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It was the band's breakout album, propelling the four members to widespread success thanks to the singles "Under the Bridge" and "Give It Away", both of which are considered to be the band's [[SignatureSong signature songs]]. The album represents a fusion of the band's [[FunkRock funkier]], [[SexIsCool sex-filled]] elements along with a [[NewSoundAlbum new]], [[LighterAndSofter more melodic style]] that the band continued all the way from 1999's ''Music/{{Californication}}'' onward. In addition, the album is notable for each song [[FadingIntoTheNextSong fading into the next one]], making it the only Chili Peppers album (so far) do so.

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It was the band's [[BreakthroughHit breakout album, album]], propelling the four members to widespread success thanks to the singles "Under the Bridge" and "Give It Away", both of which are considered to be the band's [[SignatureSong signature songs]]. The album represents a fusion of the band's [[FunkRock funkier]], [[SexIsCool sex-filled]] elements along with a [[NewSoundAlbum new]], [[LighterAndSofter more melodic style]] that the band continued all the way from 1999's ''Music/{{Californication}}'' onward. In addition, the album is notable for each song [[FadingIntoTheNextSong fading into the next one]], making it the only Chili Peppers album (so far) do so.

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* DeliberatelyMonochrome: The music video of "Give It Away" is in black-and-white.

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* DeliberatelyMonochrome: DeliberatelyMonochrome:
** The album cover is black-and-white, save for the roses and band name being in red.
**
The music video of "Give It Away" is in black-and-white.
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"Under the Bridge" would hit #2 on the Billboard Hot 100, the band's best performer on the Hot 100 to this day, while "Give it Away" would top the Billboard US Alternative chart; both would also be Top 20 hits in the UK. Two more singles, "Suck My Kiss" and "Breaking the Girl", would also be Top 20 hits on the US Alternative chart. The song "Soul to Squeeze", which was recorded during the album sessions but not featured on the album (it was initially included as a BSide on the lead singles), was released as a single in 1993 and became a surprise Top 40 hit in the US.

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"Under the Bridge" would hit #2 on the Billboard Hot 100, the band's best performer on the Hot 100 to this day, while "Give it Away" would top the Billboard US Alternative chart; both would also be Top 20 hits in the UK. Two more singles, "Suck My Kiss" and "Breaking the Girl", would also be Top 20 hits on the US Alternative chart. The song "Soul to Squeeze", which was recorded during the album sessions but not featured on the album (it was initially included as a BSide on the lead singles), was released as a single in 1993 after being featured on the ''Film/{{Coneheads}}'' soundtrack, and became a surprise Top 40 hit in the US.

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Including info about Soul to Squeeze in the intro.


"Under the Bridge" would hit #2 on the Billboard Hot 100, the band's best performer on the Hot 100 to this day, while "Give it Away" would top the Billboard US Alternative chart; both would also be Top 20 hits in the UK. Two more singles, "Suck My Kiss" and "Breaking the Girl", would also be Top 20 hits on the US Alternative chart.

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"Under the Bridge" would hit #2 on the Billboard Hot 100, the band's best performer on the Hot 100 to this day, while "Give it Away" would top the Billboard US Alternative chart; both would also be Top 20 hits in the UK. Two more singles, "Suck My Kiss" and "Breaking the Girl", would also be Top 20 hits on the US Alternative chart.
chart. The song "Soul to Squeeze", which was recorded during the album sessions but not featured on the album (it was initially included as a BSide on the lead singles), was released as a single in 1993 and became a surprise Top 40 hit in the US.



* [[AbsenteeActor Absentee Musician]]: John Frusciante quit the band mid-1992, right as the Chilis were at the height of their fame (for the time being, at least; they became more popular in the following decade). Arik Marshall, a temporary guitarist who was let go almost immediately following touring, was thus featured in the music video for "Breaking the Girl" and the cameo the band had on WesternAnimation/TheSimpsons. The video for "Soul to Squeeze" (released as a single the following year) doesn't feature a guitarist at all, since the band struggled to find a guitarist for two years after Frusciante's departure.

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* [[AbsenteeActor Absentee Musician]]: John Frusciante quit the band mid-1992, right as the Chilis were at the height of their fame (for the time being, at least; they became more popular in the following decade). Arik Marshall, a temporary guitarist who was let go almost immediately following touring, was thus featured in the music video for "Breaking the Girl" and the cameo the band had on WesternAnimation/TheSimpsons. WesternAnimation/TheSimpsons.
**
The video for "Soul to Squeeze" (released as a single the following year) doesn't feature a guitarist at all, since the band struggled to find a guitarist for two years after Frusciante's departure.

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It was the first Chili Peppers album produced by the legendary Music/RickRubin, who remained their producer until 2011, after the release of their tenth album ''I'm With You''. It has sold over 13 million copies and, along with Music/{{Nirvana}}'s ''Music/{{Nevermind}}'' (which was released on the same day, to boot!) and Music/{{REM}}'s ''Music/OutOfTime'', is credited with bringing AlternativeRock to the mainstream. The band would cameo on ''WesternAnimation/TheSimpsons'' episode [[Recap/TheSimpsonsS4E22KrustyGetsKancelled "Krusty Gets Cancelled"]], and appear on Series/SaturdayNightLive.

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It was the first Chili Peppers album produced by the legendary Music/RickRubin, who remained their producer until 2011, after the release of their tenth album ''I'm With You''. It has sold over Commercially, it was a smash hit, going seven-times Platinum in the United States, triple-Platinum in the United Kingdom, and selling 13 million copies and, along worldwide. Along with Music/{{Nirvana}}'s ''Music/{{Nevermind}}'' (which was released on the same day, to boot!) and Music/{{REM}}'s ''Music/OutOfTime'', it is credited with bringing AlternativeRock to the mainstream. The band would cameo on ''WesternAnimation/TheSimpsons'' episode [[Recap/TheSimpsonsS4E22KrustyGetsKancelled "Krusty Gets Cancelled"]], and appear on Series/SaturdayNightLive.
Series/SaturdayNightLive.

