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* TropeCodifier: For technical deathcore, specifically the more brutal side of the spectrum, as their influence can easily be felt on acts like Rings of Saturn, Aversions Crown, Brand of Sacrifice, Infant Annihilator and A Night in Texas.
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* TropeCodifier: For technical deathcore, specifically the more brutal side of the spectrum, as their influence can easily be felt on acts like Rings of Saturn, Aversions Crown, Brand of Sacrifice, Infant Annihilator Music/BrandOfSacrifice, Music/InfantAnnihilator and A Night in Texas.
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TRS cleanup
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* AbsenteeActor: Anthony Barone is strictly a studio member due to his schedule with Music/{{Babymetal}}; in theory, he could make a show here or there, but it is not a reasonable expectation in practice and they currently have Patrice on board as their dedicated live drummer.
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Changed line(s) 33 (click to see context) from:
* TropeCodifier: For technical deathcore, specifically the more brutal side of the spectrum, as their influence can easily be felt on acts like Rings of Saturn, Aversions Crown, Brand of Sacrifice, and A Night in Texas.
to:
* TropeCodifier: For technical deathcore, specifically the more brutal side of the spectrum, as their influence can easily be felt on acts like Rings of Saturn, Aversions Crown, Brand of Sacrifice, Infant Annihilator and A Night in Texas.
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Changed line(s) 33 (click to see context) from:
* TropeCodifier: For technical deathcore, specifically the more brutal side of the spectrum, as their influence can easily be felt on acts like Rings of Saturn, Brand of Sacrifice, and A Night in Texas.
to:
* TropeCodifier: For technical deathcore, specifically the more brutal side of the spectrum, as their influence can easily be felt on acts like Rings of Saturn, Aversions Crown, Brand of Sacrifice, and A Night in Texas.
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Bald Of Awesome has been renamed and redefined per a TRS decision
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* BaldOfAwesome: The entire band save for Anthony, though Dennis sometimes grows his out.
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* MohsScaleOfRockAndMetalHardness: A solid 11 for their entire career.
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* TropeCodifier: For technical deathcore, specifically the more brutal side of the spectrum, as their influence can easily be felt on acts like Rings of Saturn, Brand of Sacrifice, and A Night in Texas.
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* TropeCodifier: For technical deathcore, specifically the more brutal side of the spectrum, as their influence can easily be felt on acts like Rings of Saturn, Brand of Sacrifice, and A Night in Texas.Texas.
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----
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* SignatureStyle: Chaotic sweeping and tapping leads mixed with extremely fast tremolo and string-skipping riffs that commonly make use of stop-start motifs, as well as stuttering, odd-timed breakdowns (as well as the occasional traditional deathcore breakdown, particularly in "Nevermore", "Reign of Terror", and "Lithium Overdose") and slam breaks, all accompanied by Elliot Desgagnes' trademark staccato bellow/bark.
to:
* SignatureStyle: Chaotic sweeping and extremely complex tapping leads mixed with extremely fast tremolo and string-skipping riffs that commonly make use of stop-start motifs, as well as stuttering, odd-timed breakdowns that often make use of whammy bar divebombs to create a disorienting effect (as well as the occasional traditional deathcore breakdown, particularly in "Nevermore", "Reign of Terror", and "Lithium Overdose") and slam breaks, all accompanied by Elliot Desgagnes' trademark staccato bellow/bark.
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* BaldOfAwesome: The entire band, though Dennis sometimes grows his out.
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* BaldOfAwesome: The entire band, band save for Anthony, though Dennis sometimes grows his out.
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+ Music/Cryptopsy, Music/DyingFetus, Music/{{Origin}}, Music/{{Suffocation}}, Music/{{Decapitated}}, Music/{{Hatebreed}}, Music/{{Meshuggah}}, Music/DespisedIcon, Music/TheRedChord
to:
+ Music/Cryptopsy, Music/{{Cryptopsy}}, Music/DyingFetus, Music/{{Origin}}, Music/{{Suffocation}}, Music/{{Decapitated}}, Music/{{Hatebreed}}, Music/{{Meshuggah}}, Music/DespisedIcon, Music/TheRedChord
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[floatboxright:
Influences:
+ Music/Cryptopsy, Music/DyingFetus, Music/{{Origin}}, Music/{{Suffocation}}, Music/{{Decapitated}}, Music/{{Hatebreed}}, Music/{{Meshuggah}}, Music/DespisedIcon, Music/TheRedChord
]
Influences:
+ Music/Cryptopsy, Music/DyingFetus, Music/{{Origin}}, Music/{{Suffocation}}, Music/{{Decapitated}}, Music/{{Hatebreed}}, Music/{{Meshuggah}}, Music/DespisedIcon, Music/TheRedChord
]
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* AbsenteeActor: Anthony Barone is strictly a studio member due to his schedule with Music/{{Babymetal}}; in theory, he could make a show here or there, but it is not a reasonable expectation in practice and they currently have Patrice on board as their dedicated live drummer.
