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** "Tomorrow And Tomorrow" (1:51, 6:58-8:49)
to:
** "Tomorrow And Tomorrow" (1:51, 6:58-8:49)
(6:58-8:49)
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** "Mirrors" (3:41, 2:06-5:47)
to:
** "Mirrors" (3:41, 2:06-5:47)(2:06-5:47)
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** "March For No Reason" (1:19, 3:58-5:17)
to:
** "March For No Reason" (1:19, 3:58-5:17)(3:58-5:17)
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## "The Illusion" (9:47, 2:26-12:13)
to:
## "The Illusion" (9:47, 2:26-12:13)(9:47)
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** "The Return of the Fire Witch" (1:17, 4:16-5:53)
** "The Dance Of The Puppets" (2:06, 7:20-9:26)
** "The Dance Of The Puppets" (2:06, 7:20-9:26)
to:
** "The Return of the Fire Witch" (1:17, 4:16-5:53)
(4:16-5:53)
** "The Dance Of The Puppets"(2:06, 7:20-9:26)
(7:20-9:26)
** "The Dance Of The Puppets"
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## "Mirrors" (3:41, 2:06-5:47)
to:
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## "March For No Reason" (1:19, 3:58-5:17)
## "Tomorrow And Tomorrow" (1:51, 6:58-8:49)
## "Tomorrow And Tomorrow" (1:51, 6:58-8:49)
to:
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## "The Return of the Fire Witch" (1:17, 4:16-5:53)
## "The Dance Of The Puppets" (2:06, 7:20-9:26)
## "The Dance Of The Puppets" (2:06, 7:20-9:26)
to:
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# "21st Century Schizoid Man (Including "Mirrors")" (7:24)
to:
# "21st Century Schizoid Man (Including "Mirrors")" (7:24)Man" (7:24)
## "Mirrors" (3:41, 2:06-5:47)
## "Mirrors" (3:41, 2:06-5:47)
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# "Epitaph (Including "March For No Reason" And "Tomorrow And Tomorrow")" (8:49)
to:
# "Epitaph (Including "Epitaph" (8:49)
## "March For No Reason"And (1:19, 3:58-5:17)
## "Tomorrow AndTomorrow")" (8:49)
Tomorrow" (1:51, 6:58-8:49)
## "March For No Reason"
## "Tomorrow And
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# "Moonchild (Including "The Dream" And "The Illusion")" (12:13)
# "The Court Of The Crimson King (Including "The Return Of The Fire Witch" And "The Dance Of The Puppets")" (9:26)
# "The Court Of The Crimson King (Including "The Return Of The Fire Witch" And "The Dance Of The Puppets")" (9:26)
to:
# "Moonchild (Including "Moonchild" (12:13)
## "The Dream"And (2:26)
## "TheIllusion")" (12:13)
Illusion" (9:47, 2:26-12:13)
# "The Court Of The CrimsonKing (Including King" (9:26)
## "The ReturnOf The of the Fire Witch" And (1:17, 4:16-5:53)
## "The Dance Of ThePuppets")" (9:26)
Puppets" (2:06, 7:20-9:26)
## "The Dream"
## "The
# "The Court Of The Crimson
## "The Return
## "The Dance Of The
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* {{Instrumentals}}: "Mirrors", "March For No Reason", "Tomorrow And Tomorrow", "The Illusion", "The Return of the Fire Witch", "The Dance of The Puppets".
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** The BigBad of Stephen King's ''Franchise/TheDarkTower'' series is usually called the Crimson King. (His actual name, [[spoiler:Los']], is a ShoutOut to Creator/WilliamBlake).
to:
** The BigBad of Stephen King's Creator/StephenKing's ''Franchise/TheDarkTower'' series is usually called the Crimson King. (His actual name, [[spoiler:Los']], is a ShoutOut to Creator/WilliamBlake).
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** The BigBad of Stephen King's ''Literature/TheDarkTower'' series is usually called the Crimson King. (His actual name, [[spoiler:Los']], is a ShoutOut to Creator/WilliamBlake).
to:
** The BigBad of Stephen King's ''Literature/TheDarkTower'' ''Franchise/TheDarkTower'' series is usually called the Crimson King. (His actual name, [[spoiler:Los']], is a ShoutOut to Creator/WilliamBlake).
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** The BigBad of Stephen King's ''Literature/TheDarkTower'' series is usually called the Crimson King. (His actual name, [[spoiler:Los']], is a ShoutOut to Creator/WilliamBlake).