"Under the Bridge" would hit #2 on the Billboard Hot 100, the band's best performer on the Hot 100 to this day, while "Give it Away" would top the Billboard US Alternative chart; both would also be Top 20 hits in the UK. Two more singles, "Suck My Kiss" and "Breaking the Girl", would also be Top 20 hits on the US Alternative chart.
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''sometimes I feel like my only friend''\\
''is the city I live in, the [[UsefulNotes/LosAngeles City of Angels]]''\\

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''sometimes ''Sometimes I feel like my only friend''\\
''is ''Is the city I live in, the [[UsefulNotes/LosAngeles City of Angels]]''\\
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!!''I Could Have Troped''

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!!''I Could Have Troped''!!''What I trope, you've got to get it put it in you:''
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''Girl please me, be my soul bride''[[note]]Clockwise, from left: Anthony Kiedis, Flea, Chad Smith and Music/JohnFrusciante[[/note]].]]

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''Girl please me, be my soul bride''[[note]]Clockwise, from left: Anthony Kiedis, Flea, Chad Smith and Music/JohnFrusciante[[/note]].]]Music/JohnFrusciante[[/note]]]]

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[[caption-width-right:337:The Funky Monks themselves [[note]]Clockwise, from left: Anthony Kiedis, Flea, Chad Smith and Music/JohnFrusciante[[/note]].]]

''Blood Sugar Sex Magik'' is the fifth studio album by the Music/RedHotChiliPeppers, released in 1991. It was the band's breakout album, propelling the four members to widespread success thanks to the singles "Under the Bridge" and "Give It Away", both of which are considered to be the band's [[SignatureSong signature songs]]. The album represents a fusion of the band's [[FunkRock funkier]], [[SexIsCool sex-filled]] elements along with a [[NewSoundAlbum new]], [[LighterAndSofter more melodic style]] that the band continued all the way from 1999's ''Music/{{Californication}}'' onward. In addition, the album is notable for each song [[FadingIntoTheNextSong fading into the next one]], making it the only Chili Peppers album (so far) do so.

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[[caption-width-right:337:The Funky Monks themselves [[note]]Clockwise, [[caption-width-right:337:''Step into a heaven where I keep it on the soulside''\\
''Girl please me, be my soul bride''[[note]]Clockwise,
from left: Anthony Kiedis, Flea, Chad Smith and Music/JohnFrusciante[[/note]].]]

]]
->''Sometimes I feel like I don't have a partner''\\
''sometimes I feel like my only friend''\\
''is the city I live in, the [[UsefulNotes/LosAngeles City of Angels]]''\\
''Lonely as I am, together we cry''\\
\\
''I drive on her streets cause she's my companion''\\
''I walk through her hills cause she knows who I am''\\
''She sees my good deeds and she kisses me windy''\\
''I never worry, now that is a lie.''
-->--'''"Under the Bridge"'''

''Blood Sugar Sex Magik'' is the fifth studio album recorded by the Music/RedHotChiliPeppers, American [[AlternativeRock alt-rock]] band Music/RedHotChiliPeppers. It was released in 1991. through [[Creator/WarnerBrosRecords Warner Bros. Records]] on September 24, 1991.

It was the band's breakout album, propelling the four members to widespread success thanks to the singles "Under the Bridge" and "Give It Away", both of which are considered to be the band's [[SignatureSong signature songs]]. The album represents a fusion of the band's [[FunkRock funkier]], [[SexIsCool sex-filled]] elements along with a [[NewSoundAlbum new]], [[LighterAndSofter more melodic style]] that the band continued all the way from 1999's ''Music/{{Californication}}'' onward. In addition, the album is notable for each song [[FadingIntoTheNextSong fading into the next one]], making it the only Chili Peppers album (so far) do so.



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Some people consider this to be the band's best, due to its [[NeoclassicalPunkZydecoRockabilly diverse musical style]] and varied subject matters. A documentary called ''Funky Monks'' showing the band working on the album in The Mansion, a recording studio now owned by Music/RickRubin, was released. The avant-garde music video for "Give It Away" won a couple of MTV video awards, and even beat out Music/{{Nirvana}}'s "Smells Like Teen Spirit" for the UsefulNotes/GrammyAward for Best Hard Rock Performance in 1993. The album was listed at nr. #310 in ''Magazine/RollingStone'''s [[UsefulNotes/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].

to:

Some people consider this to be the band's best, due to its [[NeoclassicalPunkZydecoRockabilly diverse musical style]] and varied subject matters. A documentary called ''Funky Monks'' showing the band working on the album in The Mansion, a recording studio now owned by Music/RickRubin, was released. The avant-garde music video for "Give It Away" won a couple of MTV video awards, and even beat out Music/{{Nirvana}}'s "Smells Like Teen Spirit" for the UsefulNotes/GrammyAward for Best Hard Rock Performance in 1993. The album was listed at nr. #310 no. 310 in ''Magazine/RollingStone'''s [[UsefulNotes/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].Time]], being elevated to no. 186 in the [[UsefulNotes/RollingStone500GreatestAlbumsOfAllTime2020 2020 revision]].
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It was the first Chili Peppers album produced by the legendary Music/RickRubin, who remained their producer until 2011, after the release of their tenth album ''I'm With You''. It has sold over 13 million copies and is credited with having helped fuel the revival of AlternativeRock, along with albums such as Music/{{Nirvana}}'s ''Music/{{Nevermind}}'' and Music/{{REM}}'s ''Music/OutOfTime'' (the album was released on the exact same day as ''Nevermind'' to boot). The band got cameos in ''WesternAnimation/TheSimpsons'' episode [[Recap/TheSimpsonsS4E22KrustyGetsKancelled "Krusty Gets Cancelled"]], and was featured on Series/SaturdayNightLive.

to:

