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* The English dub of ''Anime/{{Ponyo}}'' ends with a pop version of the theme song after an English version of the original song plays, sung by {{Music/Noah Cyrus} and Frankie Jonas, the English voice actors of Ponyo and Sousuke. There's also a full version of it that was used to promote the film. While the original version is about Ponyo exploring her world, the pop version gives off the vibe of "let's dance and be happy with Ponyo".

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* The English dub of ''Anime/{{Ponyo}}'' ends with a pop version of the theme song after an English version of the original song plays, sung by {{Music/Noah Cyrus} Music/NoahCyrus and Frankie Jonas, the English voice actors of Ponyo and Sousuke. There's also a full version of it that was used to promote the film. While the original version is about Ponyo exploring her world, the pop version gives off the vibe of "let's dance and be happy with Ponyo".
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* ''Film/BarneysGreatAdventure'' had a pop cover of "I Love You" that was exclusive to the movie's soundtrack that gave the song more lyrics than what is usually sung on the show.
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* The version of “I Can Dream About You” played in ''Film/StreetsOfFire'' uses Winston Ford as its vocalist. The version on the soundtrack, which would become the BreakawayPopHit, was recorded by Dan Hartman, who originally wrote it for Music/HallAndOates. And if that wasn’t enough, the duo recorded their own CoverVersion with slightly changed lyrics in the middle eight.


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* Music/{{OutKast}}’s BreakthroughHit "Player’s Ball" is another odd example of this. Originally appearing on ''A [=LaFace=] Family Christmas'', a compilation of ChristmasSongs by their label, the original version features many references to the Player’s Ball happening on Christmas Day. The single version and the version appearing on the album ''Southernplayalisticadillacmuzik'' removes most of the holiday oriented production and uses {{Sound Effect Bleep}}s and record scratches to obscure most of the references to the holiday.
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* NCT did a Korean pop cover of "Best Day Ever" from ''WesternAnimation/TrollsTheBeatGoesOn''.
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* K-Pop group NMIXX did a pop cover of "Sprinkle Party" from ''WesternAnimation/GabbysDollhouse''.
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put a link on noah cyrus


* The English dub of ''Anime/{{Ponyo}}'' ends with a pop version of the theme song after an English version of the original song plays, sung by Noah Cyrus and Frankie Jonas, the English voice actors of Ponyo and Sousuke. There's also a full version of it that was used to promote the film. While the original version is about Ponyo exploring her world, the pop version gives off the vibe of "let's dance and be happy with Ponyo".

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* The English dub of ''Anime/{{Ponyo}}'' ends with a pop version of the theme song after an English version of the original song plays, sung by Noah Cyrus {{Music/Noah Cyrus} and Frankie Jonas, the English voice actors of Ponyo and Sousuke. There's also a full version of it that was used to promote the film. While the original version is about Ponyo exploring her world, the pop version gives off the vibe of "let's dance and be happy with Ponyo".
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* Kerry Ellis recorded a [[https://www.youtube.com/watch?v=4P-cMh4QjYA rock version]] of "Defying Gravity" from ''Theatre/{{Wicked}}'', which was reworked to remove the references to Oz. Produced by Brian May of Music/{{Queen}}.

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* Kerry Ellis recorded a [[https://www.youtube.com/watch?v=4P-cMh4QjYA rock version]] of "Defying Gravity" from ''Theatre/{{Wicked}}'', which was reworked to remove the references to Oz. Produced by Brian May of Music/{{Queen}}.Music/{{Queen|Band}}.
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** The version of "The Music of the Night" that Music/MichaelCrawford performs on the ''Highlights from The Phantom of the Opera'' album, which was released as a single, isn't taken from the Original London Cast Recording, unlike the rest of the tracks on ''Highlights''. It's a slightly lighter, piano-driven arrangement, and the lyrics prior to verse four are often different, most obviously in the first bridge ("Close your eyes, for your eyes will only tell the truth/And the truth isn't what you want to see"). Crawford rerecorded this version with orchestrations closer to the standard version for his 1989 studio album ''With Love'', and the duet versions he performed with Music/BarbraStreisand (in 1993) and Music/SusanBoyle (2012) use these lyrics as well.

