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An AlternativeRock band from Finland, Poets of the Fall consists of vocalist Marko Saaresto, guitarist Olli Tukiainen, and keyboardist Markus "Captain" Kaarlonen, who also produces the songs. When touring, the band is supported by three additional members: bassist Jani Snellman, rhythm guitarist/supporting vocalist Jaska Mäkinen, and percussionist Jari Salminen.

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An AlternativeRock band from Finland, [[http://www.poetsofthefall.com/ Poets of the Fall Fall]] consists of vocalist Marko Saaresto, guitarist Olli Tukiainen, and keyboardist Markus "Captain" Kaarlonen, who also produces the songs. When touring, the band is supported by three additional members: bassist Jani Snellman, rhythm guitarist/supporting vocalist Jaska Mäkinen, and percussionist Jari Salminen.



* AmuletOfConcentratedAwesome: {{Ambiguous|Situation}}ly {{Implied}} in the video for "[[https://www.youtube.com/watch?v=biZpPNzt3II Choice Millionaire]]," with the [[TheMerch Hopecatcher]] a steel {{feather|motif}} pendant that the subversive DeusExMachina gives a labourer to facilitate escape from the Machine. Still, it is quite literally depicted as a MagicFeather.

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* AmuletOfConcentratedAwesome: {{Ambiguous|Situation}}ly {{Implied}} in the video for "[[https://www.youtube.com/watch?v=biZpPNzt3II Choice Millionaire]]," with the [[TheMerch Hopecatcher]] Hopecatcher]], a steel {{feather|motif}} pendant that the subversive DeusExMachina gives a labourer to facilitate escape from the Machine. Still, it is quite literally depicted as a MagicFeather.



* CameBackWrong: In "[[https://youtu.be/GLxb7m0j5Jg?list=PLjACqN5i5sDUo3MfGtqogz7P3u5JUm3c- The Poet and the Muse]]," the MurderBallad by ''VideoGame/AlanWake's'' [[FakeBand Old Gods of Asgard]], this is the ultimate result of the Poet Tom attempting to exploit the eldritch power of a magical lake to resurrect his drowned Muse.
-->And when he swore to bring back his love [[RewritingReality by stories]] he'd create\\
Nightmares shifted in their sleep, in the darkness of the lake



* {{Hallucinations}}: In the video for "[[https://www.youtube.com/watch?v=ompevuR1644 Lift]]," Poet County Jail inmate and MadDreamer Mark suffers from persistent visions of [[MacabreMothMotif moths]] during his psych screening, even in an InkblotTest that's later revealed to have a very dissimilar shape. He pleads with them to make him fly, and they similarly feature heavily in his HappyPlace, from which they bleed into reality.



* HappyPlace: In the video for "[[https://www.youtube.com/watch?v=ompevuR1644 Lift]]," Poet County Jail inmate and MadDreamer Mark sometimes retreats to a mental house stuffed with framed and flapping [[MacabreMothMotif moths]], children's toys, and illusory band mates during his psych screening.



* InkblotTest: In the video for "[[https://www.youtube.com/watch?v=ompevuR1644 Lift]]," Poet County Jail inmate and MadDreamer Mark thinks he sees a highly defined image of a pinned [[MacabreMothMotif moth]] in an inkblot during his psych screening. The video's final seconds confirm we've been looking ThroughTheEyesOfMadness, as the image resolves into an ordinary inkblot with a very dissimilar shape.



* MacabreMothMotif:
** The band's "Morpho" logo is a silhouette of a pinned moth with wings distressed as though they've been partially scorched by fire.
** In the video for "[[https://www.youtube.com/watch?v=ompevuR1644 Lift]]," Poet County Jail inmate and MadDreamer Mark is very attached to his {{Hallucinations}} of moths, pleading with them to make him fly, and consistently makes the shape with his cuffed hands when undergoing psych screening. He's diagnosed with delusional parasitosis and finally deemed a "Menace to Society" as a result.



* MasqueradeBall: The video for "[[https://www.youtube.com/watch?v=di7NMssrqsE Daze]]," is set at a lavish party where Venetian-[[CoolMask masked]] attendees (band members among them) literally burn money, presided over by Hamartia, the MonsterClown jester-king. The plot kicks off when a female attendee decides to unmask and ghost, which [[TragicMistake Hamartia]] doesn't care for at all...
* MessianicArchetype:
** In the video for "[[https://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]], this is {{Invoked}} by Zoltar, the [[CircusOfFear Carnival]]'s fortuneteller, during a {{Tarot|Troubles}} reading, as he pulls "The Star" (a hopeful savior figure) and "The Nine of Swords" (despair, entrapment) in succession, and in his chorus, demands she love him so that he might be free of the Carnival. His attempt is {{Subverted}} when she is taken aback, and ignores his advances in favor of visiting other attractions, then leaving.
** PlayedStraight in "[[https://youtu.be/il3c14eR9C8?list=PLjACqN5i5sDXIEWRmx4uLQDw-yU66E-dh The Ballad of Jeremiah Peacekeeper]]" a {{Western}} inspired EnnioMorriconePastiche about a self-sacrificing, ReluctantWarrior lawman who's mission is "to keep your peace"
-->He takes on the world all in a stride, and your wounds will be his scars\\
So won't you remember when the night comes\\
He will need your open arms\\
For to be invincible, he needs your love.



* MurderBallad: "[[https://youtu.be/GLxb7m0j5Jg?list=PLjACqN5i5sDUo3MfGtqogz7P3u5JUm3c- The Poet and the Muse]]," ''VideoGame/AlanWake's'' folky PowerBallad by HeavyMithril FakeBand Old Gods of Asgard, which tells a rather simplified version of the tale of in-universe characters Tom the Poet and his Muse. Tom used the magical properties of the lake he lived by to resurrect the Muse by RewritingReality when she drowned in its waters. When Tom discovered she CameBackWrong,
-->He took her in without a word for he saw his grave mistake\\
And vowed them both to silence deep beneath the lake\\
Now, if it's real or just a dream one mystery remains\\
For it is said, on moonless nights they may still haunt this place



** "[[https://youtu.be/GLxb7m0j5Jg?list=PLjACqN5i5sDUo3MfGtqogz7P3u5JUm3c- The Poet and the Muse]]," ''VideoGame/AlanWake's'' folky story-song by HeavyMithril FakeBand Old Gods of Asgard, which reveals the terrible fates of the protagonist's predecessors, and offers a way for him to escape their EternalRecurrance.

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** "[[https://youtu.be/GLxb7m0j5Jg?list=PLjACqN5i5sDUo3MfGtqogz7P3u5JUm3c- The Poet and the Muse]]," ''VideoGame/AlanWake's'' folky story-song MurderBallad by HeavyMithril FakeBand Old Gods of Asgard, which reveals the terrible fates of the protagonist's predecessors, and offers a way for him to escape their EternalRecurrance.


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** The single for BreakUpSong "The Ultimate Fling" includes "[[https://youtu.be/Cy-PlCBnm9E?list=PLjACqN5i5sDVO4HgjvSj475vj7drkiFF4 The Impromptu Alternate Version," an acoustic version that sands of the original's hard rock edges.

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* BreakupSong: "[[https://www.youtube.com/watch?v=y3rYhyIk8jM&list=PLjACqN5i5sDV1jkUkrNCzytFOlYdQN8rM The Ultimate Fling]]," a hypercombative song that dares the listener to "give me a reason" for the breakup while dropping references to dialogue from Film/DirtyHarry.

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* BreakupSong: "[[https://www.youtube.com/watch?v=y3rYhyIk8jM&list=PLjACqN5i5sDV1jkUkrNCzytFOlYdQN8rM The Ultimate Fling]]," a hypercombative song that dares the listener to "give me a reason" "GiveMeAReason" for the breakup while dropping references to dialogue from Film/DirtyHarry.


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* GiveMeAReason: {{Downplayed}} in "[[https://www.youtube.com/watch?v=y3rYhyIk8jM&list=PLjACqN5i5sDV1jkUkrNCzytFOlYdQN8rM The Ultimate Fling]]" where the physically hypercombative tone and demand to "Give me a reason" is a metaphor for initiating the {{Breakup|Song}} of a relationship.