It was the first Chili Peppers album produced by the legendary Music/RickRubin, who remained their producer until 2011, after the release of their tenth album ''I'm With You''. It has sold over 13 million copies and is credited with having helped fuel the revival of AlternativeRock, and, along with albums such as Music/{{Nirvana}}'s ''Music/{{Nevermind}}'' (which was released on the same day, to boot!) and Music/{{REM}}'s ''Music/OutOfTime'' (the album was released on ''Music/OutOfTime'', is credited with bringing AlternativeRock to the exact same day as ''Nevermind'' to boot). mainstream. The band got cameos in would cameo on ''WesternAnimation/TheSimpsons'' episode [[Recap/TheSimpsonsS4E22KrustyGetsKancelled "Krusty Gets Cancelled"]], and was featured appear on Series/SaturdayNightLive.
Is there an issue? Send a MessageReason:
None


It was the first Chili Peppers album produced by the legendary Music/RickRubin, who remained their producer until 2011, after the release of their tenth album ''I'm With You''. It has sold over 13 million copies and is credited with having helped fuel the revival of AlternativeRock, along with albums such as Music/{{Nirvana}}'s ''Music/{{Nevermind}}'' and Music/{{REM}}'s ''Music/OutOfTime''. The band got cameos in ''WesternAnimation/TheSimpsons'' episode [[Recap/TheSimpsonsS4E22KrustyGetsKancelled "Krusty Gets Cancelled"]], and was featured on Series/SaturdayNightLive.

to:

It was the first Chili Peppers album produced by the legendary Music/RickRubin, who remained their producer until 2011, after the release of their tenth album ''I'm With You''. It has sold over 13 million copies and is credited with having helped fuel the revival of AlternativeRock, along with albums such as Music/{{Nirvana}}'s ''Music/{{Nevermind}}'' and Music/{{REM}}'s ''Music/OutOfTime''.''Music/OutOfTime'' (the album was released on the exact same day as ''Nevermind'' to boot). The band got cameos in ''WesternAnimation/TheSimpsons'' episode [[Recap/TheSimpsonsS4E22KrustyGetsKancelled "Krusty Gets Cancelled"]], and was featured on Series/SaturdayNightLive.
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Guns N' Roses were not alternative.


It was the first Chili Peppers album produced by the legendary Music/RickRubin, who remained their producer until 2011, after the release of their tenth album ''I'm With You''. It has sold over 13 million copies and is credited with having helped fuel the revival of AlternativeRock, along with albums such as Music/{{Nirvana}}'s ''Music/{{Nevermind}}'' and Music/GunsNRoses's ''Music/UseYourIllusion''. The band got cameos in ''WesternAnimation/TheSimpsons'' episode [[Recap/TheSimpsonsS4E22KrustyGetsKancelled "Krusty Gets Cancelled"]], and was featured on Series/SaturdayNightLive.

to:

It was the first Chili Peppers album produced by the legendary Music/RickRubin, who remained their producer until 2011, after the release of their tenth album ''I'm With You''. It has sold over 13 million copies and is credited with having helped fuel the revival of AlternativeRock, along with albums such as Music/{{Nirvana}}'s ''Music/{{Nevermind}}'' and Music/GunsNRoses's ''Music/UseYourIllusion''.Music/{{REM}}'s ''Music/OutOfTime''. The band got cameos in ''WesternAnimation/TheSimpsons'' episode [[Recap/TheSimpsonsS4E22KrustyGetsKancelled "Krusty Gets Cancelled"]], and was featured on Series/SaturdayNightLive.
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** Arguably also a case of SophisticatedAsHell and maybe also YeOldeButcheredeEnglishe - Elizabethan linguistics (e.g., Creator/WilliamShakespeare) allowed for two different -ed endings, seemingly largely for the purpose of making it easier to write in iambic pentameter. These are distinguished in modern editions of Shakespeare (and some of his contemporaries) with -'d and -èd. The -éd ending was pronounced as a separate syllable; the -'d ending was not. It has been written likewise above as Kiedis pronounces "wakèd" as two syllables. It's not clear if this is intended as a ShoutOutToShakespeare.

to:

** Arguably also a case of SophisticatedAsHell and maybe also YeOldeButcheredeEnglishe - Elizabethan linguistics (e.g., Creator/WilliamShakespeare) allowed for two different -ed endings, seemingly largely for the purpose of making it easier to write in [[GratuitousIambicPentameter iambic pentameter.pentameter]]. These are distinguished in modern editions of Shakespeare (and some of his contemporaries) with -'d and -èd. The -éd -èd ending was pronounced as a separate syllable; the -'d ending was not. It has been written likewise with an -èd above as Kiedis pronounces "wakèd" as two syllables. It's not clear if this is intended as a ShoutOutToShakespeare.

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''Blood Sugar Sex Magik'' is the fifth studio album by the Music/RedHotChiliPeppers, released in 1991. It was the band's breakout album, propelling the four members to widespread success thanks to the singles "Under The Bridge" and "Give It Away", both of which are considered to be the band's [[SignatureSong signature songs]]. The album represents a fusion of the band's [[FunkRock funkier]], [[SexIsCool sex-filled]] elements along with a [[NewSoundAlbum new]], [[LighterAndSofter more melodic style]] that the band continued all the way from 1999's ''Music/{{Californication}}'' onward. In addition, the album is notable for each song [[FadingIntoTheNextSong fading into the next one]], making it the only Chili Peppers album (so far) do so.

to:

''Blood Sugar Sex Magik'' is the fifth studio album by the Music/RedHotChiliPeppers, released in 1991. It was the band's breakout album, propelling the four members to widespread success thanks to the singles "Under The the Bridge" and "Give It Away", both of which are considered to be the band's [[SignatureSong signature songs]]. The album represents a fusion of the band's [[FunkRock funkier]], [[SexIsCool sex-filled]] elements along with a [[NewSoundAlbum new]], [[LighterAndSofter more melodic style]] that the band continued all the way from 1999's ''Music/{{Californication}}'' onward. In addition, the album is notable for each song [[FadingIntoTheNextSong fading into the next one]], making it the only Chili Peppers album (so far) do so.