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** ''Literature/TheLordsOfCreation'': One of the novels in this series is called "In The Court of the Crimson Kings".
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[[AC:Side One]]
to:
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[[AC:Side Two]]
to:
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[[AC:Side One]]
[[AC:Side Two]]
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!! 21st Century Schizoid Tropes:
to:
!! 21st ''21st Century Schizoid Tropes:
Tropes'':
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* BigRockEnding: The title track is an epic jam, which clocks in it at 9:26.
to:
* BigRockEnding: The title track is an epic jam, which clocks in it at 9:26. "21st Century Schizoid Man" also does a LastNoteNightmare variant of this.
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'''''In the Court of the Crimson King''''' is the debut studio album by Music/KingCrimson, released in 1969. The album is generally seen as the kickstarter for the ProgressiveRock genre and, in a case of FirstInstallmentWins, King Crimson's MagnumOpus. The album never generated any hits, but nevertheless managed to become a CultClassic, inspiring countless rock bands to change their sounds and move towards ProgressiveRock instead.
to:
'''''In the Court of the Of The Crimson King''''' is the debut studio album by Music/KingCrimson, released in 1969. The album is generally seen as the kickstarter kick-starter for the ProgressiveRock genre and, in a case of FirstInstallmentWins, King Crimson's MagnumOpus. The album never generated any hits, but nevertheless managed to become a CultClassic, inspiring countless rock bands to change their sounds and move towards ProgressiveRock instead.
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# "I Talk to the Wind" (6:04)
# "Epitaph (Including "March for No Reason" and "Tomorrow and Tomorrow")" (8:49)
# "Moonchild (Including "The Dream" and "The Illusion")" (12:13)
# "The Court of the Crimson King (Including "The Return of the Fire Witch" and "The Dance of the Puppets")" (9:26)
# "Epitaph (Including "March for No Reason" and "Tomorrow and Tomorrow")" (8:49)
# "Moonchild (Including "The Dream" and "The Illusion")" (12:13)
# "The Court of the Crimson King (Including "The Return of the Fire Witch" and "The Dance of the Puppets")" (9:26)
to:
# "I Talk to the To The Wind" (6:04)
# "Epitaph (Including "Marchfor For No Reason" and And "Tomorrow and And Tomorrow")" (8:49)
# "Moonchild (Including "The Dream"and And "The Illusion")" (12:13)
# "The Courtof the Of The Crimson King (Including "The Return of the Of The Fire Witch" and And "The Dance of the Of The Puppets")" (9:26)
# "Epitaph (Including "March
# "Moonchild (Including "The Dream"
# "The Court
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* AlbumTitleDrop: "The Court of the Crimson King".
to:
* AlbumTitleDrop: "The Court of the Of The Crimson King".
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* ImaginaryFriend: "I Talk to the Wind"
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* ImaginaryFriend: "I Talk to the To The Wind"
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** The opening lyrics to "Epitaph" reference Music/SimonAndGarfunkel's "The Sounds of Silence". Or just a reference to Literature/TheBible. Same with the Simon and Garfunkel song.
to:
** The opening lyrics to "Epitaph" reference Music/SimonAndGarfunkel's "The Sounds of Of Silence". Or just a reference to Literature/TheBible. Same with the Simon and Garfunkel song.
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** "The Court of the Crimson King" was used in ''Film/ChildrenOfMen'' (2006).
to:
** "The Court of the Of The Crimson King" was used in ''Film/ChildrenOfMen'' (2006).
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'''''In The Court Of The Crimson King''''' is the debut studio album by Music/KingCrimson, released in 1969. The album is generally seen as the kickstarter for the ProgressiveRock genre and, in a case of FirstInstallmentWins, King Crimson's MagnumOpus. The album never generated any hits, but nevertheless managed to become a CultClassic, inspiring countless rock bands to change their sounds and move towards ProgressiveRock instead.
to:
'''''In The the Court Of The of the Crimson King''''' is the debut studio album by Music/KingCrimson, released in 1969. The album is generally seen as the kickstarter for the ProgressiveRock genre and, in a case of FirstInstallmentWins, King Crimson's MagnumOpus. The album never generated any hits, but nevertheless managed to become a CultClassic, inspiring countless rock bands to change their sounds and move towards ProgressiveRock instead.
