}'', specifically while the band were touring North America, the album compiles every 12" single released by New Order from their formation up until around the first half of 1987 ([[MyFriendsAndZoidberg plus "Procession"]], which is included on CD and cassette copies despite having only ever seen release as a 7" single).
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* DownerEnding: The CD, DAT, and digital versions of the album close out with "1963", a melancholic song about uxoricide.

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* DownerEnding: The CD, DAT, and digital versions of the album close out with "1963", a melancholic song about uxoricide.uxoricide[[note]]the killing of one's wife[[/note]].
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!!Tracklist (taken from cassette versions outside the US):

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!!Tracklist (taken from the UK cassette versions outside the US):version):



* VanillaEdition: LP and U.S. cassette copies only include the A-side portion of the album, likely due to cost issues, as the total collection of 12" A-sides already covers two [=LPs=]. Releases on all other formats add in the B-sides as well, plus "Procession" (which was only ever released as a 7" single) and "Murder" (which was initially a Belgium-only release); non-US cassette versions go an extra mile and include several more B-sides not featured on CD or DAT copies.

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* VanillaEdition: LP and U.S. cassette copies only include the A-side portion of the album, likely due to cost issues, as the total collection of 12" A-sides already covers two [=LPs=]. Releases on all other formats add in the B-sides as well, plus "Procession" (which was only ever released as a 7" single) and "Murder" (which was initially a Belgium-only release); non-US the UK cassette versions go version goes an extra mile and include includes several more B-sides not featured on CD or DAT copies.

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!!Tracklist (taken from the cassette version):

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!!Tracklist (taken from the cassette version):versions outside the US):



* StupidStatementDanceMix: "Confusion Instrumental" and especially "Kiss of Death" chop and screw fragments of Bernard Sumner's vocals from their respective A-sides ("Confusion" and "The Perfect Kiss").



* VanillaEdition: LP and U.S. cassette copies only include the A-side portion of the album, likely due to cost issues, as the total collection of 12" A-sides already covers two [=LPs=]. Releases on all other formats add in the B-sides as well, plus "Procession" (which was only ever released as a 7" single) and "Murder" (which was initially a Belgium-only release); cassette versions go an extra mile and include several more B-sides not featured on CD or DAT copies.

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* VanillaEdition: LP and U.S. cassette copies only include the A-side portion of the album, likely due to cost issues, as the total collection of 12" A-sides already covers two [=LPs=]. Releases on all other formats add in the B-sides as well, plus "Procession" (which was only ever released as a 7" single) and "Murder" (which was initially a Belgium-only release); non-US cassette versions go an extra mile and include several more B-sides not featured on CD or DAT copies.copies.
* VoiceClipSong: "Confusion Instrumental" and especially "Kiss of Death" chop and screw fragments of Bernard Sumner's vocals from their respective A-sides ("Confusion" and "The Perfect Kiss").

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A Date With Rosie Palms is now an index.


* ADateWithRosiePalms: In the second verse of "The Perfect Kiss", the narrator bemoans how "tonight I should have stayed at home, playing with my pleasure zone." "Kiss of Death" takes this further by including samples of a woman moaning.



* TheImmodestOrgasm: A repeated sample of a woman loudly moaning appears midway through "Kiss of Death", tying in with the line from "The Perfect Kiss" about [[ADateWithRosiePalms "playing with my pleasure zone."]]

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* TheImmodestOrgasm: A repeated sample of a woman loudly moaning appears midway through "Kiss of Death", tying in with the line from "The Perfect Kiss" about [[ADateWithRosiePalms "playing with my pleasure zone."]]"



* UnusualEuphemism: "The Perfect Kiss" idiosyncratically describes ADateWithRosiePalms as "playing with my pleasure zone."

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* UnusualEuphemism: "The Perfect Kiss" idiosyncratically describes ADateWithRosiePalms jerking off as "playing with my pleasure zone."
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* TakeAThirdOption: Most countries either released the A-Sides portion on a single cassette or a double-cassette release with the B-sides portion. The Canadian branch of Factory, distributed by [[Creator/PolydorRecords PolyGram]], issued the B-sides portion as a separate cassette titled ''Substance Sides'' with artwork adapted from the "True Faith" single cover.