# "The Power Of Equality" (4:03)
# "If You Have To Ask" (3:37)
# "Breaking The Girl" (4:55)

to:

# "The Power Of of Equality" (4:03)
# "If You Have To to Ask" (3:37)
# "Breaking The the Girl" (4:55)



# "Mellowship Slinky In B Major" (4:00)
# "Righteous And The Wicked" (4:08)

to:

# "Mellowship Slinky In in B Major" (4:00)
# "Righteous And The and the Wicked" (4:08)



# "Under The Bridge" (4:24)
# "Naked In The Rain" (4:26)

to:

# "Under The the Bridge" (4:24)
# "Naked In The in the Rain" (4:26)



# "They're Red Hot" (1:12)

to:

# "They're Red Hot" (1:12)
(1:12, Music/RobertJohnson cover)



# "Little Miss Lover" (2:40)
# *Castles Made Of Sand" (3:21)

to:

# "Little Miss Lover" (2:40)
(2:40, Music/JimiHendrix cover)
# *Castles Made Of of Sand" (3:21)
(3:21, Music/JimiHendrix cover)



* BSide: Songs such as "Fela's Cock" [[note]]A reference to Music/FelaKuti[[/note]], "Castles Made Of Sand" and "Little Miss Lover" [[note]]Covers originally by The Music/JimiHendrix Experience from the album ''Music/AxisBoldAsLove''[[/note]], "Search And Destroy" [[note]]A cover from Music/TheStooges album ''Music/RawPower''[[/note]], and "Sikamikanico". "Search And Destroy" was featured on ''WesterAnimation/BeavisAndButthead'' (along with "Breaking The Girl"), and "Sikamikanico" was featured on ''Film/WaynesWorld''.

to:

* BSide: Songs such as "Fela's Cock" [[note]]A reference to Music/FelaKuti[[/note]], "Castles Made Of of Sand" and "Little Miss Lover" [[note]]Covers originally by The Music/JimiHendrix Experience from the album ''Music/AxisBoldAsLove''[[/note]], "Search And and Destroy" [[note]]A cover from Music/TheStooges album ''Music/RawPower''[[/note]], and "Sikamikanico". "Search And and Destroy" was featured on ''WesterAnimation/BeavisAndButthead'' (along with "Breaking The the Girl"), and "Sikamikanico" was featured on ''Film/WaynesWorld''.



If I should die before I waked\\

to:

If I should die before I waked\\wakèd\\



** Arguably also a case of SophisticatedAsHell and maybe also YeOldeButcheredeEnglishe - Elizabethan linguistics (e.g., Creator/WilliamShakespeare) allowed for two different -ed endings, seemingly largely for the purpose of making it easier to write in iambic pentameter. These are distinguished in modern editions of Shakespeare (and some of his contemporaries) with -'d and -èd. The -éd ending was pronounced as a separate syllable; the -'d ending was not. It has been written likewise above as Kiedis pronounces "wakèd" as two syllables. It's not clear if this is intended as a ShoutOutToShakespeare.



* EpicRocking: The ending funk jam of "Funky Monks", and the final solo in "Sir Psycho Sexy".

to:

* EpicRocking: The ending funk jam of "Funky Monks", and the final solo in "Sir Psycho Sexy".Sexy" (which qualifies in its entirety, being 8:17 in length).



* FriendToAllLivingThings: Weirdly invoked in "Naked In the Rain", where a variety of animals in different biospheres are mentioned as being friendlier and nicer than the "social grace" humans pretend to share.

to:

* FriendToAllLivingThings: Weirdly invoked in "Naked In in the Rain", where a variety of animals in different biospheres are mentioned as being friendlier and nicer than the "social grace" humans pretend to share.



* GaiasLament: Lampshaded in "Righteous And The Wicked".

to:

* GaiasLament: Lampshaded in "Righteous And The and the Wicked".



* IconicSongRequest: "Give it Away" has been performed live no less than 700 times since 1991. "Under the Bridge" has been performed about 600 times. In fact, during the ''Music/StadiumArcadium'' Tour, when the band sometimes left both songs out of some of their setlists, it created tension with many audiences.
* IntercourseWithYou: Subverted by "Give It Away", but played straight with "Funky Monks", "Suck My Kiss", "Apache Rose Peacock", "The Greeting Song", and "Sir Psycho Sexy". Very much so with the latter.

to:

* IconicSongRequest: "Give it It Away" has been performed live no less than 700 times since 1991. "Under the Bridge" has been performed about 600 times. In fact, during the ''Music/StadiumArcadium'' Tour, when the band sometimes left both songs out of some of their setlists, it created tension with many audiences.
* IntercourseWithYou: Subverted by "Give It Away", but played straight with "Funky Monks", "Suck My Kiss", "Apache Rose Peacock", "The Greeting Song", the title track, and "Sir Psycho Sexy". ''[[UpToEleven Very much so so]]'' with the latter.



* LiteraryAllusionTitle: "If You Have To Ask" is a reference to a famous quote by Music/LouisArmstrong; when Armstrong was asked what jazz is, he replied, "If you have to ask what jazz is, you'll never know".

to:

* LiteraryAllusionTitle: "If You Have To to Ask" is a reference to a famous quote by Music/LouisArmstrong; when Armstrong was asked what jazz is, he replied, "If you have to ask what jazz is, you'll never know".



* {{Magick}}: The title is a variant of this trope.