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# "I Talk To The Wind" (6:04)
# "Epitaph (Including "March For No Reason" And "Tomorrow And Tomorrow")" (8:49)
# "Moonchild (Including "The Dream" And "The Illusion")" (12:13)
# "The Court Of The Crimson King (Including "The Return Of The Fire Witch" And "The Dance Of The Puppets")" (9:26)
# "Epitaph (Including "March For No Reason" And "Tomorrow And Tomorrow")" (8:49)
# "Moonchild (Including "The Dream" And "The Illusion")" (12:13)
# "The Court Of The Crimson King (Including "The Return Of The Fire Witch" And "The Dance Of The Puppets")" (9:26)
to:
# "I Talk To The to the Wind" (6:04)
# "Epitaph (Including "MarchFor for No Reason" And and "Tomorrow And and Tomorrow")" (8:49)
# "Moonchild (Including "The Dream"And and "The Illusion")" (12:13)
# "The CourtOf The of the Crimson King (Including "The Return Of The of the Fire Witch" And and "The Dance Of The of the Puppets")" (9:26)
# "Epitaph (Including "March
# "Moonchild (Including "The Dream"
# "The Court
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* AlbumTitleDrop: "The Court Of The Crimson King".
to:
* AlbumTitleDrop: "The Court Of The of the Crimson King".
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* AlliterativeTitle: "In The '''C'''ourt of the '''C'''rimson King".
to:
* AlliterativeTitle: "In The '''C'''ourt of the '''C'''rimson King".'''K'''ing".
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* ImaginaryFriend: "I Talk To The Wind"
to:
* ImaginaryFriend: "I Talk To The to the Wind"
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--> ''21st Century Scizoid Man"''
to:
--> ''21st Century Scizoid Schizoid Man"''
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* ProgressiveRock: This album practically popularized the genre.
to:
* ProgressiveRock: This album practically [[GenrePopularizer popularized the genre.genre]].
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* ProtestSong: "21st Century Schizoid Man" protests UsefulNotes/TheVietnamWar,
to:
* ProtestSong: "21st Century Schizoid Man" protests UsefulNotes/TheVietnamWar, UsefulNotes/TheVietnamWar:
Changed line(s) 83,84 (click to see context) from:
** "The Court Of The Crimson King" was used in ''Film/ChildrenOfMen'' (2006).
** Finnish DoomMetal band Reverend Bizarre's debut album is named ''In the Rectory of the Bizarre Reverend'' as a tribute to this album.
** Finnish DoomMetal band Reverend Bizarre's debut album is named ''In the Rectory of the Bizarre Reverend'' as a tribute to this album.
to:
** "The Court Of The of the Crimson King" was used in ''Film/ChildrenOfMen'' (2006).
** Finnish DoomMetal bandReverend Bizarre's Music/ReverendBizarre's debut album is named ''In the Rectory of the Bizarre Reverend'' as a tribute to this album.
** Finnish DoomMetal band
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Changed line(s) 10,14 (click to see context) from:
# "I Talk to the Wind" (6:04)
# "Epitaph (Including "March for No Reason" and "Tomorrow and Tomorrow")" (8:49)
# "Moonchild (Including "The Dream" and "The Illusion")" (12:13)
# "The Court of the Crimson King (Including "The Return of the Fire Witch" and "The Dance of the Puppets")" (9:26)
# "Epitaph (Including "March for No Reason" and "Tomorrow and Tomorrow")" (8:49)
# "Moonchild (Including "The Dream" and "The Illusion")" (12:13)
# "The Court of the Crimson King (Including "The Return of the Fire Witch" and "The Dance of the Puppets")" (9:26)
to:
# "I Talk to the To The Wind" (6:04)
# "Epitaph (Including "Marchfor For No Reason" and And "Tomorrow and And Tomorrow")" (8:49)
# "Moonchild (Including "The Dream"and And "The Illusion")" (12:13)
# "The Courtof the Of The Crimson King (Including "The Return of the Of The Fire Witch" and And "The Dance of the Of The Puppets")" (9:26)
# "Epitaph (Including "March
# "Moonchild (Including "The Dream"
# "The Court
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# "21st Century Schizoid Man (Includes "Mirrors")" (7:24)
# "I Talk To The Wind" (6:04)
# "Epitaph" (8:49)
# "Moonchild (Includes "The Dream" And "The Illusion")" (12:13)
# "The Court Of The Crimson King (Includes "The Return Of The Fire Witch" And "The Dance Of The Puppets")" (9:26)
# "I Talk To The Wind" (6:04)
# "Epitaph" (8:49)
# "Moonchild (Includes "The Dream" And "The Illusion")" (12:13)
# "The Court Of The Crimson King (Includes "The Return Of The Fire Witch" And "The Dance Of The Puppets")" (9:26)
to:
# "21st Century Schizoid Man (Includes (Including "Mirrors")" (7:24)
# "I TalkTo The to the Wind" (6:04)
#"Epitaph" "Epitaph (Including "March for No Reason" and "Tomorrow and Tomorrow")" (8:49)
# "Moonchild(Includes (Including "The Dream" And and "The Illusion")" (12:13)
# "The CourtOf The of the Crimson King (Includes (Including "The Return Of The of the Fire Witch" And and "The Dance Of The of the Puppets")" (9:26)
# "I Talk
#
# "Moonchild
# "The Court
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** Finnish DoomMetal band Reverend Bizarre's debut album is named ''In the Rectory of the Bizarre Reverend'' as a tribute to this album.
