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Really should be a YMMV trope


* CoversAlwaysLie: Ironically, the Michel Granger painting used for the cover was Jarre's direct inspiration for making the album. But from looking at the painting--in which the Earth's crust peels away like an orange rind, revealing a human skull beneath--who would expect the album to be "an infectious combination of bouncy, bubbling analog sequences and memorable hook lines"[[note]]as Greg Rule described it in ''Electro Shock!: Groundbreakers of Synth Music''[[/note]]?

to:

* CoversAlwaysLie: Ironically, the Michel Granger painting used for the cover was Jarre's direct inspiration for making the album. But from looking at the painting--in which the Earth's crust peels away like an orange rind, revealing a human skull beneath--who would expect most of the album album, aside from the appropriately moody "Part I", to be "an infectious combination of bouncy, bubbling analog sequences and memorable hook lines"[[note]]as Greg Rule described it in ''Electro Shock!: Groundbreakers of Synth Music''[[/note]]? Music''[[/note]]?
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Jarre opted to release the album on Motors Records, a small jazz label affiliated with Creator/PolydorRecords that didn't have much concern about making its artists into international superstars. Jarre's contract was already owned by Motors' owner, Francis Dreyfus, who previously released Jarre's music through sister labels Sam Fox and Eden Roc. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland. Following this success, Dreyfus would move Jarre's contract over to his larger, eponymous label, Dreyfus Records, keeping him there until the early 2000s.

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Jarre opted to release the album on Motors Records, a small jazz label affiliated with Creator/PolydorRecords (who in turn distributed the album globally) that didn't have much concern about making its artists into international superstars. Jarre's contract was already owned by Motors' owner, Francis Dreyfus, who previously released Jarre's music through sister labels Sam Fox and Eden Roc. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland. Following this success, Dreyfus would move Jarre's contract over to his larger, eponymous label, Dreyfus Records, keeping him there until the early 2000s.

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* EpicRocking: "Part VI" is over 6:24 long, "Part I" and "Part II" both over 7:30 minutes long, while "Part V" nearly reaches the 10:30 mark.

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* EpicRocking: "Part VI" is over 6:24 long, "Part I" and "Part II" both go over 7:30 minutes long, while 7 and a half minutes, and "Part V" nearly reaches the 10:30 mark.


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* GratuitousPanning: Copious use of stereo trickery marks this album like bark on a tree. The most prominent case of this is in the second half of "Part V", which features a repeating synth bass riff that starts in the left channel and repeatedly pans to and from the right channel before settling in the center-left.
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Duplicates information in the paragraph above.


''Oxygène'' was supported by two singles: "Oxygène Part IV" and "Oxygène Part II".

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''Oxygène'' was supported by two singles: "Oxygène Part IV" and "Oxygène Part II".

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Now defunct


* EverythingsBetterWithPenguins: [[https://www.youtube.com/watch?v=1XY3vnwQzy8 The new music video]] that accompanied [[ReReleaseTheSong the 1989 re-release]] of "Oxygène 4" features penguins doing their shenanigans in the Arctic and not much else. That said, what the penguins do is partly synced to the music.



* RereleaseTheSong: "Oxygène 4", the original studio single recording from 1976, was re-released at about the same time as ''Jarre Live'' ([[ExactlyWhatItSaysOnTheTin a live album]]) in 1989 with a brand-new video ([[EverythingsBetterWithPenguins the one with the penguins]]).

to:

* RereleaseTheSong: "Oxygène 4", the original studio single recording from 1976, was re-released at about the same time as ''Jarre Live'' ([[ExactlyWhatItSaysOnTheTin a live album]]) in 1989 with a brand-new video ([[EverythingsBetterWithPenguins the (the one with the penguins]]).penguins).
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Jarre opted to release the album on Motors Records, a small jazz label affiliated with Polydor Records that didn't have much concern about making its artists into international superstars. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland.

to:

Jarre opted to release the album on Motors Records, a small jazz label affiliated with Polydor Records Creator/PolydorRecords that didn't have much concern about making its artists into international superstars.superstars. Jarre's contract was already owned by Motors' owner, Francis Dreyfus, who previously released Jarre's music through sister labels Sam Fox and Eden Roc. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland.
Poland. Following this success, Dreyfus would move Jarre's contract over to his larger, eponymous label, Dreyfus Records, keeping him there until the early 2000s.
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Jarre opted to release the album on Les Disques Motors, a small jazz label affiliated with Polydor Records that didn't have much concern about making its artists into international superstars. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland.