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* InteractiveNarrator: In the video for "[[https://www.youtube.com/watch?v=di7NMssrqsE Daze]]" [[MonsterClown jester]] Hamartia is narrating the thoughts of an absconder from a MasqueradeBall, (which includes punctuating a particularly wishful lyric with a hard eyeroll) the twist being its ''his'' ball she's fled, and, as OrcusOnHisThrone, he's feeling jealous enough to retaliate.
* JerkassGods: A CentralTheme of the album ''Jealous Gods,'' from the cover with a [[RulesOfTheRoad road sign]] warning of a BoltOfDivineRetribution, to the TitleTrack, [[https://youtu.be/qFqCBgT9DhM?list=PLjACqN5i5sDWoCTXHzphV5EZtNqPEmYaP musing]] on the god-like sense of impulsive grandiosity inherent in a new relationship, and wondering if that's something good or bad.


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* LoveHungry: ObsessionSong "[[https://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]" is all about this dysfunctional approach to love. The video has its singer Zoltar, the [[SadClown depressive]], decaying fortune-telling automaton, so desperate for escape from the [[CircusOfFear Carnival]] that he causes the object of his fixation TarotTroubles in an attempt to compel her affection, and utters these lines preceded by a ScareChord:
-->Come feed the rain\\
'Cause I'm thirsty for your love dancing underneath the skies of lust
::To make matters worse, the opening verse notes he's ''aware'' that his attitude "should remind [him] of greed," but he twists the realization into WishfulProjection, hoping his listener shares his outlook.
* LoveNostalgiaSong: "[[https://youtu.be/SSEIuy7J1t4?list=PLjACqN5i5sDXDvaCSm4yTRQBZpdod7HHD Skin]]," deals with a speaker meditating on his grief at a failed relationship he can't get over, in the house he and his beloved once shared.
-->This house is full of stories we both told\\
These rooms their very stage where they'd unfold\\
These walls they whisper secrets and memories thereof\\
But this door no longer leads us to that love
* LovingAShadow: "[[https://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]"'s singer Zoltar is a decaying automaton stuck in his fortuneteller's booth, desperate to leave the [[CircusOfFear Carnival]], and its clear that his pleas and demands for love from his customer stem from WishfulProjection. He taints her {{Tarot|Troubles}} reading by declaring her "The Star," his MessiahFigure, instead of recognizing her as a person in her own right, and as a result, his affections go unreciprocated.
* MadDreamer: In the video for "[[https://www.youtube.com/watch?v=ompevuR1644 Lift]]," "Mark" is a mentally ill prisoner of Poet County Jail who has {{Hallucinations}} of [[MacabreMothMotif moths]] and a HappyPlace filled with illusory bandmates. The psychologists examining him make an effort to transcribe his in-universe WordSalad, which looks suspiciously like song lyrics.

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* AmuletOfConcentratedAwesome: {{Ambiguous|Situation}}ly {{Implied}} in the video for "[[https://www.youtube.com/watch?v=biZpPNzt3II Choice Millionaire]]," with the [[TheMerch Hopecatcher]] a steel {{feather|motif}} pendant that the subversive DeusExMachina gives a labourer to facilitate escape from the Machine. Still, it is quite literally depicted as a MagicFeather.



* BalladOfX: "[[https://youtu.be/il3c14eR9C8?list=PLjACqN5i5sDXIEWRmx4uLQDw-yU66E-dh The Ballad of Jeremiah Peacekeeper]]" a {{Western}}-inspired tale about an implicitly {{Messianic|Archetype}}, ReluctantWarrior lawman.

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* BalladOfX: "[[https://youtu.be/il3c14eR9C8?list=PLjACqN5i5sDXIEWRmx4uLQDw-yU66E-dh The Ballad of Jeremiah Peacekeeper]]" a {{Western}}-inspired tale {{Western}} inspired EnnioMorriconePastiche about an implicitly {{Messianic|Archetype}}, ReluctantWarrior lawman.



* CulturePolice: In the video for "[[https://www.youtube.com/watch?v=ompevuR1644 Lift]]," an {{Ambiguous|Situation}} interpretation of the Poet County Jail officials conducting MadDreamer "Mark"'s psychiatric evaluation (with which he would agree) is that they find his brand of creativity threatening. The lone female official finishes the evaluation form by checking boxes marked "Illusionist," "Dreamer" and "Menace to society."

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* CulturePolice: In the video for "[[https://www.youtube.com/watch?v=ompevuR1644 Lift]]," an {{Ambiguous|Situation}} interpretation of the Poet County Jail officials conducting MadDreamer "Mark"'s psychiatric evaluation (with which he would agree) is that they find his brand of creativity threatening. The lone female official psychologist finishes the evaluation form by checking boxes marked "Illusionist," "Dreamer" and "Menace to society." "
* EnnioMorriconePastiche: PlayedForDrama in "[[https://youtu.be/il3c14eR9C8?list=PLjACqN5i5sDXIEWRmx4uLQDw-yU66E-dh The Ballad of Jeremiah Peacekeeper]]" a {{Western}} inspired tale about an implicitly {{Messianic|Archetype}}, ReluctantWarrior lawman that borrows Morricone's tone.



* FeatherMotif: Denotes the magical and the eldritch.
** In the video for "[[https://www.youtube.com/watch?v=di7NMssrqsE Daze]]," Hamartia the MonsterClown jester-king sports black feathers in his ImprobableHairstyle that mimics a jester's cap.
** In the video for "[[https://www.youtube.com/watch?v=biZpPNzt3II Choice Millionaire]]," the DeusExMachina subversive against the Machine also wears black feathers on his armor, one of which he plucks off and transforms to gift an imprisoned labourer with a "[[TheMerch Hopecatcher]]," a steel feather pendant that functions as an {{Amulet|OfConcentratedAwesome}} to aid the labourers in escaping from the Machine.



* HappyHarlequinHat:
** {{Subverted}} with the hat sported by [[TragicMistake Hamartia]], the MonsterClown jester mascot of ''Twilight Theater's'' [[http://www.poetsofthefall.com/discography/twilight_theater_cover/ album art]]. While ''he's'' menacingly happy, his hat is far from jolly, ending not in bells, but the shadowy head of a [[SnakesAreSinister snake]].
** {{Subverted}} again with Hamartia's reappearance as an OrcusOnHisThrone figure in the video for "[[https://www.youtube.com/watch?v=di7NMssrqsE Daze]]." His jester's cap now takes the form of a monarchic ImprobableHairstyle, black hair sectioned and plaited into tails and trimmed with bells and [[FeatherMotif black feathers]]. By contrast, his ever-present Venetian Jester mask is PlayedStraight, underscoring his nature.



* HostileAnimatronics: {{Downplayed}} in the video for "[[https://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]," as Zoltar the [[SadClown depressive]] fortunetelling automaton begins to beat on the walls of his case when he realizes the customer he's been pleading to love him in a bid for freedom is leaving the [[CircusOfFear Carnival]].
* IJustWantToHaveFriends: One of the yearnings of the speaker in WanderlustSong "[[https://www.youtube.com/watch?v=di7NMssrqsE Daze]]," as they express envy of the shadows' "constant companions." Since the video has MonsterClown Hamartia as an InteractiveNarrator of sorts, after singing the lyric, he rolls his eyes dismissively by way of commentary.
* ImprobableHairstyle: As an OrcusOnHisThrone figure in the video for "[[https://www.youtube.com/watch?v=di7NMssrqsE Daze]]," MonsterClown Hamartia's black hair is elaborately styled to mimic a [[HappyHarlequinHat jester's hat]], with heavy braids for flaps, and trimmed with [[FeatherMotif black feathers]] and bells.



** the digital single of "Daze" also includes an unplugged version of ''Carnival of Rust's'' "[[https://youtu.be/-XGIDOP5VKI?list=PLjACqN5i5sDUzZKeWiG7qz4AnUMIjDtpR King of Fools]]" which lengthens the song considerably, turning it torchy and {{Surprisingly Gentle|Song}}.

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** the The digital single of "Daze" also includes an unplugged version of ''Carnival of Rust's'' "[[https://youtu.be/-XGIDOP5VKI?list=PLjACqN5i5sDUzZKeWiG7qz4AnUMIjDtpR King of Fools]]" which lengthens the song considerably, turning it torchy and {{Surprisingly Gentle|Song}}.
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** ''Temple of Thought Bonus Edition'''s [[BonusMaterial Bonus Track]] and FollowYourHeart anthem "Signs of Life" shares a title with their first full album, a title frequently [[TitleDrop dropped]] in the song's chorus.

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** ''Temple of Thought Bonus Edition'''s [[BonusMaterial Bonus Track]] and FollowYourHeart anthem "Signs "[[https://youtu.be/IhVAjhDgrvk Signs of Life" Life]]" shares a title with their first full album, a title frequently [[TitleDrop dropped]] in the song's chorus.



** ''Temple of Thought Bonus Edition'' has unplugged live studio versions of love songs "[[https://www.youtube.com/watch?v=NfVGvY7p1sU Temple of Thought]]" and "Skin."

