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He also collaborated with Philip Oakey (the singer of Music/TheHumanLeague, who sings the above quote), Japan, [[{{Music/Queen}} Freddie Mercury]] and Music/DaftPunk.
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He also collaborated with Philip Oakey (the singer of Music/TheHumanLeague, ''The Human League,'' who sings the above quote), Japan, [[{{Music/Queen}} Freddie Mercury]] and Music/DaftPunk.
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Trope that doesn\'t exist.
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->''We'll always be together, together in ElectricDreams...''
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->''We'll always be together, together in ElectricDreams...Electric Dreams...''
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He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs, albeit with a poppier version on Bowie's ''Let's Dance'' album), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack for) ''Film/{{Metropolis}}''. Another song which was produced by Giorgio (as well as part of the soundtrack) was the ''Film/TheNeverendingStory'' theme (sung by Limahl).
to:
He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs, albeit with a poppier version on Bowie's ''Let's Dance'' album), or ''Film/{{Scarface}}''.''Film/{{Scarface 1983}}''. He also helped restore (and wrote a new soundtrack for) ''Film/{{Metropolis}}''. Another song which was produced by Giorgio (as well as part of the soundtrack) was the ''Film/TheNeverendingStory'' theme (sung by Limahl).
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* PopStarComposer: Composed the soundtrack for ''Film/MidnightExpress'', ''[[Film/{{Scarface1983}} Scarface]]'' and the 1984 restoration of ''Film/{{Metropolis}}''.
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* PopStarComposer: Composed the soundtrack for ''Film/MidnightExpress'', ''[[Film/{{Scarface1983}} ''[[Film/{{Scarface 1983}} Scarface]]'' and the 1984 restoration of ''Film/{{Metropolis}}''.
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[[caption-width-right:252:CoolShades meets PornStache.]]
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* CoolOldGuy: He's pushing 80, and has a whole new audience thanks to the CareerResurrection brought on by [[BigNameFan Big Name Fans]] Music/DaftPunk.
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* CoolOldGuy: He's pushing 80, in his mid-70s, and has a whole new audience thanks to the CareerResurrection brought on by [[BigNameFan Big Name Fans]] Music/DaftPunk.
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* CoolOldGuy: He's pushing 80, and has a whole new audience thanks to the CareerResurrection brought on by [[BigNameFan Big Name Fans]] Music/DaftPunk.
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* PopStarComposer: Composed the soundtrack for ''Film/MidnightExpress'', ''Film/{{Scarface}}'' and the 1984 restoration of ''Film/{{Metropolis}}''.
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* PopStarComposer: Composed the soundtrack for ''Film/MidnightExpress'', ''Film/{{Scarface}}'' ''[[Film/{{Scarface1983}} Scarface]]'' and the 1984 restoration of ''Film/{{Metropolis}}''.
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* RecordProducer: Music/DonnaSummer and Music/{{Sparks}} clearly benefited from his contributions.
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* RecordProducer: Legendary Electronic, Pop and Disco producer. Music/DonnaSummer and Music/{{Sparks}} clearly benefited from are among his contributions.most significant production credits.
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* CoverVersion: "Knights In White Satin" by Music/TheMoodyBlues, which goes into EpicRocking territory (a long version split in three continuous parts that occupies the A-side of the album with the same name).
to:
* CoverVersion: "Knights In White Satin" by Music/TheMoodyBlues, (Music/TheMoodyBlues), which goes into EpicRocking territory (a long version split in three continuous parts that occupies the A-side of the album with the same name).
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* PopStarComposer: Composed the soundtrack for ''Film/MidnightExpress'', ''Film/Scarface'' and the 1984 restoration of ''Film/{{Metropolis}}''.
* RecordProducer
* RecordProducer
to:
* PopStarComposer: Composed the soundtrack for ''Film/MidnightExpress'', ''Film/Scarface'' ''Film/{{Scarface}}'' and the 1984 restoration of ''Film/{{Metropolis}}''.
*RecordProducerRecordProducer: Music/DonnaSummer and Music/{{Sparks}} clearly benefited from his contributions.
*
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* PopStarComposer: Composed the soundtrack for ''Film/MidnightExpress'' and the 1984 restoration of ''Film/{{Metropolis}}''.
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* PopStarComposer: Composed the soundtrack for ''Film/MidnightExpress'' ''Film/MidnightExpress'', ''Film/Scarface'' and the 1984 restoration of ''Film/{{Metropolis}}''.
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* CoverVersion: "Knights In White Satin" by the Moody Blues, which goes into EpicRocking territory (a long version split in three continuous parts that occupies the A-side of the album with the same name).
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* CoverVersion: "Knights In White Satin" by the Moody Blues, Music/TheMoodyBlues, which goes into EpicRocking territory (a long version split in three continuous parts that occupies the A-side of the album with the same name). name).
* {{Disco}}
* ElectronicMusic
* {{Disco}}
* ElectronicMusic
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* SpokenWordInMusic: He lists the credits of the album ''[=E=MC2=]'' at the end of the song with the same name, concluding with a [[Main/AlbertEinstein "Thank you, Albert"]].
