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# "Don't Let It End" (2:22)
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# "Don't Let It End" End (Reprise)" (2:22)
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* AllThereInTheManual: The premise and the entire plot is described in the liner notes to the album. Between the opening "Mr. Roboto" (in which Kilroy reveals himself to Jonathan), and "Don't Let It End (Reprise)" (in which Kilroy and Jonathan vow to revive rock and roll), ''nothing happens'': the other songs just describe the world of ''Kilroy'' from the point of view of the three main characters. Except for "Don't Let It End", a love ballad that has nothing to do with the story ''at all''.
to:
* AllThereInTheManual: TwentyMinutesIntoTheFuture: The premise and the entire plot is described story takes place in the liner notes to the album. future, but not a very distant one.
* AbortedArc: Between the opening "Mr. Roboto" (in which Kilroy reveals himself to Jonathan), and "Don't Let It End (Reprise)" (in which Kilroy and Jonathan vow to revive rock and roll), ''nothing happens'': the other songs just describe the world of ''Kilroy'' from the point of view of the three main characters. Except for "Don't Let It End", a love ballad that has nothing to do with the story ''atall''.all''.
* AllThereInTheManual: The premise and the entire plot is described in the liner notes to the album and the mini-film.
* AbortedArc: Between the opening "Mr. Roboto" (in which Kilroy reveals himself to Jonathan), and "Don't Let It End (Reprise)" (in which Kilroy and Jonathan vow to revive rock and roll), ''nothing happens'': the other songs just describe the world of ''Kilroy'' from the point of view of the three main characters. Except for "Don't Let It End", a love ballad that has nothing to do with the story ''at
* AllThereInTheManual: The premise and the entire plot is described in the liner notes to the album and the mini-film.
Changed line(s) 36,40 (click to see context) from:
* GratuitousJapanese: ''Domo Arigato, Mr. Roboto, Mata au hi made. Domo arigato, Mr. Roboto, himitsu wo shiritai...''
* GroinAttack: "What NOT To Do To Your Roboto."
* JapanTakesOverTheWorld
* LargeHam: James Young during 'Heavy Metal Poisoning' during the concerts. Might even qualify as HamAndCheese.
* LuddWasRight: "Mr. Roboto":
* GroinAttack: "What NOT To Do To Your Roboto."
* JapanTakesOverTheWorld
* LargeHam: James Young during 'Heavy Metal Poisoning' during the concerts. Might even qualify as HamAndCheese.
* LuddWasRight: "Mr. Roboto":
to:
* GratuitousJapanese: ''Domo Arigato, Mr. Roboto, Mata au hi made. Domo FunWithAcronyms: Kilroy's full name is '''R'''obert '''O'''rin '''C'''harles '''K'''ilroy, or R.O.C.K.
* GratuitousJapanese
-->どうもありがとう、ミスターロボット、(''Domo arigato, Mr.Roboto, himitsu wo shiritai...''
Roboto'')[[labelnote:Translation]]Thank you, Mr. Robot[[/labelnote]]
-->また会う日まで。 (''Mata au hi made'')[[labelnote:Translation]]Until the day we meet again.[[/labelnote]]
-->どうもありがとう、ミスターロボット、(''Domo arigato, Mr. Roboto'')
-->秘密を知りたい。(''himitsu o shiri tai'')[[labelnote:Translation]]I want to know your secret.[[/labelnote]]
* GroinAttack:"What NOT To Do To Your Roboto.For some reason, the Robotos react to getting hit in the groin the same way a man could, as shown in the mini-film of Kilroy breaking out from prison.
* JapanTakesOverTheWorld: The Robotos, who enforce Dr. Righteous' theocracy, are built "with parts made in Japan."
* JapanTakesOverTheWorld
* LargeHam: James Young during 'Heavy "Heavy Metal Poisoning' Poisoning" during the concerts. Might even qualify as HamAndCheese.
