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Changed line(s) 65 (click to see context) from:
* NPlusOneSequelTitle: Or rather "N*10 Sequel Title". Their first EP is the SelfTitledAlbum ''Music/HundredGecsEP'', followed by their first real album ''Music/ThousandGecs'', and its follow-up ''Music/TenThousandGecs''.
to:
* NPlusOneSequelTitle: Or rather "N*10 rather, "10^N+1 Sequel Title". Their first EP is the SelfTitledAlbum ''Music/HundredGecsEP'', followed by their first real album ''Music/ThousandGecs'', and its follow-up ''Music/TenThousandGecs''.
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Changed line(s) 51 (click to see context) from:
** "Hollywood Baby" is an ode to early 2000s punk, pop-punk, and the bands that bridged the two, down to the ironic lyrics criticising materialism and the mainstream.
to:
** "Hollywood Baby" is an ode to early 2000s late-90s/early-2000s punk, pop-punk, and the bands that bridged the two, down to the ironic lyrics criticising materialism and the mainstream.
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* TakeThatAudience: Laura frequently dedicates "What's That Smell" to ''certain'' people in the audience during live shows.
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Changed line(s) 41 (click to see context) from:
* CreatorInJoke: They've claimed the band name stems from an incident where Laura tried to order a single pet gecko online, only to be shipped one hundred of them.
to:
* CreatorInJoke: A common running gag in their interviews is constantly giving wildly different answers as to where the name "100 gecs" came from. They've claimed the band name stems from an incident where Laura tried to order a single pet gecko online, only to be shipped one hundred of them.them, that they randomly found "100 gecs" spray-painted on a wall outside Laura's dorm and didn't know what it meant, and that it came to them in a dream.
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Changed line(s) 76 (click to see context) from:
* SurprisinglyGentleSong: "Frog On The Floor" completely does away with the duo's usual aggressive, unhinged lyrics and instruments for a jaunty, laid-back Ska bop about a group of friends stopping what they're doing to vibe with a random frog.
to:
* SurprisinglyGentleSong: "Frog SurprisinglyGentleSong:
**The unreleased "miss you" is a slow, emotional acoustic guitar ballad about missing someone close to you, with a significantly more gentle and relaxed tone than their usual sound.
**"Frog On The Floor" completely does away with the duo's usual aggressive, unhinged lyrics and instruments for a jaunty, laid-back Ska bop about a group of friends stopping what they're doing to vibe with a random frog.
**The unreleased "miss you" is a slow, emotional acoustic guitar ballad about missing someone close to you, with a significantly more gentle and relaxed tone than their usual sound.
**"Frog On The Floor" completely does away with the duo's usual aggressive, unhinged lyrics and instruments for a jaunty, laid-back Ska bop about a group of friends stopping what they're doing to vibe with a random frog.
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Rap Rock and Rap Metal frequently get confused
Changed line(s) 28 (click to see context) from:
* AlternativeRock: ''10,000 gecs'' sees the duo leaning into this more than previous projects, featuring much more electric guitar and exploring much more genre inspirations through their usual {{hyperpop}} shtick. "Hollywood Baby" leans into 90s-era PopPunk, "Doritos and Fritos" and "I got my tooth removed" feature the bouncy energy of SkaPunk, "Billy Knows Jamie" is a Music/LimpBizkit-esque fusion of NuMetal and RapRock, etc.
to:
* AlternativeRock: ''10,000 gecs'' sees the duo leaning into this more than previous projects, featuring much more electric guitar and exploring much more genre inspirations through their usual {{hyperpop}} shtick. "Hollywood Baby" leans into 90s-era PopPunk, "Doritos and Fritos" and "I got my tooth removed" feature the bouncy energy of SkaPunk, "Billy Knows Jamie" is a Music/LimpBizkit-esque fusion of NuMetal and RapRock, RapMetal, etc.
