Is there an issue? Send a MessageReason:
None
Changed line(s) 39 (click to see context) from:
* HeelFaceTurn: Tomas seems to have changed many lot of his views over the years and has become much less cynical and antagonistic than he once was. For example, while many of the lyrics on ''Somewhere in the Between'' contain [[TakeThat Take Thats]] at organized religion, "With Any Sort of Certainty" (released seven years later) takes a decidedly more neutral approach to the subject. ("Oh my God, I will hold my tongue and I'll breathe easily / if anyone can say [[TitleDrop with any sort of certainty]] that there is something to believe...")
to:
* HeelFaceTurn: Tomas seems to have changed many lot of his views over the years and has become years, becoming much less cynical and antagonistic than he once was. For example, while many of the lyrics on ''Somewhere in the Between'' contain [[TakeThat Take Thats]] at organized religion, "With Any Sort of Certainty" (released seven years later) takes a decidedly more neutral approach to the subject. ("Oh my God, I will hold my tongue and I'll breathe easily / if anyone can say [[TitleDrop with any sort of certainty]] that there is something to believe...")
Is there an issue? Send a MessageReason:
None
Changed line(s) 39 (click to see context) from:
* HeelFaceTurn: Tomas seems to have changed a lot of his views over the years. For example, while many of the lyrics on ''Somewhere in the Between'' contain [[TakeThat Take Thats]] at organized religion, "With Any Sort of Certainty" (released seven years later) takes a decidedly more neutral approach to the subject. ("Oh my God, I will hold my tongue and I'll breathe easily / if anyone can say [[TitleDrop with any sort of certainty]] that there is something to believe...")
to:
* HeelFaceTurn: Tomas seems to have changed a many lot of his views over the years.years and has become much less cynical and antagonistic than he once was. For example, while many of the lyrics on ''Somewhere in the Between'' contain [[TakeThat Take Thats]] at organized religion, "With Any Sort of Certainty" (released seven years later) takes a decidedly more neutral approach to the subject. ("Oh my God, I will hold my tongue and I'll breathe easily / if anyone can say [[TitleDrop with any sort of certainty]] that there is something to believe...")
Is there an issue? Send a MessageReason:
None
Changed line(s) 40 (click to see context) from:
** Perhaps the most obvious (and possibly intentional) example of a heel-face turn can be seen when you contrast the lyrics of "Day In, Day Out" (from 1998, in its earliest form) and "Ungrateful" (from 2013). "Day In, Day Out": ''"I don't need anyone, I don't need an-y-one, I don't need anyone to hate the world with me."'' "Ungrateful": ''"Hey, I don't wanna seem ungrateful, I don't wanna seem like a don't need anyone's help..."''
to:
** Perhaps the most obvious (and possibly intentional) example of a heel-face turn can be seen when you contrast the lyrics of "Day In, Day Out" (from 1998, in its earliest form) and "Ungrateful" (from 2013). In "Day In, Day Out": Out" he sings: ''"I don't need anyone, I don't need an-y-one, I don't need anyone to hate the world with me."'' "Ungrateful": The chorus of "Ungrateful" says, ''"Hey, I don't wanna seem ungrateful, I don't wanna seem like a don't need anyone's help..."''
Is there an issue? Send a MessageReason:
None
Changed line(s) 40 (click to see context) from:
** Perhaps the most obvious (and possibly intentional) example of a heel-face turn can be seen when you contrast the lyrics of "Day In, Day Out" (from 1998, in its earliest form) and "Ungrateful" (from 2013). In "Day In, Day Out" Tomas sings: ''"I don't need anyone, I don't need an-y-one, I don't need anyone to hate the world with me."'' The chorus of "Ungrateful says, ''"Hey, I don't wanna seem ungrateful, I don't wanna seem like a don't need anyone's help..."''
to:
** Perhaps the most obvious (and possibly intentional) example of a heel-face turn can be seen when you contrast the lyrics of "Day In, Day Out" (from 1998, in its earliest form) and "Ungrateful" (from 2013). In "Day In, Day Out" Tomas sings: Out": ''"I don't need anyone, I don't need an-y-one, I don't need anyone to hate the world with me."'' The chorus of "Ungrateful says, "Ungrateful": ''"Hey, I don't wanna seem ungrateful, I don't wanna seem like a don't need anyone's help..."''