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Jarre opted to release the album on Les Disques Motors, Motors Records, a small jazz label affiliated with Polydor Records that didn't have much concern about making its artists into international superstars. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland.

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''Oxygène'', released in 1976, is the third studio album by French electronica musician Music/JeanMichelJarre. The album acted as his domestic and international [[BreakthroughHit commercial breakthrough]] at the time, having previously done small stints with smaller bands, ad spots, and soundtracks, all of which funded his building of an at-home studio, a fierce rarity at the time. It's best remembered for the melancholic hit instrumental "Oxygène IV" and the album as a whole was very influential in the development of ElectronicMusic.

to:

''Oxygène'', released in 1976, is the third studio album by French electronica musician Music/JeanMichelJarre. The album acted as his domestic and international [[BreakthroughHit commercial breakthrough]] at the time, having previously done small stints with smaller bands, ad spots, and soundtracks, all of which funded his building of an at-home studio, a fierce rarity at the time. It's best remembered for the melancholic hit instrumental "Oxygène IV" and the The album as a whole was very influential in the development of ElectronicMusic.


Added DiffLines:

''Oxygène'' was supported by two singles: "Oxygène Part IV" and "Oxygène Part II".
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''Oxygène'' was supported by two singles: "Oxygène (Part IV)" in the UK and "Oxygène (Part II)" in France. In 1997, [[SequelGap a bit more than 20 years after the release of the original]], a sequel album was released called ''Oxygène 7-13''. Another "sequel", ''Oxygène 3'', came out on December 2nd, 2016, precisely 40 years after the original, increasing the number of "parts" to 20.

to:

''Oxygène'' was supported by two singles: "Oxygène (Part IV)" in the UK and "Oxygène (Part II)" in France. In 1997, [[SequelGap a bit more than 20 years after the release of the original]], a sequel album was released called ''Oxygène 7-13''. In 2007, Jarre re-recorded the entire album from scratch as ''Oxygène: New Master Recording'', commemorating the original's 30th anniversary (in the vein of Music/MikeOldfield's 2003 version of ''Music/TubularBells''); it would be his only album on Creator/{{EMI}}, owed to the label's initial dissolution in 2012. Another "sequel", ''Oxygène 3'', came out on December 2nd, 2016, precisely 40 years after the original, increasing the number of "parts" to 20.

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Have learned that audience reactions can't be included in the main section of a work page. My apologies.


Despite its current acclaim, nobody thought at the time that it would be a commercial success due to just how ''different'' it was from everything else at the time. Thus, Jarre opted to release the album on Les Disques Motors, a small jazz label affiliated with Polydor Records that didn't have much concern about making its artists into international superstars. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland. Critical reception was ambivalent at best in the US and UK, owing to it coming out at a time when PunkRock was the dominant force of popular music and PostPunk was just starting to emerge.

However, with time it received greater and greater acclaim, going on to be regarded as one of the best and most innovative albums of the 1970's, aided in part by the visible influence it carried in SynthPop, NewAge music, and electronica as a whole. As of 2020, ''WebSite/AcclaimedMusic'' ranks ''Oxygène'' at No. 1368 on their [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically praised albums, and decades after its release, it continues to be Jarre's most iconic and influential record, essentially being to him what ''Music/TubularBells'' was to Music/MikeOldfield.

to:

Despite its current acclaim, nobody thought at the time that it would be a commercial success due to just how ''different'' it was from everything else at the time. Thus, Jarre opted to release the album on Les Disques Motors, a small jazz label affiliated with Polydor Records that didn't have much concern about making its artists into international superstars. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland. Critical reception was ambivalent at best in the US and UK, owing to it coming out at a time when PunkRock was the dominant force of popular music and PostPunk was just starting to emerge.

However, with time it received greater and greater acclaim, going on to be regarded as one of the best and most innovative albums of the 1970's, aided in part by the visible influence it carried in SynthPop, NewAge music, and electronica as a whole. As of 2020, ''WebSite/AcclaimedMusic'' ranks ''Oxygène'' at No. 1368 on their [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically praised albums, and decades after its release, it continues to be Jarre's most iconic and influential record, essentially being to him what ''Music/TubularBells'' was to Music/MikeOldfield.
Poland.
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* RepurposedPopSong: Jarre's music has been used as themes of several TV shows, part 2 was used as the main theme in the German dub of ''Series/Space1999'', and parts of the album went into the soundtrack of ''Film/{{Gallipoli}}''.