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* TakeAThirdOption: Most countries either released the A-Sides portion on a single cassette or a double-cassette release with the B-sides portion. The Canadian branch of Factory, distributed by [[Creator/PolydorRecords PolyGram]], issued the B-sides portion as a separate cassette compilation titled ''Substance Sides'' with artwork adapted from the "True Faith" single cover.
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* TakeAThirdOption: Most countries either released the A-Sides portion on a single cassette or a double-cassette release with the B-sides portion. The Canadian branch of Factory, distributed by [[Creator/PolydorRecords PolyGram]], issued the B-sides portion as a separate cassette titled ''Substance Sides'' with artwork adapted from the "True Faith" single cover.
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# "Temptation" (6:59)

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# "Temptation" "Temptation (New Version)" (6:59)



# "Confusion" (4:43)

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# "Confusion" "Confusion (New Version)" (4:43)



** "Temptation" and "Confusion" are both re-recorded, running significantly shorter than the original 12" releases. The re-recording of "Temptation" combines elements of the radically different 7" and 12" versions from 1982, while "Confusion" is a flat-out SpeedyTechnoRemake.

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** "Temptation" and "Confusion" are both re-recorded, running significantly shorter than the original 12" releases. The re-recording of "Temptation" combines elements of the radically different 7" and 12" versions from 1982, while "Confusion" is a flat-out SpeedyTechnoRemake. Fittingly, each of these songs receives the subtitle "New Version" in the liner notes.

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* SpiritualSuccessor: The 2005 ''Singles'' compilation seems intended to be one to ''Substance'' as the latter is now out of print (at least on physical formats). ''Singles'' is another 2-disc compilation, but focuses on the band's 7-inch releases and also covers the band's post-1987 singles, while using original versions instead of re-recordings. Its cover art is also a CallBack to that of the "True Faith" single, featuring the leaf's skeleton atop a white background instead of blue.



* StudioChatter: "Confusion" ends with a mix of this and {{corpsing}}, with the band playfully arguing over the outro for a few seconds.

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* StudioChatter: "Confusion" ends with a mix of this and {{corpsing}}, with the band cracking up and playfully arguing over the outro for a few seconds.
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* {{Corpsing}}: The re-recorded "Confusion" ends with the band cracking up over the outro, segueing into a small bit of StudioChatter.
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** "Cries and Whispers" is named after [[Film/CriesAndWhispers the 1972 film of the same name]].
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** "Thieves Like Us" derives its title from [[Film/ThievesLikeUs the 1974 film of the same name]].

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** "Thieves Like Us" derives its title from [[Film/ThievesLikeUs the 1974 film of the same name]]. The song additionally interpolates the bassline to the Hot Chocolate track "Emma", which Peter Hook [[https://www.loudersound.com/features/the-top-10-best-joy-division-new-order-basslines-according-to-peter-hook admitted to]] in a 2017 ''Louder'' interview.
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** The SurrealMusicVideo for "True Faith" is inspired by Oskar Schlemmer's ''Triadisches Ballett''.
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* TitleByYear: "1963" is named as such after the year when UsefulNotes/JohnFKennedy was assassinated, taking place in January of that year and using imagery related to the killing as an analogy for a man [[TheBluebeard murdering his wife to elope with his mistress]].
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* MonochromeToColor: Most of the music video for "Temptation" is shot in black and white, but as soon as the protagonist starts playing the single in her apartment, the scene fades into vibrant pastel colors and stays that way.
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* PackagedAsOtherMedium:
** The "Blue Monday" 12-inch was designed to look like a 5.25-inch floppy disk, complete with die-cuts for the holes.
** Both "State of the Nation" and "Bizarre Love Triangle" were packaged in sleeves designed after sheet metal on their single releases, tying in with the cover of ''Music/{{Brotherhood}}''.
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* AlternateMusicVideo: "Blue Monday" received three different videos over the years.
** The first one, set to a truncated edit of the 1983 version that focuses on the lyrics, is a collage of stock images, false-color military clips, video game footage, and color blocks based on Peter Saville's color code for the single.
** The second one is based on the 1988 mix's 7" edit, showcasing the band playing around with tennis balls and milk crates in an abstract room, intercut with balancing dogs, frog and baby toys, and marker animations.
** The third one, released in 2020 to promote the Definitive Edition of ''Music/PowerCorruptionAndLies'', is a LyricVideo based on the full 1983 version. This one sets the lyrics around an animation based on Peter Saville's color code.


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* LyricVideo: "Blue Monday" eventually received one in 2020 to promote the Definitive Edition release of ''Music/PowerCorruptionAndLies''.
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In addition to collecting the band's 12" A-sides and B-sides, ''Substance'' also includes two new songs: "True Faith" and "1963", recorded specifically for this album and produced by Music/PetShopBoys and Music/{{Erasure}} collaborator Stephen Hague. The songs were released together as a 7" and 12" single earlier in 1987 to promote the album, with "True Faith" as the A-side and "1963" as the B-side. Because of this, the songs exist in a weird state of being both non-album singles (as they were never included on an actual studio album) and an album single (as they were written for and released to promote ''Substance''). The single reached no. 4 on the British pop charts and proved to be their mainstream BreakthroughHit in the U.S. (having already broken through on the dance charts with "Bizarre Love Triangle" the previous year), reaching the Top 40 on the Billboard Hot 100 for the first time as the song's SurrealMusicVideo became an Creator/{{MTV}} hit. The hit single propelled the album to platinum status, the band's first certification in that country.

