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disambiguating


* ScrewTheWarWerePartying: "A New Kind of Water" even references [[Literature/TheBible Isaiah 22:13]] right at the beginning: "Eat, drink and be merry, for tomorrow, we die".

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* ScrewTheWarWerePartying: "A New Kind of Water" even references [[Literature/TheBible [[Literature/BookOfIsaiah Isaiah 22:13]] right at the beginning: "Eat, drink and be merry, for tomorrow, we die".
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cut trope


Musically, [[NeoclassicalPunkZydecoRockabilly it's a very difficult album to categorise]], as it incorporates elements of ProgressiveRock, folk, free jazz, gamelan, field recordings and even ElectronicMusic; its raw production and diverse sound earned it something of a kinship with the PostPunk movement, which took in similar influences. Whilst the album didn't deviate too much from the experimentation of the band's earlier work, it's argued that the introduction of more recognisable song structures on ''Deceit'' allowed the group to articulate their message much more clearly than before.

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Musically, [[NeoclassicalPunkZydecoRockabilly it's a very difficult album to categorise]], categorise, as it incorporates elements of ProgressiveRock, folk, free jazz, gamelan, field recordings and even ElectronicMusic; its raw production and diverse sound earned it something of a kinship with the PostPunk movement, which took in similar influences. Whilst the album didn't deviate too much from the experimentation of the band's earlier work, it's argued that the introduction of more recognisable song structures on ''Deceit'' allowed the group to articulate their message much more clearly than before.
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!!"We are all tropers, [[TVTropesWillRuinYourLife we live to regret it]]":

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!!"We are all tropers, [[TVTropesWillRuinYourLife [[JustForFun/TVTropesWillRuinYourLife we live to regret it]]":

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Removed: 93

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Useful notes aren't tropes


* UsefulNotes/ThePoppy: "Cenotaph".
* PoorCommunicationKills: "Makeshift Swahili".
* ProtestSong: Of the most fatalistic possible kind.

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* UsefulNotes/ThePoppy: "Cenotaph".
*
%%* PoorCommunicationKills: "Makeshift Swahili".
* %%* ProtestSong: Of the most fatalistic possible kind.



* UsefulNotes/TheRomanEmpire: "S.P.Q.R.".

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Removed: 298

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No longer tropes.


* LighterAndSofter / NewSoundAlbum: When compared with their bleak, drone-heavy debut, ''Deceit'' is a lot more upbeat and focused on songs rather than sound collages. That being said, it's still really dark compared to most other albums.

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* LighterAndSofter / NewSoundAlbum: LighterAndSofter: When compared with their bleak, drone-heavy debut, ''Deceit'' is a lot more upbeat and focused on songs rather than sound collages. That being said, it's still really dark compared to most other albums.



* MohsScaleOfLyricalHardness: Probably at level 8. The lyrics aren't that explicit even by the standards of the day, but they're relentlessly bleak and nihilistic.
* MohsScaleOfRockAndMetalHardness: A 6 or a 7 at its heaviest by today's standards, but at the time it came out it was a ''hard'' 10.
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None

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* RedHerring: The melodic style and optimistic lyrics of opener "Sleep" is this in the context of the rest of the album, which is far less idealistic.
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* PowerTrio: Charles Bullen is TheSpock, Charles Hayward is TheMcCoy, Gareth Williams is TheKirk.
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* HistoryRepeats: "S.P.Q.R." and "Cenotaph" both despairingly look at how civilisation can't to seem avoid getting into wars, no more how many times it's happened over the course of history. The latter even namechecks this trope word for word.

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* HistoryRepeats: "S.P.Q.R." and "Cenotaph" both despairingly look at how civilisation can't to seem to avoid getting into wars, no more how many times it's happened over the course of history. The latter even namechecks this trope word for word.
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Happily, by the end of the decade, tensions between countries had eased and nobody got blown up, but at that point This Heat had already called it a day a few years prior. Whilst changing tastes in music had left ''Deceit'' (and the rest of This Heat's music in general) largely underground, its' unorthodox song structures, uniquely DIY, collage-like approach to production and political leanings have developed a following in later years, and is considered an early precursor to PostRock.