** He also does this in the Music/DaftPunk track "Giorgio By Moroder".
** He also does this in the Music/DaftPunk track "Giorgio By Moroder".
to:
* SpokenWordInMusic: PopStarComposer: Composed the soundtrack for ''Film/MidnightExpress'' and the 1984 restoration of ''Film/{{Metropolis}}''.
* RecordProducer
* SpokenWordInMusic:
** He lists the credits of the album ''[=E=MC2=]'' at the end of the song with the same name, concluding with a [[Main/AlbertEinstein "Thank you, Albert"]].
** Healso does this in the Music/DaftPunk track "Giorgio By Moroder".
* RecordProducer
* SpokenWordInMusic:
** He lists the credits of the album ''[=E=MC2=]'' at the end of the song with the same name, concluding with a [[Main/AlbertEinstein "Thank you, Albert"]].
** He
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He also collaborated with Philip Oakey (the singer of Music/TheHumanLeague, who sings the above quote), Japan, Freddie Mercury and Music/DaftPunk.
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He also collaborated with Philip Oakey (the singer of Music/TheHumanLeague, who sings the above quote), Japan, [[{{Music/Queen}} Freddie Mercury Mercury]] and Music/DaftPunk.
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* CoverVersion: "Knights In White Satin" by the Moody Blues, which goes into EpicRocking territory (a long version split in three continuous parts that occupies the A-side of the album with the same name.
to:
* CoverVersion: "Knights In White Satin" by the Moody Blues, which goes into EpicRocking territory (a long version split in three continuous parts that occupies the A-side of the album with the same name.name).
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* SpokenWordInMusic: He lists the credits of the album ''[=E=MC2=]'' at the end of the song with the same name.
to:
* SpokenWordInMusic: He lists the credits of the album ''[=E=MC2=]'' at the end of the song with the same name.name, concluding with a [[Main/AlbertEinstein "Thank you, Albert"]].
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* SpokenWordInMusic: He lists the credits of the album ''E=MC2'' at the end of the song with the same name.
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* SpokenWordInMusic: He lists the credits of the album ''E=MC2'' ''[=E=MC2=]'' at the end of the song with the same name.
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* SpokenWordInMusic: He lists the credits of the album ''E=MC
'' at the end of the song with the same name.
'' at the end of the song with the same name.
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* SpokenWordInMusic: He lists the credits of the album ''E=MC
''''E=MC2'' at the end of the song with the same name.
''
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* SpokenWordInMusic: He lists the credits of the album ''E=MC'' at the end of the song with the same name.
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* SpokenWordInMusic: He lists the credits of the album ''E=MC'' at the end of the song with the same name.''E=MC
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* SpokenWordInMusic: He lists the credits of the album ''E=MC
'' at the end of the song with the same name.
'' at the end of the song with the same name.
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* SpokenWordInMusic: He lists the credits of the album ''E=MC
''''E=MC'' at the end of the song with the same name.name.
** He also does this in the Music/DaftPunk track "Giorgio By Moroder".
''
** He also does this in the Music/DaftPunk track "Giorgio By Moroder".
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* EpicRocking: "Chase", "Evolution", "Call Me". The A-side of the ''Knights In White Satin'' album could also be considered this.
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* EpicRocking: "Chase", "Evolution", "Call Me". The A-side of the ''Knights In White Satin'' album could also be considered this. Many of the 12'' mixes of his songs (which were designed for the dance floor) are also this (like "I Feel Love").
* SpokenWordInMusic: He lists the credits of the album ''E=MC
* SpokenWordInMusic: He lists the credits of the album ''E=MC
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* CoverVersion: "Knights In White Satin" by the Moody Blues, which goes into EpicRocking territory (a long version split in three continuous parts that occupies the A-side of the album with the same name.
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He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack for) ''Film/{{Metropolis}}''. Another song which was produced by Giorgio (as well as part of the soundtrack) was the ''Film/TheNeverendingStory'' theme (sung by Limahl).
to:
He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs), songs, albeit with a poppier version on Bowie's ''Let's Dance'' album), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack for) ''Film/{{Metropolis}}''. Another song which was produced by Giorgio (as well as part of the soundtrack) was the ''Film/TheNeverendingStory'' theme (sung by Limahl).
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He also collaborated with Philip Oakey (the singer of Music/TheHumanLeague), Japan, Freddie Mercury and Music/DaftPunk.
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He also collaborated with Philip Oakey (the singer of Music/TheHumanLeague), Music/TheHumanLeague, who sings the above quote), Japan, Freddie Mercury and Music/DaftPunk.
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page quote
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->''We'll always be together, together in ElectricDreams...''
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He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack) for ''Film/{{Metropolis}}''. Another song which was produced by Giorgio (as well as part of the soundtrack) was the ''Film/TheNeverendingStory'' theme (sung by Limahl).
to:
He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack) for soundtrack for) ''Film/{{Metropolis}}''. Another song which was produced by Giorgio (as well as part of the soundtrack) was the ''Film/TheNeverendingStory'' theme (sung by Limahl).