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In addition to collecting the band's 12" A-sides and B-sides, ''Substance'' also includes two new songs: "True Faith" and "1963", recorded specifically for this album and produced by Music/PetShopBoys and Music/{{Erasure}} collaborator Stephen Hague. The songs were released together as a 7" and 12" single earlier in 1987 to promote the album, with "True Faith" as the A-side and "1963" as the B-side. Because of this, the songs exist in a weird state of being both non-album singles (as they were never included on an actual studio album) and an album single (as they were written for and released to promote ''Substance''). The single reached no. 4 on the British pop charts and proved to be their mainstream BreakthroughHit in the U.S. (having already broken through on the dance charts with "Bizarre Love Triangle" the previous year), reaching the Top 40 on the Billboard Hot 100 for the first time as the song's SurrealMusicVideo became an Creator/{{MTV}} hit. The hit single propelled the album to platinum status, the band's first certification in that country.
country. In 1988, Music/QuincyJones, head of the band's American label, Qwest, remixed "Blue Monday" and released it as "Blue Monday 1988" to promote the compilation as well.
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As LP sales were gradually declining throughout the 80's, the album becomes New Order's first product to de-prioritize the format. Not only do the CD and cassette releases manage to squeeze all of the band's 12" singles onto one disc/tape, something that required two records for the LP release, but they also add in a second disc/tape devoted to the B-sides of the included singles and then some, with a few more B-sides present on cassette than on CD, though cassette releases in some countries only contained the first cassette. Due to the limited capacity of physical media back in the day, a good amount of tracks were edited down to fit a shorter length, with "Temptation" and "Confusion" being outright re-recorded from the ground-up. As non-album singles were still pretty common in the U.K. at the time, this was the first stateside appearance for many of these tracks, though some were previously released on the band's studio albums in substantially different forms, no pun intended.

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As LP sales were gradually declining throughout the 80's, the album becomes was New Order's first product to de-prioritize the format. Not only do the CD and cassette releases manage to squeeze all of the band's 12" singles onto one disc/tape, something that required two records for the LP release, but they also add in a second disc/tape devoted to the B-sides of the included singles and then some, with a few more B-sides present on cassette than on CD, though cassette releases in some countries only contained the first cassette. Due to the limited capacity of physical media back in the day, a good amount of tracks were edited down to fit a shorter length, with "Temptation" and "Confusion" being outright re-recorded from the ground-up. As non-album singles were still pretty common in the U.K. at the time, this was the first stateside appearance for many of these tracks, though some were previously released on the band's studio albums in substantially different forms, no pun intended.
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Author Existence Failure (now renamed to Died During Production) is a trope for dying before finishing a work, not anytime a creator died.


* EarlyInstallmentWeirdness: Present on the A-sides and B-sides that predate "Temptation" and "Hurt". These songs were written prior to the band's GenreShift to AlternativeDance, during a time when they were simply hoping to continue what they had started as Music/JoyDivision, only this time without [[AuthorExistenceFailure the late]] Ian Curtis. The songs also have much more emphasis on EchoingAcoustics, due to them being produced by Joy Division producer Martin Hannett.

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* EarlyInstallmentWeirdness: Present on the A-sides and B-sides that predate "Temptation" and "Hurt". These songs were written prior to the band's GenreShift to AlternativeDance, during a time when they were simply hoping to continue what they had started as Music/JoyDivision, only this time without [[AuthorExistenceFailure the late]] late Ian Curtis. The songs also have much more emphasis on EchoingAcoustics, due to them being produced by Joy Division producer Martin Hannett.
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* MidVidSkit: "Bizarre Love Triangle" interrupts the music for the following odd exchange: "I don't believe in reincarnation because I refuse to come back as a bug or as a rabbit!" "You know, you're a real 'up' person." In the middle of a video with ''no narrative''.

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* SurrealMusicVideo: The video for "True Faith", courtesy of French choreographer Philippe Decouflé; alongside the video for the Fine Young Cannibals' "She Drives Me Crazy" from two years later, this was one of the only two music videos he directed over the course of his career, and both make prominent use of people in bizarre costumes performing avant-garde routines.