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** ''Temple of Thought Bonus Edition'' has unplugged live studio versions of love songs song "[[https://www.youtube.com/watch?v=NfVGvY7p1sU Temple of Thought]]" and "Skin.LoveNostalgiaSong "[[https://youtu.be/YEa8dgcQAc8 Skin]]."
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** "[[https://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]'s" singer Zoltar, a fortunetelling automaton with tatty clothes, peeling paint and tell-tale black-accented white makeup, is a {{Deconstructed}} Pierrot. While genuinely [[SadClown tragic]], pining after the woman in the gas mask who visits the Carnival, he's rendered [[MonsterClown sinister]] because his idea of love is deeply dysfunctional and self-interested, since he thinks it will fix his life[=/=]free him from the Carnival. Though his desperation is sincere, there's a reason his demanding chorus is signalled by a ScareChord.

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** "[[https://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]'s" singer Zoltar, a fortunetelling automaton with tatty clothes, peeling paint and tell-tale black-accented white makeup, is a {{Deconstructed}} {{Deconstructed|CharacterArchetype}} Pierrot. While genuinely [[SadClown tragic]], pining after the woman in the gas mask who visits the Carnival, he's rendered [[MonsterClown sinister]] because his idea of love is deeply dysfunctional and self-interested, since he thinks it will fix his life[=/=]free him from the Carnival. Though his desperation is sincere, there's a reason his demanding chorus is signalled by a ScareChord.
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* AlliterativeTitle: ''Revolution Roulette,'' their third album and its TitleTrack, a song about courting the possibility of FullCircleRevolution.
* AttentionWhore: {{Deconstructed}} in "Save Me"; the singer is developing self-destructive tendencies in his quest for attention. {{Lampshaded}} in the chorus:

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* AlliterativeTitle: ''Revolution Roulette,'' their third album and its TitleTrack, a song [[https://youtu.be/v7v8ZwWtNXY?list=PLjACqN5i5sDWU8BGL5afu1ynDxAMPX2rH song]] about courting the possibility of FullCircleRevolution.
* AttentionWhore: {{Deconstructed}} in "Save Me"; "[[https://youtu.be/Yy-IkJddrX4?list=PLjACqN5i5sDWU8BGL5afu1ynDxAMPX2rH Save Me]]"; the singer is developing self-destructive tendencies in his quest for attention. {{Lampshaded}} in the chorus:



* BalladOfX: "The Ballad of Jeremiah Peacekeeper" a {{Western}}-inspired tale about an implicitly {{Messianic|Archetype}}, ReluctantWarrior lawman.

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* BalladOfX: "The "[[https://youtu.be/il3c14eR9C8?list=PLjACqN5i5sDXIEWRmx4uLQDw-yU66E-dh The Ballad of Jeremiah Peacekeeper" Peacekeeper]]" a {{Western}}-inspired tale about an implicitly {{Messianic|Archetype}}, ReluctantWarrior lawman.



* BreakupSong: "The Ultimate Fling," a hypercombative song that dares the listener to "give me a reason" for the breakup while dropping references to dialogue from Film/DirtyHarry.

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* BreakupSong: "The "[[https://www.youtube.com/watch?v=y3rYhyIk8jM&list=PLjACqN5i5sDV1jkUkrNCzytFOlYdQN8rM The Ultimate Fling," Fling]]," a hypercombative song that dares the listener to "give me a reason" for the breakup while dropping references to dialogue from Film/DirtyHarry.



** Released in 2015, "[[https://www.youtube.com/watch?v=biZpPNzt3II Choice Millionaire]]"'s video is set inside "the machine" referred to in the lyrics of their 2008 album's TitleTrack, "Revolution Roulette," while "Millionaire"'s spoken-word outro contains part of the lyrics of "Dying to Live," from their 2010 album, ''Twilight Theater''.

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** Released in 2015, "[[https://www.youtube.com/watch?v=biZpPNzt3II Choice Millionaire]]"'s video is set inside "the machine" referred to in the lyrics of their 2008 album's TitleTrack, "Revolution Roulette," "[[https://youtu.be/v7v8ZwWtNXY?list=PLjACqN5i5sDWU8BGL5afu1ynDxAMPX2rH Revolution Roulette]]," while "Millionaire"'s spoken-word outro contains part of the lyrics of "Dying "[[https://youtu.be/m5DVVrevq7A?list=PLjACqN5i5sDWHzZPRsc95iVv4mAEagYJh Dying to Live," Live]]," from their 2010 album, ''Twilight Theater''.



** The video for ''Signs of Life'' track "[[https://www.youtube.com/watch?v=ompevuR1644 Lift]]," sees a prisoner declared "Illusionist," and "Dreamer," a reference to "Illusion & Dream," another track on the album.

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** The video for ''Signs of Life'' track "[[https://www.youtube.com/watch?v=ompevuR1644 Lift]]," sees a prisoner declared "Illusionist," and "Dreamer," a reference to "Illusion "[[https://youtu.be/FqJqdp2xdk8?list=PLjACqN5i5sDWjx8wkdUyCl4MjctV4SE6o Illusion & Dream," Dream]]," another track on the album.



*** The Ferris wheel is called The Great "Gravity" Wheel, and fragments of its lyrics serve as slogans on Zoltar the fortune-telling automaton's case.
*** The customer's fortune ticket bears a number "4" for "All the Way/4U"
*** The Bearded Lady is being tattooed with the word "Delicious."

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*** The Ferris wheel is called The Great "Gravity" "[[https://youtu.be/L1hIuXdFIuU?list=PLjACqN5i5sDWZVBTLPg4YvrJl-LtBjsrm Gravity]]" Wheel, and fragments of its lyrics serve as slogans on Zoltar the fortune-telling automaton's case.
*** The customer's fortune ticket bears a number "4" for "All "[[https://youtu.be/zBKwNrhL_uI?list=PLjACqN5i5sDWZVBTLPg4YvrJl-LtBjsrm All the Way/4U"
Way/4U]]"
*** The Bearded Lady is being tattooed with the word "Delicious."[[https://youtu.be/rxvKkDA_dnc?list=PLjACqN5i5sDWZVBTLPg4YvrJl-LtBjsrm Delicious]]."



* FullCircleRevolution: The general message of "Revolution Roulette": easy solutions after a revolution tend to cause more problems than they solve, setting the stage for another revolution.

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* FullCircleRevolution: The general message of "Revolution Roulette": "[[https://youtu.be/v7v8ZwWtNXY?list=PLjACqN5i5sDWU8BGL5afu1ynDxAMPX2rH Revolution Roulette]]": easy solutions after a revolution tend to cause more problems than they solve, setting the stage for another revolution.



* ManicPixieDreamGirl: [[http://www.youtube.com/watch?v=OoAoLjEXffo Miss Impossible]]" appears to describe such a woman, and {{lampshades}} her paradoxical nature:

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* ManicPixieDreamGirl: [[http://www.youtube.com/watch?v=OoAoLjEXffo "[[https://youtu.be/bncQ49Z4y5c?list=PLjACqN5i5sDWU8BGL5afu1ynDxAMPX2rH Miss Impossible]]" appears to describe such a woman, and {{lampshades}} her paradoxical nature:



** A short mid-range punctuation is present after a bout of manic laughter and a gasp in "Psychosis."
** High-register, gravelly screams punctuate and highlight the chorus of their HeavyMithril FakeBand Old Gods of Asgard's "Children of the Elder God."
* MindScrew Some of the music videos are really weird, but the best example has to be "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]", where a woman with a [[PostApocalypticGasMask gas mask]] and a lollipop visits a dilapidated [[CircusOfFear Carnival of Fear]].

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** A short mid-range punctuation is present after a bout of manic laughter and a gasp in "Psychosis."[[https://youtu.be/f0w_WYXPIMc?list=PLjACqN5i5sDWU8BGL5afu1ynDxAMPX2rH Psychosis]]."
** High-register, gravelly screams punctuate and highlight the chorus of their HeavyMithril FakeBand Old Gods of Asgard's "Children "[[https://youtu.be/8-l_kbZbXRQ?list=PLjACqN5i5sDUo3MfGtqogz7P3u5JUm3c- Children of the Elder God.God]]."
* MindScrew MindScrew: Some of the music videos are really weird, but the best example has to be "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]", where a woman with a [[PostApocalypticGasMask gas mask]] and a lollipop visits a dilapidated [[CircusOfFear Carnival of Fear]].