* NeoclassicalPunkZydecoRockabilly: The band produced songs as diverse as the SexGod anthem "Sir Psycho Sexy" and the FunkMetal "Righteous And The Wicked" to the OdeToSobriety "Under The Bridge", the GriefSong "My Lovely Man" (dedicated to ex-guitarist Hillel Slovak, who died of a heroin overdose in 1988) and the BreakUpSong "I Could Have Lied".

to:

* NeoclassicalPunkZydecoRockabilly: The band produced songs as diverse as the SexGod anthem "Sir Psycho Sexy" and the FunkMetal "Righteous And The and the Wicked" to the OdeToSobriety "Under The the Bridge", the GriefSong "My Lovely Man" (dedicated to ex-guitarist Hillel Slovak, who died of a heroin overdose in 1988) and the BreakUpSong "I Could Have Lied".



* SexMagic: It's right there in the title of the album, though it's really more of a pun on the trope rather than an actual reference to magic(k). That didn't stop them from adopting a variation of {{magick}} for the spelling, though.



** Music/WeirdAlYankovic spoofed both the songs and music videos of "Under The Bridge" and "Give It Away" as "Bedrock Anthem", a tribute to ''WesternAnimation/TheFlintstones''.
** ''WesternAnimation/TheSimpsons'': In the episode ''[[Recap/TheSimpsonsS4E22KrustyGetsKancelled Krusty Gets Cancelled]]'' the band makes a guest appearance. Krusty wants the Red Hot Chili Peppers [[{{Bowdlerize}} to change one of their lyrics]] in "Give It Away". They refuse at first, but when Krusty suggests to change, "What I got/You gotta get/And put it in you" to "What I'd like/Is I'd like to/Hug and kiss you", they warm up to the idea. [[note]]This is a parody of an incident where [[Series/TheEdSullivanShow Ed Sullivan]] asked Music/TheRollingStones to change "Lets Spend The Night Together" (originally from the US version of ''Music/BetweenTheButtons'') to "Let's Spend Some Time Together" (as "spend the night" was seen as too sexually suggestive at the time). Music/MickJagger didn't warm up to the change, but he reluctantly accepted. During the performance however, Jagger and Bill Wyman were clearly shown eye-rolling when the chorus came. A similar incident occurred when Music/TheDoors appeared: Sullivan asked Morrison to change a line in "Light My Fire" (originally from ''Music/TheDoorsAlbum'') from 'girl, we couldn't get much higher' to 'girl, we couldn't get much better' fearing that the line "higher" would be seen as condoning drug use; unlike the Stones, Morrison sang the original lyrics on air. As a result, The Doors did not appear on the show again, prompting Morrison's reply of "[[SugarWiki/AwesomeMoment We just did the Sullivan Show]]"[[/note]]

to:

** Music/WeirdAlYankovic spoofed both the songs and music videos of "Under The the Bridge" and "Give It Away" as "Bedrock Anthem", a tribute to ''WesternAnimation/TheFlintstones''.
** ''WesternAnimation/TheSimpsons'': In the episode ''[[Recap/TheSimpsonsS4E22KrustyGetsKancelled Krusty Gets Cancelled]]'' the band makes a guest appearance. Krusty wants the Red Hot Chili Peppers [[{{Bowdlerize}} to change one of their lyrics]] in "Give It Away". They refuse at first, but when Krusty suggests to change, "What I got/You gotta get/And put it in you" to "What I'd like/Is I'd like to/Hug and kiss you", they warm up to the idea. [[note]]This is a parody of an incident where [[Series/TheEdSullivanShow Ed Sullivan]] asked Music/TheRollingStones to change "Lets "Let's Spend The Night Together" (originally from the US version of ''Music/BetweenTheButtons'') to "Let's Spend Some Time Together" (as "spend the night" was seen as too sexually suggestive at the time). Music/MickJagger didn't warm up to the change, but he reluctantly accepted. During the performance however, Jagger and Bill Wyman were clearly shown eye-rolling when the chorus came. A similar incident occurred when Music/TheDoors appeared: Sullivan asked Morrison to change a line in "Light My Fire" (originally from ''Music/TheDoorsAlbum'') from 'girl, we couldn't get much higher' to 'girl, we couldn't get much better' fearing that the line "higher" would be seen as condoning drug use; unlike the Stones, Morrison sang the original lyrics on air. As a result, The Doors did not appear on the show again, prompting Morrison's reply of "[[SugarWiki/AwesomeMoment We just did the Sullivan Show]]"[[/note]]



* SophisticatedAsHell: The BlasphemousBoast example above.



* SurprisinglyGentleSong: Songs like "Breaking the Girl", "I Could Have Lied", and "Under the Bridge" were at the time examples of this trope, being a lot lighter than the Chili Peppers' traditional fare up to that point. "Under the Bridge" became such a gigantic BlackSheepHit that it influenced their music going forward; they're now probably better known for this kind of ballad than they were for the FunkRock that was their stock in trade for most of their career.



* TrashCanBand: The bridge for "Breaking The Girl" actually consisted of multiple takes of the band slamming garbage they found at a nearby dumpster.
* WordSaladTitle: "Mellowship Slinky In B Major." ''Mellowship'' isn't even a word, ''Slinky'' doesn't appear anywhere in the song, and the song is in D Minor.

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* TrashCanBand: The bridge for "Breaking The the Girl" actually consisted of multiple takes of the band slamming garbage they found at a nearby dumpster.
* WordSaladTitle: "Mellowship Slinky In in B Major." ''Mellowship'' isn't even a word, ''Slinky'' doesn't appear anywhere in the song, and the song is in D Minor.
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It was the first Chili Peppers album produced by the legendary Music/RickRubin, who remained their producer until 2011, after the release of their tenth album ''I'm With You''. It has sold over 13 million copies and is credited with having helped fuel the revival of AlternativeRock, along with albums such as Music/{{Nirvana}}'s ''Music/{{Nevermind}}'' and Music/GunsNRoses's ''Music/UseYourIllusion''. The band got cameos in Series/TheSimpsons episode [[Recap/TheSimpsonsS4E22KrustyGetsKancelled "Krusty Gets Cancelled"]], and was featured on Series/SaturdayNightLive.

