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* A great deal of Hentai works on this principle.
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* "Sweet Pain" by {{Music/KISS}}.
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* This concept is key to ''Film/{{Hellraiser}}'' movies. Consider some of the following lines:

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* This concept is key to ''Film/{{Hellraiser}}'' the ''Franchise/{{Hellraiser}}'' movies. Consider some of the following lines:
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[[quoteright:300:[[{{Gor}} http://static.tvtropes.org/pmwiki/pub/images/tarnsman-of-gor-254_939.jpg]]]]
[[caption-width-right:300:[[TeamAmericaWorldPolice "Slavery, f**k yeah."]]]]

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[[quoteright:300:[[{{Gor}} [[quoteright:300:[[Literature/{{Gor}} http://static.tvtropes.org/pmwiki/pub/images/tarnsman-of-gor-254_939.jpg]]]]
[[caption-width-right:300:[[TeamAmericaWorldPolice [[caption-width-right:300:[[Film/TeamAmericaWorldPolice "Slavery, f**k yeah."]]]]
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* "Kiss with a Fist" by Florence & The Machine

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* "Kiss with a Fist" by Florence & The MachineMusic/FlorenceAndTheMachine
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\"Playing to the Fetishes\" is now \"Fanservice\".


Which brings us to this trope. Readers who would ''never'' enjoy the sight of horrors committed against real people can often enjoy the suffering of fictional individuals. Many authors, aware of this, will happily give the readers what they want: Romanticized Abuse, or abuse PlayingToTheFetishes. This can happen on four levels:

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Which brings us to this trope. Readers who would ''never'' enjoy the sight of horrors committed against real people can often enjoy the suffering of fictional individuals. Many authors, aware of this, will happily give the readers what they want: Romanticized Abuse, or abuse PlayingToTheFetishes.Abuse {{Fanservice}}. This can happen on four levels:



A subtrope of PlayingToTheFetishes: Sexual abuse ''not'' designed to be sexy & appealing is ''not'' this trope. Compare ''and'' contrast CasualKink as well as SafeSaneAndConsensual, for characters who live out BDSM fantasies ''and'' show the kind of ethical restraint needed in RealLife. Note that abuse played for FetishFuel is rarely played ''only'' for FetishFuel. It is often a mix of FetishFuel, NightmareFuel, FetishRetardant, NauseaFuel and so on, and the FetishFuel component is sometimes calculated to maximize the horror value.

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A subtrope of PlayingToTheFetishes: {{Fanservice}}: Sexual abuse ''not'' designed to be sexy & appealing is ''not'' this trope. Compare ''and'' contrast CasualKink as well as SafeSaneAndConsensual, for characters who live out BDSM fantasies ''and'' show the kind of ethical restraint needed in RealLife. Note that abuse played for FetishFuel is rarely played ''only'' for FetishFuel. It is often a mix of FetishFuel, NightmareFuel, FetishRetardant, NauseaFuel and so on, and the FetishFuel component is sometimes calculated to maximize the horror value.



* The point of [[BastardBoyfriend Iason's]] use of Riki's [[ShockCollar Pet]] [[RestrainingBolt Ring]] in ''LightNovel/AiNoKusabi'', which takes place in quite a FetishFuelFuture and [[{{Dystopia}} Dystopian]] CrapsackWorld

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* The point of [[BastardBoyfriend Iason's]] use of Riki's [[ShockCollar Pet]] [[RestrainingBolt Ring]] {{R|estrainingBolt}}ing in ''LightNovel/AiNoKusabi'', which takes place in quite a FetishFuelFuture and [[{{Dystopia}} Dystopian]] {{Dystopia}}n CrapsackWorld
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In fiction, abuse can be fun. Even sexy. The victims are fictional anyway, and only real people have real rights.

People who would never enjoy horrors committed against ''real'' people can often enjoy the suffering of ''fictional'' individuals, and many authors fully take this into account. Romanticized Abuse is abuse PlayingToTheFetishes. This can happen on four levels:

to:

In fiction, abuse can be fun. Even sexy. The victims most enjoyable thing about works of fiction is... well... they're fictional. The characters presented are fictional anyway, not actual persons; the sufferings and only triumphs they experience are not real people have real rights.