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None
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* TropeCodifier: For technical deathcore, specifically the more brutal side of the spectrum.
to:
* TropeCodifier: For technical deathcore, specifically the more brutal side of the spectrum.spectrum, as their influence can easily be felt on acts like Rings of Saturn, Brand of Sacrifice, and A Night in Texas.
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None
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* CareerEndingInjury: Patrice Hamelin was forced to leave both Beneath the Massacre and Contrarian due to serious back problems.
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* CareerEndingInjury: Patrice Hamelin was forced to leave both Beneath the Massacre and Contrarian due to serious back problems. Ultimately subverted, as he was able to return to Beneath the Massacre on at least a live basis in late 2019 after receiving physical therapy.
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* LeadDrummer: Patrice Hamelin is famous for his incredible speed, versatility, technical ability, and power, as well as his many short-notice fill-ins for bands that suddenly find themselves in need of a drummer.
to:
* LeadDrummer: Patrice Hamelin is famous for his incredible speed, versatility, technical ability, and power, as well as his many short-notice fill-ins for bands that suddenly find themselves in need of a drummer. Anthony Barone, meanwhile, is also famous for his technical ability and his Youtube channel.
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Early 2018 brought surprising news, however; in a podcast, their agent leaked some news about them: not only were they indeed not dead, but they were working on new material and plotting a return to touring in the near-ish future. While he didn't elaborate, it was indeed music to the ears of fans, and anticipation has grown for a proper announcement. While it took longer than expected, this finally happened in 2019, when the band announced their first tour in six years, while their agent has repeatedly stated that they have a new album in the works.
to:
Early 2018 brought surprising news, however; in a podcast, their agent leaked some news about them: not only were they indeed not dead, but they were working on new material and plotting a return to touring in the near-ish future. While he didn't elaborate, it was indeed music to the ears of fans, and anticipation has grown for a proper announcement. While it took longer than expected, this finally happened in 2019, when the band announced their first tour in six years, while and a deal with Century Media Records and the announcement of ''Fearmonger'', their agent has repeatedly stated that they have a new first album in the works.eight years, came several months later. Additionally, Patrice Hamelin made an unannounced exit due to health problems, and [[Music/ShadowOfIntent Anthony Barone]] took his spot on at least a studio basis.
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* ''Fearmonger'' (2020)
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* CareerEndingInjury: Patrice Hamelin was forced to leave both Beneath the Massacre and Contrarian due to serious back problems.
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Early 2018 brought surprising news, however; in a podcast, their agent leaked some news about them: not only were they indeed not dead, but they were working on new material and plotting a return to touring in the near-ish future. While he didn't elaborate, it was indeed music to the ears of fans, and anticipation has grown for a proper announcement. While it took longer than expected, this finally happened in 2019, when the band announced their first tour in six years.
to:
Early 2018 brought surprising news, however; in a podcast, their agent leaked some news about them: not only were they indeed not dead, but they were working on new material and plotting a return to touring in the near-ish future. While he didn't elaborate, it was indeed music to the ears of fans, and anticipation has grown for a proper announcement. While it took longer than expected, this finally happened in 2019, when the band announced their first tour in six years.years, while their agent has repeatedly stated that they have a new album in the works.
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Early 2018 brought surprising news, however; in a podcast, their agent leaked some news about them: not only were they indeed not dead, but they were working on new material and plotting a return to touring in the near-ish future. While he didn't elaborate, it was indeed music to the ears of fans, and anticipation has grown for a proper announcement.
to:
Early 2018 brought surprising news, however; in a podcast, their agent leaked some news about them: not only were they indeed not dead, but they were working on new material and plotting a return to touring in the near-ish future. While he didn't elaborate, it was indeed music to the ears of fans, and anticipation has grown for a proper announcement. While it took longer than expected, this finally happened in 2019, when the band announced their first tour in six years.
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None
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* SignatureStyle: Chaotic sweeping and tapping leads mixed with extremely fast tremolo and string-skipping riffs that commonly make use of stop-start motifs, as well as stuttering, odd-time breakdowns (as well as the occasional traditional deathcore breakdown, particularly in "Nevermore", "Reign of Terror", and "Lithium Overdose") and slam breaks, all accompanied by Elliot Desgagnes' trademark staccato bellow/bark.
to:
* SignatureStyle: Chaotic sweeping and tapping leads mixed with extremely fast tremolo and string-skipping riffs that commonly make use of stop-start motifs, as well as stuttering, odd-time odd-timed breakdowns (as well as the occasional traditional deathcore breakdown, particularly in "Nevermore", "Reign of Terror", and "Lithium Overdose") and slam breaks, all accompanied by Elliot Desgagnes' trademark staccato bellow/bark.