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It was the first Chili Peppers album produced by the legendary Music/RickRubin, who remained their producer until 2011, after the release of their tenth album ''I'm With You''. It has sold over 13 million copies and is credited with having helped fuel the revival of AlternativeRock, along with albums such as Music/{{Nirvana}}'s ''Music/{{Nevermind}}'' and Music/GunsNRoses's ''Music/UseYourIllusion''. The band got cameos in Series/TheSimpsons ''WesternAnimation/TheSimpsons'' episode [[Recap/TheSimpsonsS4E22KrustyGetsKancelled "Krusty Gets Cancelled"]], and was featured on Series/SaturdayNightLive.
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* FunkRock: One of the quintessential albums of the genre.
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* BSide: Songs such as "Fela's Cock" [[note]]A reference to Music/FelaKuti[[/note]], "Castles Made Of Sand" and "Little Miss Lover" [[note]]Covers originally by Music/TheJimiHendrixExperience from the album ''Music/AxisBoldAsLove''[[/note]], "Search And Destroy" [[note]]A cover from Music/TheStooges album ''Music/RawPower''[[/note]], and "Sikamikanico". "Search And Destroy" was featured on ''WesterAnimation/BeavisAndButthead'' (along with "Breaking The Girl"), and "Sikamikanico" was featured on ''Film/WaynesWorld''.

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* BSide: Songs such as "Fela's Cock" [[note]]A reference to Music/FelaKuti[[/note]], "Castles Made Of Sand" and "Little Miss Lover" [[note]]Covers originally by Music/TheJimiHendrixExperience The Music/JimiHendrix Experience from the album ''Music/AxisBoldAsLove''[[/note]], "Search And Destroy" [[note]]A cover from Music/TheStooges album ''Music/RawPower''[[/note]], and "Sikamikanico". "Search And Destroy" was featured on ''WesterAnimation/BeavisAndButthead'' (along with "Breaking The Girl"), and "Sikamikanico" was featured on ''Film/WaynesWorld''.
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*** He also references [[Film/{{Capote}} Truman Capote]], [[MikeTysonMysteries Mike Tyson]], {{Peanuts}}, Creator/RobertDeNiro, Literature/CharlesBukowski, and... you get the idea.

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*** He also references [[Film/{{Capote}} Truman Capote]], [[MikeTysonMysteries Mike Tyson]], {{Peanuts}}, ComicStrip/{{Peanuts}}, Creator/RobertDeNiro, Literature/CharlesBukowski, and... you get the idea.
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* LastNoteNightmare: The TitleTrack ends with the guitars swooping downwards in a very eerie way.
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* AlbumTitleDrop: Sorta; the TitleTrack uses the phrases "blood sugar" and "sex magic" in the chorus, albeit not at once.


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* RealLifeWritesThePlot: Anthony says that "Suck My Kiss", a song about oral sex, was inspired by a kid at his school that seemed to "go on about getting it."
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Some people consider this to be the band's MagnumOpus, due to its [[NeoclassicalPunkZydecoRockabilly diverse musical style]] and varied subject matters. A documentary called ''Funky Monks'' showing the band working on the album in The Mansion, a recording studio now owned by Music/RickRubin, was released. The avant-garde music video for "Give It Away" won a couple of MTV video awards, and even beat out Music/{{Nirvana}}'s "Smells Like Teen Spirit" for the UsefulNotes/GrammyAward for Best Hard Rock Performance in 1993. The album was listed at nr. #310 in ''Magazine/RollingStone'''s [[UsefulNotes/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].

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Some people consider this to be the band's MagnumOpus, best, due to its [[NeoclassicalPunkZydecoRockabilly diverse musical style]] and varied subject matters. A documentary called ''Funky Monks'' showing the band working on the album in The Mansion, a recording studio now owned by Music/RickRubin, was released. The avant-garde music video for "Give It Away" won a couple of MTV video awards, and even beat out Music/{{Nirvana}}'s "Smells Like Teen Spirit" for the UsefulNotes/GrammyAward for Best Hard Rock Performance in 1993. The album was listed at nr. #310 in ''Magazine/RollingStone'''s [[UsefulNotes/RollingStone500GreatestAlbumsOfAllTime 500 Greatest Albums of All Time]].
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'''''Blood Sugar Sex Magik''''' is the fifth studio album of Music/RedHotChiliPeppers, released in 1991. It was the band's breakout album, propelling the four members to widespread success thanks to the singles "Under The Bridge" and "Give It Away", both of which are considered to be the band's [[SignatureSong signature songs]]. The album represents a fusion of the band's [[FunkRock funkier]], [[SexIsCool sex-filled]] elements along with a [[NewSoundAlbum new]], [[LighterAndSofter more melodic style]] that the band continued all the way from 1999's ''Music/{{Californication}}'' onward. In addition, the album is notable for each song [[FadingIntoTheNextSong fading into the next one]], making it the only Chili Peppers album (so far) do so.

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'''''Blood ''Blood Sugar Sex Magik''''' Magik'' is the fifth studio album of by the Music/RedHotChiliPeppers, released in 1991. It was the band's breakout album, propelling the four members to widespread success thanks to the singles "Under The Bridge" and "Give It Away", both of which are considered to be the band's [[SignatureSong signature songs]]. The album represents a fusion of the band's [[FunkRock funkier]], [[SexIsCool sex-filled]] elements along with a [[NewSoundAlbum new]], [[LighterAndSofter more melodic style]] that the band continued all the way from 1999's ''Music/{{Californication}}'' onward. In addition, the album is notable for each song [[FadingIntoTheNextSong fading into the next one]], making it the only Chili Peppers album (so far) do so.
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* AbsenteeMusician: John Frusciante quit the band mid-1992, right as the Chilis were at the height of their fame (for the time being, at least; they became more popular in the following decade). Arik Marshall, a temporary guitarist who was let go almost immediately following touring, was thus featured in the music video for "Breaking the Girl" and the cameo the band had on WesternAnimation/TheSimpsons. The video for "Soul to Squeeze" (released as a single the following year) doesn't feature a guitarist at all, since the band struggled to find a guitarist for two years after Frusciante's departure.