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* RepurposedPopSong: Jarre's music has been used as themes of several TV shows, part 2 "Oxygène 2" was used as the main theme in the German dub of ''Series/Space1999'', and parts of the album went into the soundtrack of ''Film/{{Gallipoli}}''.
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* RepurposedPopSong: Jarre's music has been used as themes of several TV shows, and parts of the album ''Oxygène'' went into the soundtrack of ''Film/{{Gallipoli}}''.

to:

* RepurposedPopSong: Jarre's music has been used as themes of several TV shows, part 2 was used as the main theme in the German dub of ''Series/Space1999'', and parts of the album ''Oxygène'' went into the soundtrack of ''Film/{{Gallipoli}}''.

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* GenreBusting: In 1977, "Oxygène 4" hit number one on the U.S. pop, jazz, country and classical charts at the same time. Yes, country. And yes, classical.



* NoExportForYou: Officially, ''Oxygène'' wasn't available outside of France until 1977. The reason why it was eventually released world-wide may have been the many record dealerships who took it upon themselves to import the album from France. This is why the imported 1976 Disques Motors pressing is more common in Germany than the German 1977 [=PolyGram=] pressing.

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* CompilationReRelease: No Jarre box set would be complete without ''Oxygène''. Ever. And there were several. That said, ''Oxygène'' itself has never been not available since 1976.

to:

* CompilationReRelease: No Jarre box set would be complete without ''Oxygène''. Ever. (Unless it was part of a ''box set series'' which has only happened once, and even then, one of the box sets included ''Oxygène''.) And there were several. That said, ''Oxygène'' itself has never been not available since 1976.1976.
** Each release of an all-new ''Oxygène'' was accompanied by a set of all ''Oxygène''s so far.



* EverythingsBetterWithPenguins: [[https://www.youtube.com/watch?v=1XY3vnwQzy8 The new music video]] that accompanied [[ReReleaseTheSong the 1989 re-release]] of "Oxygène 4" features penguins doing their shenanigans in the Arctic and not much else. That said, what the penguins do is partly synced to the music.



* NoExportForYou: Officially, ''Oxygène'' wasn't available outside of France until 1977. The reason why it was eventually released world-wide may have been the many record dealerships who took it upon themselves to import the album from France. This is why the imported 1976 Disques Motors pressing is more common in Germany than the German 1977 [=PolyGram=] pressing.



** In fact, along with the release of ''Oxygène 3'', ''Oxygène 7-13'' [[InvokedTrope was renamed]] ''Oxygène 2''.

to:

** In fact, along with the release of ''Oxygène 3'', ''Oxygène 7-13'' [[InvokedTrope was renamed]] ''Oxygène 2''.2'' for this purpose.



* RecordProducer: Jarre himself. He recorded the album in his kitchen with several analog and early digital synthesizers and other electronic instruments and effects. He couldn't afford building a proper recording studio before the money from the ''Oxygène'' sales came in.

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* PerformanceVideo: [[https://www.youtube.com/watch?v=kSIMVnPA994 The original video]] for "Oxygène 4" shows Jarre playing his instruments.
* RecordProducer: Jarre himself. He recorded the album in one of his kitchen two kitchens (he claims it was perfectly normal for Parisian apartments to have two kitchens at that time) with several analog and early digital synthesizers and other electronic instruments and effects. He couldn't afford building a proper recording studio before the money from the ''Oxygène'' sales came in.



* RereleaseTheSong: "Oxygène 4", the original studio single recording from 1976, was re-released at about the same time as ''Jarre Live'' ([[ExactlyWhatItSaysOnTheTin a live album]]) in 1989 with a brand-new video.

to:

* RereleaseTheSong: "Oxygène 4", the original studio single recording from 1976, was re-released at about the same time as ''Jarre Live'' ([[ExactlyWhatItSaysOnTheTin a live album]]) in 1989 with a brand-new video.video ([[EverythingsBetterWithPenguins the one with the penguins]]).