People
pain and joy. Reading a book is not the same as being witness to the events it portrays. If it were, then the reader might be under some moral obligation to intervene, to alleviate suffering, or at the very least to try to react "rightly" to the situation in front of them. But since the situation is not real, all bets are off.

Which brings us to this trope. Readers
who would never ''never'' enjoy the sight of horrors committed against ''real'' real people can often enjoy the suffering of ''fictional'' individuals, and many authors fully take this into account. fictional individuals. Many authors, aware of this, will happily give the readers what they want: Romanticized Abuse is Abuse, or abuse PlayingToTheFetishes. This can happen on four levels:
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This trope can be ''very'' offensive, especially to those who've been victims of abuse in real life, so [[NoRealLifeExamplesPlease please do not add any real life examples]].

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This trope can be ''very'' offensive, especially to those who've been victims of abuse in real life, so [[NoRealLifeExamplesPlease please do not add any No real life examples]].
examples, please!]]
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This trope is potentially ''very'' offensive, especially to those who've been victims of abuse, so[[NoRealLifeExamplesPlease please do not add any real life examples]].

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This trope is potentially can be ''very'' offensive, especially to those who've been victims of abuse, so[[NoRealLifeExamplesPlease abuse in real life, so [[NoRealLifeExamplesPlease please do not add any real life examples]].
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NoRealLifeExamplesPlease!

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NoRealLifeExamplesPlease!This trope is potentially ''very'' offensive, especially to those who've been victims of abuse, so[[NoRealLifeExamplesPlease please do not add any real life examples]].
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[[AC:Theatre]]
* The musical ''{{Carousel}}'' and the play it's based on, ''{{Liliom}}'', feature a character asking her mother if it's possible for "a man to hit you ... hit you real hard ... and have it feel like a kiss." (In both, the mother answers "yes", because that's exactly the relationship she had with the girl's father.)
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* Actually gets [[InvokedTrope invoked]] (and PlayedForLaughs) in ''LightNovel/{{MM}}'' when one of the love interests, Arishako, gets accused of being a Domestic Abuser. She actually has a phobia of males and react violently when touched by one. Her love interest, Taro, ironically happens to be a [[TooKinkyToTorture sadomasichist]], so Arishako argues that it's just how their relationship is.
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[[caption-width-right:300:"Slavery, f**k yeah."]]

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[[caption-width-right:300:"Slavery, [[caption-width-right:300:[[TeamAmericaWorldPolice "Slavery, f**k yeah."]]
"]]]]
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[[quoteright:300:[[{{Gor}} http://static.tvtropes.org/pmwiki/pub/images/tarnsman-of-gor-254_939.jpg]]

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[[quoteright:300:[[{{Gor}} http://static.tvtropes.org/pmwiki/pub/images/tarnsman-of-gor-254_939.jpg]]jpg]]]]
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[[quoteright:300:[[{{Gor}} http://static.tvtropes.org/pmwiki/pub/images/tarnsman-of-gor-254_939.jpg]]
[[caption-width-right:300:"Slavery, f**k yeah."]]
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* Just about all of MayuShinjo's works utilize this.
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Quotes for song titles


* KatyPerry spends the song [[http://www.youtube.com/watch?v=t5Sd5c4o9UM E.T.]] portraying the concept of AlienAbduction as this trope.
* Kiss with a Fist by Florence & The Machine
* ''The Hurt Makes it Beautiful'' by Hugo.
* ''Ain't Nobody's Business if I Do'' by BillieHoliday, where she defiantly declares how happy she is with her abusive husband (yes, it was TruthInTelevision)