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None
* AscendedExtra: Patrice Hamelin.
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* TechnicalDeathMetal: Very much on the brutal side of the spectrum, and even at their most deathcoreish, they were still rooted in this.
to:
* TechnicalDeathMetal: Very much on the brutal side of the spectrum, and even at their most deathcoreish, they were still rooted in this.this.
* TropeCodifier: For technical deathcore, specifically the more brutal side of the spectrum.
* TropeCodifier: For technical deathcore, specifically the more brutal side of the spectrum.
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Beneath the Massacre is a Canadian technical death metal/deathcore band. One of the many bands to emerge from the deathcore explosion of the mid-2000s, they were always a small but respected act whose impact slowly manifested over the years, and while their activity may have dwindled down to nothing in recent years, their fanbase has patiently and dutifully awaited their return.
Formed in Montreal, Quebec in April of 2004 by Elliot Desgagnes (vocals), Christopher Bradley and Christian Pepin (guitars), Dennis Bradley (bass), and Justin Rousselle (drums), they wasted no time in putting out the ''Evidence of Inequity'' EP the following year on the local indie label Galy Records, while Pepin left around the time that it was released. Various local and regional shows followed and the band built up a reputation as one to look out for that was not hurt by a van accident in Ontario that put a Canadian tour on hold, and in 2006, they inked a deal with Prosthetic Records. Multiple tours and fests throughout Canada and the US followed, and in early 2007, ''Mechanics of Dysfunction'', their debut full-length, had been released to positive reviews. An absolute blitzkrieg of touring followed that left them with just barely enough time to run back into the studio, and ''Dystopia'', their second full-length, was released in late 2008 and was supported with another barrage of touring, including several European runs. 2009 came and went and was mostly spent on the road, but they also found time to run back to the studio again, this time for an EP. ''Maree Noire'' was released in September of 2010, but the touring had begun to slow down, and the band mostly supported it with European runs, fests, and local shows throughout Quebec and Ontario. They reentered the studio once again in 2011 to record a third full-length; after recording it, however, Justin Rousselle left the band, leaving them without a drummer. Quebecois drummer extraordinaire [[Music/{{Gorguts}} Patrice Hamelin]] stepped in to save the day, and their first European run in 2012 in support of ''Incongruous'' was with him being the kit, and it was sometime after this that he agreed to join. Various local shows followed, and 2013 brought another European run followed by a US headlining run in the fall. After this, their activity almost completely fell off. Aside from local shows and appearances at Amnesia Rockfest and Heavy Montreal, nary a peep was head from them for four years. WordOfGod was that they weren't dead, but they also weren't up to much and would likely not be changing this any time soon.
Early 2018 brought surprising news, however; in a podcast, their agent leaked some news about them: not only were they indeed not dead, but they were working on new material and plotting a return to touring in the near-ish future. While he didn't elaborate, it was indeed music to the ears of fans, and anticipation has grown for a proper announcement.
----
!!Discography:
* ''Evidence of Inequity'' (2005) (EP)
* ''Mechanics of Dysfunction'' (2007)
* ''Dystopia'' (2008)
* ''Maree Noire'' (2010) (EP)
* ''Incongruous'' (2012)
----
!!This band contains examples of the following tropes:
* TheAntiNihilist: The core theme of ''Maree Noire'': life has no inherent meaning beyond what we ascribe to it, but you have literally no reason to not do everything you can to enjoy it.
* BaldOfAwesome: The entire band, though Dennis sometimes grows his out.
* {{Deathcore}}: Firmly on the death metal side of the spectrum, though they skewed most heavily towards it on ''Evidence of Inequity'' and ''Dystopia''. They largely turned away from it on ''Maree Noire'' aside from a few breakdowns.
* EarlyInstallmentWeirdness: ''Evidence of Inequity'' was noticeably less technical and more breakdown-oriented than their later material; while plenty of their established stylistic elements were on full display, not even ''Dystopia'' had that much of an emphasis on breakdowns.
* LeadDrummer: Patrice Hamelin is famous for his incredible speed, versatility, technical ability, and power, as well as his many short-notice fill-ins for bands that suddenly find themselves in need of a drummer.
* MetalScream: Elliot Desgagnes is a firm Type 2 with shades of a Type 1.
* MohsScaleOfRockAndMetalHardness: A solid 11 for their entire career.
* NeverBareheaded: It is ''highly'' unlikely that anyone has ever seen Christopher Bradley without a baseball hat on.
* ProtestSong: Their main lyrical focus, though they started to embrace more personal and introspective lyrical themes with ''Maree Noire''.
* SiblingTeam: The Bradley brothers.