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Despite its current acclaim, nobody thought at the time that it would be a commercial success due to just how ''different'' it was from everything else at the time. Thus, Jarre opted to release the album on Les Disques Motors, a small jazz label affiliated with Polydor Records that didn't have much concern about making its artists into international superstars. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland. Critical reception was ambivalent at best in the US and UK, owing to it coming out at a time when PunkRock was the dominant force of popular music and PostPunk was just starting to emerge. However, with time it received greater and greater acclaim, going on to be regarded as one of the best and most innovative albums of the 1970's, aided in part by the visible influence it carried in SynthPop, NewAge music, and electronica as a whole. Decades after its release, ''Oxygène'' continues to be Jarre's most iconic and influential album, essentially being to him what ''Music/TubularBells'' was to Music/MikeOldfield.

to:

Despite its current acclaim, nobody thought at the time that it would be a commercial success due to just how ''different'' it was from everything else at the time. Thus, Jarre opted to release the album on Les Disques Motors, a small jazz label affiliated with Polydor Records that didn't have much concern about making its artists into international superstars. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland. Critical reception was ambivalent at best in the US and UK, owing to it coming out at a time when PunkRock was the dominant force of popular music and PostPunk was just starting to emerge. emerge.

However, with time it received greater and greater acclaim, going on to be regarded as one of the best and most innovative albums of the 1970's, aided in part by the visible influence it carried in SynthPop, NewAge music, and electronica as a whole. Decades after its release, As of 2020, ''WebSite/AcclaimedMusic'' ranks ''Oxygène'' at No. 1368 on their [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums dynamic list]] of the 3000 most critically praised albums, and decades after its release, it continues to be Jarre's most iconic and influential album, record, essentially being to him what ''Music/TubularBells'' was to Music/MikeOldfield.
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[[AC:Side One]]

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[[AC:Side One]]A]]



[[AC:Side Two]]

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[[AC:Side Two]]B]]
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''Oxygène'', released in 1976, is the debut studio album by French electronica musician Music/JeanMichelJarre. The album acted as his domestic and international [[BreakthroughHit commercial breakthrough]] at the time, having previously done small stints with smaller bands, ad spots, and soundtracks, all of which funded his building of an at-home studio, a fierce rarity at the time. It's best remembered for the melancholic hit instrumental "Oxygène IV" and the album as a whole was very influential in the development of ElectronicMusic.

to:

''Oxygène'', released in 1976, is the debut third studio album by French electronica musician Music/JeanMichelJarre. The album acted as his domestic and international [[BreakthroughHit commercial breakthrough]] at the time, having previously done small stints with smaller bands, ad spots, and soundtracks, all of which funded his building of an at-home studio, a fierce rarity at the time. It's best remembered for the melancholic hit instrumental "Oxygène IV" and the album as a whole was very influential in the development of ElectronicMusic.
Is there an issue? Send a MessageReason:
None


Despite its current acclaim, nobody thought at the time that it would be a commercial success due to just how ''different'' it was from everything else at the time. Thus, Jarre opted to release the album on Les Disques Motors, a small jazz label affiliated with Polydor Records that didn't have much concern about making its artists into international superstars. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland. While critical reception was ambivalent at best in the US and UK, owing to it coming out at a time when PunkRock was the dominant force of popular music and PostPunk was just starting to emerge. However, with time it received greater and greater acclaim, going on to be regarded as one of the best and most innovative albums of the 1970's, aided in part by the visible influence it carried in SynthPop, NewAge music, and electronica as a whole. Decades after its release, ''Oxygène'' continues to be Jarre's most iconic and influential album, essentially being to him what ''Music/TubularBells'' was to Music/MikeOldfield.

to:

Despite its current acclaim, nobody thought at the time that it would be a commercial success due to just how ''different'' it was from everything else at the time. Thus, Jarre opted to release the album on Les Disques Motors, a small jazz label affiliated with Polydor Records that didn't have much concern about making its artists into international superstars. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland. While critical Critical reception was ambivalent at best in the US and UK, owing to it coming out at a time when PunkRock was the dominant force of popular music and PostPunk was just starting to emerge. However, with time it received greater and greater acclaim, going on to be regarded as one of the best and most innovative albums of the 1970's, aided in part by the visible influence it carried in SynthPop, NewAge music, and electronica as a whole. Decades after its release, ''Oxygène'' continues to be Jarre's most iconic and influential album, essentially being to him what ''Music/TubularBells'' was to Music/MikeOldfield.
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None


In 1997, [[SequelGap a bit more than 20 years after the release of the original]], a sequel album was released called ''Oxygène 7-13''. Another "sequel", ''Oxygène 3'', came out on December 2nd, 2016, precisely 40 years after the original, increasing the number of "parts" to 20.

to:

''Oxygène'' was supported by two singles: "Oxygène (Part IV)" in the UK and "Oxygène (Part II)" in France. In 1997, [[SequelGap a bit more than 20 years after the release of the original]], a sequel album was released called ''Oxygène 7-13''. Another "sequel", ''Oxygène 3'', came out on December 2nd, 2016, precisely 40 years after the original, increasing the number of "parts" to 20.

