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* Bioshock. When you place the third (out of four) picture in the art collab, the already unstable Sander Cohen freaks out and, in a fit of instability, orders his henchmen to kill you. Cue the CrowningMomentOfAwesome as you beat the living crap out of splicers who seem to come out of HammerSpace. You'll be symponizing a bloody massacre while Waltz of the Flowers blares throughout the studio for minutes, though odds are that you'll be done by 2:44.
to:
* Bioshock.{{Bioshock}}. When you place the third (out of four) picture in the art collab, the already unstable Sander Cohen freaks out and, in a fit of instability, orders his henchmen to kill you. Cue the CrowningMomentOfAwesome as you beat the living crap out of splicers who seem to come out of HammerSpace. You'll be symponizing a bloody massacre while Waltz of the Flowers blares throughout the studio for minutes, though odds are that you'll be done by 2:44.
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Bonus points for OminousLatinChanting.
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Bonus points for OminousLatinChanting.OminousLatinChanting, and even more for AutobotsRockOut.
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* ''{{Homeworld}}'': The [[spoiler: razing of [[DoomedHometown Kharak]]]] is set to a choral version of Adagio for Strings, with the lyrics to Agnus Dei. A double-whammy.
to:
* ''{{Homeworld}}'': The [[spoiler: razing [[spoiler:razing of [[DoomedHometown Kharak]]]] is set to a [[http://www.youtube.com/watch?v=y6ilqJW3fV8 choral version of Adagio for Strings, with the lyrics to Agnus Dei.Dei]]. A double-whammy.
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* ''SuperMarioGalaxy's'' soundtrack is 90% orchestrated (same for the sequel), and has this all over the place in varying degrees, but the best examples would have to be [[http://www.youtube.com/watch?v=lYsp_U8zs9s&feature=related every]] [[http://www.youtube.com/watch?v=IIiTjopLP2I&feature=related single]] [[http://www.youtube.com/watch?v=A9cmUFBQK2E Bowser]] [[hhttp://www.youtube.com/watch?v=Z2GHF8icAXI&feature=related battle theme.]]
** [[http://www.youtube.com/watch?v=NpAMsN_4VYE&feature=related Melty Monster Galaxy]] from ''{{Super Mario Galaxy 2}}'' is downright ''magnificent'' in all its orchestrated glory.
** [[http://www.youtube.com/watch?v=NpAMsN_4VYE&feature=related Melty Monster Galaxy]] from ''{{Super Mario Galaxy 2}}'' is downright ''magnificent'' in all its orchestrated glory.
to:
* ''SuperMarioGalaxy's'' soundtrack is 90% orchestrated (same for the sequel), and has this all over the place in varying degrees, but the best examples would have to be [[http://www.youtube.com/watch?v=lYsp_U8zs9s&feature=related com/watch?v=lYsp_U8zs9s every]] [[http://www.youtube.com/watch?v=IIiTjopLP2I&feature=related com/watch?v=IIiTjopLP2I single]] [[http://www.youtube.com/watch?v=A9cmUFBQK2E Bowser]] [[hhttp://www.[[http://www.youtube.com/watch?v=Z2GHF8icAXI&feature=related com/watch?v=Z2GHF8icAXI battle theme.]]
** [[http://www.youtube.com/watch?v=NpAMsN_4VYE&feature=related com/watch?v=NpAMsN_4VYE Melty Monster Galaxy]] from ''{{Super Mario Galaxy 2}}'' is downright ''magnificent'' in all its orchestrated glory.
** [[http://www.youtube.
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* ''SuperMarioGalaxy's'' soundtrack is 90% orchestrated (same for the sequel), and has this all over the place in varying degrees, but the best examples would have to be [[http://www.youtube.com/watch?v=lYsp_U8zs9s&feature=related every]] [[http://www.youtube.com/watch?v=IIiTjopLP2I&feature=related single]] [[http://www.youtube.com/watch?v=A9cmUFBQK2E Bowser]] [[http://www.youtube.com/watch?v=KmodD2IzsFA&feature=related battle theme.]]
to:
* ''SuperMarioGalaxy's'' soundtrack is 90% orchestrated (same for the sequel), and has this all over the place in varying degrees, but the best examples would have to be [[http://www.youtube.com/watch?v=lYsp_U8zs9s&feature=related every]] [[http://www.youtube.com/watch?v=IIiTjopLP2I&feature=related single]] [[http://www.youtube.com/watch?v=A9cmUFBQK2E Bowser]] [[http://www.[[hhttp://www.youtube.com/watch?v=KmodD2IzsFA&feature=related com/watch?v=Z2GHF8icAXI&feature=related battle theme.]]