* LuddWasRight: "Mr.Roboto":Roboto". WebVideo/ToddInTheShadows called out the hypocrisy of this, coming as it did from a band whose lead singer played an electronic keyboard as his primary instrument.
* GratuitousJapanese
-->どうもありがとう、ミスターロボット、(''Domo arigato, Mr.
-->また会う日まで。 (''Mata au hi made'')[[labelnote:Translation]]Until the day we meet again.[[/labelnote]]
-->どうもありがとう、ミスターロボット、(''Domo arigato, Mr. Roboto'')
-->秘密を知りたい。(''himitsu o shiri tai'')[[labelnote:Translation]]I want to know your secret.[[/labelnote]]
* GroinAttack:
* JapanTakesOverTheWorld: The Robotos, who enforce Dr. Righteous' theocracy, are built "with parts made in Japan."
* LuddWasRight: "Mr.
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** WebVideo/ToddInTheShadows called out the hypocrisy of this line, coming as it did from a band whose lead singer played an electronic keyboard as his primary instrument.
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* SubliminalSeduction: Subverted. Right before "Heavy Metal Poisoning", there's an obvious backmasked message. Played backwards, it's the Latin phrase [[http://en.wikipedia.org/wiki/Annuit_cœptis Annuit cœptis, Novus ordo seclorum]], part of the Seal of the United States on a $1 bill, and roughly translated as "God approves of our undertakings/ a new order of the ages." This is likely in response to accusations that "Snowblind", a song from ''Paradise Theatre'', had "backwards Satanic messages" on it.
* SuckECheeses: Righteous' museum (formerly the Paradise Theater) has shades of this, complete with an animatronic Kilroy band "murdering" an MMM protestor.
* ThemeNaming: Robert Orin Charles Kilroy (FunWithAcronyms), Jonathan Chance, Dr. Righteous
* TwentyMinutesIntoTheFuture: The story takes place in the future, but not a very distant one.
* UnroboticReveal: The main point of "Mr. Roboto".
* VillainSong: "Heavy Metal Poisoning", "Double Life" are both from the antagonist's viewpoint. "Double Life" is a VillainousBSOD song where Righteous realizes what a terrible hypocrite he is, but feels he's too far in to dig his way out.
* YellowPeril: The slant-eyed, Japanese-built "Mr. Robotos" are an obvious racial caricature, and probably more than a little racist. At the time of the album's release, they were likely meant as a commentary on Japanese car-makers putting Americans out of work.
** In the accompanying minifilm, one of the prisoners in the eating area mocks a Roboto that his "mother's a Toyota."
* SuckECheeses: Righteous' museum (formerly the Paradise Theater) has shades of this, complete with an animatronic Kilroy band "murdering" an MMM protestor.
* ThemeNaming: Robert Orin Charles Kilroy (FunWithAcronyms), Jonathan Chance, Dr. Righteous
* TwentyMinutesIntoTheFuture: The story takes place in the future, but not a very distant one.
* UnroboticReveal: The main point of "Mr. Roboto".
* VillainSong: "Heavy Metal Poisoning", "Double Life" are both from the antagonist's viewpoint. "Double Life" is a VillainousBSOD song where Righteous realizes what a terrible hypocrite he is, but feels he's too far in to dig his way out.
* YellowPeril: The slant-eyed, Japanese-built "Mr. Robotos" are an obvious racial caricature, and probably more than a little racist. At the time of the album's release, they were likely meant as a commentary on Japanese car-makers putting Americans out of work.
** In the accompanying minifilm, one of the prisoners in the eating area mocks a Roboto that his "mother's a Toyota."
to:
* SubliminalSeduction: Subverted. Right before "Heavy Metal Poisoning", there's an obvious backmasked message. Played backwards, it's the Latin phrase [[http://en.wikipedia.org/wiki/Annuit_cœptis Annuit cœptis, Novus ordo seclorum]], part of the Seal of the United States on a $1 bill, and roughly translated as "God approves of our undertakings/ a new order of the ages." This is likely in response to accusations that "Snowblind", a song from the band's previous album ''Paradise Theatre'', had "backwards Satanic messages" on it.