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* KatyPerry spends the song [[http://www."[[http://www.youtube.com/watch?v=t5Sd5c4o9UM E.T.]] ]]" portraying the concept of AlienAbduction as this trope.
* Kiss "Kiss with a Fist Fist" by Florence & The Machine
* ''The "The Hurt Makes it Beautiful'' Beautiful" by Hugo.
* ''Ain't "Ain't Nobody's Business if I Do'' Do" by BillieHoliday, where she defiantly declares how happy she is with her abusive husband (yes, it was TruthInTelevision)
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* The point of [[BastardBoyfriend Iason's]] use of Riki's Pet Ring in ''LightNovel/AiNoKusabi'', which takes place in quite a FetishFuelFuture and [[{{Dystopia}} Dystopian]] CrapsackWorld

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* The point of [[BastardBoyfriend Iason's]] use of Riki's Pet Ring [[ShockCollar Pet]] [[RestrainingBolt Ring]] in ''LightNovel/AiNoKusabi'', which takes place in quite a FetishFuelFuture and [[{{Dystopia}} Dystopian]] CrapsackWorld
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* The Dark Eldar in ''{{Warhammer 40000}}'' take this to its logical extreme: they literally survive on the pain and suffering of others. Other races tend to inflict a great deal of abuse on their captives. The Dark Eldar eroticize it.
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* Most novels by the MarquisDeSade (the guy "sadism" is named after) stays strictly in Romanticized Abuse territory, being about unrestrained sadism rather than [[SafeSaneAndConsensual mutual]] sadomasochism. It's all played for FetishFuel and political satire about how hypocritical, oppressive and unjust the socioeconomic system really was.

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* Most novels by the MarquisDeSade Creator/MarquisDeSade (the guy "sadism" is named after) stays strictly in Romanticized Abuse territory, being about unrestrained sadism rather than [[SafeSaneAndConsensual mutual]] sadomasochism. It's all played for FetishFuel and political satire about how hypocritical, oppressive and unjust the socioeconomic system really was.
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None


* Basically everyone in ''MetalGear'' has weird sexual issues about war and violence. Of course, this is played for horror/drama as well as for fanservice, but at the end of the day sexualising violence is mostly about making all the people really attractive, putting them in ridiculously tight suits, [[MaleGaze having lots of close-ups on the crotches and butts]], inserting gratuitous HoYay, and playing enemyship as if it was heart-shatteringly romantic melodrama.

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* Basically everyone in ''MetalGear'' ''Franchise/MetalGear'' has weird sexual issues about war and violence. Of course, this is played for horror/drama as well as for fanservice, but at the end of the day sexualising violence is mostly about making all the people really attractive, putting them in ridiculously tight suits, [[MaleGaze having lots of close-ups on the crotches and butts]], inserting gratuitous HoYay, and playing enemyship as if it was heart-shatteringly romantic melodrama.
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* ''Ain't Nobody's Business if I Do'' by BillieHoliday, where she defiantly declares how happy she is with her abusive husband (yes, it was TruthInTelevision)

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[[AC:{{Anime}}]]
* The point of [[BastardBoyfriend Iason's]] use of Riki's Pet Ring in ''LightNovel/AiNoKusabi'', which takes place in quite a FetishFuelFuture and [[{{Dystopia}} Dystopian]] CrapsackWorld
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* ''The Hurt Makes it Beautiful'' by Hugo.
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* ''SlaveWorld'' covers all four levels. On the civilization level, the entire slaveworld is this kind of grim FetishFuelFuture. On the organization level, the army of England is designed to maintain social order by turning uppity serfs into SexSlave {{cyborg}}s. On the couple level, Prince Samuel and Lady Isobel have this as their mutual hobby. On the individual level, most aristocrats qualify for the appropriately gendered trope.

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* ''SlaveWorld'' ''Slave World'' covers all four levels. On the civilization level, the entire slaveworld is this kind of grim FetishFuelFuture. On the organization level, the army of England is designed to maintain social order by turning uppity serfs into SexSlave {{cyborg}}s. On the couple level, Prince Samuel and Lady Isobel have this as their mutual hobby. On the individual level, most aristocrats qualify for the appropriately gendered trope.