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* SurrealMusicVideo: SurrealMusicVideo:
** The music video for "Blue Monday" pairs video game footage with false-color clips of military vehicles. The video for the song's 1988 remix is even stranger, with footage of balancing dogs, the band playing with milk crates and tennis balls in a disjointedly-designed room, wind-up frog toys, and marker-on-paper animations based on the aforementioned scenes.
** The "Bizarre Love Triangle" video is a collage of stock footage, performance footage of the band, and specially-shot clips of businesspeople flying into the air (via an off-screen trampoline) and a couple arguing about reincarnation.
**
The video for "True Faith", courtesy of French choreographer Philippe Decouflé; alongside the video for the Fine Young Cannibals' "She Drives Me Crazy" from two years later, this was one of the only two music videos he directed over the course of his career, and both make prominent use of people in bizarre costumes performing avant-garde routines.

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* ADateWithRosiePalms: In the second verse of "The Perfect Kiss", the narrator bemoans how "tonight I should have stayed at home, playing with my pleasure zone." "Kiss of Death" takes this further by including samples of a woman moaning.



** "Kiss of Death" features synth hits at the end of the intro that jump between each channel; these same hits were also used in the ''Music/LowLife'' version of "The Perfect Kiss".

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** "Kiss of Death" features synth hits at the end of the intro that jump between each channel; these same hits were also used in the ''Music/LowLife'' version of "The Perfect Kiss".Kiss" (thanks to that one replacing the original intro with that of "Kiss of Death").



* TheImmodestOrgasm: A repeated sample of a woman loudly moaning appears midway through "Kiss of Death", tying in with the line from "The Perfect Kiss" about [[ADateWithRosiePalms "playing with my pleasure zone."]]



** Many of the tracks on the second unit are alternate mixes of songs from unit one, made for 12"-wielding [=DJs=] to flip between in clubs. Most of these alternate mixes are {{instrumentals}}, though "Shame of the Nation" is outright an alternate take of "State of the Nation".

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** Many of the tracks on the second unit are alternate mixes of songs from unit one, usually {{instrumental|s}} versions, made for 12"-wielding [=DJs=] to flip between in clubs. Most of these alternate mixes are {{instrumentals}}, though "Shame of the Nation" is outright an alternate take of sticks out for overlaying the vocals from "State of the Nation".Nation" atop a new instrumental line and soul choir backup.


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* StupidStatementDanceMix: "Confusion Instrumental" and especially "Kiss of Death" chop and screw fragments of Bernard Sumner's vocals from their respective A-sides ("Confusion" and "The Perfect Kiss").


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* UnusualEuphemism: "The Perfect Kiss" idiosyncratically describes ADateWithRosiePalms as "playing with my pleasure zone."

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''Substance'' is a compilation album by English AlternativeDance group Music/NewOrder, released in 1987. Released as a stopgap during the interim between 1986's ''Music/{{Brotherhood}}'' and 1989's ''Music/{{Technique}}'', specifically while the band were touring North America, the album compiles every 12" single released by New Order from their formation up until around the first half of 1987 ([[MyFriendsAndZoidberg plus "Procession"]], which is included on CD and cassette copies despite having only ever seen release as a 7" single). As LP sales were gradually declining throughout the 80's, the album becomes New Order's first product to de-prioritize the format. Not only do the CD and cassette releases manage to squeeze all of the band's 12" singles onto one disc/tape, something that required two records for the LP release, but they also add in a second disc/tape devoted to the B-sides of the included singles and then some, with a few more B-sides present on cassette than on CD, though cassette releases in some countries only contained the first cassette. Due to the limited capacity of physical media back in the day, a good amount of tracks were edited down to fit a shorter length, with "Temptation" and "Confusion" being outright re-recorded from the ground-up. As non-album singles were still pretty common in the U.K. at the time, this was the first stateside appearance for many of these tracks, though some were previously released on the band's studio albums in substantially different forms, no pun intended.

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''Substance'' is a compilation album by English AlternativeDance group Music/NewOrder, released in 1987. Released as a stopgap during the interim between 1986's ''Music/{{Brotherhood}}'' and 1989's ''Music/{{Technique}}'', specifically while the band were touring North America, the album compiles every 12" single released by New Order from their formation up until around the first half of 1987 ([[MyFriendsAndZoidberg plus "Procession"]], which is included on CD and cassette copies despite having only ever seen release as a 7" single). single).

As LP sales were gradually declining throughout the 80's, the album becomes New Order's first product to de-prioritize the format. Not only do the CD and cassette releases manage to squeeze all of the band's 12" singles onto one disc/tape, something that required two records for the LP release, but they also add in a second disc/tape devoted to the B-sides of the included singles and then some, with a few more B-sides present on cassette than on CD, though cassette releases in some countries only contained the first cassette. Due to the limited capacity of physical media back in the day, a good amount of tracks were edited down to fit a shorter length, with "Temptation" and "Confusion" being outright re-recorded from the ground-up. As non-album singles were still pretty common in the U.K. at the time, this was the first stateside appearance for many of these tracks, though some were previously released on the band's studio albums in substantially different forms, no pun intended.

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