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* ''ThisUglyYetBeautifulWorld''
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* ''ThisUglyYetBeautifulWorld''''Anime/ThisUglyYetBeautifulWorld''
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* ''EarthMaidenArjuna''
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* ''EarthMaidenArjuna''''Anime/EarthMaidenArjuna''
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minor grammar correction
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''Sekaikei'' (''sekai'' meaning "world", and ''kei'' meaning "type") is a Japanese term that is not clearly defined, spread primarily through the Internet but with some professional interest (there's even been [[http://asian.la.psu.edu/mapping/EVENTS/Entries/2009/4/1_Entry_1.html academic lectures]]). The simple definition of a Sekaikei story is the existence of a close relationship between two people, which turns out to be the sole driving force of the events, up to and including having all other happenings in the world at large depending on said relationship's fate, whether metaphorically or literally. The term "World-type" is related to the character-centric perspective of the world that comes out of such a story.
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''Sekaikei'' (''sekai'' meaning "world", and ''kei'' meaning "type") is a Japanese term that is not clearly defined, spread primarily through the Internet but with some professional interest (there's (there've even been [[http://asian.la.psu.edu/mapping/EVENTS/Entries/2009/4/1_Entry_1.html academic lectures]]). The simple definition of a Sekaikei story is the existence of a close relationship between two people, which turns out to be the sole driving force of the events, up to and including having all other happenings in the world at large depending on said relationship's fate, whether metaphorically or literally. The term "World-type" is related to the character-centric perspective of the world that comes out of such a story.
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* The ''GaRei'' manga toss the role of "boy" and "girl" like volleyballs, but eventually it's between Kagura and Yomi.
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* The ''GaRei'' ''Manga/GaRei'' manga toss the role of "boy" and "girl" like volleyballs, but eventually it's between Kagura and Yomi.
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namespacing
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* ''HaruhiSuzumiya'' has the titular character as [[spoiler:a RealityWarper who unknowingly controls the world]] and so everybody else around her has to keep her happy. Most of this falls upon the narrator, Kyon.
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*
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* ''{{Saikano}}'' deconstructs the living hell out of this setup. Chise is an ultimate weapon in a war and how she decides to fight (if at all) depends on her boyfriend, Shuuji.
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* ''{{Saikano}}'' ''Manga/{{Saikano}}'' deconstructs the living hell out of this setup. Chise is an ultimate weapon in a war and how she decides to fight (if at all) depends on her boyfriend, Shuuji.
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* ''{{Change 123}}''
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* ''{{Change ''Manga/{{Change 123}}''
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* ''Anime/NeonGenesisEvangelion'' is believed to be a prototype of this concept.
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* ''Anime/NeonGenesisEvangelion'' is believed to be a prototype of this concept. The characters can be said to draw the strength to face any given Angel from a specific relationship with others; in the end, when Shinji briefly reaches RealityWarper status, the fate of the world is dependent not on any specific relationship of his, but rather on what he wishes to become of the world in which some people hurt him, while others encouraged him not to give up.
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* ''Manga/{{Clover}}'': Similarly, Suu has an ambiguous ability which could reshape the world in multiple ways, and it soon becomes clear that she doesn't need to be escorted by a highly-trained and augmented ex-soldier because she's a target (although she is) but because of a long-ago connection between them. The plot isn't really about getting her to her destination, but about how the journey will affect what happens when she reaches it.
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* ''PuellaMagiMadokaMagica'' has magic dependent on EmotionalPowers, so by the time of [[PuellaMagiMadokaMagicaTheMovieRebellion The Movie]]'s conclusion, the powerful relationship between Madoka and Homura ends up being the cause of numerous reality rewrites.
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* ''PuellaMagiMadokaMagica'' has magic dependent on EmotionalPowers, so by the time of [[PuellaMagiMadokaMagicaTheMovieRebellion The Movie]]'s conclusion, [[spoiler: the powerful relationship between Madoka and Homura ends up being the cause of numerous reality rewrites.]]
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#A BittersweetEnding generally follows. If the world is chosen, the conclusion often involves a HeroicSacrifice on the part of one or both of the StarCrossedLovers. If the romance is chosen, we may have [[AdamAndEvePlot the couple being the only survivors of an apocalypse]]. TakingAThirdOption is, however, also a common subversion.
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#A BittersweetEnding generally follows. If the world is chosen, the conclusion often involves a HeroicSacrifice on the part of one or both of the StarCrossedLovers.StarCrossedLovers, or them being separated and unable to ever meet each other again. If the romance is chosen, we may have [[AdamAndEvePlot the couple being the only survivors of an apocalypse]]. TakingAThirdOption is, however, also a common subversion.
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#In the climax of the story, the characters are forced to choose between settling things on either the micro-level of the relationship itself, or the macro-level of how it affects the world at large. Typically, [[SadisticChoice both are exclusive]], so in a typical example it's a "Save the girl vs. save the world" choice.