* SuckECheeses: Righteous' museum (formerly the ParadiseTheater) Theatre) has shades of this, complete with an animatronic Kilroy band "murdering" an MMM protestor.
*ThemeNaming: ThemeNaming
** Rockstar Kilroy's full name is Robert Orin CharlesKilroy (FunWithAcronyms), Kilroy, or R.O.C.K.
** The member of the resistance who's fighting for a chance is named JonathanChance, Chance.
** The righteous theocrat is straight-out named Dr.Righteous
* TwentyMinutesIntoTheFuture: The story takes place in the future, but not a very distant one.
Righteous.
* UnroboticReveal: The main point of "Mr.Roboto".
Roboto" is that the Roboto Chance found is actually Kilroy.
* VillainSong: "Heavy MetalPoisoning", Poisoning" and "Double Life" are both from the antagonist's viewpoint. "Double Life" is a VillainousBSOD song where Righteous realizes what a terrible hypocrite he is, but feels he's too far in to dig his way out.
* YellowPeril: The slant-eyed, Japanese-built "Mr. Robotos" are an obvious racial caricature, and probably more than a little racist. At the time of the album's release, they were likely meant as a commentary on Japanese car-makers putting Americans out ofwork.
**work. In the accompanying minifilm, one of the prisoners in the eating area mocks a Roboto that his "mother's a Toyota."
* SuckECheeses: Righteous' museum (formerly the Paradise
*
** Rockstar Kilroy's full name is Robert Orin Charles
** The member of the resistance who's fighting for a chance is named Jonathan
** The righteous theocrat is straight-out named Dr.
* TwentyMinutesIntoTheFuture: The story takes place in the future, but not a very distant one.
* UnroboticReveal: The main point of "Mr.
* VillainSong: "Heavy Metal
* YellowPeril: The slant-eyed, Japanese-built "Mr. Robotos" are an obvious racial caricature, and probably more than a little racist. At the time of the album's release, they were likely meant as a commentary on Japanese car-makers putting Americans out of
**
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!!!"Tropes Were Here":
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TwentyMinutesIntoTheFuture, MoralGuardians outlaw rock and roll. Enforcing the new law, a riot breaks out at a concert by the famous "Kilroy" at the [[ShoutOut Paradise Theatre]], someone dies, and Kilroy is [[FrameUp framed]] as a murderer. He is imprisoned, guarded by ''[[RobotMaid Mr. Robotos]]'', mass-produced menial-labor robots. Kilroy breaks out, disguising himself in the body of a Roboto he has overpowered. Using a "rock code" graffiti, he leads a protegé, Jonathan Chance, to meet him in the Paradise Theater, now a museum to rock-and-roll depravity. And then [[CutShort it ends]].
Following on the success of the ConceptAlbum ''Paradise Theater'' (and three multi-platinum albums before that), the ''Kilroy'' album and tour were far more ambitious, with a pre-concert mini-film that set up the story, scripted dialogue and choreography in concert, and specific roles for each of the band members. But instead of taking it to the next level, the band [[JumpingTheShark jumped the shark]], breaking up and never going multi-platinum again. Tommy Shaw, on an episode of ''{{Behind the Music}}'' tells of performing the rock opera in Houston, Texas at the Astrodome, while on a double bill tour with Ted Nugent. Shaw recalled how Nugent (the opener on the tour) did a wild stage show with flaming arrows, and general mayhem we've come to expect from him and his group. And how "I've (Shaw) got to go out there in front of that rowdy-ass crowd and say 'But Kilroy, what about, the young people in the world?' I thought "I'M GONNA DIE! I'M GONNA GET KILLED IN TEXAS!"