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Namespace - also, sorted a bit


* Most civilizations on ''{{Gor}}'' seem to be built with this as one of their basic premises.

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* Most civilizations on ''{{Gor}}'' ''Literature/{{Gor}}'' seem to be built with this as one of their basic premises.



* ''TabletopGame/GeistTheSinEaters'' supplement ''Book Of The Dead'' is about realms of the dead. One of them is a very friendly place called Oppia, which offers an abundance of food and {{Sex Slave}}s. Of course, it's very easy to break a rule and get enslaved yourself. Some of the slaves chose to remain slaves after they have served the term of their punishment.
* The NewWorldOfDarkness book ''Inferno'', covering demons, is based on the seven deadly sins, and the "lust" part is designed for creating characters (of either gender) who fit this trope.



* The {{new World of Darkness}} book ''Inferno'', covering demons, is based on the seven deadly sins, and the "lust" part is designed for creating characters (of either gender) who fit this trope.
* ''TabletopGame/GeistTheSinEaters'' supplement ''Book Of The Dead'' is about realms of the dead. One of them is a very friendly place called Oppia, which offers an abundance of food and {{Sex Slave}}s. Of course, it's very easy to break a rule and get enslaved yourself. Some of the slaves chose to remain slaves after they have served the term of their punishment.

to:

* The {{new World of Darkness}} book ''Inferno'', covering demons, is based on the seven deadly sins, and the "lust" part is designed for creating characters (of either gender) who fit this trope.
* ''TabletopGame/GeistTheSinEaters'' supplement ''Book Of The Dead'' is about realms of the dead. One of them is a very friendly place called Oppia, which offers an abundance of food and {{Sex Slave}}s. Of course, it's very easy to break a rule and get enslaved yourself. Some of the slaves chose to remain slaves after they have served the term of their punishment.



* Bernkastel and Lambdadelta in ''VisualNovel/UminekoNoNakuKoroNi'' take this trope UpToEleven. Being all-powerful witches who will do anything to avoid boredom, a regular "punishment game" for them will involve things like locking each other up at the bottom of a hollow tower, turning all the stars in the sky into diamonds and dropping them, one by one, onto the other one until they are crushed into a pulp.
** Considering the end of Episode 6, [[spoiler:Battler and Beatrice]] seem to be heading in this direction. [[spoiler: Back when Beatrice was pretending to be a CardCarryingVillain, they ''definitely'' were.]]


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* Bernkastel and Lambdadelta in ''VisualNovel/UminekoNoNakuKoroNi'' take this trope UpToEleven. Being all-powerful witches who will do anything to avoid boredom, a regular "punishment game" for them will involve things like locking each other up at the bottom of a hollow tower, turning all the stars in the sky into diamonds and dropping them, one by one, onto the other one until they are crushed into a pulp.
** Considering the end of Episode 6, [[spoiler:Battler and Beatrice]] seem to be heading in this direction. [[spoiler: Back when Beatrice was pretending to be a CardCarryingVillain, they ''definitely'' were.]]
Is there an issue? Send a MessageReason:
It\'s Not Rape If You Enjoyed It to Not If They Enjoyed It Rationalization per Rape Tropes Special Efforts thread


When combined with EvilIsSexy, or any other of the EvilTropes, Romanticized Abuse is likely to lead to DracoInLeatherPants. However, the group or person whose abusive behavior is romanticized is [[ItsNotRapeIfYouEnjoyedIt not necessarily]] [[DeathByWomanScorned portrayed as evil at all]].

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When combined with EvilIsSexy, or any other of the EvilTropes, Romanticized Abuse is likely to lead to DracoInLeatherPants. However, the group or person whose abusive behavior is romanticized is [[ItsNotRapeIfYouEnjoyedIt [[NotIfTheyEnjoyedItRationalization not necessarily]] [[DeathByWomanScorned portrayed as evil at all]].
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removing example from work cut by P5


* In ''SlaveMaker'', the entire setting is built on this trope.
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In fiction, abuse can be fun. Even sexy. The victims are fictional anyway, and only real people have real rights.