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#In the climax of the story, the characters are forced to choose between settling things on either the micro-level of the relationship itself, or the macro-level of how it affects the world at large. Typically, [[SadisticChoice both are exclusive]], so in a typical example it's a "Save exclusive]].
#A BittersweetEnding generally follows. If thegirl vs. save world is chosen, the world" choice.
conclusion often involves a HeroicSacrifice on the part of one or both of the StarCrossedLovers. If the romance is chosen, we may have [[AdamAndEvePlot the couple being the only survivors of an apocalypse]]. TakingAThirdOption is, however, also a common subversion.
#A BittersweetEnding generally follows. If the
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#In the climax of the story, the characters are forced to choose between settling things on either the micro-level of the relationship itself, or the macro-level of how it affects the world at large. Typically, both are exclusive.
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#In the climax of the story, the characters are forced to choose between settling things on either the micro-level of the relationship itself, or the macro-level of how it affects the world at large. Typically, [[SadisticChoice both are exclusive.
exclusive]], so in a typical example it's a "Save the girl vs. save the world" choice.
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* ''VideoGame/{{Xenogears}}''. And it's glorious!
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* ''VideoGame/{{Xenogears}}''. And it's glorious!''VideoGame/{{Xenogears}}'' is probably the MostTriumphantExample of the trope in gaming. Bonus points for having not only the current conflict, but also much of the world's history resting on the shoulders of the lead couple's ReincarnationRomance.
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* ''PuellaMagiMadokaMagica'' has magic dependent on EmotionalPowers, so by the time of [[PuellaMagiMadokaMagicaTheMovieRebellion The Movie]]'s conclusion, the powerful relationship between Madoka and Homura ends up being the cause of numerous reality rewrites.
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#Starts with very normal regular life. Then the central character, the boy, gets involved to The Apocalypse situation.
#The boy meets the girl who fights to avoid the World's End; the girl fights but the boy doesn't.
#There is little description of interlevel elements between the couple and the collapsing world, such as their local community or their families. The relationship between 'You and I' --the boy and the girl-- is directly connected to 'jumbo world'.
#In the climax of the story, the boy is forced to choose between 'die for love' or 'peace and safety in the world'.
#The boy meets the girl who fights to avoid the World's End; the girl fights but the boy doesn't.
#There is little description of interlevel elements between the couple and the collapsing world, such as their local community or their families. The relationship between 'You and I' --the boy and the girl-- is directly connected to 'jumbo world'.
#In the climax of the story, the boy is forced to choose between 'die for love' or 'peace and safety in the world'.
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#Starts with very normal regular life. Then the central character, character becomes aware of a profound danger to the boy, gets involved to The Apocalypse situation.
#The boyworld at large.
#Said character meets another character who is also aware of thegirl who fights incoming apocalypse and may strive to avoid the World's End; the girl fights but the boy doesn't.
#There isprevent it.
#A relationship forms. There may be little description ofinterlevel elements between how exactly the fate of the couple and is related to the collapsing world, such as their local community or their families. The troubles of the world at large, but it is clear that the relationship between 'You and I' --the boy and the girl-- characters, rather than what they are actually doing, is directly connected their primary leverage to 'jumbo world'.
define what happens to all their surroundings.
#In the climax of the story, theboy is characters are forced to choose between 'die for love' or 'peace and safety in settling things on either the world'.
micro-level of the relationship itself, or the macro-level of how it affects the world at large. Typically, both are exclusive.
#The boy
#Said character meets another character who is also aware of the
#There is
#A relationship forms. There may be little description of
#In the climax of the story, the
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Compare SaveThisPersonSaveTheWorld, in which the world hinges [[BarrierMaiden on the shoulders of one person]], and NeedsOfTheMany, when the SadisticChoice is between [[ApocalypseMaiden said person]] or the world.
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Compare SaveThisPersonSaveTheWorld, in which the world hinges [[BarrierMaiden on the shoulders of one person]], and NeedsOfTheMany, TheNeedsOfTheMany, when the SadisticChoice is between [[ApocalypseMaiden said person]] or the world.
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''Sekaikei'' (''sekai'' meaning "world", and ''kei'' meaning "type") is a Japanese term that is not clearly defined, spread primarily through the Internet but with some professional interest (there's even been [[http://asian.la.psu.edu/mapping/EVENTS/Entries/2009/4/1_Entry_1.html academic lectures]]). The simple definition of a Sekaikei story is there is a male character and a female character and their relationship is the sole driving force of the events.
The difficulty of putting the phrase into trope terms is that it is fairly controversial amongst anime fans and quite frankly ill defined. It is "World type"- it's not quite so much the character relationships, not so much the plot but more the perspective of the world that comes out of such a story.
The difficulty of putting the phrase into trope terms is that it is fairly controversial amongst anime fans and quite frankly ill defined. It is "World type"- it's not quite so much the character relationships, not so much the plot but more the perspective of the world that comes out of such a story.