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** The version of "The Music of the Night" that Music/MichaelCrawford Creator/MichaelCrawford performs on the ''Highlights from The Phantom of the Opera'' album, which was released as a single, isn't taken from the Original London Cast Recording, unlike the rest of the tracks on ''Highlights''. It's a slightly lighter, piano-driven arrangement, and the lyrics prior to verse four are often different, most obviously in the first bridge ("Close your eyes, for your eyes will only tell the truth/And the truth isn't what you want to see"). Crawford rerecorded this version with orchestrations closer to the standard version for his 1989 studio album ''With Love'', and the duet versions he performed with Music/BarbraStreisand (in 1993) and Music/SusanBoyle Susan Boyle (2012) use these lyrics as well.

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* Early in its development/workshopping, the title song from ''Theatre/ThePhantomOfTheOpera'' was released as a single (complete with video) with dramatically different lyrics from those in the final theatrical production. If you compare them, both sets of lyrics are totally innocuous, just different. The Phantom's singer on the single, Steve Harvey, ''was'' in the running for the role, but in the end Creator/AndrewLloydWebber and company decided his rock-trained voice wasn't quite what they needed for the final show.

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* Early in its development/workshopping, the title song from ''Theatre/ThePhantomOfTheOpera'' was released as a single (complete with video) with dramatically different lyrics from those in the final theatrical production. If you compare them, both sets of lyrics are totally innocuous, innocuous -- just different. The Phantom's singer on the single, Steve Harvey, ''was'' in the running for the role, but in the end Creator/AndrewLloydWebber and company decided his rock-trained voice wasn't quite what they needed for the final show.show.
** The version of "The Music of the Night" that Music/MichaelCrawford performs on the ''Highlights from The Phantom of the Opera'' album, which was released as a single, isn't taken from the Original London Cast Recording, unlike the rest of the tracks on ''Highlights''. It's a slightly lighter, piano-driven arrangement, and the lyrics prior to verse four are often different, most obviously in the first bridge ("Close your eyes, for your eyes will only tell the truth/And the truth isn't what you want to see"). Crawford rerecorded this version with orchestrations closer to the standard version for his 1989 studio album ''With Love'', and the duet versions he performed with Music/BarbraStreisand (in 1993) and Music/SusanBoyle (2012) use these lyrics as well.



** In ''Theatre/{{Amaluna}}'', all of the show songs are in "[[SingingSimlish Cirquish]]" as usual, but on the soundtrack album, many of the songs have been rewritten in English ("Elma Om Mi Lize", "Ena Fee Alyne", and "O Ma Ley" remain Cirquish). Similarly, ''Theatre/{{Quidam}}'''s soundtrack includes English versions of "Let Me Fall" and others.

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** In ''Theatre/{{Amaluna}}'', all of the show songs are in "[[SingingSimlish Cirquish]]" as usual, but on the soundtrack album, many of the songs have been rewritten in English ("Elma Om Mi Lize", "Ena Fee Alyne", and "O Ma Ley" remain Cirquish). Similarly, ''Theatre/{{Quidam}}'''s soundtrack includes English versions of "Let Me Fall" and others.others (Music/JoshGroban covered "Let Me Fall" on one of his albums).

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* "Underneath The Same Sky" from ''[[WesternAnimation/MyFriendsTiggerAndPooh Tigger And Pooh And A Musical Too]]'' got a pop cover by Kenny Loggins.