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''Oxygène'' is a 1976 album by Music/JeanMichelJarre, which was his [[BreakthroughHit commercial breakthrough]] at the time. It's best remembered for the melancholic hit instrumental "Oxygène IV" and the album as a whole was very influential in the development of ElectronicMusic.

to:

''Oxygène'' ''Oxygène'', released in 1976, is a 1976 the debut studio album by Music/JeanMichelJarre, which was French electronica musician Music/JeanMichelJarre. The album acted as his domestic and international [[BreakthroughHit commercial breakthrough]] at the time, having previously done small stints with smaller bands, ad spots, and soundtracks, all of which funded his building of an at-home studio, a fierce rarity at the time. It's best remembered for the melancholic hit instrumental "Oxygène IV" and the album as a whole was very influential in the development of ElectronicMusic.
ElectronicMusic.

Despite its current acclaim, nobody thought at the time that it would be a commercial success due to just how ''different'' it was from everything else at the time. Thus, Jarre opted to release the album on Les Disques Motors, a small jazz label affiliated with Polydor Records that didn't have much concern about making its artists into international superstars. Contrary to expectations, the album was a massive commercial success, topping the French Albums chart and peaking at No. 2 in the United Kingdom, not to mention going platinum both there and in Canada and gold in France, Germany, and Poland. While critical reception was ambivalent at best in the US and UK, owing to it coming out at a time when PunkRock was the dominant force of popular music and PostPunk was just starting to emerge. However, with time it received greater and greater acclaim, going on to be regarded as one of the best and most innovative albums of the 1970's, aided in part by the visible influence it carried in SynthPop, NewAge music, and electronica as a whole. Decades after its release, ''Oxygène'' continues to be Jarre's most iconic and influential album, essentially being to him what ''Music/TubularBells'' was to Music/MikeOldfield.

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!! Breathe deeply before reading this tropes...

to:

!! Breathe deeply before reading this these tropes...



* CompilationReRelease: No Jarre box set without ''Oxygène''. Ever. And there were several.
** That said, ''Oxygène'' itself has never been not available since 1976.

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* CompilationReRelease: No Jarre box set would be complete without ''Oxygène''. Ever. And there were several.
**
several. That said, ''Oxygène'' itself has never been not available since 1976.
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'''Tracklist'''

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'''Tracklist'''
!!Tracklist:

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# "Oxygène Part II" (7:37))

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# "Oxygène Part II" (7:37))(7:37)



* CoversAlwaysLie: Ironically, the Michel Granger painting used for the cover was Jarre's direct inspiration for making the album. But from looking at the painting--in which the Earth's crust peels away like an orange rind, revealing a human skull beneath--who would expect the album to be "an infectious combination of bouncy, bubbling analog sequences and memorable hook lines"[[note]]as Greg Rule described it in ''Electro Shock!: Groundbreakers of Synth Music''[[/note]]?



* DesignStudentsOrgasm: The album cover is a painting by Michel Granger, for which Jarre received official permission to use it.

to:

* DesignStudentsOrgasm: The album cover is a painting by Michel Granger, for which Jarre received official permission to use it.use.
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How To Create A Works Page explicitly says "No bolding is used for work titles."


'''Oxygène''' is a 1976 album by Music/JeanMichelJarre, which was his [[BreakthroughHit commercial breakthrough]] at the time. It's best remembered for the melancholic hit instrumental "Oxygène IV" and the album as a whole was very influential in the development of ElectronicMusic.

to:

'''Oxygène''' ''Oxygène'' is a 1976 album by Music/JeanMichelJarre, which was his [[BreakthroughHit commercial breakthrough]] at the time. It's best remembered for the melancholic hit instrumental "Oxygène IV" and the album as a whole was very influential in the development of ElectronicMusic.

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In 1997, [[SequelGap 21 years after the release of the original]], a sequel album was released called "Oxygène 7-13".

to:

In 1997, [[SequelGap 21 a bit more than 20 years after the release of the original]], a sequel album was released called "Oxygène 7-13".
''Oxygène 7-13''. Another "sequel", ''Oxygène 3'', came out on December 2nd, 2016, precisely 40 years after the original, increasing the number of "parts" to 20.