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''Sekaikei'' (''sekai'' meaning "world", and ''kei'' meaning "type") is a Japanese term that is not clearly defined, spread primarily through the Internet but with some professional interest (there's even been [[http://asian.la.psu.edu/mapping/EVENTS/Entries/2009/4/1_Entry_1.html academic lectures]]). The simple definition of a Sekaikei story is there is the existence of a male character and a female character and their close relationship is between two people, which turns out to be the sole driving force of the events.
events, up to and including having all other happenings in the world at large depending on said relationship's fate, whether metaphorically or literally. The difficulty of putting term "World-type" is related to the phrase into trope terms is that it is fairly controversial amongst anime fans and quite frankly ill defined. It is "World type"- it's not quite so much the character relationships, not so much the plot but more the character-centric perspective of the world that comes out of such a story.
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The thing is a little bit nuts. How nuts? They have to write the word in different systems in the middle of the phrase. Sekai is written with katakana while kei is written with a Chinese character. The world perspective isn't just the one of the story but also of the otaku who follow it.
Compare ApocalypseMaiden, when the choice is between the girl or the world. Compare BarrierMaiden, which the girl is likely to be an example of.
Compare ApocalypseMaiden, when the choice is between the girl or the world. Compare BarrierMaiden, which the girl is likely to be an example of.
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Compare
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* ''NeonGenesisEvangelion'' is believed to be a prototype of this concept.
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* ''NeonGenesisEvangelion'' ''Anime/NeonGenesisEvangelion'' is believed to be a prototype of this concept.
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* ''Manga/ImmortalRegis''
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* ''Manga/ImmortalRegis''''Manhwa/ImmortalRegis''
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Sekaikei (''Sekai'' means "world" and ''kei'' means "a type".) is a Japanese term that is not clearly defined, spread primarily through the Internet but with some professional interest (there's even been [[http://asian.la.psu.edu/mapping/EVENTS/Entries/2009/4/1_Entry_1.html academic lectures]]). The simple definition of a Sekaikei story is there is a male character and a female character and their relationship is the sole driving force of the events.
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* ''ImmortalRegis''
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* ''ImmortalRegis''''Manga/ImmortalRegis''
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* ''HaruhiSuzumiya''[[hottip:*:Cue the screaming Shippers.]]
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* ''HaruhiSuzumiya''[[hottip:*:Cue ''HaruhiSuzumiya'' has the screaming Shippers.]]titular character as [[spoiler:a RealityWarper who unknowingly controls the world]] and so everybody else around her has to keep her happy. Most of this falls upon the narrator, Kyon.
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* ''{{Saikano}}'' deconstructs the living hell out of this setup.
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* ''{{Saikano}}'' deconstructs the living hell out of this setup. Chise is an ultimate weapon in a war and how she decides to fight (if at all) depends on her boyfriend, Shuuji.
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* ''Manga/{{Chobits}}''
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* ''Manga/{{Chobits}}''''Manga/{{Chobits}}'': Chi has an ambiguous ability that has untold horrible effects and it hinges on Hideki deciding on whether or not he wants to romantically be with her.
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* ''PuellaMagiMadokaMagica'', with the twist that the relationship is between [[GirlsLove two such girls]]. Even the ending song say so.
** And due to one thing and another, boxing the characters into "boy" or "girl" role can be an exercise in futility.
** And due to one thing and another, boxing the characters into "boy" or "girl" role can be an exercise in futility.
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* ''BlueDrop'', a human girl and [[DiscountLesbians an alien girl]]. [[{{Tragedy}} It didn't end well]].
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* ''BlueDrop'', a human girl and [[DiscountLesbians an alien girl]]. [[{{Tragedy}} It didn't end well]].
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* ''{{Xenogears}}''. And it's glorious!
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* ''{{Xenogears}}''.''VideoGame/{{Xenogears}}''. And it's glorious!
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* ''{{Chobits}}''
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* ''{{Chobits}}''''Manga/{{Chobits}}''
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Link is dead. Also, grammar.
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[[http://empty-ego.tumblr.com/post/395833053/sekai-kei-the-world-system-for-otaku This place]] says that it can go something like this:
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#There is few description of interlevel elements between the couple and the collapsing world, such as their local community or their families. The relationship between 'You and I' --the boy and the girl-- is directly connected to 'jumbo world'.
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#There is few little description of interlevel elements between the couple and the collapsing world, such as their local community or their families. The relationship between 'You and I' --the boy and the girl-- is directly connected to 'jumbo world'.
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* ''{{Steins;Gate}}''
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* ''Steins;Gate''
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* ''Steins;Gate''''{{Steins;Gate}}''
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* The second ''{{Drakengard}}'' game.
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->''I don't know why, I have no idea, but quite possibly the single most important thing in the history of the universe is that I get you sorted out right now.''
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Quote formatting.
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-->-- '''[[Series/DoctorWho The Doctor]]''', "Flesh and Stone"
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-->-- '''[[Series/DoctorWho The Doctor]]''', '''The Doctor''', ''Series/DoctorWho'', "Flesh and Stone"