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* AbsenteeMusician: [[AbsenteeActor Absentee Musician]]: John Frusciante quit the band mid-1992, right as the Chilis were at the height of their fame (for the time being, at least; they became more popular in the following decade). Arik Marshall, a temporary guitarist who was let go almost immediately following touring, was thus featured in the music video for "Breaking the Girl" and the cameo the band had on WesternAnimation/TheSimpsons. The video for "Soul to Squeeze" (released as a single the following year) doesn't feature a guitarist at all, since the band struggled to find a guitarist for two years after Frusciante's departure.
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* AbsenteeMusician: John Frusciante quit the band mid-1992, right as the Chilis were at the height of their fame (for the time being, at least; they became more popular in the following decade). Arik Marshall, a temporary guitarist who was let go almost immediately following touring, was thus featured in the music video for "Breaking the Girl" and the cameo the band had on WesternAnimation/TheSimpsons. The video for "Soul to Squeeze" (released as a single the following year) doesn't feature a guitarist at all, since the band struggled to find a guitarist for two years after Frusciante's departure.
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* TitleTrack: The tenth track.



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* EverythingIsAnInstrument: The bridge of "Breaking the Girl", with all its various trashcan sounds.


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* MinisculeRocking: "They're Red Hot". "The Greeting Song" could count since it's the second-shortest song on the record and it's pretty fast-paced.

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[[IfYouKnowWhatIMean She has one of those built in heaters]]''

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[[IfYouKnowWhatIMean She has one of those built in heaters]]''heaters''



** "Soul to Squeeze" was included as a B-side to "Under the Bridge" and "Give it Away", and was only released as a single in 1993 because ''One Hot Minute'' underwent a TroubledProduction and numerous delays. The song became a surprise superhit, and was even included in the band's ''Greatest Hits'' album years later.



* BreakawayPopHit: "Soul to Squeeze" was included as a BSide to "Under the Bridge" and "Give it Away", and was only released as a single in 1993 because ''One Hot Minute'' underwent a TroubledProduction and numerous delays. The song became a surprise superhit, and was even included in the band's ''Greatest Hits'' album years later.

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* AlbumFiller: The band admits that "The Greeting Song" and "They're Red Hot" were put in to fill space within the album, and they have almost never performed these live.



She has one of those built in heaters''

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[[IfYouKnowWhatIMean She has one of those built in heaters''heaters]]''



* BannedInChina: Certain editions of the album sold in Asian countries have outright banned "Sir Psycho Sexy" from the tracklist, though the editions currently sold in those regions leave it in.



* CelibateHero: "Funky Monks" invokes this somewhat sarcastically considering that it's about a man who tries to woo a woman, and lampshades the debauchery in this. This somewhat mirrors real life because the band holed themselves up in The Mansion during recording and very rarely allowed visitors, and had almost no sex or drugs during the creative process.



* ExecutiveMeddling: While Music/RickRubin gave the band huge artistic rein over the material, he made it clear that he very much wanted a song about driving around with girls in a Chevy, which led Anthony Kiedis to grudgingly write "The Greeting Song". Kiedis said that he hates the song to this day and even barred Chevrolet from using it in an ad. Rubin didn't like "The Power of Equality", and the band had to fight to keep the song in there.

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* ExecutiveMeddling: While Music/RickRubin gave the band huge artistic rein over the material, he made it clear that he very much wanted a song about driving around with girls in a Chevy, which led Anthony Kiedis to grudgingly write "The Greeting Song". Kiedis said that he hates the song to this day and even barred Chevrolet from using it in an ad. Rubin didn't like "The Power EpicRocking: The ending funk jam of Equality", "Funky Monks", and the band had to fight to keep the song final solo in there."Sir Psycho Sexy".


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* LoveGoddess: Mentioned in "Blood Sugar Sex Magik":
--> ''Every woman has a piece of Aphrodite\\
Copulate to create a state of sexual light\\
Kissing her virginity, my affinity\\
I mingle with the gods, I mingle with divinity''


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* OrAreYouJustHappyToSeeMe: "Blood Sugar Sex Magik":
--> ''Aromatic is the flower\\
She must be moist''


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* RepurposedPopSong: "The Greeting Song" was nearly picked up by Chevrolet because of its lyrics; Anthony decided not to give the company the rights to the song because Rick Rubin had forced him to write the song.

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* AutoErotica: Mentioned in "The Greeting Song", and expanded upon in "Apache Rose Peacock":
--> ''Twinkle twinkle little star\\
Shining down on my blue car\\
Drivin' down the boulevard\\
She was soft and I was hard\\
Apache Rose gotta rockin' peacock\\
Hottest ass on the goddamn block\\
Rockin' to the beat of the funky ass meters\\
She has one of those built in heaters''



* BannedInChina: Certain editions of the album sold in Asian countries have outright banned "Sir Psycho Sexy" from the tracklist, though the editions currently sold in those regions leave it in.
* BlasphemousBoast: "Sir Psycho Sexy" features the titular character having sex with Eve of Eden. It also invokes the old "Now Lay Me Down to Sleep" prayer in the final verse. Here's the original prayer:
--> ''Now I lay me down to sleep\\
I pray the Lord my soul to keep\\
If I shall die when I'm wake\\
I pray the Lord my soul to take''
** Now here's the "Sir Psycho Sexy" version:
--> ''Now I lay me down to sleep\\
I pray the funk will make me freak\\
If I should die before I waked\\
Allow me Lord to rock out naked''
* BreakTheCutie: "Breaking the Girl":
--> ''Twisting and turning, you're feeling the burning\\
You're [[TitleDrop breaking the girl]]\\
(She meant you no harm)''
* BreakawayPopHit: "Soul to Squeeze" was included as a BSide to "Under the Bridge" and "Give it Away", and was only released as a single in 1993 because ''One Hot Minute'' underwent a TroubledProduction and numerous delays. The song became a surprise superhit, and was even included in the band's ''Greatest Hits'' album years later.
* BreakupSong: "I Could Have Lied". Anthony Kiedis and John Frusciante wrote it for Music/SineadOConnor, who had broken up with Kiedis after he told her that he loved her.