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* ''SuperMarioGalaxy's'' soundtrack is 90% orchestrated (same for the sequel), and has this all over the place in varying degrees, but the best examples would have to be [[http://www.youtube.com/watch?v=lYsp_U8zs9s&feature=related every]] [[http://www.youtube.com/watch?v=IIiTjopLP2I&feature=related single]] [[http://www.youtube.com/watch?v=VT96Fx9GTdo&feature=related Bowser]] [[http://www.youtube.com/watch?v=KmodD2IzsFA&feature=related battle theme.]]
to:
* ''SuperMarioGalaxy's'' soundtrack is 90% orchestrated (same for the sequel), and has this all over the place in varying degrees, but the best examples would have to be [[http://www.youtube.com/watch?v=lYsp_U8zs9s&feature=related every]] [[http://www.youtube.com/watch?v=IIiTjopLP2I&feature=related single]] [[http://www.youtube.com/watch?v=VT96Fx9GTdo&feature=related com/watch?v=A9cmUFBQK2E Bowser]] [[http://www.youtube.com/watch?v=KmodD2IzsFA&feature=related battle theme.]]
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marking Evangelion spoilers
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* ''NeonGenesisEvangelion'' loves this trope - so much so that it has fell victim to MemeticMutation: "[stuff happens] while Hideaki Anno plays unfitting music". Two examples are Shinji vs. Kaworu (''Ode to Joy'') and Asuka vs. MP Evas (Bach - ''[[http://www.youtube.com/watch?v=HkY1_TpucLA II Air]]'').
** There's also Asuka getting {{Mind Rape}}d by Arael [[SoundtrackDissonance while Hideaki Anno plays Handel's]] ''[[SoundtrackDissonance Hallelujah]]'' in episode 22. Also, the end of said scene in the Director's Cut has Rei nailing Arael with the [[EleventhHourSuperpower Lance of Longinus]] with the end of Handel's ''Worthy is the Lamb'' in the background.
** There's also Asuka getting {{Mind Rape}}d by Arael [[SoundtrackDissonance while Hideaki Anno plays Handel's]] ''[[SoundtrackDissonance Hallelujah]]'' in episode 22. Also, the end of said scene in the Director's Cut has Rei nailing Arael with the [[EleventhHourSuperpower Lance of Longinus]] with the end of Handel's ''Worthy is the Lamb'' in the background.
to:
* ''NeonGenesisEvangelion'' loves this trope - so much so that it has fell victim to MemeticMutation: "[stuff happens] while Hideaki Anno plays unfitting music". Two examples are Shinji vs. Kaworu [[spoiler:Kaworu]] (''Ode to Joy'') and Asuka vs. MP Evas [[spoiler:MP Evas]] (Bach - ''[[http://www.youtube.com/watch?v=HkY1_TpucLA II Air]]'').
** There's alsoAsuka [[spoiler:Asuka getting {{Mind Rape}}d by Arael Arael]] [[SoundtrackDissonance while Hideaki Anno plays Handel's]] ''[[SoundtrackDissonance Hallelujah]]'' in episode 22. Also, the end of said scene in the Director's Cut has Rei [[spoiler:Rei nailing Arael with the [[EleventhHourSuperpower Lance of Longinus]] ]] with the end of Handel's ''Worthy is the Lamb'' in the background.
** There's also
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* In the canyon chase sequence of {{Rango}}, Ride of the Valkyries is played. On banjos.