** {{Downplayed}} in "Carnival of Rust," as the singer Zoltar, an automaton performer in a CircusOfFear carnival, serves as an unusually eerie and foreboding [[CommediaDellArte Pierrot-figure]]. Though a SadClown, his obvious decrepitude and increasing desperation make the air of menace that much thicker.

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** {{Downplayed}} in "Carnival "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust," Rust]]," as the singer Zoltar, an automaton performer in a CircusOfFear carnival, serves as an unusually eerie and foreboding [[CommediaDellArte Pierrot-figure]]. Though a SadClown, his obvious decrepitude and increasing desperation make the air of menace that much thicker.



** Likewise, Kaarlonen soundtracked ''VideoGame/{{Rochard}},'' while the whole band performed its ThemeSong, "Grinder's Blues."

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** Likewise, Kaarlonen soundtracked ''VideoGame/{{Rochard}},'' while the whole band performed its ThemeSong, "Grinder's Blues."[[https://youtu.be/Ocqtd4SYo7M?list=PLIXpL9mz02mJS0ox-8Ll9lxlOzM8D6I7- Grinder's Blues]]."



** "The Poet and the Muse," ''VideoGame/AlanWake's'' folky story-song by HeavyMithril FakeBand Old Gods of Asgard, which reveals the terrible fates of the protagonist's predecessors, and offers a way for him to escape their EternalRecurrance.

to:

** "The "[[https://youtu.be/GLxb7m0j5Jg?list=PLjACqN5i5sDUo3MfGtqogz7P3u5JUm3c- The Poet and the Muse," Muse]]," ''VideoGame/AlanWake's'' folky story-song by HeavyMithril FakeBand Old Gods of Asgard, which reveals the terrible fates of the protagonist's predecessors, and offers a way for him to escape their EternalRecurrance.



** "[[https://www.youtube.com/watch?v=y3rYhyIk8jM The Ultimate Fling]]" has nods to two of Firm/DirtyHarry’s quotes in its chorus; specifically, "Make my day," and "Do [[BeamMeUpScotty you]] feel lucky?"

to:

** "[[https://www.youtube.com/watch?v=y3rYhyIk8jM com/watch?v=y3rYhyIk8jM&list=PLjACqN5i5sDV1jkUkrNCzytFOlYdQN8rM The Ultimate Fling]]" has nods to two of Firm/DirtyHarry’s quotes in its chorus; specifically, "Make my day," and "Do [[BeamMeUpScotty you]] feel lucky?"



* StepfordSmiler: The song "[[http://www.youtube.com/watch?v=0dYk_9R8yPs Shallow]]" could be the Empty Smiler's Anthem.

to:

* StepfordSmiler: The song "[[http://www.youtube.com/watch?v=0dYk_9R8yPs "[[https://youtu.be/EaGcBIVfUSI?list=PLjACqN5i5sDWjx8wkdUyCl4MjctV4SE6o Shallow]]" could be the Empty Smiler's Anthem.



** "[[https://www.youtube.com/watch?v=y3rYhyIk8jM The Ultimate Fling]]," a hypercombative BreakupSong, shifts into a sparer, less agitated mode when, instead of provoking conflict, the singer honestly asks what the reason for the breakup is, in hopes of getting closure.
** "Revolution Roulette," a song fatalistically musing on FullCircleRevolution, has a lulling, meditative piano bit both between verses, and backing a quieter verse before the final, yelled chorus.
* SubliminalSeduction: Their HeavyMithril FakeBand Old Gods of Asgard's "Balance Slays the Demon" has a small section with reversed, sped up lyrics. [[http://www.youtube.com/watch?v=xRcLYeuK8ZU Play it the right way round]] and you get [[spoiler:"It will happen [[EternalRecurrence again]], in another town. A town... called Ordinary."]]

to:

** "[[https://www.youtube.com/watch?v=y3rYhyIk8jM com/watch?v=y3rYhyIk8jM&list=PLjACqN5i5sDV1jkUkrNCzytFOlYdQN8rM The Ultimate Fling]]," a hypercombative BreakupSong, shifts into a sparer, less agitated mode when, instead of provoking conflict, the singer honestly asks what the reason for the breakup is, in hopes of getting closure.
** "Revolution Roulette," "[[https://youtu.be/v7v8ZwWtNXY?list=PLjACqN5i5sDWU8BGL5afu1ynDxAMPX2rH Revolution Roulette]]," a song fatalistically musing on FullCircleRevolution, has a lulling, meditative piano bit both between verses, and backing a quieter verse before the final, yelled chorus.
* SubliminalSeduction: Their HeavyMithril FakeBand Old Gods of Asgard's "Balance "[[https://youtu.be/b6RKKCQt82Y?list=PLjACqN5i5sDUo3MfGtqogz7P3u5JUm3c- Balance Slays the Demon" Demon]]" has a small section with reversed, sped up lyrics. [[http://www.youtube.com/watch?v=xRcLYeuK8ZU Play it the right way round]] and you get [[spoiler:"It will happen [[EternalRecurrence again]], in another town. A town... called Ordinary."]]



** The band's first single, "Late Goodbye," contains multiple versions of ''VideoGame/MaxPayne2'''s SolemnEndingTheme, one of them fully acoustic..

to:

** The band's first single, "Late Goodbye," contains multiple versions of ''VideoGame/MaxPayne2'''s SolemnEndingTheme, one of them fully acoustic..[[https://youtu.be/ND0TqSS6F1Q?list=PLjACqN5i5sDVBPJGHevomO4YZd9wwVLkS fully]] acoustic.



** the digital single of "Daze" also includes an unplugged version of ''Carnival of Rust's'' "King of Fools" which lengthens the song considerably, turning it torchy and {{Surprisingly Gentle|Song}}.
* YinYangBomb: {{Discussed}} in HeavyMithril FakeBand Old Gods of Asgard's "Balance Slays the Demon", as an in-universe attempt by the band to steer the protagonist of ''VideoGame/AlanWakesAmericanNightmare'' toward defeating the game's villain via lyrical metaphor.

to:

** the digital single of "Daze" also includes an unplugged version of ''Carnival of Rust's'' "King "[[https://youtu.be/-XGIDOP5VKI?list=PLjACqN5i5sDUzZKeWiG7qz4AnUMIjDtpR King of Fools" Fools]]" which lengthens the song considerably, turning it torchy and {{Surprisingly Gentle|Song}}.
* YinYangBomb: {{Discussed}} in HeavyMithril FakeBand Old Gods of Asgard's "Balance "[[https://youtu.be/b6RKKCQt82Y?list=PLjACqN5i5sDUo3MfGtqogz7P3u5JUm3c- Balance Slays the Demon", Demon]]", as an in-universe attempt by the band to steer the protagonist of ''VideoGame/AlanWakesAmericanNightmare'' toward defeating the game's villain via lyrical metaphor.

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* ContinuityNod: The [[https://www.youtube.com/watch?v=MKk1u5RMTn4 music video]] for TitleTrack "Carnival of Rust" contains references to other songs on the album. Among them:
** "[[https://www.youtube.com/watch?v=IHTKxRjAjqI Fire]]"-eaters ply their trade
** The Ferris wheel is called The Great "Gravity" Wheel, and fragments of its lyrics serve as slogans on Zoltar the fortune-telling automaton's case.
** The customer's fortune ticket bears a number "4" for "All the Way/4U"
** The Bearded Lady is being tattooed with the word "Delicious."

to:

* ContinuityNod: CommediaDellArte:
** "[[https://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]'s" singer Zoltar, a fortunetelling automaton with tatty clothes, peeling paint and tell-tale black-accented white makeup, is a {{Deconstructed}} Pierrot. While genuinely [[SadClown tragic]], pining after the woman in the gas mask who visits the Carnival, he's rendered [[MonsterClown sinister]] because his idea of love is deeply dysfunctional and self-interested, since he thinks it will fix his life[=/=]free him from the Carnival. Though his desperation is sincere, there's a reason his demanding chorus is signalled by a ScareChord.
** [[TragicMistake Hamartia]], the [[MonsterClown sinister]] jester mascot of ''Twilight Theater's'' [[http://www.poetsofthefall.com/discography/twilight_theater_cover/ album art]] and VillainProtagonist singer of ''Jealous Gods''' "[[https://www.youtube.com/watch?v=di7NMssrqsE Daze]]" is a Harlequin in black-and-red motley who's AdaptationalVillainy has him behaving far more like the devil of the character's roots than as than a mere {{Trickster}}. He's alternately depicted with a nasty SlasherSmile or moodily antagonizing the object of his jealousy as OrcusOnHisThrone.
* CommitmentIssues: The subject of "[[http://www.youtube.com/watch?v=t9Rl8WMqejc Diamonds For Tears]]," as the singer searches for reasons to bolt, precisely because he suspects his lover is worth keeping.
--> '''Cause when you're sleeping right next to me, I know you're the one\\
So when I hear you calling my name, why do I turn away and run?''
* ContinuityNod:
** The video for ''Signs of Life'' track "[[https://www.youtube.com/watch?v=ompevuR1644 Lift]]," sees a prisoner declared "Illusionist," and "Dreamer," a reference to "Illusion & Dream," another track on the album.
**
The [[https://www.youtube.com/watch?v=MKk1u5RMTn4 music video]] for TitleTrack "Carnival of Rust" contains references to other songs on the album. Among them:
** *** "[[https://www.youtube.com/watch?v=IHTKxRjAjqI Fire]]"-eaters ply their trade
** *** The Ferris wheel is called The Great "Gravity" Wheel, and fragments of its lyrics serve as slogans on Zoltar the fortune-telling automaton's case.
** *** The customer's fortune ticket bears a number "4" for "All the Way/4U"
** *** The Bearded Lady is being tattooed with the word "Delicious.""
* CoolMask:
** In "[[https://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]," the Carnival customer conceals her face behind an impressive gas-mask, while its workers are all bare-faced, implying that the environment is toxic.
** In "[[https://www.youtube.com/watch?v=di7NMssrqsE Daze]]" all the MasqueradeBall attendees wear ornamented Venetian half-masks, but VillainProtagonist EvilClown Hamartia has an exceptionally elaborate full-face Venetian Jester mask that he drops on beginning to sing, and toys with throughout.
* CulturePolice: In the video for "[[https://www.youtube.com/watch?v=ompevuR1644 Lift]]," an {{Ambiguous|Situation}} interpretation of the Poet County Jail officials conducting MadDreamer "Mark"'s psychiatric evaluation (with which he would agree) is that they find his brand of creativity threatening. The lone female official finishes the evaluation form by checking boxes marked "Illusionist," "Dreamer" and "Menace to society."

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* CallBack: "[[https://www.youtube.com/watch?v=biZpPNzt3II Choice Millionaire]]"'s spoken-word outro contains part of "Dying to Live"'s lyrics.
* CircusOfFear: The "[[https://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]." The Carnival is run down and creepy, and the staff is menacing and vaguely predatory. The video's plot revolves around Zoltar, a [[SadClown depressive]], decaying Carnival automaton with flaking paint, and experiences of the [[PostApocalypticGasmask gas-masked]] female customer who he tries to persuade to stay with foreboding, increasingly desperate pleas and demands for a relationship while [[HostileAnimatronics banging on the walls]] of his case.

to:

* CallBack: BreakupSong: "The Ultimate Fling," a hypercombative song that dares the listener to "give me a reason" for the breakup while dropping references to dialogue from Film/DirtyHarry.
* CallBack:
** ''Temple of Thought Bonus Edition'''s [[BonusMaterial Bonus Track]] and FollowYourHeart anthem "Signs of Life" shares a title with their first full album, a title frequently [[TitleDrop dropped]] in the song's chorus.
** Released in 2015,
"[[https://www.youtube.com/watch?v=biZpPNzt3II Choice Millionaire]]"'s video is set inside "the machine" referred to in the lyrics of their 2008 album's TitleTrack, "Revolution Roulette," while "Millionaire"'s spoken-word outro contains part of the lyrics of "Dying to Live"'s lyrics.
Live," from their 2010 album, ''Twilight Theater''.
* CircusOfFear: The "[[https://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]." The Carnival is run down and creepy, and the staff is menacing and vaguely predatory. The video's plot revolves around Zoltar, a [[SadClown depressive]], decaying Carnival automaton with flaking paint, and the experiences of the [[PostApocalypticGasmask gas-masked]] female customer who he tries to persuade to stay with foreboding, increasingly desperate pleas and demands for a relationship while [[HostileAnimatronics banging on the walls]] of his case.



** "Revolution Roulette," a song fatalistically musing on FullCircleRevolution, has a lulling, meditative piano bit both between verses, and backing a quieter verse befor the final, yelled chorus.

to:

** "Revolution Roulette," a song fatalistically musing on FullCircleRevolution, has a lulling, meditative piano bit both between verses, and backing a quieter verse befor before the final, yelled chorus.



* TarotTroubles: The video for "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]" has Zoltar the fortune-telling automaton give his [[PostApocalypticGasMask gas-masked]] customer a tarot reading via a pair of trivision-style prismatic signs flanking his case. He considers her "The Star," a good-hearted MessiahFigure, but the second card he pulls (complete with electric guitar ScareChord) is one of its opposites, The Nine of Swords, symbolizing anguish, despair and being trapped. On doing this, he begins the song's chorus, a blatant demand that she love him or he'll be stuck there, all but confirming he's tainting the reading with his desperate WishfulProjection.

to:

* TarotTroubles: The video for "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]" has Zoltar the fortune-telling automaton give his [[PostApocalypticGasMask gas-masked]] customer a tarot reading via a pair of trivision-style prismatic signs flanking his case. He considers her "The Star," a good-hearted MessiahFigure, but the second card he pulls (complete with electric guitar ScareChord) is one of its opposites, The "The Nine of Swords, Swords", symbolizing anguish, despair and being trapped. On doing this, he begins the song's chorus, a blatant demand that she love him or he'll be stuck there, all but confirming he's tainting the reading with his desperate WishfulProjection.

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* PowerBallad: "The Poet and the Muse," ''VideoGame/AlanWake's'' folky story-song by HeavyMithril FakeBand Old Gods of Asgard, which reveals the terrible fates of the protagonist's predecessors, and offers a way for him to escape their EternalRecurrance.

to:

* PowerBallad: PowerBallad:
**
"The Poet and the Muse," ''VideoGame/AlanWake's'' folky story-song by HeavyMithril FakeBand Old Gods of Asgard, which reveals the terrible fates of the protagonist's predecessors, and offers a way for him to escape their EternalRecurrance.EternalRecurrance.
** "[[http://www.youtube.com/watch?v=uIG1xnYdlFo War]]" the sweeping epic devotional about unexpectedly finding someone you could fight a common enemy with, also in ''VideoGame/AlanWake'' but credited (even in an in-game cameo) as a Poets' song.
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** "Fire"-eaters ply their trade

to:

** "Fire"-eaters "[[https://www.youtube.com/watch?v=IHTKxRjAjqI Fire]]"-eaters ply their trade



* MindScrew Some of the music videos are really weird, but the best example has to be "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]", where a woman with a [[PostApocalypticGasMask gas mask and a lollipop visits a dilapidated [[CircusOfFear Carnival of Fear]].

to:

* MindScrew Some of the music videos are really weird, but the best example has to be "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]", where a woman with a [[PostApocalypticGasMask gas mask mask]] and a lollipop visits a dilapidated [[CircusOfFear Carnival of Fear]].
Is there an issue? Send a MessageReason:
None


* MindScrew Some of the music videos for Music/PoetsOfTheFall are really weird, but the best example has to be "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]", where a woman with a gas mask and a lollipop visits a dilapidated [[CircusOfFear Carnival of Fear]].

to:

* MindScrew Some of the music videos for Music/PoetsOfTheFall are really weird, but the best example has to be "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]", where a woman with a [[PostApocalypticGasMask gas mask and a lollipop visits a dilapidated [[CircusOfFear Carnival of Fear]].



** The title of their first album, (and later ''Temple of Thought'' BonusTrack) ''Signs of Life,'' is a nod to Music/PinkFloyd’s instrumental of the same name.

to:

** The title of their first album, (and later ''Temple of Thought'' BonusTrack) [[BonusMaterial Bonus Track]]) ''Signs of Life,'' is a nod to Music/PinkFloyd’s instrumental of the same name.



* StepfordSmiler: The song "[[http://www.youtube.com/watch?v=0dYk_9R8yPs Shallow]]" by Music/PoetsOfTheFall could be the Empty Smiler's Anthem.
--> More in my face\\
Than is my taste\\
I grow so weary I'll surrender

to:

* StepfordSmiler: The song "[[http://www.youtube.com/watch?v=0dYk_9R8yPs Shallow]]" by Music/PoetsOfTheFall could be the Empty Smiler's Anthem.
--> More -->''More in my face\\
face\\
Than is my taste\\
taste\\
I grow so weary I'll surrendersurrender.''