* SignatureStyle: Chaotic sweeping and tapping leads mixed with extremely fast tremolo and string-skipping riffs that commonly make use of stop-start motifs, as well as stuttering, odd-time breakdowns (as well as the occasional traditional deathcore breakdown, particularly in "Nevermore", "Reign of Terror", and "Lithium Overdose") and slam breaks, all accompanied by Elliot Desgagnes' trademark staccato bellow/bark.
* TechnicalDeathMetal: Very much on the brutal side of the spectrum, and even at their most deathcoreish, they were still rooted in this.
Formed in Montreal, Quebec in April of 2004 by Elliot Desgagnes (vocals), Christopher Bradley and Christian Pepin (guitars), Dennis Bradley (bass), and Justin Rousselle (drums), they wasted no time in putting out the ''Evidence of Inequity'' EP the following year on the local indie label Galy Records, while Pepin left around the time that it was released. Various local and regional shows followed and the band built up a reputation as one to look out for that was not hurt by a van accident in Ontario that put a Canadian tour on hold, and in 2006, they inked a deal with Prosthetic Records. Multiple tours and fests throughout Canada and the US followed, and in early 2007, ''Mechanics of Dysfunction'', their debut full-length, had been released to positive reviews. An absolute blitzkrieg of touring followed that left them with just barely enough time to run back into the studio, and ''Dystopia'', their second full-length, was released in late 2008 and was supported with another barrage of touring, including several European runs. 2009 came and went and was mostly spent on the road, but they also found time to run back to the studio again, this time for an EP. ''Maree Noire'' was released in September of 2010, but the touring had begun to slow down, and the band mostly supported it with European runs, fests, and local shows throughout Quebec and Ontario. They reentered the studio once again in 2011 to record a third full-length; after recording it, however, Justin Rousselle left the band, leaving them without a drummer. Quebecois drummer extraordinaire [[Music/{{Gorguts}} Patrice Hamelin]] stepped in to save the day, and their first European run in 2012 in support of ''Incongruous'' was with him being the kit, and it was sometime after this that he agreed to join. Various local shows followed, and 2013 brought another European run followed by a US headlining run in the fall. After this, their activity almost completely fell off. Aside from local shows and appearances at Amnesia Rockfest and Heavy Montreal, nary a peep was head from them for four years. WordOfGod was that they weren't dead, but they also weren't up to much and would likely not be changing this any time soon.
Early 2018 brought surprising news, however; in a podcast, their agent leaked some news about them: not only were they indeed not dead, but they were working on new material and plotting a return to touring in the near-ish future. While he didn't elaborate, it was indeed music to the ears of fans, and anticipation has grown for a proper announcement.
----
!!Discography:
* ''Evidence of Inequity'' (2005) (EP)
* ''Mechanics of Dysfunction'' (2007)
* ''Dystopia'' (2008)
* ''Maree Noire'' (2010) (EP)
* ''Incongruous'' (2012)
----
!!This band contains examples of the following tropes:
* TheAntiNihilist: The core theme of ''Maree Noire'': life has no inherent meaning beyond what we ascribe to it, but you have literally no reason to not do everything you can to enjoy it.
* BaldOfAwesome: The entire band, though Dennis sometimes grows his out.
* {{Deathcore}}: Firmly on the death metal side of the spectrum, though they skewed most heavily towards it on ''Evidence of Inequity'' and ''Dystopia''. They largely turned away from it on ''Maree Noire'' aside from a few breakdowns.
* EarlyInstallmentWeirdness: ''Evidence of Inequity'' was noticeably less technical and more breakdown-oriented than their later material; while plenty of their established stylistic elements were on full display, not even ''Dystopia'' had that much of an emphasis on breakdowns.
* LeadDrummer: Patrice Hamelin is famous for his incredible speed, versatility, technical ability, and power, as well as his many short-notice fill-ins for bands that suddenly find themselves in need of a drummer.
* MetalScream: Elliot Desgagnes is a firm Type 2 with shades of a Type 1.
* MohsScaleOfRockAndMetalHardness: A solid 11 for their entire career.
* NeverBareheaded: It is ''highly'' unlikely that anyone has ever seen Christopher Bradley without a baseball hat on.
* ProtestSong: Their main lyrical focus, though they started to embrace more personal and introspective lyrical themes with ''Maree Noire''.
* SiblingTeam: The Bradley brothers.
* SignatureStyle: Chaotic sweeping and tapping leads mixed with extremely fast tremolo and string-skipping riffs that commonly make use of stop-start motifs, as well as stuttering, odd-time breakdowns (as well as the occasional traditional deathcore breakdown, particularly in "Nevermore", "Reign of Terror", and "Lithium Overdose") and slam breaks, all accompanied by Elliot Desgagnes' trademark staccato bellow/bark.
* TechnicalDeathMetal: Very much on the brutal side of the spectrum, and even at their most deathcoreish, they were still rooted in this.