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** Forgot the MostTriumphantExample of SoundtrackDissonance ever put into anime: Asuka getting {{Mind Rape}}d by Arael while Hideaki Anno plays Handel's ''Hallelujah'' in episode 22. Also, the end of said scene in the Director's Cut has Rei nailing Arael with the [[EleventhHourSuperpower Lance of Longinus]] with the end of Handel's ''Worthy is the Lamb'' in the background.
to:
** Forgot the MostTriumphantExample of SoundtrackDissonance ever put into anime: There's also Asuka getting {{Mind Rape}}d by Arael [[SoundtrackDissonance while Hideaki Anno plays Handel's ''Hallelujah'' Handel's]] ''[[SoundtrackDissonance Hallelujah]]'' in episode 22. Also, the end of said scene in the Director's Cut has Rei nailing Arael with the [[EleventhHourSuperpower Lance of Longinus]] with the end of Handel's ''Worthy is the Lamb'' in the background.
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*** Actually he was fired for doing his job [[FlatWhat too well]]. I think the problem was that it was [[WallBanger 'too noticeable']] in the words of [[WhatAnIdiot Rick Berman]].
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** Two words: Cannons firing. Ya know, since the 1812 Overture was originally written to mark Russia valiantly defending Moscow against Napoleon's seemingly unstoppable horde. Which makes it even ''more'' CrowningMusicOfAwesome.
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*Bioshock. When you place the third (out of four) picture in the art collab, the already unstable Sander Cohen freaks out and, in a fit of instability, orders his henchmen to kill you. Cue the CrowningMomentOfAwesome as you beat the living crap out of splicers who seem to come out of HammerSpace. You'll be symponizing a bloody massacre while Waltz of the Flowers blares throughout the studio for minutes, though odds are that you'll be done by 2:44.
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* ComanyOfHeroes does this on a regular basis, one minute the music can barely be heard as your troops move around the village or pass a few bushes and blaring you with Trumpets and a wide assortment of instruments the next as your tanks get blown to pieces by rockets or shells raining down from heaven as if the sky was crashing down.. In short as the action heats up the orchestra start doing their thing, and it is [[CrowningMomentOfAwesome Awesome]].
to:
* ComanyOfHeroes CompanyOfHeroes does this on a regular basis, one minute the music can barely be heard as your troops move around the village or pass a few bushes and blaring you with Trumpets and a wide assortment of instruments the next as your tanks get blown to pieces by rockets or shells raining down from heaven as if the sky was crashing down.. In short as the action heats up the orchestra start doing their thing, and it is [[CrowningMomentOfAwesome Awesome]].
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* ComanyOfHeroes does this on a regular basis, one minute the music can barely be heard as your troops move around the village or pass a few bushes and blaring you with Trumpets and a wide assortment of instruments the next as your tanks get blown to pieces by rockets or shells raining down from heaven as if the sky was crashing down.. In short as the action heats up the orchestra start doing their thing, and it is [[CrowningMomentOfAwesome Awesome]].
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\"Komm, susser todd\" is a cheery jazz-pop song about giving in to death and despair that plays over the end of the world as we know it, i.e., not this trope.
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*** '''You''' forgot ''komm süsser Tod''.
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* ''{{Freefall}}'': a ''[[http://freefall.purrsia.com/ff1200/fv01190.htm literal]]'' Orchestral Bombing.
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* ''{{Freefall}}'': ''{{Freefall}}'' has a ''[[http://freefall.purrsia.com/ff1200/fv01190.htm literal]]'' Orchestral Bombing.
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----
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* ''HaruhiSuzumiya'' had its space battle episode (the ShoutOut to ''UchuuSenkenYamato'') employ this trope with Shostakovich's ''Leningrad Symphony''. Fittingly, the "training" course that they went through was set to the almost-comical, waddling march at the end of the first movement.
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** Then it comes back during the truly epic battle of the final mission. [[spoiler:Rebel reinforcements arrive to take the pressure off your fleet and start driving a hole through the Emperor's defenses, sacrificing themselves while]] giving you the chance to strike back ForGreatJustice. ''Hell yes.''