Following on the success of the ConceptAlbum ''Paradise Theater'' (and three multi-platinum albums before that), the ''Kilroy'' album and tour were far more ambitious, with a pre-concert mini-film that set up the story, scripted dialogue and choreography in concert, and specific roles for each of the band members. But instead of taking it to the next level, the band [[JumpingTheShark jumped the shark]], breaking up and never going multi-platinum again. Tommy Shaw, on an episode of ''{{Behind the Music}}'' tells of performing the rock opera in Houston, Texas at the Astrodome, while on a double bill tour with Ted Nugent. Shaw recalled how Nugent (the opener on the tour) did a wild stage show with flaming arrows, and general mayhem we've come to expect from him and his group. And how "I've (Shaw) got to go out there in front of that rowdy-ass crowd and say 'But Kilroy, what about, the young people in the world?' I thought "I'M GONNA DIE! I'M GONNA GET KILLED IN TEXAS!"
to:
TwentyMinutesIntoTheFuture, MoralGuardians outlaw rock and roll. Enforcing the new law, a riot breaks out at a concert by the famous "Kilroy" at the [[ShoutOut Paradise Theatre]], someone dies, and Kilroy is [[FrameUp framed]] as a murderer. He is imprisoned, guarded by ''[[RobotMaid Mr. Robotos]]'', "Mr. Robotos", mass-produced [[RobotMaid menial-labor robots.robots]]. Kilroy breaks out, disguising himself in the body of a Roboto he has overpowered. Using a "rock code" graffiti, he leads a protegé, Jonathan Chance, to meet him in the Paradise Theater, now a museum to rock-and-roll depravity. And then [[CutShort it ends]].
Following on the success of the ConceptAlbum ''Paradise Theater'' (and three multi-platinum albums before that), the ''Kilroy'' album and tour were far more ambitious, with a pre-concert mini-film that set up the story, scripted dialogue and choreography in concert, and specific roles for each of the band members. But instead of taking it to the next level, the band [[JumpingTheShark jumped the shark]], breaking up and never going multi-platinum again.Tommy Shaw, The album's convulted production is chronicled on an episode of ''{{Behind ''Behind the Music}}'' tells of performing the rock opera in Houston, Texas at the Astrodome, while on a double bill tour with Ted Nugent. Shaw recalled how Nugent (the opener on the tour) did a wild stage show with flaming arrows, and general mayhem we've come to expect from him and his group. And how "I've (Shaw) got to go out there in front of that rowdy-ass crowd and say 'But Kilroy, what about, the young people in the world?' I thought "I'M GONNA DIE! I'M GONNA GET KILLED IN TEXAS!"
Music''.
Following on the success of the ConceptAlbum ''Paradise Theater'' (and three multi-platinum albums before that), the ''Kilroy'' album and tour were far more ambitious, with a pre-concert mini-film that set up the story, scripted dialogue and choreography in concert, and specific roles for each of the band members. But instead of taking it to the next level, the band [[JumpingTheShark jumped the shark]], breaking up and never going multi-platinum again.
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Changed line(s) 45 (click to see context) from:
** ToddInTheShadows called out the hypocrisy of this line, coming as it did from a band whose lead singer played a synthesizer as his primary instrument.
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** ToddInTheShadows WebVideo/ToddInTheShadows called out the hypocrisy of this line, coming as it did from a band whose lead singer played a synthesizer an electronic keyboard as his primary instrument.
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** ToddInTheShadows called out the hypocrisy of this line, coming as it did from a band whose lead singer played a synthesizer as his primary instrument.
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* LargeHam: James Young during 'Heavy Metal Poisoning' during the concerts. Might even qualify as HamAndCheese.
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* VillainSong: "Heavy Metal Poisoning", "Double Life" are both from the antagonist's viewpoint.
to:
* VillainSong: "Heavy Metal Poisoning", "Double Life" are both from the antagonist's viewpoint. "Double Life" is a VillainousBSOD song where Righteous realizes what a terrible hypocrite he is, but feels he's too far in to dig his way out.