* CrapsackWorld: The album cover shows the world as a skull.

to:

* CompilationReRelease: No Jarre box set without ''Oxygène''. Ever. And there were several.
** That said, ''Oxygène'' itself has never been not available since 1976.
* ConceptAlbum: ''Oxygène'' is about the environment.
* CrapsackWorld: The album cover by Michel Granger shows the world as a skull.



* EverythingsBetterWithSparkles: Jarre had Synth Sparkles long before the Yamaha [=DX7=] (which he didn't like anyway) thanks to the [=EMS=] models [=VCS3=] and Synthi [=AKS=].
* EvolvingMusic: "Oxygène 4" had parts of it replaced with a kind of bridge following the same chords from 1990 on.
* FadingIntoTheNextSong: Jarre is famous for this. "Oxygène 1" and "2" are barely separated
* {{Instrumentals}}: All tracks are instrumental.
* NumberedSequels: ''Oxygène 7-13'', the sequel to the six-track ''Oxygène''.

to:

* EverythingsBetterWithSparkles: Jarre had Synth Sparkles long before the Yamaha [=DX7=] (which he didn't like anyway) thanks to the [=EMS=] models made ''Oxygène'' sparkle with his trusty (seven-year) old EMS [=VCS3=] and its portable brother EMS Synthi [=AKS=].
AKS.
* EvolvingMusic: EvolvingMusic:
** Bend-down sound effects on
"Oxygène 4" had parts at ''Destination Docklands'' 1988 that would return for some later concerts.
** The beginning
of it "Oxygène 4"'s second RMI part was replaced with a kind of bridge break for ''Paris La Défense'' in 1990. This was reverted at the 2008 ''Oxygène Tour''.
** "Oxygène 5 Part 2" got a drum beat for the 1997 ''Oxygène Arena Tour'' which didn't survive beyond it.
** Starting with ''Oxygène – Live In Your Living-Room'' and the
following tour, "Oxygène 5 Part 2" [[FadingIntoTheNextSong almost seemlessly faded into]] "Variation III".
** In general, live drumming and percussion at concerts.
** What was done to "Oxygène 4" at
the same chords from 1990 on.
2016 ''Electronica'' tour almost amounts to remixing.
** Mostly [[AvertedTrope averted]] by "Oxygène 2", no matter how often it's played live. Then again, it was somewhat drastically changed on the ''Aero'' album.
* FadingIntoTheNextSong: Jarre is famous for this. FadingIntoTheNextSong:
** The point where
"Oxygène 1" ends and "2" are barely separated
"Oxygène 2" starts can hardly be defined. If anything, it has to be when the "Oxygène 2" sequence starts.
** "Oxygène 5" into "Variation III" in live versions.
* IconicSongRequest: When Jarre fans want to hear something particular during concerts, it's usually "Oxygène 4".
* {{Instrumentals}}: All tracks The whole album is instrumental, as are instrumental.
both sequels.
* NumberedSequels: NumberedSequels:
**
''Oxygène 7-13'', the sequel to the six-track ''Oxygène''.''Oxygène''.
** ''Oxygène 3'', the second sequel, 40 years later.
** In fact, along with the release of ''Oxygène 3'', ''Oxygène 7-13'' [[InvokedTrope was renamed]] ''Oxygène 2''.



* SynthPop: Jarre recorded the album in his home with several analog synthesizers and other electronic instruments and effects.
* RecordProducer: Jarre himself.

to:

* SynthPop: Jarre recorded the album in his home with several analog synthesizers and other electronic instruments and effects.
* RecordProducer: Jarre himself. He recorded the album in his kitchen with several analog and early digital synthesizers and other electronic instruments and effects. He couldn't afford building a proper recording studio before the money from the ''Oxygène'' sales came in.