Changed line(s) 61 (click to see context) from:
** "Billy knows Jamie" is already an aggressive NuMetal-RapRock fusion, but the final third of the track dissolves into [[SensoryAbuse one of the harshest, noisiest breakdowns in the 100 gecs catalogue]] (which is saying a lot), complete with squealing guitars, crushing drums, and ''[[HarshVocals death metal growls]]''.
to:
** "Billy knows Jamie" is already an aggressive NuMetal-RapRock NuMetal-RapMetal fusion, but the final third of the track dissolves into [[SensoryAbuse one of the harshest, noisiest breakdowns in the 100 gecs catalogue]] (which is saying a lot), complete with squealing guitars, crushing drums, and ''[[HarshVocals death metal growls]]''.
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"The Most Wanted Person" doesn't actually have any lyrics about insomnia, and in "Doritos & Fritos" Laura only has trouble sleeping because the TV is on too loud.
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* TheInsomniac: A recurring theme on ''10,000 gecs''. "Doritos & Fritos", "I Got My Tooth Removed", and "The Most Wanted Person in the United States" all make reference to the singer's inability or difficulty sleeping.
to:
* TheInsomniac: A recurring theme on ''10,000 gecs''. "Doritos & Fritos", In "I Got My Tooth Removed", and "The Most Wanted Person in Laura says that she's "staring at the United States" all make reference ceiling, counting seconds 'til I get to the singer's inability or difficulty sleeping.sleep", presumably having trouble falling asleep due to her sore tooth.
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Added DiffLines:
** "Money Machine"'s outro abruptly turns into bass-boosted HarshNoise lacking any melodic qualities.
** Most of "gec 2 Ü" is a SurprisinglyGentleSong, with a sparser instrumentation that isn't as overwhelming as most of their songs. The ending makes up for it by assailing you with extremely loud sounds, on both the high and low ends.
** Most of "gec 2 Ü" is a SurprisinglyGentleSong, with a sparser instrumentation that isn't as overwhelming as most of their songs. The ending makes up for it by assailing you with extremely loud sounds, on both the high and low ends.
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Both Dylan and Laura used heavy vocal effects on their early albums.
Changed line(s) 75 (click to see context) from:
* VocalEvolution: In the duo's earlier works, Laura's vocals have extremely heavy AutoTune and {{Nightcore}}[=-=]style pitch-shifting, a stylistic choice she says is motivated by voice dysphoria due to being UsefulNotes/{{transgender}}. The ''Snake Eyes'' EP and ''10,000 gecs'' LP go significantly lighter on the vocal effects, resulting in vocals sounding closer to her natural voice. She's mentioned that this is due to her having taken voice lessons, making her more confident in her own voice.
to:
* VocalEvolution: In the duo's earlier works, Laura's their vocals have extremely heavy AutoTune and {{Nightcore}}[=-=]style pitch-shifting, a stylistic choice she says is motivated by voice dysphoria due to being UsefulNotes/{{transgender}}. pitch-shifting. The ''Snake Eyes'' EP and ''10,000 gecs'' LP go significantly lighter on the vocal effects, resulting in vocals sounding closer to her their natural voice. She's Laura has mentioned that this is voice dysphoria due to her having taken voice being UsefulNotes/{{transgender}} was the motivation behind such heavy editing; after undergoing vocal lessons, making her she felt more confident in her own voice.voice which opened the door to songs with fewer effects.
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Added DiffLines:
* {{Flight}}: The music video for "Doritos & Fritos" consists mainly of Dylan and Laura (or rather, kites dressed up to look like them) flying around.
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Changed line(s) 74 (click to see context) from:
* VocalEvolution: On both the ''Snake Eyes'' EP and the ''10,000 gecs'' LP, Laura's vocals significantly reduce the amounts of pitch-shifting from previous works, resulting in vocals closer to her natural voice.
to:
* VocalEvolution: On both In the duo's earlier works, Laura's vocals have extremely heavy AutoTune and {{Nightcore}}[=-=]style pitch-shifting, a stylistic choice she says is motivated by voice dysphoria due to being UsefulNotes/{{transgender}}. The ''Snake Eyes'' EP and the ''10,000 gecs'' LP, Laura's vocals LP go significantly reduce lighter on the amounts of pitch-shifting from previous works, vocal effects, resulting in vocals sounding closer to her natural voice. She's mentioned that this is due to her having taken voice lessons, making her more confident in her own voice.