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Happily, by the end of the decade, tensions between countries had eased and nobody got blown up, but at that point This Heat had already called it a day a few years prior. Whilst changing tastes in music had left ''Deceit'' (and the rest of This Heat's music in general) largely underground, its' its unorthodox song structures, uniquely DIY, collage-like approach to production and political leanings have developed a following in later years, and is considered an early precursor to PostRock.
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Picture this, it's [[TheEighties the early 1980s]]: The UsefulNotes/ColdWar was at its' height, relations between the East and the West were deteroriating, and the likelihood of the whole planet being wiped out in the event of a nuclear disaster seemed to loom larger than ever.

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Picture this, it's [[TheEighties the early 1980s]]: The UsefulNotes/ColdWar was at its' its height, relations between the East and the West were deteroriating, and the likelihood of the whole planet being wiped out in the event of a nuclear disaster seemed to loom larger than ever.
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None


* LighterAndSofter / NewSoundAlbum: When compared with their bleak, drone-heavy debut, ''Deceit'' is a lot more upbeat and focused on songs rather than experiments. That being said, it's still really dark compared to most other albums.

to:

* LighterAndSofter / NewSoundAlbum: When compared with their bleak, drone-heavy debut, ''Deceit'' is a lot more upbeat and focused on songs rather than experiments.sound collages. That being said, it's still really dark compared to most other albums.
Is there an issue? Send a MessageReason:
None


* LighterAndSofter / NewSoundAlbum: When compared with their bleak, drone-heavy debut, ''Deceit'' is a lot more upbeat and melodic. That being said, it's still really dark compared to most other albums.

to:

* LighterAndSofter / NewSoundAlbum: When compared with their bleak, drone-heavy debut, ''Deceit'' is a lot more upbeat and melodic.focused on songs rather than experiments. That being said, it's still really dark compared to most other albums.
Is there an issue? Send a MessageReason:
None


** "Shrink Wrap" opens with the same instrumental loop as "Sleep", but edited and messed around with to high heaven. It even possesses the same anti-consumerist message of "Sleep", but is more blunt and to the point with its criticisms. It's worth noting that both tracks open each side of the vinyl, as an attempt to confuse listeners.

to:

** "Shrink Wrap" opens with the same instrumental loop as "Sleep", but edited and messed around with to high heaven. It even possesses the same anti-consumerist message of "Sleep", but is more blunt and to the point with its criticisms. It's worth noting that that, on the vinyl releases, both tracks open each side of side, intentionally done by the vinyl, band as an attempt to confuse listeners.

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[[AC:Side A]]




[[AC:Side B]]



# "Hi Baku Shyo" (4:03)

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# "Hi Baku Shyo" Shyo 被爆症 (Suffer Bomb Disease)" (4:03)



* BilingualBonus: The title of the final track, "Hi Baku Shyo 被爆症", translates to "a-bomb sickness" (the official translation given on the album is the more literal "Suffer Bomb Disease"). The pronunciation of it is very close to that on "Hibakusha" ("被爆者 or 被曝者"), the term used in Japan to refer to survivors of the UsefulNotes/AtomicBombingsOfHiroshimaAndNagasaki, with only the third character traded out.



* DownerEnding: The album ends on the unsettling instrumental "Hi Baku Shyo", which roughly translates to [[UsefulNotes/AtomicBombingsOfHiroshimaAndNagasaki "explosion-affected people"]].

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* DownerEnding: The album ends on the unsettling instrumental "Hi Baku Shyo", which roughly translates to [[UsefulNotes/AtomicBombingsOfHiroshimaAndNagasaki "explosion-affected people"]]."a-bomb sickness"]].


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* NuclearWeaponsTaboo: Invoked in the title of "Hi Baku Shyo", which references the Japanese name for radiation sickness caused by exposure to the atomic blasts in Hiroshima and Nagasaki; the title is even written in Kanji on the original LP release.
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The result was ''Deceit'', the second (and final) studio album by This Heat, released in 1981 through the Rough Trade label.

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The result was ''Deceit'', the second (and final) studio album by This Heat, Music/ThisHeat, released in 1981 through the Rough Trade label.