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* ''SuperMarioGalaxy's'' soundtrack is 90% orchestrated (the sequel as well), but only 3 songs count for this- the Airship theme, the Bowser Jr. levels (from the second game), and of course, [[CrowningMusicOfAwesome every Bowser fight BGM.]]
to:
* ''SuperMarioGalaxy's'' soundtrack is 90% orchestrated (the sequel as well), (same for the sequel), and has this all over the place in varying degrees, but only 3 songs count for this- the Airship theme, the Bowser Jr. levels (from the second game), and of course, [[CrowningMusicOfAwesome every Bowser fight BGM.best examples would have to be [[http://www.youtube.com/watch?v=lYsp_U8zs9s&feature=related every]] [[http://www.youtube.com/watch?v=IIiTjopLP2I&feature=related single]] [[http://www.youtube.com/watch?v=VT96Fx9GTdo&feature=related Bowser]] [[http://www.youtube.com/watch?v=KmodD2IzsFA&feature=related battle theme.]]
** [[http://www.youtube.com/watch?v=NpAMsN_4VYE&feature=related Melty Monster Galaxy]] from ''{{Super Mario Galaxy 2}}'' is downright ''magnificent'' in all its orchestrated glory.
** [[http://www.youtube.com/watch?v=NpAMsN_4VYE&feature=related Melty Monster Galaxy]] from ''{{Super Mario Galaxy 2}}'' is downright ''magnificent'' in all its orchestrated glory.
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*** Actually he was fired for doing his job [[FlatWhat too well]]. I think the problem was that it was [[WallBanger 'too noticeable']] in the words of [[WhatAnIdiot Rick Berman]].
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*** ''You'' forgot Komm süsser Tod.
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*** ''You'' '''You''' forgot Komm ''komm süsser Tod.
Tod''.
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*** ''You'' forgot Komm süsser Tod.
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Examples:
* RichardWagner's [[http://www.youtube.com/watch?v=ZOQlG8YRxEQ Prelude to Act III of ''Lohengrin'']], has become something of a StandardSnippet for air raids.
** Likewise, ''[[http://www.youtube.com/watch?v=V92OBNsQgxU Ride of the Valkyries]]'' for a bombastic assault. It was used in ''ApocalypseNow'' for a very good reason.
* ''AceCombat'' fits this trope perfectly. ''04'' uses ''[[http://en.wikipedia.org/wiki/Agnus_Dei Agnus Dei]]'' (preceeded by a brief verse of ''[[http://en.wikipedia.org/wiki/Requiem_(Mozart)#Structure Rex Tremendae]]'') for its final mission, ''5'' uses OminousLatinChanting for the squadron theme song, and ''Zero'' (the final mission music of the game of the same name) combines that with Spanish flamenco. Seriously.
** One of the few sightings of Ominous Latin Chanting's elusive cousin, Ominous Mexican Castanets.
** Ace Combat 5 also creates a uniquely fresh trope from this; the lyrics from the game's Razgriz theme "The Unsung War" are in fact a vulgate latin translation of the Razgriz prophecy, quoted earlier in the game.
** Ace Combat 6 departs from this, to a degree, through the use of a Rather Depressing Boy's Choir.
*** It also plays it straight at the same time, however, with the [[http://www.youtube.com/watch?v=4HGQS5XSoJ4 Liberation of Gracemaria]].
** ''Ace Combat 3: Electrosphere'' uses Ominous Latin Chanting whenever you fight an XR-900 Geopelia or an X-49 Night Raven. Yes, these planes are just ''[[GameBreaker that superpowered]]''.
* RichardWagner's [[http://www.youtube.com/watch?v=ZOQlG8YRxEQ Prelude to Act III of ''Lohengrin'']], has become something of a StandardSnippet for air raids.
** Likewise, ''[[http://www.youtube.com/watch?v=V92OBNsQgxU Ride of the Valkyries]]'' for a bombastic assault. It was used in ''ApocalypseNow'' for a very good reason.
* ''AceCombat'' fits this trope perfectly. ''04'' uses ''[[http://en.wikipedia.org/wiki/Agnus_Dei Agnus Dei]]'' (preceeded by a brief verse of ''[[http://en.wikipedia.org/wiki/Requiem_(Mozart)#Structure Rex Tremendae]]'') for its final mission, ''5'' uses OminousLatinChanting for the squadron theme song, and ''Zero'' (the final mission music of the game of the same name) combines that with Spanish flamenco. Seriously.