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None
Changed line(s) 62 (click to see context) from:
* NPlus1SequelTitle: Or rather "N*10 Sequel Title". Their first EP is the SelfTitledAlbum ''Music/HundredGecsEP'', followed by their first real album ''Music/ThousandGecs'', and its follow-up ''Music/TenThousandGecs''.
to:
* NPlus1SequelTitle: NPlusOneSequelTitle: Or rather "N*10 Sequel Title". Their first EP is the SelfTitledAlbum ''Music/HundredGecsEP'', followed by their first real album ''Music/ThousandGecs'', and its follow-up ''Music/TenThousandGecs''.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* NPlus1SequelTitle: Or rather "N*10 Sequel Title". Their first EP is the SelfTitledAlbum ''Music/HundredGecsEP'', followed by their first real album ''Music/ThousandGecs'', and its follow-up ''Music/TenThousandGecs''.
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None
Changed line(s) 26,27 (click to see context) from:
* AlternativeRock: ''10,000 gecs'' sees the duo leaning into this more than previous projects, featuring much more electric guitar and exploring much more genre inspirations through their usual {{hyperpop}} shtick. "Hollywood Baby" leans into 90s-era PopPunk, "Doritos and Fritos" and "I got my tooth removed" feature the bouncy energy of SkaPunk, "Billy knows jamie" is a Music/LimpBizkit-esque fusion of NuMetal and RapRock, etc.
* AntiChristmasSong: "sympathy 4 the grinch". It's about stealing Santa's magic bag all because they didn't get what they want.
* AntiChristmasSong: "sympathy 4 the grinch". It's about stealing Santa's magic bag all because they didn't get what they want.
to:
* AlternativeRock: ''10,000 gecs'' sees the duo leaning into this more than previous projects, featuring much more electric guitar and exploring much more genre inspirations through their usual {{hyperpop}} shtick. "Hollywood Baby" leans into 90s-era PopPunk, "Doritos and Fritos" and "I got my tooth removed" feature the bouncy energy of SkaPunk, "Billy knows jamie" Knows Jamie" is a Music/LimpBizkit-esque fusion of NuMetal and RapRock, etc.
* AntiChristmasSong: "sympathy 4 thegrinch". grinch." It's about stealing Santa's magic bag all because they didn't get what they want.
* AntiChristmasSong: "sympathy 4 the
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Changed line(s) 56 (click to see context) from:
** "Billy knows jamie" is already an aggressive NuMetal[=-=]RapRock fusion, but the final third of the track dissolves into [[SensoryAbuse one of the harshest, noisiest breakdowns in the 100 gecs catalogue]] (which is saying a lot), complete with squealing guitars, crushing drums, and ''[[HarshVocals death metal growls]]''.
to:
** "Billy knows jamie" Jamie" is already an aggressive NuMetal[=-=]RapRock NuMetal-RapRock fusion, but the final third of the track dissolves into [[SensoryAbuse one of the harshest, noisiest breakdowns in the 100 gecs catalogue]] (which is saying a lot), complete with squealing guitars, crushing drums, and ''[[HarshVocals death metal growls]]''.
Changed line(s) 65 (click to see context) from:
* RecurringRiff: In the duo's more {{Ska}}[=-=]inspired tracks, they use the same soundbite of Dylan saying "Pick it up!" It's shown up in "stupid horse", "sympathy 4 the grinch", and "I got my tooth removed".
to:
* RecurringRiff: In the duo's more {{Ska}}[=-=]inspired {{Ska}}-inspired tracks, they use the same soundbite of Dylan saying "Pick it up!" It's shown up in "stupid horse", "sympathy 4 the grinch", and "I got my tooth removed".