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Changed line(s) 33 (click to see context) from:
* BookBurning: In the mini-film at the start, but with records and guitars. The concert from the 'Caught in the Act' video featured prop guitars being snapped over the Pannozzos' knees, while JY fed his (prop) to an MMM 'Guitar Shredder'.
to:
* BookBurning: In the mini-film at the start, but with records and guitars. The concert from the 'Caught in the Act' video featured prop guitars being snapped over the Pannozzos' Panozzos' knees, while JY fed his (prop) to an MMM 'Guitar Shredder'.
* GroinAttack: "What NOT To Do To Your Roboto."
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* ThemeNaming: Robert Orrin Charles Kilroy (FunWithAcronyms), Jonathan Chance, Dr. Righteous
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* ThemeNaming: Robert Orrin Orin Charles Kilroy (FunWithAcronyms), Jonathan Chance, Dr. Righteous
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* BlandNameProduct: "Dr. Righteous' Fried Chicken." The boxes are done in a similar fashion to Kentucky Fried Chicken's boxes.
Changed line(s) 46 (click to see context) from:
* RockOpera: Though given the total non-advancement of the story through the songs, it might just be a very detailed ConceptAlbum
to:
* RockOpera: Though given the total non-advancement of the story through the songs, it might just be a very detailed ConceptAlbumConceptAlbum.
* SlasherSmile: From certain angles, the Robotos are less "YellowPeril caricature" and more "I'm going to kill you slowly and painfully."
* SlasherSmile: From certain angles, the Robotos are less "YellowPeril caricature" and more "I'm going to kill you slowly and painfully."
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* SuckECheeses: Righteous' museum (formerly the Paradise Theater) has shades of this, complete with an animatronic Kilroy band "murdering" an MMM protestor.
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* {{Cyberpunk}}: Technology, robots, lost of humanity, outlaws, rebellion, it's all here.
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* UnroboticReveal: The main point of "Mr. Roboto".
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Changed line(s) 51 (click to see context) from:
** In the accompanying minifilm, one of the prisoners in the eating area mocks a Roboto that his "mother's a Toyota".
to:
** In the accompanying minifilm, one of the prisoners in the eating area mocks a Roboto that his "mother's a Toyota".Toyota."
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* FaceOnTheCover: Not of the band, but of two Robotos with an angry book-burning mob in the background.
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* OppressiveStatesOfAmerica: A theocratic America emerges that outlaws rock and roll.
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[[AC:Side One]]
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[[AC:Side Two]]
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Changed line(s) 30,34 (click to see context) from:
* LuddWasRight: In "Mr. Roboto":
--> The problem's plain to see
--> Too much technology
--> Machines to save our lives
--> Machines dehumanize
--> The problem's plain to see
--> Too much technology
--> Machines to save our lives
--> Machines dehumanize
to:
* LuddWasRight: In "Mr. Roboto":
-->The ''The problem's plain to see
see''
-->Too ''Too much technology
technology''
-->Machines ''Machines to save our lives
lives''
-->Machines dehumanize''Machines dehumanize''
-->
-->
-->
-->
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* ThePowerOfRock
to:
* ThePowerOfRockOneManSong: "Mr. Roboto".
* QuestioningTitle: "Haven't We Met Here Before?"
* QuestioningTitle: "Haven't We Met Here Before?"
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* TwentyMinutesIntoTheFuture
* VillainSong: "Heavy Metal Poisoning", "Double Life"
* VillainSong: "Heavy Metal Poisoning", "Double Life"
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* TwentyMinutesIntoTheFuture
TwentyMinutesIntoTheFuture: The story takes place in the future, but not a very distant one.
* VillainSong: "Heavy Metal Poisoning", "DoubleLife"Life" are both from the antagonist's viewpoint.