Is there an issue? Send a MessageReason:
None
Changed line(s) 36 (click to see context) from:
*** And ''The Hand That Thieves''
to:
*** And ''The Hand That Thieves''Thieves''.
Added DiffLines:
*HeelFaceTurn: Tomas seems to have changed a lot of his views over the years. For example, while many of the lyrics on ''Somewhere in the Between'' contain [[TakeThat Take Thats]] at organized religion, "With Any Sort of Certainty" (released seven years later) takes a decidedly more neutral approach to the subject. ("Oh my God, I will hold my tongue and I'll breathe easily / if anyone can say [[TitleDrop with any sort of certainty]] that there is something to believe...")
**Perhaps the most obvious (and possibly intentional) example of a heel-face turn can be seen when you contrast the lyrics of "Day In, Day Out" (from 1998, in its earliest form) and "Ungrateful" (from 2013). In "Day In, Day Out" Tomas sings: ''"I don't need anyone, I don't need an-y-one, I don't need anyone to hate the world with me."'' The chorus of "Ungrateful says, ''"Hey, I don't wanna seem ungrateful, I don't wanna seem like a don't need anyone's help..."''
**Perhaps the most obvious (and possibly intentional) example of a heel-face turn can be seen when you contrast the lyrics of "Day In, Day Out" (from 1998, in its earliest form) and "Ungrateful" (from 2013). In "Day In, Day Out" Tomas sings: ''"I don't need anyone, I don't need an-y-one, I don't need anyone to hate the world with me."'' The chorus of "Ungrateful says, ''"Hey, I don't wanna seem ungrateful, I don't wanna seem like a don't need anyone's help..."''
Is there an issue? Send a MessageReason:
None
Added DiffLines:
**''The Hands That Thieve'' is a noticeable departure. While still fast, the vocals have slowed way down and are generally understandable. "Ungrateful" is an exception.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
**Averted somewhat in that they usually make plenty of sense when you can actually understand them.
Is there an issue? Send a MessageReason:
None
Changed line(s) 60,63 (click to see context) from:
-->I know that you think that you're on your own
-->But just know that I'm here
-->And I'll lead you home
-->If you let me.
-->But just know that I'm here
-->And I'll lead you home
-->If you let me.
to:
-->I know that you think that you're on your own
-->Butown,
-->but just know that I'm here
-->And -->and I'll lead you home
-->If -->if you let me.
-->But
-->but just know that I'm here
Is there an issue? Send a MessageReason:
Consistency.
Changed line(s) 60 (click to see context) from:
-->"I know that you think that you're on your own
to:
Changed line(s) 63 (click to see context) from:
-->If you let me."
to:
-->If you let me."
Is there an issue? Send a MessageReason:
None
Added DiffLines:
**''The Hand That Thieves'' was never *technically* released at all, due to ExecutiveMeddling.
Is there an issue? Send a MessageReason:
None
Changed line(s) 31 (click to see context) from:
** A lot of Streetlight songs are pretty long, despite the fact that they are fairly non-repetitive. This is especially noticeable when they are slowed down. (See Toh Kay's version of "We Will Fall Together," which is almost seven minutes long.) Tomas has said in interviews that, when writing songs, he constantly adds in new parts and then can't bring himself to cut any of them.
to:
** A lot of Streetlight songs are pretty 5+ minutes long, despite the fact that they are fairly largely non-repetitive. This is especially noticeable when they are slowed down. (See down (see Toh Kay's version of "We Will Fall Together," which is almost seven minutes long.) long). Tomas has said in interviews that, when writing songs, he constantly adds in new parts and then can't bring himself to cut any of them.