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** Also, the ending of the album.
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* TitleDrop: In the title track (although it has a slightly different name from the album itself).
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* LongTitle: The album's complete title is ''In the Court of the Crimson King: An Observation by King Crimson''.
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Deleted line(s) 82,83 (click to see context) :
* ShortLivedBigImpact: Despite the fact that, due to his untimely death, Barry Godber never designed anything else in his life the album cover has become one of the most recognizable ones in its field.
** Also applies to the lineup on this album, who only lasted long enough to record this album but nevertheless influenced many later bands (and helped give rise to Music/EmersonLakeAndPalmer).
** Also applies to the lineup on this album, who only lasted long enough to record this album but nevertheless influenced many later bands (and helped give rise to Music/EmersonLakeAndPalmer).
Deleted line(s) 88 (click to see context) :
* VindicatedByHistory: Kind of. Critical reception at the time was mixed (Robert Christgau infamously called it "ersatz shit"), but it's now very widely acclaimed. It was never anywhere close to universally critically maligned, though.
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Deleted line(s) 49 (click to see context) :
* HitlessHitAlbum: This album didn't score any hits, yet it was a major bestseller among rock fans and a CultClassic to this day.
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Changed line(s) 37 (click to see context) from:
--> ''In the court of the Crimson Kiiiiiiiiiing ahhhhhhhhhhhhh... kiiiiiiiiiing ahhhhhhhhhhh...''
to:
--> ''In ''"In the court of the Crimson Kiiiiiiiiiing ahhhhhhhhhhhhh... kiiiiiiiiiing ahhhhhhhhhhh...'' '"'
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--> ''The purple piper plays his tune''
to:
--> ''The ''"The purple piper plays his tune''tune"''
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--> ''The purple piper plays his tune,''
to:
--> ''The ''"The purple piper plays his tune,''
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--> ''For the court of the crimson king.''
to:
--> ''For the court of the crimson king.''"''
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[[caption-width-right:350:''In The Court Of The Crimson King''.]]
to:
Changed line(s) 40 (click to see context) from:
* DesignStudentsOrgasm: The iconic album cover was illustrated by Barry Godber, a computer programmer. This would be his only cover too, as he died in 1970 of a heart attack.
to:
* DesignStudentsOrgasm: The iconic album cover was illustrated by Barry Godber, a computer programmer. This would be his only cover too, as he died in 1970 of a heart attack. Robert Fripp on the cover art:
-->''"The face on the outside is the Schizoid Man, and on the inside it's the Crimson King. If you cover the smiling face, the eyes reveal an incredible sadness. What can one add? It reflects the music."''
-->''"The face on the outside is the Schizoid Man, and on the inside it's the Crimson King. If you cover the smiling face, the eyes reveal an incredible sadness. What can one add? It reflects the music."''
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--> ''Knowledge is a deadly fiend''
to:
--> ''Knowledge ''"Knowledge is a deadly fiend''
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--> ''Is in the hands of fools''
to:
--> ''Is in the hands of fools''fools"''
--> ''"I talk to the wind''
--> ''My words are all carried away''
--> ''My words are all carried away''
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--> ''My words are all carried away''
--> ''I talk to the wind''
--> ''I talk to the wind''
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--> ''The wind cannot hear''
to:
--> ''The wind cannot hear''hear"''
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--> ''Blood rack, barbed wire''
to:
--> ''Blood ''"Blood rack, barbed wire''
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--> ''21st Century Scizoid Man''
to:
--> ''21st Century Scizoid Man''Man"''
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--> ''At paranoia's poison door''
--> ''21st century schizoid man''
--> ''21st century schizoid man''
to:
--> ''At ''"At paranoia's poison door''
--> ''21st century schizoidman''man"''
--> ''21st century schizoid
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--> ''Innocents raped with napalm fire''
to:
--> ''Innocents ''"Innocents raped with napalm fire''fire"''
Deleted line(s) 89 (click to see context) :
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* CreepyCircusMusic: One section of the self-titled song give off this vibe (the organ/mellotron solo section, for the curious).