* TheCasanova: "Sir Psycho Sexy" mentions his various conquests with Eve of Eden, a female cop, a "funk mama", and a girl who'd like to get kinky with a bullwhip.
* CensoredForComedy: "Suck My Kiss". The idea to swap "dick" with "kiss" actually lends to the song's ironic humor.



* ExecutiveMeddling: While Music/RickRubin gave the band huge artistic rein over the material, he made it clear that he very much wanted a song about driving around with girls in a Chevy, which led Anthony Kiedis to grudgingly write "The Greeting Song". Kiedis said that he hates the song to this day and even barred Chevrolet from using it in an ad. Rubin didn't like "The Power of Equality", and the band had to fight to keep the song in there.



* FriendToAllLivingThings: Weirdly invoked in "Naked In the Rain", where a variety of animals in different biospheres are mentioned as being friendlier and nicer than the "social grace" humans pretend to share.



* IconicSongRequest: "Give it Away" has been performed live no less than 700 times since 1991. "Under the Bridge" has been performed about 600 times. In fact, during the ''Music/StadiumArcadium'' Tour, when the band sometimes left both songs out of some of their setlists, it created tension with many audiences.
* IntercourseWithYou: Subverted by "Give It Away", but played straight with "Funky Monks", "Suck My Kiss", "Apache Rose Peacock", "The Greeting Song", and "Sir Psycho Sexy". Very much so with the latter.



* LyricalDissonance: "Under the Bridge" and "Soul to Squeeze" are the two songs with happier, gentler melodies to come out of the recordings, both of which have references to the band's drug-ridden past.
* MetaphorIsMyMiddleName: From "Funky Monks":
--> ''Confusion is my middle name\\
Ask me again I'll tell you the same\\
Persuaded by one sexy dame\\
No I do not feel no shame''
* MoodWhiplash: Lots of times in the album, which is pretty weird considering that the songs all fade into one another. "Suck My Kiss" fades into "I Could Have Lied", "Under the Bridge" into "Naked in the Rain", and "Sir Psycho Sexy" into "They're Red Hot".



* OdeToSobriety: "Under the Bridge" is a Type 3.
* OOCIsSeriousBusiness: Invoked InUniverse in "Sir Psycho Sexy". At the very end of the song, after the "orgasm" of the final verse, the SexGod Sir Psycho Sexy (who is supposed to be an exaggerated version of Kiedis himself) mellows out and decides to enjoy the outdoors, rather than sex.
* ProtestSong: "The Power of Equality", ostensibly. The subject matter varies from racism, political corruption, and religious intolerance. It even makes a reference to Music/PublicEnemy in the third verse.
--> ''I got tapes, I got [=CDs=]\\
I got my Public Enemy\\
My lily white ass is tickled pink\\
When I listen to the music that makes me think\\
Not another [[PrecisionFStrike motherfucker]] politician\\
Doin' nothin' but somethin' for his own ambition''



* SelfParody: "Give it Away" actually makes fun of Anthony Kiedis's tendency to write very sexual lyrics with its over-the-top verses, which are literally about [[ExactlyWhatItSaysOnTheTin giving things away]] and nothing else at all.



*** He also references [[Film/{{Capote}} Truman Capote]], [[MikeTysonMysteries Mike Tyson]], {{Peanuts}}, RobertDeNiro, CharlesBukowski, and... you get the idea.

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*** He also references [[Film/{{Capote}} Truman Capote]], [[MikeTysonMysteries Mike Tyson]], {{Peanuts}}, RobertDeNiro, CharlesBukowski, Creator/RobertDeNiro, Literature/CharlesBukowski, and... you get the idea.


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* SongsOfSolace: "Under the Bridge.” The bridge named in the title is described as a highway underpass, where Kiedis would shoot speedballs. It has become so personal to him that he refuses to admit its location, stating that he doesn't "want people looking for it.” [[http://www.vulture.com/2012/05/vulture-finds-the-bridge-from-under-the-bridge.html That hasn't stopped people from trying.]]
* SpecialGuest: The band's friend Pete Weiss played jaw harp on "Give It Away,” and mixing engineer Brendan O'Brien played the mellotron on "Sir Psycho Sexy,” nearly inaudible piano on "Mellowship Slinky in B Major" and nearly inaudible toy celeste on "Apache Rose Peacock.” John's mother Gail Frusciante and some of her friends were brought in to perform the female choir part in "Under the Bridge.”


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* SpringtimeForHitler: After the album broke out and the band became famous, Anthony Kiedis started treating John Frusciante poorly while the latter started to develop a heroin addiction. After Kiedis kicked Frusciante in a Series/SaturdayNightLive performance and the band was asked to perform "Under the Bridge", Frusciante responded [[https://www.youtube.com/watch?v=j1zec-toMac by playing the song out of tune]] and singing poorly during the bridge. Despite this, the performance boosted sales since the band was able to keep it together and finish the song relatively well.
* ThreeChordsAndTheTruth: While the songs and their structure sound pretty elaborate (save for "I Could Have Lied"), most are actually built around Frusciante's guitar hooks. Flea had decided to take a minimalist approach to playing bass (which he still does today), and Chad and Anthony in with their contributions mostly after the song structures had been established.
* ToAbsentFriends: "My Lovely Man". The final verse mentions "Slim", which was one of Anthony's nicknames for deceased ex-guitarist Hillel Slovak:
--> ''Just in case you never knew\\
I miss you, Slim, I love you too\\
Oh, see my heart is black and blue\\
When I die, I will find you''

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