Is there an issue? Send a MessageReason:
None
Changed line(s) 44 (click to see context) from:
*** Most songs on "Keasbey Nights" and quite a few on other albums qualify. It's a bit of a trademark for the band, and for ska in general.
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 40,42 (click to see context) from:
--> @@And it's the saddest song you'll ever hear@@
--> @@the most pain you will ever feel@@
--> @@but you grit your teeth because it don't get better than this.@@
--> @@the most pain you will ever feel@@
--> @@but you grit your teeth because it don't get better than this.@@
to:
--> @@the
-->the most pain you will ever
--> @@but
-->but you grit your teeth because it don't get better than this.
Added DiffLines:
***Most songs on "Keasbey Nights" and quite a few on other albums qualify. It's a bit of a trademark for the band, and for ska in general.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
**A lot of Streetlight songs are pretty long, despite the fact that they are fairly non-repetitive. This is especially noticeable when they are slowed down. (See Toh Kay's version of "We Will Fall Together," which is almost seven minutes long.) Tomas has said in interviews that, when writing songs, he constantly adds in new parts and then can't bring himself to cut any of them.
Is there an issue? Send a MessageReason:
None
Changed line(s) 26 (click to see context) from:
* DigitalPiracyIsOkay: [[http://streetlightmanifesto.com/streetlight-manifesto-proudly-boycotts-itself/ here]].
to:
* DigitalPiracyIsOkay: [[http://streetlightmanifesto.com/streetlight-manifesto-proudly-boycotts-itself/ here]].Here]]:
Is there an issue? Send a MessageReason:
None
Changed line(s) 28 (click to see context) from:
* DistinctDoubleAlbum: ''The Hand That Thieves'' is an acoustic version of ''The Hands That Thieve''
to:
* DistinctDoubleAlbum: ''The Hand That Thieves'' is an acoustic version of ''The Hands That Thieve''Thieve''.
Is there an issue? Send a MessageReason:
Formatting was strange.
Changed line(s) 27,29 (click to see context) from:
--> @@"...alternately, we’re sure you can find a way to get the tunes onto your computer that may not@@
--> @@be, ahem, traditional… Speaking a Bit metaphorically, there is a Torrent of methods to accomplish@@
--> @@this, and Google is your always loyal friend..."@@
--> @@be, ahem, traditional… Speaking a Bit metaphorically, there is a Torrent of methods to accomplish@@
--> @@this, and Google is your always loyal friend..."@@
to:
--> @@"..."...alternately, we’re sure you can find a way to get the tunes onto your computer that may not@@
--> @@be,not be, ahem, traditional… Speaking a Bit metaphorically, there is a Torrent of methods to accomplish@@
--> @@this,accomplish this, and Google is your always loyal friend..."@@"
--> @@be,
--> @@this,
Is there an issue? Send a MessageReason:
None
Changed line(s) 53 (click to see context) from:
* SiameseTwinSongs: "A Moment Of Silence" and "A Moment Of Violence" on ''Everything Goes Numb''. "Silence" can stand on its own well enough, but "Violence" makes more sense when paired with its predecessor.
to:
* SiameseTwinSongs: "A Moment Of Silence" and "A Moment Of Violence" on ''Everything Goes Numb''. "Silence" can stand on its own well enough, enough (Toh Kay and his friend Dan Potthast have both recorded standalone versions), but "Violence" makes more sense when paired with its predecessor.
Is there an issue? Send a MessageReason:
None
Changed line(s) 53 (click to see context) from:
* SiameseTwinSongs: "A Moment Of Silence" and "A Moment Of Violence" on ''Everything Goes Numb''.
to:
* SiameseTwinSongs: "A Moment Of Silence" and "A Moment Of Violence" on ''Everything Goes Numb''. "Silence" can stand on its own well enough, but "Violence" makes more sense when paired with its predecessor.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
*SiameseTwinSongs: "A Moment Of Silence" and "A Moment Of Violence" on ''Everything Goes Numb''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 20 (click to see context) from:
* AlbumTitleDrop: “Everything Goes Numb” in “If And When We Rise Again”
to:
* AlbumTitleDrop: “Everything Goes Numb” in “If And When We Rise Again”Again”.