** One of the few sightings of Ominous Latin Chanting's elusive cousin, Ominous Mexican Castanets.
** Ace Combat 5 also creates a uniquely fresh trope from this; the lyrics from the game's Razgriz theme "The Unsung War" are in fact a vulgate latin translation of the Razgriz prophecy, quoted earlier in the game.
** Ace Combat 6 departs from this, to a degree, through the use of a Rather Depressing Boy's Choir.
*** It also plays it straight at the same time, however, with the [[http://www.youtube.com/watch?v=4HGQS5XSoJ4 Liberation of Gracemaria]].
** ''Ace Combat 3: Electrosphere'' uses Ominous Latin Chanting whenever you fight an XR-900 Geopelia or an X-49 Night Raven. Yes, these planes are just ''[[GameBreaker that superpowered]]''.
to:
[[AC:{{Anime}} and {{Manga}}]]
*
* ''LegendOfGalacticHeroes'' lives and breathes this trope. Of course it helps that the entire soundtrack is made up of classical orchestral works.
** The first movie has an entire battle set to Ravel's ''Bolero.''
* ''NeonGenesisEvangelion'' loves this trope - so much so that it has fell victim to MemeticMutation: "[stuff happens] while Hideaki Anno plays unfitting music". Two examples are Shinji vs. Kaworu (''Ode to Joy'') and Asuka vs. MP Evas (Bach - ''[[http://www.youtube.
**
* ''AceCombat'' fits this trope perfectly. ''04'' uses ''[[http://en.wikipedia.org/wiki/Agnus_Dei Agnus Dei]]'' (preceeded by a brief verse of ''[[http://en.wikipedia.org/wiki/Requiem_(Mozart)#Structure Rex Tremendae]]'') for its final mission, ''5'' uses OminousLatinChanting for
** One of the few sightings of Ominous Latin Chanting's elusive cousin, Ominous Mexican Castanets.
** Ace Combat 5 also creates a uniquely fresh trope from this; the lyrics from the game's Razgriz theme "The Unsung War" are in fact a vulgate latin translation of the Razgriz prophecy, quoted earlier
** Ace Combat 6 departs from this, to a degree, through the use of a Rather Depressing Boy's Choir.
*** It also plays it straight at the same time, however,
** ''Ace Combat 3: Electrosphere'' uses Ominous Latin Chanting whenever you fight an XR-900 Geopelia or an X-49 Night Raven. Yes, these planes are just ''[[GameBreaker that superpowered]]''.
[[AC:{{Film}}]]
Changed line(s) 22,25 (click to see context) from:
* ''StarWars Episode IV: A New Hope'', based on the previous.
* ''{{Farscape}}'': The destruction of Scorpius' command carrier featured orchestral music and Ominous Latin Chanting.
* ''{{Freefall}}'': a ''[[http://freefall.purrsia.com/ff1200/fv01190.htm literal]]'' Orchestral Bombing.
* ''WallaceAndGromit: A Close Shave'' does this with the porridge shooting run, as an homage to films like ''The Dam Busters''.
* ''{{Farscape}}'': The destruction of Scorpius' command carrier featured orchestral music and Ominous Latin Chanting.
* ''{{Freefall}}'': a ''[[http://freefall.purrsia.com/ff1200/fv01190.htm literal]]'' Orchestral Bombing.
* ''WallaceAndGromit: A Close Shave'' does this with the porridge shooting run, as an homage to films like ''The Dam Busters''.
to:
* ''StarWars ''[[ANewHope Star Wars Episode IV: A New Hope'', Hope]]'', based on the previous.
* ''{{Farscape}}'': The destruction of Scorpius' command carrier featured orchestral music and Ominous Latin Chanting.
* ''{{Freefall}}'': a ''[[http://freefall.purrsia.com/ff1200/fv01190.htm literal]]'' Orchestral Bombing.
* ''WallaceAndGromit: A Close Shave'' does this with the porridge shooting run, as an homage to films like ''The Dam Busters''.previous.