** Also applies to the lineup on this album, who only lasted long enough to record this album but nevertheless influenced many later bands (and helped give rise to Music/EmersonLakeAndPalmer).
Changed line(s) 85 (click to see context) from:
to:
* TropeCodifier: For ProgressiveRock. While they didn't invent the genre (Music/TheMoodyBlues, Music/ProcolHarum, Music/TheNice, Music/{{Spirit}}, Music/{{Family}} and others had already been playing it since '67), they both solidified it (and many of its associated tropes) in the public eye and helped to separate it from PsychedelicRock (the other bands were much more rooted in Psychedelia). It's often called the most influential Prog-Rock album of all time.
* VindicatedByHistory: Kind of. Critical reception at the time was mixed (Robert Christgau infamously called it "ersatz shit"), but it's now very widely acclaimed. It was never anywhere close to universally critically maligned, though.
* VindicatedByHistory: Kind of. Critical reception at the time was mixed (Robert Christgau infamously called it "ersatz shit"), but it's now very widely acclaimed. It was never anywhere close to universally critically maligned, though.
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Changed line(s) 20 (click to see context) from:
* [[Music/EmersonLakePalmer Greg Lake]]: lead vocals, bass
to:
* [[Music/EmersonLakePalmer [[Music/EmersonLakeAndPalmer Greg Lake]]: lead vocals, bass
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Changed line(s) 2,6 (click to see context) from:
'''In The Court Of The Crimson King''' is the 1969 debut studio album by Music/KingCrimson. The album is generally seen as the kickstarter for the ProgressiveRock genre and, in a case of FirstInstallmentWins, King Crimson's MagnumOpus. The album never generated any hits, but nevertheless managed to become a CultClassic, inspiring countless rock bands to change their sounds and move towards ProgressiveRock instead.
'''Tracklist'''
# "21st Century Schizoid Man" (includes "Mirrors") (7:24)
to:
'''''In The Court Of The Crimson King''''' is the
!! Tracklist:
# "21st Century Schizoid
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# "Moonchild" (includes "The Dream" and "The Illusion") (12:13)
# "The Court Of The Crimson King" (includes "The Return of the Fire Witch" and "The Dance of the Puppets") (9:26)
'''Personnel'''
* Greg Lake: lead vocals, bass guitar
* Ian [=McDonald=]: alto saxophone, mellotron, harpsichord, piano, organ, clarinet, bass clarinet
* Robert Fripp: lead guitar
* Michael Giles: drums, percussion, timpani
* Peter Sinfield: lyrics
!! 21st Century Schizoid Tropes
* AddedAlliterativeAppeal: "In The Court of the Crimson King"
# "The Court Of The Crimson King" (includes "The Return of the Fire Witch" and "The Dance of the Puppets") (9:26)
'''Personnel'''
* Greg Lake: lead vocals, bass guitar
* Ian [=McDonald=]: alto saxophone, mellotron, harpsichord, piano, organ, clarinet, bass clarinet
* Robert Fripp: lead guitar
* Michael Giles: drums, percussion, timpani
* Peter Sinfield: lyrics
!! 21st Century Schizoid Tropes
* AddedAlliterativeAppeal: "In The Court of the Crimson King"
to:
# "Moonchild" (includes "Moonchild (Includes "The Dream" and And "The Illusion") Illusion")" (12:13)
# "The Court Of The CrimsonKing" (includes King (Includes "The Return of the Of The Fire Witch" and And "The Dance of the Puppets") Of The Puppets")" (9:26)
'''Personnel'''
* Greg Lake: lead vocals, bass guitar
* Ian [=McDonald=]: alto saxophone, mellotron, harpsichord, piano, organ, clarinet, bass clarinet
----
!!Principal Members:
* Robert Fripp:lead guitar
* Michael Giles: drums, percussion, vocals, timpani
*Peter Sinfield: lyrics
[[Music/EmersonLakePalmer Greg Lake]]: lead vocals, bass
* Ian [=McDonald=]: saxophone, mellotron, vocals, harpsichord, piano, organ, clarinet, bass clarinet, vibraphone
----
!! 21st Century SchizoidTropes
Tropes:
* [[AbsenteeActor Absentee Musician]]: Peter Sinfield. Despite being an official member of King Crimson and writing the lyrics for this album, he doesn't actually appear on this album at all.