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He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack) for ''Film/{{Metropolis}}''. Another song which was produced by Giorgio (as well as part of the soundtrack) was the ''Film/NeverendingStory'' theme (sung by Limahl).
to:
He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack) for ''Film/{{Metropolis}}''. Another song which was produced by Giorgio (as well as part of the soundtrack) was the ''Film/NeverendingStory'' ''Film/TheNeverendingStory'' theme (sung by Limahl).
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* EpicRocking: "Chase", "Evolution",
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* EpicRocking: "Chase", "Evolution","Evolution", "Call Me". The A-side of the ''Knights In White Satin'' album could also be considered this.
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He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack) for ''Film/{{Metropolis}}''. Another song which was produced by Giorgio (as well as part of the soundtrack) was the ''Main/NeverendingStory'' theme (sung by Limahl).
to:
He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack) for ''Film/{{Metropolis}}''. Another song which was produced by Giorgio (as well as part of the soundtrack) was the ''Main/NeverendingStory'' ''Film/NeverendingStory'' theme (sung by Limahl).
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He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack) for ''Film/{{Metropolis}}''.
to:
He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack) for ''Film/{{Metropolis}}''.
''Film/{{Metropolis}}''. Another song which was produced by Giorgio (as well as part of the soundtrack) was the ''Main/NeverendingStory'' theme (sung by Limahl).
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!! Tropes of Giorgio:
* EpicRocking: "Chase", "Evolution",
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Moving to Namespace.
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[[quoteright:252:http://static.tvtropes.org/pmwiki/pub/images/42408865_3759.jpg]]
[[caption-width-right:252:CoolShades meets PornStache.]]
'''Giorgio Moroder''' is an Italian record producer, songwriter and performer, and the main responsible for giving {{Disco}} a more synthesized and electronic sound and helping pushing forward ElectronicMusic.
He began his career in the mid-60's, releasing under the name Giorgio ''very cheesy'' singles, most of them becoming unsuccessful (and, fortunately, largely forgotten). In TheSeventies, he started to become more successful, especially after Chicory Tip's hit "Son of My Father". He also founded Musicland Studios (in the late-60's), which held recording sessions by people like Music/LedZeppelin, Music/{{Queen}} and Music/EltonJohn.
His big breakthrough, however, came through two ways: one, through the hiring of Music/DonnaSummer to Casablanca Records (and his own subsidiary, Oasis Records), by producing a lot of her music till the 80's. The other way was through an increased use of synthesizers and computer programming. He produced the majority of Donna's hits, including [[TheImmodestOrgasm "Love To Love You Baby"]] and the ground-breaking "I Feel Love". He also helped [[TropeMaker set the template]] for longer DJ sets (which became important from HouseMusic to {{Techno}} and many other forms of ElectronicMusic) with his album ''From Here to Eternity''.
He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack) for ''Film/{{Metropolis}}''.
He also collaborated with Philip Oakey (the singer of Music/TheHumanLeague), Japan, Freddie Mercury and Music/DaftPunk.
----
[[caption-width-right:252:CoolShades meets PornStache.]]
'''Giorgio Moroder''' is an Italian record producer, songwriter and performer, and the main responsible for giving {{Disco}} a more synthesized and electronic sound and helping pushing forward ElectronicMusic.
He began his career in the mid-60's, releasing under the name Giorgio ''very cheesy'' singles, most of them becoming unsuccessful (and, fortunately, largely forgotten). In TheSeventies, he started to become more successful, especially after Chicory Tip's hit "Son of My Father". He also founded Musicland Studios (in the late-60's), which held recording sessions by people like Music/LedZeppelin, Music/{{Queen}} and Music/EltonJohn.
His big breakthrough, however, came through two ways: one, through the hiring of Music/DonnaSummer to Casablanca Records (and his own subsidiary, Oasis Records), by producing a lot of her music till the 80's. The other way was through an increased use of synthesizers and computer programming. He produced the majority of Donna's hits, including [[TheImmodestOrgasm "Love To Love You Baby"]] and the ground-breaking "I Feel Love". He also helped [[TropeMaker set the template]] for longer DJ sets (which became important from HouseMusic to {{Techno}} and many other forms of ElectronicMusic) with his album ''From Here to Eternity''.
He also produced two albums for Music/{{Sparks}}, as well as scores and soundtracks for various movies and artists, including ''Film/MidnightExpress'' (which became the first all-electronic score to win an Academy Award), ''American Gigolo'' (TheOneWith "Call Me" by Debbie Harry), ''Cat People'' (the song of the same name became one of Music/DavidBowie's more popular songs), or ''Film/{{Scarface}}''. He also helped restore (and wrote a new soundtrack) for ''Film/{{Metropolis}}''.
He also collaborated with Philip Oakey (the singer of Music/TheHumanLeague), Japan, Freddie Mercury and Music/DaftPunk.
----