* ''{{Farscape}}'': The destruction of Scorpius' command carrier featured orchestral music and Ominous Latin Chanting.
* ''{{Freefall}}'': a ''[[http://freefall.purrsia.com/ff1200/fv01190.htm literal]]'' Orchestral Bombing.
* ''WallaceAndGromit: A Close Shave'' does this with the porridge shooting run, as an homage to films like ''The Dam Busters''.
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* ''{{Halo}}''. Especially with songs such as "Brothers In Arms/Follow Our Brothers", "On/Behold A Pale Horse", "Drumrun"(during the escape from The Maw), "Earth City"(its rollicking rhythm fits with the movements of the Scarab walker), "Delta Halo Suite: Leonidas"(heard in ''Halo 2'' during the gondola rides on Regret, and again in ''Halo 3'' during the air battle on The Covenant), "Blow Me Away"(during the climactic battle on the Gravemind mission), "This Is Our Land", "This is the Hour" and "Finish The Fight" (the music in the original Halo 3 advertisement).
** The [[ThemeTune Halo Theme]], naturally. It becomes even more bombastic in Halo 3 as "Greatest Journey" (the final escape theme), when Martin O'Donnell swapped out the first game's synthesizers with a live orchestra.
* The intro theme music for ''Batman: The Animated Series'' does this perfectly, with the booms and flourishes matching up perfectly with the action on-screen
* ''{{Homeworld}}'': The [[spoiler: razing of [[DoomedHometown Kharak]]]] is set to a choral version of Adagio for Strings, with the lyrics to Agnus Dei. A double-whammy.
** If you can play through that part of the game without crying you ''aren't human.''
** The [[ThemeTune Halo Theme]], naturally. It becomes even more bombastic in Halo 3 as "Greatest Journey" (the final escape theme), when Martin O'Donnell swapped out the first game's synthesizers with a live orchestra.
* The intro theme music for ''Batman: The Animated Series'' does this perfectly, with the booms and flourishes matching up perfectly with the action on-screen
* ''{{Homeworld}}'': The [[spoiler: razing of [[DoomedHometown Kharak]]]] is set to a choral version of Adagio for Strings, with the lyrics to Agnus Dei. A double-whammy.
** If you can play through that part of the game without crying you ''aren't human.''
Deleted line(s) 36,37 (click to see context) :
* ''VisionOfEscaflowne'' loves this trope to itty-bitty little pieces, usually combining it with OminousLatinChanting.
* ''MetalGearSolid 3: Snake Eater'' plays a lounge-singing version of this during the final battle, which doubles as a CrowningMomentOfAwesome.
* ''MetalGearSolid 3: Snake Eater'' plays a lounge-singing version of this during the final battle, which doubles as a CrowningMomentOfAwesome.
Changed line(s) 39,41 (click to see context) from:
* An orchestral version of [[CrowningMusicOfAwesome Beyond The Bounds]] plays during an epic air seige in ''ZoneOfTheEnders: The Second Runner''.
* Given the huge number of remixes and styles incorporated in the ''SuperSmashBros'' series, pure statistics alone dictate that a ludicrously epic orchestral piece will be playing in the background at some point.
* [[ClassicDisneyShorts The old Disney cartoon]] ''Music Land'' has this in a literal sense, when two music-themed islands of animate musical instruments assault each other... using giant organ pipes and horns as cannons.
* Given the huge number of remixes and styles incorporated in the ''SuperSmashBros'' series, pure statistics alone dictate that a ludicrously epic orchestral piece will be playing in the background at some point.
* [[ClassicDisneyShorts The old Disney cartoon]] ''Music Land'' has this in a literal sense, when two music-themed islands of animate musical instruments assault each other... using giant organ pipes and horns as cannons.
to:
[[AC:{{Live-Action TV}}]]
*
* Given the huge number of remixes
* [[ClassicDisneyShorts The old Disney cartoon]] ''Music Land'' has this in a literal sense, when two music-themed islands of animate musical instruments assault each other... using giant organ pipes and horns as cannons.
Deleted line(s) 44 (click to see context) :
* RealLife example: During the first BLACK BUCK mission during the FalklandsWar, one of the crew of the Vulcan wondered where the orchestra was. They did play the theme from ''ChariotsOfFire'' on the way home.