* AddedAlliterativeAppeal: "In The Courtof the Of The Crimson King"
# "The Court Of The Crimson
* Greg Lake: lead vocals, bass guitar
* Ian [=McDonald=]: alto saxophone, mellotron, harpsichord, piano, organ, clarinet, bass clarinet
!!Principal Members:
* Robert Fripp:
* Michael Giles: drums, percussion, vocals, timpani
*
* Ian [=McDonald=]: saxophone, mellotron, vocals, harpsichord, piano, organ, clarinet, bass clarinet, vibraphone
----
!! 21st Century Schizoid
* [[AbsenteeActor Absentee Musician]]: Peter Sinfield. Despite being an official member of King Crimson and writing the lyrics for this album, he doesn't actually appear on this album at all.
* AddedAlliterativeAppeal: "In The Court
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* AlbumTitleDrop: "The Court of the Crimson King".
to:
* AlbumTitleDrop: "The Court of the Of The Crimson King".
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** Creator/{{Gotlib}} spoofed the album cover with his character Hamster Jovial.
to:
** Creator/{{Gotlib}} spoofed the album cover with his character Hamster Jovial.[[https://berichtenuithetverleden.wordpress.com/2012/12/12/gotlib-hamster-jovial-et-ses-louveteaux/]]
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/in_the_court_of_the_crimson_king_9964.jpg]]
'''In The Court Of The Crimson King''' is the 1969 debut studio album by Music/KingCrimson. The album is generally seen as the kickstarter for the ProgressiveRock genre and, in a case of FirstInstallmentWins, King Crimson's MagnumOpus. The album never generated any hits, but nevertheless managed to become a CultClassic, inspiring countless rock bands to change their sounds and move towards ProgressiveRock instead.
'''Tracklist'''
# "21st Century Schizoid Man" (includes "Mirrors") (7:24)
# "I Talk To The Wind" (6:04)
# "Epitaph" (8:49)
# "Moonchild" (includes "The Dream" and "The Illusion") (12:13)
# "The Court Of The Crimson King" (includes "The Return of the Fire Witch" and "The Dance of the Puppets") (9:26)
'''Personnel'''
* Greg Lake: lead vocals, bass guitar
* Ian [=McDonald=]: alto saxophone, mellotron, harpsichord, piano, organ, clarinet, bass clarinet
* Robert Fripp: lead guitar
* Michael Giles: drums, percussion, timpani
* Peter Sinfield: lyrics
!! 21st Century Schizoid Tropes
* AddedAlliterativeAppeal: "In The Court of the Crimson King"
--> ''The purple piper plays his tune''
* AlbumTitleDrop: "The Court of the Crimson King".
--> ''The purple piper plays his tune,''
--> ''The choir softly sing;''
--> ''Three lullabies in an ancient tongue,''
--> ''For the court of the crimson king.''
* AlliterativeTitle: "In The '''C'''ourt of the '''C'''rimson King".
* BigRockEnding: The title track is an epic jam, which clocks in it at 9:26.
* BrokenRecord:
--> ''In the court of the Crimson Kiiiiiiiiiing ahhhhhhhhhhhhh... kiiiiiiiiiing ahhhhhhhhhhh...''
* CrapsackWorld: "21st Century Schizoid Man" and "Epitaph" both describe this kind of world. See {{Dystopia}} below.
* DesignStudentsOrgasm: The iconic album cover was illustrated by Barry Godber, a computer programmer. This would be his only cover too, as he died in 1970 of a heart attack.
* {{Dystopia}}: The general theme of the album is man's feeling of stress, anxiety and paranoia in the 21st century, which was still four decades ahead at the time when this album was released. "Epitaph" isn't particularly optimistic
--> ''Knowledge is a deadly fiend''
--> ''If no one sets the rules''
--> ''The fate of all mankind I see''
--> ''Is in the hands of fools''
* EpicRocking: All tracks are over six minutes in length, with "Moonchild" being the longest at 12:13.
* GrossUpCloseUp: The album cover shows a screaming man in close-up, so we can literally look inside his opened mouth.