** "Revolution Roulette," a song fatalistically musing on FullCircleRevolution, has a lulling, meditative piano both between verses, and backing a quieter verse befor the final, yelled chorus.

to:

** "Revolution Roulette," a song fatalistically musing on FullCircleRevolution, has a lulling, meditative piano bit both between verses, and backing a quieter verse befor the final, yelled chorus.



* TarotTroubles: The video for Music/PoetsOfTheFall's "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]" has Zoltar the fortune-telling automaton give his [[PostApocalypticGasMask gas-masked]] customer a tarot reading via a pair of trivision-style prismatic signs flanking his case. Notably, he appears to consider the customer herself "The Star," a good-hearted MessiahFigure, but the second card he pulls (complete with electric guitar ScareChord) is one of its opposites, The Nine of Swords, symbolizing anguish, despair and being trapped. On doing this, he begins the song's chorus, a blatant demand that she love him or he'll be stuck there, all but confirming he's tainting the reading with his desperate WishfulProjection.

to:

* TarotTroubles: The video for Music/PoetsOfTheFall's "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]" has Zoltar the fortune-telling automaton give his [[PostApocalypticGasMask gas-masked]] customer a tarot reading via a pair of trivision-style prismatic signs flanking his case. Notably, he appears to consider the customer herself He considers her "The Star," a good-hearted MessiahFigure, but the second card he pulls (complete with electric guitar ScareChord) is one of its opposites, The Nine of Swords, symbolizing anguish, despair and being trapped. On doing this, he begins the song's chorus, a blatant demand that she love him or he'll be stuck there, all but confirming he's tainting the reading with his desperate WishfulProjection.



** the digital single of "Daze" also includes an unplugged version of ''Carnival of Rust's'' "King of Fools" which lengthens the song considerably, turning it torchy and {{SurprisinglyGentle|Song}}.

to:

** the digital single of "Daze" also includes an unplugged version of ''Carnival of Rust's'' "King of Fools" which lengthens the song considerably, turning it torchy and {{SurprisinglyGentle|Song}}.{{Surprisingly Gentle|Song}}.

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* CallBack: "Choice Millionaire"'s outro contains part of "Dying to Live"'s lyrics.
* CircusOfFear: The "Carnival of Rust" video takes place in a [[NightmareFuel very creepy]] one.
* ContinuityNod: The music video for "Carnival of Rust" contains references to every other song on the album.
* FakeBand: As HeavyMithril band "Old Gods of Asgard" in ''VideoGame/AlanWake''. Then, just to muddy the issue, they appear as themselves in a cameo; and before playing the Poet's song "[[https://www.youtube.com/watch?v=0f_hewSrAH4 War]]", a radio host compares the two bands, saying the Poets remind him of the Old Gods for some reason he can’t quite place.

to:

* CallBack: "Choice Millionaire"'s outro contains part of "Dying to Live"'s lyrics.
* CircusOfFear: The "Carnival of Rust" video takes place in a [[NightmareFuel very creepy]] one.
* ContinuityNod: The music video for "Carnival of Rust" contains references to every other song on the album.
* FakeBand: As HeavyMithril band "Old Gods of Asgard" in ''VideoGame/AlanWake''. Then, just to muddy the issue, they appear as themselves in a cameo; and before playing the Poet's song
"[[https://www.youtube.com/watch?v=biZpPNzt3II Choice Millionaire]]"'s spoken-word outro contains part of "Dying to Live"'s lyrics.
* CircusOfFear: The "[[https://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]." The Carnival is run down and creepy, and the staff is menacing and vaguely predatory. The video's plot revolves around Zoltar, a [[SadClown depressive]], decaying Carnival automaton with flaking paint, and experiences of the [[PostApocalypticGasmask gas-masked]] female customer who he tries to persuade to stay with foreboding, increasingly desperate pleas and demands for a relationship while [[HostileAnimatronics banging on the walls]] of his case.
* ContinuityNod: The [[https://www.youtube.com/watch?v=MKk1u5RMTn4 music video]] for TitleTrack "Carnival of Rust" contains references to other songs on the album. Among them:
** "Fire"-eaters ply their trade
** The Ferris wheel is called The Great "Gravity" Wheel, and fragments of its lyrics serve as slogans on Zoltar the fortune-telling automaton's case.
** The customer's fortune ticket bears a number "4" for "All the Way/4U"
** The Bearded Lady is being tattooed with the word "Delicious."
* FakeBand: As HeavyMithril band "Old Gods of Asgard" in the ''VideoGame/AlanWake'' series. Just to muddy the issue, they appear as themselves in a cameo; and before playing the Poets' song "[[https://www.youtube.
com/watch?v=0f_hewSrAH4 War]]", a radio host compares [[LampshadeHanging compares]] the two bands, saying the Poets remind him of the Old Gods for some reason he can’t quite place.



-->''Everybody has the perfect solution,\\
It's just hard to resist the sweet seduction.\\
There ain't no trick to winning double what you bet.\\
Welcome to revolution roulette.''



* GreatestHitsAlbum: Subverted with ''Alchemy Vol. 1'', as it’s actually a collection of the band’s favorite songs and 2 new songs. They have released a “Best of” album, but only in India for some reason.
* HeavyMithril: As their [[FakeBand fictional personas]] in the ''VideoGame/AlanWake'' games, Old Gods of Asgard, who combine Myth/NorseMythology with Franchise/CthulhuMythos imagery in an eighties metal package, and aid the hero through ThePowerOfRock.
* LiveActionAdaptation: The music video for "War" contains a few scenes from ''Alan Wake''.
* ManicPixieDreamGirl: Implied with Miss Impossible from the eponymous song.
* MetalScream: Several times in "Children of the Elder God", with a shorter example in "Psychosis".
* MindScrew: Some of their music videos are rather weird, especially "Carnival of Rust".

to:

* GreatestHitsAlbum: Subverted GreatestHitsAlbum:
** ''Best of Poets of the Fall,'' [[NoExportForYou only]] released in India for some reason.
** {{Subverted}}
with ''Alchemy Vol. 1'', as it’s actually a collection of the band’s favorite songs favorites and 2 two new songs. They have released a “Best of” album, but only in India for some reason.
songs.
* HeavyMithril: As their [[FakeBand fictional personas]] in the ''VideoGame/AlanWake'' games, Old Gods of Asgard, who combine Myth/NorseMythology with Franchise/CthulhuMythos imagery in an eighties a seventies[=/=]eighties metal package, and aid the hero through ThePowerOfRock.
* LiveActionAdaptation: The [[http://www.youtube.com/watch?v=uIG1xnYdlFo music video video]] for "War" contains adapts a few scenes from ''Alan Wake''.
''Videogame/AlanWake,'' featuring Ilkka Villi, Alan's model and live-action performer, fighting [[TheHeartless Taken]] played by the band members, while the vocalist also plays a solitary camper singing the lyrics.
* ManicPixieDreamGirl: Implied with [[http://www.youtube.com/watch?v=OoAoLjEXffo Miss Impossible from Impossible]]" appears to describe such a woman, and {{lampshades}} her paradoxical nature:
--> As she is beautiful, she's unpredictable,\\
Damned irresistible, is it plausible to hate her?\\
She is my common sense, revels on decadence,\\
But what's
the eponymous song.
difference, it's impossible to bait her.
* MetalScream: Several times MetalScream:
** A short mid-range punctuation is present after a bout of manic laughter and a gasp
in "Psychosis."
** High-register, gravelly screams punctuate and highlight the chorus of their HeavyMithril FakeBand Old Gods of Asgard's
"Children of the Elder God", with a shorter example in "Psychosis".
God."
* MindScrew: MindScrew Some of their the music videos for Music/PoetsOfTheFall are rather really weird, especially "Carnival but the best example has to be "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust".Rust]]", where a woman with a gas mask and a lollipop visits a dilapidated [[CircusOfFear Carnival of Fear]].