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Changed line(s) 28,31 (click to see context) from:
-->''Never gave me a goddamn thing that I want''\\
''I was good every day, but he didn't give a fuck''\\
''This year, put the top on the back of the truck''\\
''Santa's banging on the back of the truck''
''I was good every day, but he didn't give a fuck''\\
''This year, put the top on the back of the truck''\\
''Santa's banging on the back of the truck''
to:
-->''Never gave me a goddamn thing that I want''\\
''Iwant\\
I was good every day, but he didn't give afuck''\\
''Thisfuck\\
This year, put the top on the back of thetruck''\\
''Santa'struck\\
Santa's banging on the back of the truck''
''I
I was good every day, but he didn't give a
''This
This year, put the top on the back of the
''Santa's
Santa's banging on the back of the truck''
Changed line(s) 40 (click to see context) from:
* DIYDentistry: {{Discussed}} in "I Got My Tooth Removed", which is largely about the singer putting off their trip to the dentist and ignoring their toothache to the best of their ability (''I might grab the pliers and just rip it out myself/But if it's gonna fix itself, I guess it's just as well''), but ultimately they're forced to get it removed, implicitly professionally.
to:
* DIYDentistry: {{Discussed}} {{Discussed|Trope}} in "I Got My Tooth Removed", which is largely about the singer putting off their trip to the dentist and ignoring their toothache to the best of their ability (''I might grab the pliers and just rip it out myself/But if it's gonna fix itself, I guess it's just as well''), but ultimately they're forced to get it removed, implicitly professionally.
Changed line(s) 42 (click to see context) from:
* GenreMashup: Listeners from every corner might point out how there are elements of hip hop, industrial, emo, punk, dubstep, nu metal, third-wave ska a(just to name a few)... all taken to their sonic extremes.
to:
* GenreMashup: Listeners from every corner might point out how there are elements of hip hop, industrial, emo, punk, dubstep, nu metal, third-wave ska a(just (just to name a few)... all taken to their sonic extremes.
Changed line(s) 62,64 (click to see context) from:
-->''Why am I never getting lucky?''\\
''I never have any money!''\\
''I never win any money!''
''I never have any money!''\\
''I never win any money!''
to:
-->''Why am I never getting lucky?''\\
''Ilucky?'\\
I never have anymoney!''\\
''Imoney!\\
I never win any money!''
''I
I never have any
''I
I never win any money!''
Changed line(s) 69 (click to see context) from:
* StylisticSuck: "Suck" may be a strong word, but the duo's sound is greatly evocative of genre tropes and songwriting clichés from the late-90s early 2000s that have been largely discredited by internet culture, just thrown into a very loud blender, bitcrushed to death, and then pumped up until the speakers clip. The hyper, noisy, over-the-top approach to the likes of emo, rap-rock, 90's rave, etc. [[PoesLaw dances around between parody that exaggerates and deconstructs those particular sounds and a sincere, futuristic tribute to those same sounds.]]
to:
* StylisticSuck: "Suck" may be a strong word, but the duo's sound is greatly evocative of genre tropes and songwriting clichés from the late-90s early 2000s that have been largely discredited by internet culture, just thrown into a very loud blender, bitcrushed to death, and then pumped up until the speakers clip. The hyper, noisy, over-the-top approach to the likes of emo, rap-rock, 90's 90s rave, etc. [[PoesLaw dances around between parody that exaggerates and deconstructs those particular sounds and a sincere, futuristic tribute to those same sounds.]]
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Added DiffLines:
* CreatorInJoke: They've claimed the band name stems from an incident where Laura tried to order a single pet gecko online, only to be shipped one hundred of them.
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Changed line(s) 12,13 (click to see context) from:
100 gecs is a musical duo consisting of Laura Les and Dylan Brady.
to:
100 gecs is a an American musical duo consisting of Laura Les and Dylan Brady.
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Changed line(s) 22 (click to see context) from:
* ''10,000 gecs'' (LP, 2023)
to:
* ''10,000 gecs'' ''Music/TenThousandGecs'' (LP, 2023)