People who would never enjoy horrors committed against ''real'' people can often enjoy the suffering of ''fictional'' individuals, and many authors fully take this into account. Romanticized Abuse is abuse PlayingToTheFetishes. This can happen on four levels:

# Civilization: A PlanetOfHats or particularly grim FetishFuelFuture.
# Organization: A religious cult, criminal network or whatever fills the role.
# Couple: A husband and wife may be sweet and respectful towards each other, sharing their mutual hobby of torturing someone else.
# Individual: This level is covered by the gendered subtropes BastardGirlfriend and BastardBoyfriend. Putting individual characters as example in the supertrope should only be done if the character is a of unknown gender or a genderless shapeshifter/alien/whatever.

The husband and wife of a Romanticized Abuse couple should normally only be mentioned here in the supertrope - it's redundant to also mention them in the gendered subtropes, ''unless'' they also have individual adventures where they are effectively single or in another relationship with a different dynamic. For individuals who represent a civilization or an organization, it's a matter of whether they act as individuals, as representatives, or both.

When combined with EvilIsSexy, or any other of the EvilTropes, Romanticized Abuse is likely to lead to DracoInLeatherPants. However, the group or person whose abusive behavior is romanticized is [[ItsNotRapeIfYouEnjoyedIt not necessarily]] [[DeathByWomanScorned portrayed as evil at all]].

A subtrope of PlayingToTheFetishes: Sexual abuse ''not'' designed to be sexy & appealing is ''not'' this trope. Compare ''and'' contrast CasualKink as well as SafeSaneAndConsensual, for characters who live out BDSM fantasies ''and'' show the kind of ethical restraint needed in RealLife. Note that abuse played for FetishFuel is rarely played ''only'' for FetishFuel. It is often a mix of FetishFuel, NightmareFuel, FetishRetardant, NauseaFuel and so on, and the FetishFuel component is sometimes calculated to maximize the horror value.

A stock trait of HornyDevils. Compare FriendlyTickleTorture for the PG version. Contrast SafeSaneAndConsensual. Contrast HollywoodMasochism, since the Romanticized Abuse is clearly abusive -- however, as the stories progress, Romanticized Abuse has a tendency to shift over into becoming HollywoodMasochism instead. There can also be some overlap regarding physical safety and such. Contrast SexIsEvilAndIAmHorny.

NoRealLifeExamplesPlease!
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!!!Examples

[[AC:ComicBooks]]
* The second and third issue of Lou Kagan's ''Perils of Penelope'' features a religious cult whose religious doctrine seem to be limited to the ideas that pain is spiritual and that brainwashing people by tying them up and spanking them is the best way to get new converts.

[[AC:{{Film}}]]
* This concept is key to ''Film/{{Hellraiser}}'' movies. Consider some of the following lines:
-->'''Pinhead:''' Oh, I will enjoy making you bleed. And I will ''enjoy'' making you enjoy it.
-->'''Pinhead:''' Human dreams...such fertile ground for the seeds of torment. You're so ripe, Joey. And it's harvest time. Save your tears. We'll reap your soul slowly. We have centuries to discover the things that make you whimper. You think your nighttime world is closed to me? Your mind is so naked. A book that yearns to be read. A door that begs to be opened.

[[AC:{{Literature}}]]
* ''SlaveWorld'' covers all four levels. On the civilization level, the entire slaveworld is this kind of grim FetishFuelFuture. On the organization level, the army of England is designed to maintain social order by turning uppity serfs into SexSlave {{cyborg}}s. On the couple level, Prince Samuel and Lady Isobel have this as their mutual hobby. On the individual level, most aristocrats qualify for the appropriately gendered trope.
* Most civilizations on ''{{Gor}}'' seem to be built with this as one of their basic premises.
* Most novels by the MarquisDeSade (the guy "sadism" is named after) stays strictly in Romanticized Abuse territory, being about unrestrained sadism rather than [[SafeSaneAndConsensual mutual]] sadomasochism. It's all played for FetishFuel and political satire about how hypocritical, oppressive and unjust the socioeconomic system really was.