* VillainSong: "Heavy Metal Poisoning", "Double
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* BookBurning: In the mini-film at the start, but with records and guitars. The concert from the 'Caught in the Act' video featured prop guitars being snapped over the Pannozzos' knees, while JY fed his (prop) to an MMM 'Guitar Shredder'.
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to:
''''
!! Tracklist:
# "Mr. Roboto" (5:28)
# "Cold War" (4:27)
# "Don't Let It End" (4:56)
# "High Time" (4:33)
# "Heavy Metal Poisoning" (4:57)
# "Just Get Through This Night" (6:06)
# "Double Life" (3:46)
# "Haven't We Met Here Before?" (4:06)
# "Don't Let It End" (2:22)
''''
!! Tracklist:
# "Mr. Roboto" (5:28)
# "Cold War" (4:27)
# "Don't Let It End" (4:56)
# "High Time" (4:33)
# "Heavy Metal Poisoning" (4:57)
# "Just Get Through This Night" (6:06)
# "Double Life" (3:46)
# "Haven't We Met Here Before?" (4:06)
# "Don't Let It End" (2:22)
''''
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The story has many similarities to Music/FrankZappa's ''Joe's Garage'': both feature robot-filled futures with moral overlords who hate rock-and-roll and throw the rocker protagonist in prison. Zappa's work is distinguished by having trickier time signatures, as well as much more [[{{Robosexual}} gay sex with robots]]. You could almost mistake ''Joe's Garage'' for a parody of ''Kilroy Was Here'', but for the fact that ''Joe's'' came out '''four years earlier'''.
to:
The story has many similarities to Music/FrankZappa's ''Joe's Garage'': ''Music/JoesGarage'': both feature robot-filled futures with moral overlords who hate rock-and-roll and throw the rocker protagonist in prison. Zappa's work is distinguished by having trickier time signatures, as well as much more [[{{Robosexual}} gay sex with robots]]. You could almost mistake ''Joe's Garage'' for a parody of ''Kilroy Was Here'', but for the fact that ''Joe's'' came out '''four years earlier'''.
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* LuddWasRight: In "Mr. Roboto":
--> The problem's plain to see
--> Too much technology
--> Machines to save our lives
--> Machines dehumanize
--> The problem's plain to see
--> Too much technology
--> Machines to save our lives
--> Machines dehumanize
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** In the accompanying minifilm, one of the prisoners in the eating area mocks a Roboto that his "mother's a Toyota".
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The RockOpera by Music/{{Styx}}, not the WorldWarII era BathroomStallGraffiti.
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The RockOpera by Music/{{Styx}}, not the WorldWarII UsefulNotes/WorldWarII era BathroomStallGraffiti.
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Changed line(s) 9,11 (click to see context) from:
The story has many similarities to FrankZappa's ''Joe's Garage'': both feature robot-filled futures with moral overlords who hate rock-and-roll and throw the rocker protagonist in prison. Zappa's work is distinguished by having trickier time signatures, as well as much more [[{{Robosexual}} gay sex with robots]]. You could almost mistake ''Joe's Garage'' for a parody of ''Kilroy Was Here'', but for the fact that ''Joe's'' came out '''four years earlier'''.
to:
The story has many similarities to FrankZappa's Music/FrankZappa's ''Joe's Garage'': both feature robot-filled futures with moral overlords who hate rock-and-roll and throw the rocker protagonist in prison. Zappa's work is distinguished by having trickier time signatures, as well as much more [[{{Robosexual}} gay sex with robots]]. You could almost mistake ''Joe's Garage'' for a parody of ''Kilroy Was Here'', but for the fact that ''Joe's'' came out '''four years earlier'''.