* HitlessHitAlbum: This album didn't score any hits, yet it was a major bestseller among rock fans and a CultClassic to this day.
* ImaginaryFriend: "I Talk To The Wind"
--> ''I talk to the wind''
--> ''My words are all carried away''
--> ''I talk to the wind''
--> ''The wind does not hear''
--> ''The wind cannot hear''
* LastNoteNightmare: The conclusion of "21st Century Schizoid Man".
* NewSoundAlbum: Before the release of this album Music/KingCrimson were best known as a bluesrock band. On this album they mixed jazz and classical music in a combination that would eventually become known as ProgRock.
* NightmareFace: The creepy face on the cover.
* NightmareFuelStationAttendant: The album cover is unnerving enough, but take a gander at the lyrics of "21st Century Schizoid Man":
--> ''Blood rack, barbed wire''
--> ''Politicians' funeral pyre''
--> ''Innocents raped with napalm fire''
--> ''21st Century Scizoid Man''
* OneManSong: "21st Century Schizoid Man".
* OneWordTitle: "Epitaph", "Moonchild".
* ProgressiveRock: This album practically popularized the genre.
* ProperlyParanoid: "21st Century Schizoid Man".
--> ''At paranoia's poison door''
--> ''21st century schizoid man''
* ProtestSong: "21st Century Schizoid Man" protests UsefulNotes/TheVietnamWar,
--> ''Innocents raped with napalm fire''
* PsychedelicRock: This album is generally seen as a bridge between psychedelic and progressive rock.
* RealLifeWritesThePlot: "21st Century Schizoid Man" references UsefulNotes/TheVietnamWar in the lyric "innocents raped with napalm fire".
* SelfTitledAlbum: The band's name is mentioned in the title.
* ShoutOut:
** The opening lyrics to "Epitaph" reference Music/SimonAndGarfunkel's "The Sounds of Silence". Or just a reference to Literature/TheBible. Same with the Simon and Garfunkel song.
** Creator/{{Gotlib}} spoofed the album cover with his character Hamster Jovial.
** An excerpt of "Epitaph" was incorporated by Music/EmersonLakeAndPalmer in their song "Tarkus" from their album "Tarkus" (1971).
*** Epitaph Records was named after the song "Epitaph".
** Creator/ChristinaRicci tap dances to "Moonchild" in ''Film/BuffaloSixtySix'' (1998).
** Music/KanyeWest sampled "21st Century Schizoid Man" on his album ''Music/MyBeautifulDarkTwistedFantasy'', during the track "Power".
** "The Court Of The Crimson King" was used in ''Film/ChildrenOfMen'' (2006).
* ShortLivedBigImpact: Despite the fact that, due to his untimely death, Barry Godber never designed anything else in his life the album cover has become one of the most recognizable ones in its field.
* ShoutOutToShakespeare: One section of "Epitaph" is called "[[Theatre/MacBeth Tomorrow and Tomorrow]]", which is fitting since the song is about death and despair.
* SolarAndLunar: The moonchild in "Moonchild" is "waiting for the smile from a sun child".
* TextlessAlbumCover: The album cover shows no title, nor the band's name.
----
'''In The Court Of The Crimson King''' is the 1969 debut studio album by Music/KingCrimson. The album is generally seen as the kickstarter for the ProgressiveRock genre and, in a case of FirstInstallmentWins, King Crimson's MagnumOpus. The album never generated any hits, but nevertheless managed to become a CultClassic, inspiring countless rock bands to change their sounds and move towards ProgressiveRock instead.
'''Tracklist'''
# "21st Century Schizoid Man" (includes "Mirrors") (7:24)
# "I Talk To The Wind" (6:04)
# "Epitaph" (8:49)
# "Moonchild" (includes "The Dream" and "The Illusion") (12:13)
# "The Court Of The Crimson King" (includes "The Return of the Fire Witch" and "The Dance of the Puppets") (9:26)
'''Personnel'''
* Greg Lake: lead vocals, bass guitar
* Ian [=McDonald=]: alto saxophone, mellotron, harpsichord, piano, organ, clarinet, bass clarinet
* Robert Fripp: lead guitar
* Michael Giles: drums, percussion, timpani
* Peter Sinfield: lyrics
!! 21st Century Schizoid Tropes
* AddedAlliterativeAppeal: "In The Court of the Crimson King"
--> ''The purple piper plays his tune''
* AlbumTitleDrop: "The Court of the Crimson King".