[[AC:LiveActionTV]]
* ''LawAndOrderSpecialVictimsUnit'' sometimes go for having their cake and eat it too, denouncing the horrors of sexual abuse by displaying it in almost pornographic details.
** One episode, named "Slaves", revels in the details on how a young Romanian woman has been imprisoned, brainwashed and used as a sex toy by an American couple. Lots of neatly presented details about the horrors she endured makes for a strange mix of FetishFuel and NauseaFuel. [[spoiler: Surprisingly, the detectives let the wife off the hook in exchange for selling out her husband, in spite of the fact that she murdered the girl's aunt without even informing her husband about it afterward.]]
** Another episode, named "Spectacle", runs on the principle that no one can resist watching a good rape. The episode starts with a video broadcast of a woman getting raped by a masked man popping up on the intranet of a university campus. [[spoiler:It turns out that the guy who had the woman kidnapped and raped lost his little brother a long time ago. The brother was kidnapped, and the police gave up searching after a little while. After this cold case is solved, the unsurprising reveal is made that they were simply playing make-believe rape as a little ActivistFundamentalistAntics plot to get the police's attention.]]

[[AC:{{Music}}]]
* Several Music/{{Blutengel}} songs go along these lines - often on a gender-neutral and structural level, talking about the lifestyles of vampires in general rather than about the actions of individual vampires.
* "He Hit Me (And It Felt Like A Kiss)" by The Crystals
* KatyPerry spends the song [[http://www.youtube.com/watch?v=t5Sd5c4o9UM E.T.]] portraying the concept of AlienAbduction as this trope.
* Kiss with a Fist by Florence & The Machine

[[AC:TabletopGames]]
* In the ''TabletopGame/VampireTheMasquerade'' supplement ''Ghouls: Fatal Addiction'', the Camarilla was played straight as this kind of organization. The theme of playing the social structure between Vampires and Ghouls as Romanticized Abuse is hinted in the core rulebook as well as many other supplements, but it's much more blatant in "Ghouls". (In this setting, a "ghoul" is a human who drinks vampire blood. The blood makes her superhumanly strong, makes her stop aging, lets her heal faster and increases her sexual urges, but it also enslaves her under the Vampire's will.)
** The ''VampireTheRequiem'' supplement ''Ghouls'' continues the tradition.
* The {{new World of Darkness}} book ''Inferno'', covering demons, is based on the seven deadly sins, and the "lust" part is designed for creating characters (of either gender) who fit this trope.
* ''TabletopGame/GeistTheSinEaters'' supplement ''Book Of The Dead'' is about realms of the dead. One of them is a very friendly place called Oppia, which offers an abundance of food and {{Sex Slave}}s. Of course, it's very easy to break a rule and get enslaved yourself. Some of the slaves chose to remain slaves after they have served the term of their punishment.

[[AC:VideoGames]]
* Bernkastel and Lambdadelta in ''VisualNovel/UminekoNoNakuKoroNi'' take this trope UpToEleven. Being all-powerful witches who will do anything to avoid boredom, a regular "punishment game" for them will involve things like locking each other up at the bottom of a hollow tower, turning all the stars in the sky into diamonds and dropping them, one by one, onto the other one until they are crushed into a pulp.
** Considering the end of Episode 6, [[spoiler:Battler and Beatrice]] seem to be heading in this direction. [[spoiler: Back when Beatrice was pretending to be a CardCarryingVillain, they ''definitely'' were.]]
* In ''SlaveMaker'', the entire setting is built on this trope.
* Basically everyone in ''MetalGear'' has weird sexual issues about war and violence. Of course, this is played for horror/drama as well as for fanservice, but at the end of the day sexualising violence is mostly about making all the people really attractive, putting them in ridiculously tight suits, [[MaleGaze having lots of close-ups on the crotches and butts]], inserting gratuitous HoYay, and playing enemyship as if it was heart-shatteringly romantic melodrama.

%% No real life examples. Seriously.
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