* "Underneath The Same Sky" from ''[[WesternAnimation/MyFriendsTiggerAndPooh Tigger And Pooh And A Musical Too]]'' got a pop cover by Kenny Loggins.
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* "Underneath The Same Sky" from ''[[WesternAnimation/MyFriendsTiggerAndPooh Tigger And Pooh And A Musical Too]]'' got a pop cover by Kenny Loggins.
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* Not rewritten per say, but the Birthday Song from ''Series/TheSunnySideUpShow'' became a pop song with a music video in 2015, featuring hosts and Sprout characters dancing to the song.
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Corrected grammar and information (Lisa Lougheed didn't produce any of the songs - they were all produced by the show's creator and composer/musical arranger)


* ''WesternAnimation/AnAmericanTail'' is well-known for the pop version of one of the songs from the film, "Somewhere Out There", which was preformed by Linda Ronstadt and James Ingram, that played during the credits of the film. It became so popular that it [[BreakawayPopHit would later break free of its' origins and become one of the 80's defining songs]].

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* ''WesternAnimation/AnAmericanTail'' is well-known for the pop version of one of the songs from the film, "Somewhere Out There", which was preformed by Linda Ronstadt and James Ingram, that played during the credits of the film. It became so popular that it [[BreakawayPopHit would later break free of its' its origins and become one of the 80's defining songs]].



* The theme of ''WesternAnimation/TheRaccoons'', "Run with Us", was initially sung by Steve Lunt, then re-recorded by Lisa Lougheed, who also voiced Lisa Raccoon and produced several other songs for the show. Her version was featured on her ''Evergreen Nights'' album along with the other songs sung or co-produced by her.

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* The theme of ''WesternAnimation/TheRaccoons'', "Run with Us", was initially sung by Steve Lunt, then re-recorded by Lisa Lougheed, who also voiced Lisa Raccoon and produced sang several other songs for the show. Her version was featured on her ''Evergreen Nights'' album along with the other songs sung or co-produced by her.
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* The SpecialEdition soundtrack to ''WesternAnimation/TheLittleMermaid1989'' includes pop covers of "Part of Your World" by Creator/JessicaSimpson, "Under the Sea" by Creator/RavenSymone, "Poor Unfortunate Souls" by Music/TheJonasBrothers, and "Kiss the Girl" by Creator/AshleyTisdale, although only "Poor Unfortunate Souls" has its lyrics altered.

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* The SpecialEdition soundtrack to ''WesternAnimation/TheLittleMermaid1989'' includes pop covers of "Part of Your World" by Creator/JessicaSimpson, Music/JessicaSimpson, "Under the Sea" by Creator/RavenSymone, "Poor Unfortunate Souls" by Music/TheJonasBrothers, and "Kiss the Girl" by Creator/AshleyTisdale, although only "Poor Unfortunate Souls" has its lyrics altered.
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* On the soundtrack for ''WesternAnimation/TeenTitansGoToTheMovies'', a version of "Upbeat Inspirational Song About Life" sung by Michael Bolton and Scott Menville is included, where the former sings the lyrics the other Titans sung in the original song. Robin's lines are kept intact, however.
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* A variation: The Peter Allen JukeboxMusical ''The Boy from Oz'' turns "Film/{{Arthur}}'s Theme (Best That You Can Do)" into a falling-in-love duet between Allen and Liza Minnelli, "Best That You Can Do", by dropping the second verse (which is specifically about Arthur) and slightly tweaking the lyrics of the first. Never mind that the original song was released in 1981 and the scene in the musical is set in the mid-1960s; the connection between the love interest and the song -- Minnelli was the female lead in ''Arthur'' -- must be exploited!

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* A variation: The Peter Allen JukeboxMusical ''The Boy from Oz'' turns "Film/{{Arthur}}'s "Film/{{Arthur 1981}}'s Theme (Best That You Can Do)" into a falling-in-love duet between Allen and Liza Minnelli, "Best That You Can Do", by dropping the second verse (which is specifically about Arthur) and slightly tweaking the lyrics of the first. Never mind that the original song was released in 1981 and the scene in the musical is set in the mid-1960s; the connection between the love interest and the song -- Minnelli was the female lead in ''Arthur'' -- must be exploited!
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* ''WesternAnimation/TrollsWorldTour'': This is the reason in-universe that the Troll tribes separated and began to live in isolation. The ancient Pop Tribe leader hoarded the lyre of the six strings and began to remix the songs of the other tribes into pop, potentially erasing their music altogether unless stopped.
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