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** "Shrink Wrap" opens with the same instrumental loop as "Sleep", but edited and messed around with to high heaven. It even possesses the same anti-consumerist message of "Sleep", but is more blunt and to the point with its criticisms.

to:

** "Shrink Wrap" opens with the same instrumental loop as "Sleep", but edited and messed around with to high heaven. It even possesses the same anti-consumerist message of "Sleep", but is more blunt and to the point with its criticisms. It's worth noting that both tracks open each side of the vinyl, as an attempt to confuse listeners.


Added DiffLines:

* LighterAndSofter / NewSoundAlbum: When compared with their bleak, drone-heavy debut, ''Deceit'' is a lot more upbeat and melodic. That being said, it's still really dark compared to most other albums.
Is there an issue? Send a MessageReason:
None


* CarefulWithThatAxe: Hayward lets out some absolutely deranged screams, especially on "Paper Hats".

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* CarefulWithThatAxe: Hayward lets out some absolutely deranged screams, especially on "Paper Hats". In the liner notes for the album remaster, he stated that he learnt to let his voice go during the making of the record.

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Changed: 100

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None


* DroneOfDread: Not as prominent as on their self-titled, but the band is still partial to horrifying sound collages. "Radio Prague" and "Hi Baku Shyo" almost sound like Music/ThrobbingGristle compositions.



* GenreBusting: A mutant hybrid of {{post-punk}} and {{krautrock}}.

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* GenreBusting: A The simplest way to put it would be a mutant hybrid of {{post-punk}} {{post punk}} and {{krautrock}}.{{krautrock}}, but the album's sound utterly defies simple categorization.


Added DiffLines:

* MohsScaleOfLyricalHardness: Probably at level 8. The lyrics aren't that explicit even by the standards of the day, but they're relentlessly bleak and nihilistic.
* MohsScaleOfRockAndMetalHardness: A 6 or a 7 at its heaviest by today's standards, but at the time it came out it was a ''hard'' 10.


Added DiffLines:

* SiameseTwinSongs: "Triumph" into "S.P.Q.R", "Shrink Wrap" into "Radio Prague".

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# "Sleep"
# "Paper Hats"
# "Triumph"
# "S.P.Q.R."
# "Cenotaph"
# "Shrink Wrap"
# "Radio Prague"
# "Makeshift Swahili"
# "Independence"
# "A New Kind of Water"
# "Hi Baku Shyo"

to:

# "Sleep"
"Sleep" (2:13)
# "Paper Hats"
Hats" (5:57)
# "Triumph"
"Triumph" (2:55)
# "S.P.Q.R."
" (3:26)
# "Cenotaph"
"Cenotaph" (4:35)
# "Shrink Wrap"
Wrap" (1:40)
# "Radio Prague"
Prague" (2:21)
# "Makeshift Swahili"
Swahili" (4:04)
# "Independence"
"Independence" (3:39)
# "A New Kind of Water"
Water" (4:57)
# "Hi Baku Shyo"
Shyo" (4:03)


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* CapitalismIsBad: "Sleep" and "A New Kind of Water" protest self-destructive, unsustainable consumerism.
* CarefulWithThatAxe: Hayward lets out some absolutely deranged screams, especially on "Paper Hats".


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* EagleLand: "Independence", which is mostly a recitation of the Declaration of Independence over creepy instrumentation, implies the band takes a dim view of the country.
* TheEndOfTheWorldAsWeKnowIt: A loose ConceptAlbum about nuclear holocaust.


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* GaiasLament: "A New Kind of Water" is largely about man's destruction of the environment through insatiable consumption of resources.
--> ''"Eat, drink, and be merry''\\
''For tomorrow we did eat electricity''\\
''Drink five of the seven seas''\\
''Here is a paralyzed sleet''\\
''Here is a bubblebath rain''\\
''Acrid stench and festering tongue''\\
''New York, Moscow, Nairobi in flames"''
* GenreBusting: A mutant hybrid of {{post-punk}} and {{krautrock}}.


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* HumansAreBastards: Portrays how humanity's greed, hatred, and misuse of technology can destroy the planet.


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* ProtestSong: Of the most fatalistic possible kind.

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