** {{Downplayed}} in "Carnival of Rust," as the singer Zoltar, an automaton performer in a CircusOfFear carnival, serves as an unusually eerie and forboding [[CommediaDellArte Pierrot-figure]] Though a SadClown, his obvious decrepitude and increasing desperation make the air of menace that much thicker.
** The [[http://www.poetsofthefall.com/discography/twilight_theater_cover/ album art]] for Twilight Theater introduces [[TragicMistake Hamartia]], the SlasherSmile-sporting jester with a HappyHarlequinHat that terminates not in jingle bells, but a coiled serpent's head.
** The video for ''Jealous Gods''' "[[https://www.youtube.com/watch?v=di7NMssrqsE Daze]]" sees Hamartia reappear to sing it, this time as a even creepier Jester-''King,'' with bells hanging from his hair, presiding moodily over a decadent MasqueradeBall until an attendee elects to leave without his say-so. He responds by setting ''everything'' [[KillItWithFire on fire]].
* PowerBallad: "The Poet and the Muse"

to:

** {{Downplayed}} in "Carnival of Rust," as the singer Zoltar, an automaton performer in a CircusOfFear carnival, serves as an unusually eerie and forboding foreboding [[CommediaDellArte Pierrot-figure]] Pierrot-figure]]. Though a SadClown, his obvious decrepitude and increasing desperation make the air of menace that much thicker.
** The [[http://www.poetsofthefall.com/discography/twilight_theater_cover/ album art]] for Twilight Theater ''Twilight Theater'' introduces [[TragicMistake Hamartia]], the SlasherSmile-sporting jester with a HappyHarlequinHat that terminates not in jingle bells, but a coiled serpent's head.
** The video for ''Jealous Gods''' "[[https://www.youtube.com/watch?v=di7NMssrqsE Daze]]" sees Hamartia reappear to sing it, this time as a an even creepier Jester-''King,'' with bells hanging from his hair, presiding moodily over a decadent MasqueradeBall until an attendee elects to leave without his say-so. He responds by setting ''everything'' [[KillItWithFire on fire]].
* PopStarComposer: They've a nice sideline composing videogame soundtracks.
** ''Videogame/MaxPayne2'''s ending theme, "[[https://www.youtube.com/watch?v=AzsiE44Lz_w Late Goodbye]]" was their first release, which suddenly became the BreakawayPopHit that properly launched their careers as perennial chart-toppers.
** In the ''VideoGame/AlanWake'' games, they're the real talent behind the HeavyMithril FakeBand known as Old Gods of Asgard, and play all of the original songs that the band play in-game.
** Poets' Markus "Captain" Kaarlonen did the soundtrack to indie FPS ''VideoGame/ShatteredHorizon.''
** Likewise, Kaarlonen soundtracked ''VideoGame/{{Rochard}},'' while the whole band performed its ThemeSong, "Grinder's Blues."
* PowerBallad: "The Poet and the Muse"Muse," ''VideoGame/AlanWake's'' folky story-song by HeavyMithril FakeBand Old Gods of Asgard, which reveals the terrible fates of the protagonist's predecessors, and offers a way for him to escape their EternalRecurrance.



* ShoutOut: "The Ultimate Fling" has nods to two of DirtyHarry’s quotes; specifically, "Make my day," and "Do [[BeamMeUpScotty you]] feel lucky?"
** The title of ''Signs of Life'' is a nod to Music/PinkFloyd’s instrumental of the same name.
* SubduedSection: Especially "The Ultimate Fling" and "Revolution Roulette".
* UnpluggedVersion: When performed live, "War" is often played with an acoustic guitar.

to:

* ShoutOut: "The ShoutOut:
** The title of their first album, (and later ''Temple of Thought'' BonusTrack) ''Signs of Life,'' is a nod to Music/PinkFloyd’s instrumental of the same name.
** "[[https://www.youtube.com/watch?v=y3rYhyIk8jM The
Ultimate Fling" Fling]]" has nods to two of DirtyHarry’s quotes; Firm/DirtyHarry’s quotes in its chorus; specifically, "Make my day," and "Do [[BeamMeUpScotty you]] feel lucky?"
** * SolemnEndingTheme: '"[[https://www.youtube.com/watch?v=AzsiE44Lz_w Late Goodbye]]," a melancholic, country-inspired tune implying a never-ending SternChase, is the end credits music (and recurring {{leitmotif}}) of ''VideoGame/MaxPayne2TheFallOfMaxPayne.''
* StepfordSmiler:
The title of ''Signs of Life'' is a nod to Music/PinkFloyd’s instrumental of song "[[http://www.youtube.com/watch?v=0dYk_9R8yPs Shallow]]" by Music/PoetsOfTheFall could be the same name.
Empty Smiler's Anthem.
--> More in my face\\
Than is my taste\\
I grow so weary I'll surrender
* SubduedSection: Especially "The SubduedSection:
** "[[https://www.youtube.com/watch?v=y3rYhyIk8jM The
Ultimate Fling" and Fling]]," a hypercombative BreakupSong, shifts into a sparer, less agitated mode when, instead of provoking conflict, the singer honestly asks what the reason for the breakup is, in hopes of getting closure.
**
"Revolution Roulette".
Roulette," a song fatalistically musing on FullCircleRevolution, has a lulling, meditative piano both between verses, and backing a quieter verse befor the final, yelled chorus.
* UnpluggedVersion: SubliminalSeduction: Their HeavyMithril FakeBand Old Gods of Asgard's "Balance Slays the Demon" has a small section with reversed, sped up lyrics. [[http://www.youtube.com/watch?v=xRcLYeuK8ZU Play it the right way round]] and you get [[spoiler:"It will happen [[EternalRecurrence again]], in another town. A town... called Ordinary."]]
* TarotTroubles: The video for Music/PoetsOfTheFall's "[[http://www.youtube.com/watch?v=MKk1u5RMTn4 Carnival of Rust]]" has Zoltar the fortune-telling automaton give his [[PostApocalypticGasMask gas-masked]] customer a tarot reading via a pair of trivision-style prismatic signs flanking his case. Notably, he appears to consider the customer herself "The Star," a good-hearted MessiahFigure, but the second card he pulls (complete with electric guitar ScareChord) is one of its opposites, The Nine of Swords, symbolizing anguish, despair and being trapped. On doing this, he begins the song's chorus, a blatant demand that she love him or he'll be stuck there, all but confirming he's tainting the reading with his desperate WishfulProjection.
* UnpluggedVersion:
** The band's first single, "Late Goodbye," contains multiple versions of ''VideoGame/MaxPayne2'''s SolemnEndingTheme, one of them fully acoustic..
**
When performed live, ''VideoGame/AlanWake'' PowerBallad "War" is often played with an acoustic guitar.guitar.
** ''Temple of Thought Bonus Edition'' has unplugged live studio versions of love songs "[[https://www.youtube.com/watch?v=NfVGvY7p1sU Temple of Thought]]" and "Skin."
** the digital single of "Daze" also includes an unplugged version of ''Carnival of Rust's'' "King of Fools" which lengthens the song considerably, turning it torchy and {{SurprisinglyGentle|Song}}.
* YinYangBomb: {{Discussed}} in HeavyMithril FakeBand Old Gods of Asgard's "Balance Slays the Demon", as an in-universe attempt by the band to steer the protagonist of ''VideoGame/AlanWakesAmericanNightmare'' toward defeating the game's villain via lyrical metaphor.
-->''Ever the light casts a shadow''\\
''Ever the night springs from the light''\\
''In the end, it's never just the light you need''\\
''When balance slays the demon, you'll find peace''\\
''In the end, it's never just the dark you seek''\\
''When balance slays the demon, you'll find peace''
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Shortly after the band was formed in 2003, Sami Järvi, a friend of Saaresto’s and a scriptwriter working at Remedy, asked him to turn a poem Järvi had written into a song for ''MaxPayne2''; this would turn into "Late Goodbye", which serves as the game’s end credits theme and a recurring motif. Additionally, Kaarlonen had previously worked at a software company, which contacted them to use the song "Lift" in a benchmark program. Both of these helped expose the band to a wide audience. Their debut album, ''Signs of Life'', entered the Finnish charts in the number-one spot and remained in the Top 40 for over a year.

to:

Shortly after the band was formed in 2003, Sami Järvi, a friend of Saaresto’s and a scriptwriter working at Remedy, asked him to turn a poem Järvi had written into a song for ''MaxPayne2''; ''VideoGame/MaxPayne2''; this would turn into "Late Goodbye", which serves as the game’s end credits theme and a recurring motif. Additionally, Kaarlonen had previously worked at a software company, which contacted them to use the song "Lift" in a benchmark program. Both of these helped expose the band to a wide audience. Their debut album, ''Signs of Life'', entered the Finnish charts in the number-one spot and remained in the Top 40 for over a year.



* FakeBand: As HeavyMithril band "Old Gods of Asgard" in ''AlanWake''. Then, just to muddy the issue, they appear as themselves in a cameo; and before playing the Poet's song ''War'', a radio host compares the two bands, saying the Poets remind him of the Old Gods for some reason he can’t quite place.

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* FakeBand: As HeavyMithril band "Old Gods of Asgard" in ''AlanWake''. ''VideoGame/AlanWake''. Then, just to muddy the issue, they appear as themselves in a cameo; and before playing the Poet's song ''War'', "[[https://www.youtube.com/watch?v=0f_hewSrAH4 War]]", a radio host compares the two bands, saying the Poets remind him of the Old Gods for some reason he can’t quite place.

