Picture this, it's the early 1980s: The Cold War was at its' height, relations between the East and the West were deteroriating, and the likelihood of the whole planet being wiped out in the event of a nuclear disaster seemed to loom larger than ever.
In the midst of all this tension, three radically-minded musicians from London, stationed in a converted meat storage facility dubbed Cold Storage, used their collective talents to deliver their vision of how such a horrific event would pan out.
The result was Deceit, the second (and final) studio album by This Heat, released in 1981 through the Rough Trade label.
Musically, it's a very difficult album to categorise, as it incorporates elements of Progressive Rock, folk, free jazz, gamelan, field recordings and even Electronic Music; its raw production and diverse sound earned it something of a kinship with the Post-Punk movement, which took in similar influences. Whilst the album didn't deviate too much from the experimentation of the band's earlier work, it's argued that the introduction of more recognisable song structures on Deceit allowed the group to articulate their message much more clearly than before.
Happily, by the end of the decade, tensions between countries had eased and nobody got blown up, but at that point This Heat had already called it a day a few years prior. Whilst changing tastes in music had left Deceit (and the rest of This Heat's music in general) largely underground, its' unorthodox song structures, uniquely DIY, collage-like approach to production and political leanings have developed a following in later years, and is considered an early precursor to Post-Rock.
- "Paper Hats"
- "Shrink Wrap"
- "Radio Prague"
- "Makeshift Swahili"
- "A New Kind of Water"
- "Hi Baku Shyo"
"We are all tropers, we live to regret it":
- After the End: Deceit is an aural account of what living in a post-apocalyptic society would entail.
- Design Student's Orgasm: The cover, when it isn't being absolutely terrifying.
- Downer Ending: The album ends on the unsettling instrumental "Hi Baku Shyo", which roughly translates to "explosion-affected people".
- Everything Is an Instrument: During the recording of Deceit, the band made heavy use of children's instruments they found in old junk shops, such as panpipes, toy keyboards, kazoos, and even foley sounds from outside their own studio space.
- Gratuitous Latin: "S.P.Q.R." make uses of basic Latin phrases (many of which are usually the first to be taught in schools).
- Harsh Vocals: Anytime Charles Hayward sings lead, especially on "Paper Hats" and "Makeshift Swahili".
- History Repeats: "S.P.Q.R." and "Cenotaph" both despairingly look at how civilisation can't to seem avoid getting into wars, no more how many times it's happened over the course of history. The latter even namechecks this trope word for word.
- Instrumentals: "Radio Prague" and "Hi Baku Shyo", though they're more like abstract sound collages rather than traditional instrumentals.
- Ironic Nursery Tune: "Sleep", a lullaby-like song - with lyrics that lampoon the persuasive, reassuring nature of commercials.
- Madness Mantra: "Rhubarb rhubarb rhubarb rhubarb"
- Nightmare Face: Just look at the album cover. Good god.
- The Poppy: "Cenotaph".
- Poor Communication Kills: "Makeshift Swahili".
- Power Trio: Charles Bullen is The Spock, Charles Hayward is The McCoy, Gareth Williams is The Kirk.
- The Roman Empire: "S.P.Q.R.".
- Shout-Out: The lyrics to "Sleep" incorporates slogans taken from advertisements, whilst "Independence" is a straight reading of the first few paragraphs of the Declaration of Independence.
- Vocal Tag Team: All three members of This Heat contribute vocals, often singing together in unison.