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''Kilroy Was Here has examples of:''
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* ThePowerOfRock
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* ThePowerOfRock
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* YellowPeril: The slant-eyed, Japanese-built "Mr. Robotos" are an obvious racial caricature, and probably more than a little racist. At the time of the album's release, they were likely meant as a commentary on Japanese car-makers putting Americans out of work.
to:
* YellowPeril: The slant-eyed, Japanese-built "Mr. Robotos" are an obvious racial caricature, and probably more than a little racist. At the time of the album's release, they were likely meant as a commentary on Japanese car-makers putting Americans out of work.work.
----
----
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The RockOpera by Music/{{Styx}}, not the WorldWarII era BathroomStallGraffiti
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[[quoteright:325:http://static.tvtropes.org/pmwiki/pub/images/Kilroy_Was_Here_1808.jpg]]
The RockOpera by Music/{{Styx}}, not the WorldWarII eraBathroomStallGraffiti
BathroomStallGraffiti.
The RockOpera by Music/{{Styx}}, not the WorldWarII era
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Moved to YMMV.
Deleted line(s) 14 (click to see context) :
* BrokenBase: It got real hard to be a Styx fan about a month after this album came out. To be fair, the rise of new wave displaced the other arena rock bands too (REO Speedwagon, Journey, etc.). But those bands didn't do it to themselves with a single album.
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Changed line(s) 5,6 (click to see context) from:
Following on the success of the ConceptAlbum ''Paradise Theater'' (and three multi-platinum albums before that), the ''Kilroy'' album and tour were far more ambitious, with a pre-concert mini-film that set up the story, scripted dialogue and choreography in concert, and specific roles for each of the band members. But instead of taking it to the next level, the band [[JumpingTheShark jumped the shark]], breaking up and never going multi-platinum again.
to:
Following on the success of the ConceptAlbum ''Paradise Theater'' (and three multi-platinum albums before that), the ''Kilroy'' album and tour were far more ambitious, with a pre-concert mini-film that set up the story, scripted dialogue and choreography in concert, and specific roles for each of the band members. But instead of taking it to the next level, the band [[JumpingTheShark jumped the shark]], breaking up and never going multi-platinum again.
again. Tommy Shaw, on an episode of ''{{Behind the Music}}'' tells of performing the rock opera in Houston, Texas at the Astrodome, while on a double bill tour with Ted Nugent. Shaw recalled how Nugent (the opener on the tour) did a wild stage show with flaming arrows, and general mayhem we've come to expect from him and his group. And how "I've (Shaw) got to go out there in front of that rowdy-ass crowd and say 'But Kilroy, what about, the young people in the world?' I thought "I'M GONNA DIE! I'M GONNA GET KILLED IN TEXAS!"
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Changed line(s) 3,4 (click to see context) from:
TwentyMinutesIntoTheFuture, MoralGuardians outlaw rock and roll. Enforcing the new law, a riot breaks out at a concert by the famous "Kilroy" at the [[ShoutOut Paradise Theatre]], someone dies, and Kilroy is [[FrameUp framed]] as a murderer. He is imprisoned, guarded by ''[[RobotMaid Mr. Robotos]]'', mass-produced menial-labor robots. Kilroy breaks out, disguising himself in the body of a Roboto he has overpowered. Using a "rock code" graffiti, he leads a protogé, Jonathan Chance, to meet him in the Paradise Theater, now a museum to rock-and-roll depravity. And then [[CutShort it ends]].
to:
TwentyMinutesIntoTheFuture, MoralGuardians outlaw rock and roll. Enforcing the new law, a riot breaks out at a concert by the famous "Kilroy" at the [[ShoutOut Paradise Theatre]], someone dies, and Kilroy is [[FrameUp framed]] as a murderer. He is imprisoned, guarded by ''[[RobotMaid Mr. Robotos]]'', mass-produced menial-labor robots. Kilroy breaks out, disguising himself in the body of a Roboto he has overpowered. Using a "rock code" graffiti, he leads a protogé, protegé, Jonathan Chance, to meet him in the Paradise Theater, now a museum to rock-and-roll depravity. And then [[CutShort it ends]].