--> ''The purple piper plays his tune,''
--> ''The choir softly sing;''
--> ''Three lullabies in an ancient tongue,''
--> ''For the court of the crimson king.''
* AlliterativeTitle: "In The '''C'''ourt of the '''C'''rimson King".
* BigRockEnding: The title track is an epic jam, which clocks in it at 9:26.
* BrokenRecord:
--> ''In the court of the Crimson Kiiiiiiiiiing ahhhhhhhhhhhhh... kiiiiiiiiiing ahhhhhhhhhhh...''
* CrapsackWorld: "21st Century Schizoid Man" and "Epitaph" both describe this kind of world. See {{Dystopia}} below.
* DesignStudentsOrgasm: The iconic album cover was illustrated by Barry Godber, a computer programmer. This would be his only cover too, as he died in 1970 of a heart attack.
* {{Dystopia}}: The general theme of the album is man's feeling of stress, anxiety and paranoia in the 21st century, which was still four decades ahead at the time when this album was released. "Epitaph" isn't particularly optimistic
--> ''Knowledge is a deadly fiend''
--> ''If no one sets the rules''
--> ''The fate of all mankind I see''
--> ''Is in the hands of fools''
* EpicRocking: All tracks are over six minutes in length, with "Moonchild" being the longest at 12:13.
* GrossUpCloseUp: The album cover shows a screaming man in close-up, so we can literally look inside his opened mouth.
* HitlessHitAlbum: This album didn't score any hits, yet it was a major bestseller among rock fans and a CultClassic to this day.
* ImaginaryFriend: "I Talk To The Wind"
--> ''I talk to the wind''
--> ''My words are all carried away''
--> ''I talk to the wind''
--> ''The wind does not hear''
--> ''The wind cannot hear''
* LastNoteNightmare: The conclusion of "21st Century Schizoid Man".
* NewSoundAlbum: Before the release of this album Music/KingCrimson were best known as a bluesrock band. On this album they mixed jazz and classical music in a combination that would eventually become known as ProgRock.
* NightmareFace: The creepy face on the cover.
* NightmareFuelStationAttendant: The album cover is unnerving enough, but take a gander at the lyrics of "21st Century Schizoid Man":
--> ''Blood rack, barbed wire''
--> ''Politicians' funeral pyre''
--> ''Innocents raped with napalm fire''
--> ''21st Century Scizoid Man''
* OneManSong: "21st Century Schizoid Man".
* OneWordTitle: "Epitaph", "Moonchild".
* ProgressiveRock: This album practically popularized the genre.
* ProperlyParanoid: "21st Century Schizoid Man".
--> ''At paranoia's poison door''
--> ''21st century schizoid man''
* ProtestSong: "21st Century Schizoid Man" protests UsefulNotes/TheVietnamWar,
--> ''Innocents raped with napalm fire''
* PsychedelicRock: This album is generally seen as a bridge between psychedelic and progressive rock.
* RealLifeWritesThePlot: "21st Century Schizoid Man" references UsefulNotes/TheVietnamWar in the lyric "innocents raped with napalm fire".
* SelfTitledAlbum: The band's name is mentioned in the title.
* ShoutOut:
** The opening lyrics to "Epitaph" reference Music/SimonAndGarfunkel's "The Sounds of Silence". Or just a reference to Literature/TheBible. Same with the Simon and Garfunkel song.
** Creator/{{Gotlib}} spoofed the album cover with his character Hamster Jovial.
** An excerpt of "Epitaph" was incorporated by Music/EmersonLakeAndPalmer in their song "Tarkus" from their album "Tarkus" (1971).
*** Epitaph Records was named after the song "Epitaph".
** Creator/ChristinaRicci tap dances to "Moonchild" in ''Film/BuffaloSixtySix'' (1998).
** Music/KanyeWest sampled "21st Century Schizoid Man" on his album ''Music/MyBeautifulDarkTwistedFantasy'', during the track "Power".
** "The Court Of The Crimson King" was used in ''Film/ChildrenOfMen'' (2006).
* ShortLivedBigImpact: Despite the fact that, due to his untimely death, Barry Godber never designed anything else in his life the album cover has become one of the most recognizable ones in its field.
* ShoutOutToShakespeare: One section of "Epitaph" is called "[[Theatre/MacBeth Tomorrow and Tomorrow]]", which is fitting since the song is about death and despair.
* SolarAndLunar: The moonchild in "Moonchild" is "waiting for the smile from a sun child".
* TextlessAlbumCover: The album cover shows no title, nor the band's name.
----