* ArcSymbol: A streetlight, for obvious reasons.
* ArcSymbol: A streetlight, for obvious reasons.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
If you plan on buying any of their albums, [[http://streetlightmanifesto.com/pre-orders-faq/ buy it directly from them]]: Victory Records [[{{Understatement}} aren't the best to work for.]]
Is there an issue? Send a MessageReason:
None
Tomas “Toh Kay” Kalnoky formed his first band, Catch 22, in 1996. After two years, a demo, and their first album, ''Keasbey Nights'', Tomas left the band to finish school. In 2001, he gathered together two people from Catch 22, his brother, his brother’s friends, and several members of various other bands to form Bandits of the Acoustic Revolution. They released one [=EP=], ''A Call to Arms'', in 2001 (they’ve had two full albums in the work since then as well).
The same year, Tomas took five members of BOTAR and formed the band this page is about.
Changed line(s) 12,13 (click to see context) from:
* 2002: Streetlight Manifesto Demo
to:
* 2002: Streetlight ''Streetlight Manifesto Demo
Demo''
* AlbumTitleDrop: “Everything Goes Numb” in “If And When We Rise Again”
* DevelopmentHell: Every album takes a while to be released, and every album has at least one pushed-back release date.
Changed line(s) 22 (click to see context) from:
* DevelopmentHell: Every album takes a while to be released, and every album has at least one pushed-back release date.
to:
* DevelopmentHell: Every album takes a while to be released, and every album has at least one pushed-back release date.DistinctDoubleAlbum: ''The Hand That Thieves'' is an acoustic version of ''The Hands That Thieve''
* EvolvingMusic: “Dear Sergio” started as a Catch 22 song, before getting an acoustic version with a new verse, courtesy of Bandits of the Acoustic Revolution. Streetlight restored the original’s amped-up guitars but kept the new first and sped up the tempo a bit.
** “Here’s To Life” and "They Provide the Paint for the Picture-Perfect Masterpiece That You Will Paint on the Insides of Your Eyelids" started as Bandits of the Acoustic Revolution songs before being turned into electrified Streetlight Manifesto songs.
** Many songs get the unplugged treatment by Toh Kay on ''Streetlight Lullabies''.
*** And ''The Hand That Thieves''
** “Here’s To Life” and "They Provide the Paint for the Picture-Perfect Masterpiece That You Will Paint on the Insides of Your Eyelids" started as Bandits of the Acoustic Revolution songs before being turned into electrified Streetlight Manifesto songs.
** Many songs get the unplugged treatment by Toh Kay on ''Streetlight Lullabies''.
*** And ''The Hand That Thieves''
Changed line(s) 27 (click to see context) from:
* Fanon: Most fans discographies will include Toh Kay's solo albums, the Catch-22 demo, the original ''Keasbey Nights'', and anything by Bandits Of The Acoustic Revolution.
to:
* Fanon: Most fans discographies will include Toh Kay's solo albums, LongTitle: "They Provide the Catch-22 demo, Paint for the original ''Keasbey Nights'', and anything by Bandits Of The Acoustic Revolution.Picture-Perfect Masterpiece That You Will Paint on the Insides of Your Eyelids", complete with title drop.
* NamesTheSame: {{Bionicle}} fans enjoy the fact that the acronym for Bandits Of The Acoustic Revolution is also the name of a character from that franchise.
* TitleTrack: "Somewhere In The Between"
Changed line(s) 47 (click to see context) from:
-->If you let me."
to:
-->If you let me.""
* UnpluggedVersion: Bandits of the Acoustic Revolution, ''Streetlight Lullabies'', and ''The Hand That Thieves''.