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* AddedAlliterativeAppeal: ''Revolution Roulette''

to:

\n* AddedAlliterativeAppeal: AlliterativeTitle: ''Revolution Roulette''Roulette,'' their third album and its TitleTrack, a song about courting the possibility of FullCircleRevolution.



* BalladOfX: "The Ballad of Jeremiah Peacekeeper"

to:

* AwardBaitSong: "[[http://www.youtube.com/watch?v=MLn4_Wz3Tc0 Late Goodbye]]," the country-inspired end-credits theme and recurring {{leitmotif}} of ''Videogame/MaxPayne2,'' which netted a 2004 Game Audio Network Guild Award.
* BalladOfX: "The Ballad of Jeremiah Peacekeeper"Peacekeeper" a {{Western}}-inspired tale about an implicitly {{Messianic|Archetype}}, ReluctantWarrior lawman.
* BodyToJewel: Referenced in "[[http://www.youtube.com/watch?v=t9Rl8WMqejc Diamonds For Tears]]," where the singer observes his lover's TenderTears and TearsOfJoy and interprets them this way while he wrestles with CommitmentIssues.
* BoltOfDivineRetribution: The cover of the album "[[http://upload.wikimedia.org/wikipedia/en/a/af/Jealous_Gods_cover.jpg Jealous Gods]]" alludes to vengeful dieties when paired with the title, showing a [[RulesOfTheRoad road sign]] with a lightning bolt.



* HeavyMithril: As their [[FakeBand fictional personas]] in the ''VideoGame/AlanWake'' games, Old Gods of Asgard, who combine Myth/NorseMythology with Franchise/CthulhuMythos imagery in an eighties metal package, and aid the hero through ThePowerOfRock.



* MonsterClown:
** {{Downplayed}} in "Carnival of Rust," as the singer Zoltar, an automaton performer in a CircusOfFear carnival, serves as an unusually eerie and forboding [[CommediaDellArte Pierrot-figure]] Though a SadClown, his obvious decrepitude and increasing desperation make the air of menace that much thicker.
** The [[http://www.poetsofthefall.com/discography/twilight_theater_cover/ album art]] for Twilight Theater introduces [[TragicMistake Hamartia]], the SlasherSmile-sporting jester with a HappyHarlequinHat that terminates not in jingle bells, but a coiled serpent's head.
** The video for ''Jealous Gods''' "[[https://www.youtube.com/watch?v=di7NMssrqsE Daze]]" sees Hamartia reappear to sing it, this time as a even creepier Jester-''King,'' with bells hanging from his hair, presiding moodily over a decadent MasqueradeBall until an attendee elects to leave without his say-so. He responds by setting ''everything'' [[KillItWithFire on fire]].



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* AttentionWhore: {{Deconstructed}} in "Save Me"; the singer is developing self-destructive tendencies in his quest for attention. {{Lampshaded}} in the chorus:
-->''Save me\\
I'm my own worst enemy\\
Running headlong to the wall\\
'Cause I want my freebie.''
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** The title of ''Signs of Life'' is a nod to PinkFloyd’s instrumental of the same name.

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** The title of ''Signs of Life'' is a nod to PinkFloyd’s Music/PinkFloyd’s instrumental of the same name.
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* BreakawayPopHit: "Late Goodbye" from ''MaxPayne2'', "Lift" from benchmark software [=3DMark=] and "War" from ''AlanWake''.



* ExecutiveMeddling: Defied. The band founded their own record label, Insomniac, to avoid this.



* NoExportForYou: Their albums tend to be released only in countries around Finland, although ''Carnival of Rust'' was also released in Australia. Fortunately, they’re all available on [=iTunes=].
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* CallBack: "Choice Millionaire"'s outro contains part of "Dying to Live"'s lyrics.
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to:

* ''Jealous Gods'' (2014)
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* BreakawayPopHit: "Late Goodbye" from ''MaxPayne2'' and "Lift" from benchmark software [=3DMark=].

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* BreakawayPopHit: "Late Goodbye" from ''MaxPayne2'' and ''MaxPayne2'', "Lift" from benchmark software [=3DMark=].[=3DMark=] and "War" from ''AlanWake''.
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* GreatestHitsAlbum: Subverted with ''Alchemy Vol. 1'', as it’s actually a collection of the band’s favorite songs. They have released a “Best of” album, but only in India for some reason.

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* GreatestHitsAlbum: Subverted with ''Alchemy Vol. 1'', as it’s actually a collection of the band’s favorite songs and 2 new songs. They have released a “Best of” album, but only in India for some reason.
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* FakeBand: As HeavyMithril band "Old Gods of Asgard" in ''AlanWake''. Then, just to muddy the issue, they appear as themselves in a cameo, and before playing the Poet's song ''War'', a radio host compares the two bands, saying there’s something similar he can’t quite place.

to:

* FakeBand: As HeavyMithril band "Old Gods of Asgard" in ''AlanWake''. Then, just to muddy the issue, they appear as themselves in a cameo, cameo; and before playing the Poet's song ''War'', a radio host compares the two bands, saying there’s something similar the Poets remind him of the Old Gods for some reason he can’t quite place.
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They worked with Remedy again in 2010, on the video game ''AlanWake''. They appeared as the FakeBand Old Gods of Asgard, writing two songs specifically for the game. Additionally, they appeared as themselves in a flashback, and the song "War" was played on one of the in-game radios.

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They worked with Remedy again in 2010, on the video game ''AlanWake''.''VideoGame/AlanWake''. They appeared as the FakeBand Old Gods of Asgard, writing two songs specifically for the game. Additionally, they appeared as themselves in a flashback, and the song "War" was played on one of the in-game radios.
radios. They also have two songs in the ''VideoGame/AlanWake'' GaidenGame, ''Alan Wake's American Nightmare'': "Balance Slays the Demon'' as the Old Gods of Asgard, and "The Happy Song" as themselves.
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* BalladOfX: "The Ballad of Jeremiah Peacekeeper"
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* CircusOfFear: The "Carnival of Rust" video takes place in a [[AccidentalNightmareFuel very creepy]] one.

to:

* CircusOfFear: The "Carnival of Rust" video takes place in a [[AccidentalNightmareFuel [[NightmareFuel very creepy]] one.
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Shortly after the band was formed in 2003, Sami Järvi, a friend of Saaresto’s and a scriptwriter working at Remedy, asked him to turn a poem Järvi had written into a song for ''MaxPayne 2''; this would turn into "Late Goodbye", which serves as the game’s end credits theme and a recurring motif. Additionally, Kaarlonen had previously worked at a software company, which contacted them to use the song "Lift" in a benchmark program. Both of these helped expose the band to a wide audience. Their debut album, ''Signs of Life'', entered the Finnish charts in the number-one spot and remained in the Top 40 for over a year.

to:

Shortly after the band was formed in 2003, Sami Järvi, a friend of Saaresto’s and a scriptwriter working at Remedy, asked him to turn a poem Järvi had written into a song for ''MaxPayne 2''; ''MaxPayne2''; this would turn into "Late Goodbye", which serves as the game’s end credits theme and a recurring motif. Additionally, Kaarlonen had previously worked at a software company, which contacted them to use the song "Lift" in a benchmark program. Both of these helped expose the band to a wide audience. Their debut album, ''Signs of Life'', entered the Finnish charts in the number-one spot and remained in the Top 40 for over a year.



* BreakawayPopHit: "Late Goodbye" from ''MaxPayne 2'' and "Lift" from benchmark software [=3DMark=].

to:

* BreakawayPopHit: "Late Goodbye" from ''MaxPayne 2'' ''MaxPayne2'' and "Lift" from benchmark software [=3DMark=].
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to:

* ''Temple of Thought'' (2012)
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* FakeBand: As HeavyMithril band "Old Gods of Asgard" in ''AlanWake''. Then, just to muddy the issue, they appear as themselves in a cameo, and a radio host compares the two bands, saying there’s something similar he can’t quite place.

to:

* FakeBand: As HeavyMithril band "Old Gods of Asgard" in ''AlanWake''. Then, just to muddy the issue, they appear as themselves in a cameo, and before playing the Poet's song ''War'', a radio host compares the two bands, saying there’s something similar he can’t quite place.

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* FullCircleRevolution: The general message of "Revolution Roulette": easy solutions after a revolution tend to cause more problems than they solve, setting the stage for another revolution.



* ViciousCycle: The general message of "Revolution Roulette": easy solutions after a revolution tend to cause more problems than they solve, setting the stage for another revolution.

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