* {{Retraux}}: ''Oxygène 7-13'', the 2007 ''Oxygène'' remake, and to a certain degree ''Chronologie''.
* {{Theremin}}: Claimed to have been played on ''Oxygène 7-13''. This instrument did in fact appear at the ''Oxygène Arena Tour'' the same year and at every Jarre concert ever since. Jarre has actually learned to play it meanwhile.

to:

* {{Retraux}}: ''Oxygène 7-13'', SongStyleShift: In the 2007 middle of "Oxygène 5".
* SynthPop: Albeit smaller than that of Music/{{Kraftwerk}}'s mid-[[TheSeventies 70s]] releases,
''Oxygène'' remake, and to a certain degree ''Chronologie''.
* {{Theremin}}: Claimed to
did have been played an impact on ''Oxygène 7-13''. This instrument did in fact appear at the ''Oxygène Arena Tour'' the same year this genre and at every Jarre concert ever since. Jarre has actually learned to play it meanwhile.an even greater one on ambient.
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* CompletelyDifferentTitle:The Japanese title for "Oxygène" is 幻想惑星, "Fantasy Planet".
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'''Oxygène''' is a 1976 album by Music/JeanMichelJarre, which was his [[BreakthroughHit commercial breakthrough]] at the time and remains his MagnumOpus. It's best remembered for the melancholic hit instrumental "Oxygène IV" and the album as a whole was very influential in the development of ElectronicMusic.

to:

'''Oxygène''' is a 1976 album by Music/JeanMichelJarre, which was his [[BreakthroughHit commercial breakthrough]] at the time and remains his MagnumOpus.time. It's best remembered for the melancholic hit instrumental "Oxygène IV" and the album as a whole was very influential in the development of ElectronicMusic.
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Added DiffLines:

[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/ee352142c310e8b4a093c198a2556ba7.jpg]]

'''Oxygène''' is a 1976 album by Music/JeanMichelJarre, which was his [[BreakthroughHit commercial breakthrough]] at the time and remains his MagnumOpus. It's best remembered for the melancholic hit instrumental "Oxygène IV" and the album as a whole was very influential in the development of ElectronicMusic.

In 1997, [[SequelGap 21 years after the release of the original]], a sequel album was released called "Oxygène 7-13".

'''Tracklist'''

[[AC:Side One]]
# "Oxygène Part I" (7:40)
# "Oxygène Part II" (7:37))
# "Oxygène Part III" (3:24)

[[AC:Side Two]]
# "Oxygène Part IV" (4:06)
# "Oxygène Part V" (10:26)
# "Oxygène Part VI" (6:24)

!! Breathe deeply before reading this tropes...
* {{Ambient}}: One of the classic albums in the history of this genre.
* CompletelyDifferentTitle:The Japanese title for "Oxygène" is 幻想惑星, "Fantasy Planet".
* CrapsackWorld: The album cover shows the world as a skull.
* DesignStudentsOrgasm: The album cover is a painting by Michel Granger, for which Jarre received official permission to use it.
* EpicRocking: "Part VI" is over 6:24 long, "Part I" and "Part II" both over 7:30 minutes long, while "Part V" nearly reaches the 10:30 mark.
* EverythingsBetterWithSparkles: Jarre had Synth Sparkles long before the Yamaha [=DX7=] (which he didn't like anyway) thanks to the [=EMS=] models [=VCS3=] and Synthi [=AKS=].
* EvolvingMusic: "Oxygène 4" had parts of it replaced with a kind of bridge following the same chords from 1990 on.
* FadingIntoTheNextSong: Jarre is famous for this. "Oxygène 1" and "2" are barely separated
* {{Instrumentals}}: All tracks are instrumental.
* NumberedSequels: ''Oxygène 7-13'', the sequel to the six-track ''Oxygène''.
* OneWordTitle: The album title and all individual tracks are all called "Oxygène".
* SynthPop: Jarre recorded the album in his home with several analog synthesizers and other electronic instruments and effects.
* RecordProducer: Jarre himself.
* RepurposedPopSong: Jarre's music has been used as themes of several TV shows, and parts of the album ''Oxygène'' went into the soundtrack of ''Film/{{Gallipoli}}''.
* RereleaseTheSong: "Oxygène 4", the original studio single recording from 1976, was re-released at about the same time as ''Jarre Live'' ([[ExactlyWhatItSaysOnTheTin a live album]]) in 1989 with a brand-new video.
* {{Retraux}}: ''Oxygène 7-13'', the 2007 ''Oxygène'' remake, and to a certain degree ''Chronologie''.
* {{Theremin}}: Claimed to have been played on ''Oxygène 7-13''. This instrument did in fact appear at the ''Oxygène Arena Tour'' the same year and at every Jarre concert ever since. Jarre has actually learned to play it meanwhile.
* TitleByNumber: The tracks all have the same title, "Oxygène", but are distinguished from one another by number.
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