* UnpluggedVersion: Bandits of the Acoustic Revolution, ''Streetlight Lullabies'', and ''The Hand That Thieves''.
Is there an issue? Send a MessageReason:
None
* DigitalPiracyIsOkay: [[http://streetlightmanifesto.com/streetlight-manifesto-proudly-boycotts-itself/ here]].
--> @@"...alternately, we’re sure you can find a way to get the tunes onto your computer that may not@@
--> @@be, ahem, traditional… Speaking a Bit metaphorically, there is a Torrent of methods to accomplish@@
--> @@this, and Google is your always loyal friend..."@@
--> @@"...alternately, we’re sure you can find a way to get the tunes onto your computer that may not@@
--> @@be, ahem, traditional… Speaking a Bit metaphorically, there is a Torrent of methods to accomplish@@
--> @@this, and Google is your always loyal friend..."@@
* EpicRocking: "A Better Place, A Better Time", breaks the six-minute mark, something rather unusual for ska.
* ExecutiveMeddling: The predominant reason for both the delayed released dates and the [[DigitalPiracyIsOkay band's stance on digital piracy]].
* FanNickname: Most fans will shorten anything related to the band to the first word or syllable.
* Fanon: Most fans discographies will include Toh Kay's solo albums, the Catch-22 demo, the original ''Keasbey Nights'', and anything by Bandits Of The Acoustic Revolution.
* ExecutiveMeddling: The predominant reason for both the delayed released dates and the [[DigitalPiracyIsOkay band's stance on digital piracy]].
* FanNickname: Most fans will shorten anything related to the band to the first word or syllable.
* Fanon: Most fans discographies will include Toh Kay's solo albums, the Catch-22 demo, the original ''Keasbey Nights'', and anything by Bandits Of The Acoustic Revolution.
Changed line(s) 21,23 (click to see context) from:
-->And it's the saddest song you'll ever hear
-->the most pain you will ever feel
-->but you grit your teeth because it don't get better than this.
-->the most pain you will ever feel
-->but you grit your teeth because it don't get better than this.
to:
-->the
--> @@the most pain you will ever
-->but
--> @@but you grit your teeth because it don't get better than this.@@
Deleted line(s) 25 (click to see context) :
* FanNickname: Most fans will shorten anything related to the band to the first word.
Is there an issue? Send a MessageReason:
None
Changed line(s) 6,10 (click to see context) from:
* 2003: Everything Goes Numb
* 2006: Keasbey Nights
* 2007: Somewhere in the Between
* 2010: 99 Songs of Revolution: Vol. 1
* 2006: Keasbey Nights
* 2007: Somewhere in the Between
* 2010: 99 Songs of Revolution: Vol. 1
to:
* 2003: Everything ''Everything Goes Numb
Numb''
* 2006:Keasbey Nights
''Keasbey Nights''
* 2007:Somewhere ''Somewhere in the Between
Between''
* 2010:99 ''99 Songs of Revolution: Vol. 1
1''
* 2013: ''The Hands That Thieve'' / ''The Hand That Thieves''
* 2006:
* 2007:
* 2010:
* 2013: ''The Hands That Thieve'' / ''The Hand That Thieves''
Changed line(s) 15 (click to see context) from:
* CoverAlbum: Keaseby Nights by Catch 22. Somewhat ironic in that most of Streetlight performed on Keaseby.
to:
* CoverAlbum: Keaseby Nights ''Keaseby Nights'' by Catch 22. Somewhat ironic in that most of Streetlight performed on Keaseby.Keaseby.
** ''99 Songs of Revolution: Vol. 1'', too, but instead of covering an album, it covers different songs by various artists.
** ''Streetlight Lullabies'' and ''The Hand That Thieves'' are made of Toh Kay's acoustic covers of his own songs.
* DevelopmentHell: Every album takes a while to be released, and every album has at least one pushed-back release date.
** ''99 Songs of Revolution: Vol. 1'', too, but instead of covering an album, it covers different songs by various artists.
** ''Streetlight Lullabies'' and ''The Hand That Thieves'' are made of Toh Kay's acoustic covers of his own songs.
* DevelopmentHell: Every album takes a while to be released, and every album has at least one pushed-back release date.
Added DiffLines:
* SelfBackingVocalist: Usually the "one man choir" effect, but sometimes the usual self-backing.
* ShoutOut: The artwork to ''99 Songs Of Revolution'' is basically a collage of references to the artists they covered.
** The most blatent of which probably [[{{Radiohead}} the man with a radio for a head laying down in the street.]]
* StageNames: "Toh Kay" for "Tomas Kalnoky".
* ShoutOut: The artwork to ''99 Songs Of Revolution'' is basically a collage of references to the artists they covered.
** The most blatent of which probably [[{{Radiohead}} the man with a radio for a head laying down in the street.]]
* StageNames: "Toh Kay" for "Tomas Kalnoky".
Added DiffLines:
* WordSaladLyrics: About half.
Is there an issue? Send a MessageReason:
None
Changed line(s) 15 (click to see context) from:
* CoverAlbum: Keaseby Nights by Catch 22.
to:
* CoverAlbum: Keaseby Nights by Catch 22. Somewhat ironic in that most of Streetlight performed on Keaseby.
Added DiffLines:
* FanNickname: Most fans will shorten anything related to the band to the first word.
Is there an issue? Send a MessageReason:
None
Changed line(s) 22 (click to see context) from:
* MotorMouth: The band's singing in general, though there are exceptions. Exacerbated by Kanolky's dissertation-for-lyrics writing style, as there's so little repetition to the song (even the chorus, sometimes. If you want to listen to a new Streetlight Song, look up the lyric sheet first. You'll save yourself a lot of effort.
to:
* MotorMouth: The band's singing in general, though there are exceptions. Exacerbated by Kanolky's dissertation-for-lyrics writing style, as there's so little repetition to the song (even the chorus, sometimes.sometimes). If you want to listen to a new Streetlight Song, look up the lyric sheet first. You'll save yourself a lot of effort.
Is there an issue? Send a MessageReason:
None
Changed line(s) 15 (click to see context) from:
* Cover Album: Keaseby Nights by Catch 22.
to:
* Cover Album: CoverAlbum: Keaseby Nights by Catch 22.
Changed line(s) 21 (click to see context) from:
"As The Footsteps Die Out Forever" is an upbeat and happy song about the singer's mother getting sick and dying.
to:
Is there an issue? Send a MessageReason:
pulled in some tropes from other pages and added a quick discography to fill out the page a little
Changed line(s) 1 (click to see context) from:
Streetlight Manifesto is a ska-punk band formed by lead singer Tomas Kalnoky in 2002 in New Brunswick, New Jersey.
to:
Streetlight Manifesto is a ska-punk band formed by lead singer Tomas Kalnoky in 2002 in New Brunswick, New Jersey.Jersey.
----
! Discography
Albums:
* 2003: Everything Goes Numb
* 2006: Keasbey Nights
* 2007: Somewhere in the Between
* 2010: 99 Songs of Revolution: Vol. 1
Other releases:
* 2002: Streetlight Manifesto Demo
! The band and its work provide examples of:
* Cover Album: Keaseby Nights by Catch 22.
* DownerEnding: "As The Footsteps Die Out Forever" opens with a young mother waiting for her children to arrive home from school before their weekend, a dispassionate doctor calls her and tells her that she has only weeks to live. The news shocks her so much that she spends the rest of her life nearly catatonic, and her son imagines it's because she's trying to distance herself and make her death less painful. Her son spends his time trying to provoke her to smile, react, anything, before her unnamed disease takes her from him forever. The final lines are a slower repeat of the chorus, with her (or his imagination) telling him to leave her behind and live his life.
* LyricalDissonance: "The Saddest Song". Entirely peppy, with lyrics along the lines of
-->And it's the saddest song you'll ever hear
-->the most pain you will ever feel
-->but you grit your teeth because it don't get better than this.
"As The Footsteps Die Out Forever" is an upbeat and happy song about the singer's mother getting sick and dying.
* MotorMouth: The band's singing in general, though there are exceptions. Exacerbated by Kanolky's dissertation-for-lyrics writing style, as there's so little repetition to the song (even the chorus, sometimes. If you want to listen to a new Streetlight Song, look up the lyric sheet first. You'll save yourself a lot of effort.
** The only words not spoken at amazing speeds in the entirety of "Everything Went Numb" are "Na na na na [bunch more na's] na.")
** This gets turned Up to Eleven during live shows, when the band will play songs 30-50% faster.
* NeoclassicalPunkZydecoRockabilly: Streetlight Manifesto mix ska, punk, acoustic, big band, funk and hardcore. Fans of Streetlight Manifesto, and frontman Tomas Kalnoky's side project Bandits of the Acoustic Revolution (another genre-splicer, fusing acoustic, ska and Middle-Eastern influences), sometimes refer to this as "the fourth wave of ska".
* TheSomethingSong: "The Saddest Song."
* YouAreNotAlone: "A Better Place, A Better Time."
-->"I know that you think that you're on your own
-->But just know that I'm here
-->And I'll lead you home
-->If you let me."
----
! Discography
Albums:
* 2003: Everything Goes Numb
* 2006: Keasbey Nights
* 2007: Somewhere in the Between
* 2010: 99 Songs of Revolution: Vol. 1
Other releases:
* 2002: Streetlight Manifesto Demo
! The band and its work provide examples of:
* Cover Album: Keaseby Nights by Catch 22.
* DownerEnding: "As The Footsteps Die Out Forever" opens with a young mother waiting for her children to arrive home from school before their weekend, a dispassionate doctor calls her and tells her that she has only weeks to live. The news shocks her so much that she spends the rest of her life nearly catatonic, and her son imagines it's because she's trying to distance herself and make her death less painful. Her son spends his time trying to provoke her to smile, react, anything, before her unnamed disease takes her from him forever. The final lines are a slower repeat of the chorus, with her (or his imagination) telling him to leave her behind and live his life.
* LyricalDissonance: "The Saddest Song". Entirely peppy, with lyrics along the lines of
-->And it's the saddest song you'll ever hear
-->the most pain you will ever feel
-->but you grit your teeth because it don't get better than this.
"As The Footsteps Die Out Forever" is an upbeat and happy song about the singer's mother getting sick and dying.
* MotorMouth: The band's singing in general, though there are exceptions. Exacerbated by Kanolky's dissertation-for-lyrics writing style, as there's so little repetition to the song (even the chorus, sometimes. If you want to listen to a new Streetlight Song, look up the lyric sheet first. You'll save yourself a lot of effort.
** The only words not spoken at amazing speeds in the entirety of "Everything Went Numb" are "Na na na na [bunch more na's] na.")
** This gets turned Up to Eleven during live shows, when the band will play songs 30-50% faster.
* NeoclassicalPunkZydecoRockabilly: Streetlight Manifesto mix ska, punk, acoustic, big band, funk and hardcore. Fans of Streetlight Manifesto, and frontman Tomas Kalnoky's side project Bandits of the Acoustic Revolution (another genre-splicer, fusing acoustic, ska and Middle-Eastern influences), sometimes refer to this as "the fourth wave of ska".
* TheSomethingSong: "The Saddest Song."
* YouAreNotAlone: "A Better Place, A Better Time."
-->"I know that you think that you're on your own
-->But just know that I'm here
-->And I'll lead you home
-->If you let me."
Is there an issue? Send a MessageReason:
None
Added DiffLines:
Streetlight Manifesto is a ska-punk band formed by lead singer Tomas Kalnoky in 2002 in New Brunswick, New Jersey.