Changed line(s) 46,47 (click to see context) from:
* ''LegendOfGalacticHeroes'' lives and breathes this trope. Of course it helps that the entire soundtrack is made up of classical orchestral works.
** The first movie has an entire battle set to Ravel's ''Bolero.''
** The first movie has an entire battle set to Ravel's ''Bolero.''
to:
[[AC:{{Music}}]]
*
** Likewise, ''[[http://www.youtube.com/watch?v=V92OBNsQgxU Ride of the Valkyries]]'' for a bombastic assault. It was used in ''ApocalypseNow'' for a very good reason.
[[AC:{{Video Games}}]]
* ''AceCombat'' fits this
** One of the
** ''Ace Combat 5'' also creates a uniquely fresh trope from this; the lyrics from the game's Razgriz theme "The Unsung War" are in fact a Vulgate Latin translation of the Razgriz prophecy, quoted earlier in the game.
** ''Ace Combat 6'' departs from this, to a degree, through the use of a Rather Depressing Boy's Choir.
*** It also plays it straight at the same time, however, with the [[http://www.youtube.com/watch?v=4HGQS5XSoJ4 Liberation of Gracemaria]].
** ''Ace Combat 3: Electrosphere'' uses Ominous Latin Chanting whenever you fight an XR-900 Geopelia or an X-49 Night Raven. Yes, these planes are just ''[[GameBreaker that superpowered]]''.
* ''{{Halo}}''. Especially with songs such as "Brothers In Arms/Follow Our Brothers", "On/Behold A Pale Horse", "Drumrun"(during the escape from The Maw), "Earth City"(its rollicking rhythm fits with the movements of the Scarab walker), "Delta Halo Suite: Leonidas"(heard in ''Halo 2'' during the gondola rides on Regret, and again in ''Halo 3'' during the air battle on The Covenant), "Blow Me Away"(during the climactic battle on the Gravemind mission), "This Is Our Land", "This is
** The [[ThemeTune Halo Theme]], naturally. It becomes even more bombastic in Halo 3 as "Greatest Journey" (the final escape theme), when Martin O'Donnell swapped out the first game's synthesizers with a live orchestra.
* ''{{Homeworld}}'': The [[spoiler: razing of
** If you can play through that part of the game without crying you ''aren't human.''
* ''MetalGearSolid 3: Snake Eater'' plays a lounge-singing version of this during the final battle, which doubles as a CrowningMomentOfAwesome.
* An orchestral
**
* Given the huge number of remixes and styles incorporated in the ''SuperSmashBros'' series, pure statistics alone dictate that a ludicrously epic orchestral piece will be playing in the background at some point.
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* ''NeonGenesisEvangelion'' loves this trope - so much so that it has fell victim to MemeticMutation: "[stuff happens] while Hideaki Anno plays unfitting music". Two examples are Shinji vs. Kaworu (''Ode to Joy'') and Asuka vs. MP Evas (Bach - ''[[http://www.youtube.com/watch?v=HkY1_TpucLA II Air]]'').
** Forgot the MostTriumphantExample of SoundtrackDissonance ever put into anime: Asuka getting {{Mind Rape}}d by Arael while Hideaki Anno plays Handel's ''Hallelujah'' in episode 22. Also, the end of said scene in the Director's Cut has Rei nailing Arael with the [[EleventhHourSuperpower Lance of Longinus]] with the end of Handel's ''Worthy is the Lamb'' in the background.
** Forgot the MostTriumphantExample of SoundtrackDissonance ever put into anime: Asuka getting {{Mind Rape}}d by Arael while Hideaki Anno plays Handel's ''Hallelujah'' in episode 22. Also, the end of said scene in the Director's Cut has Rei nailing Arael with the [[EleventhHourSuperpower Lance of Longinus]] with the end of Handel's ''Worthy is the Lamb'' in the background.
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[[AC:{{Web Comics}}]]
*
[[AC:{{Western Animation}}]]
* ''WallaceAndGromit: A Close Shave'' does this
** Forgot the MostTriumphantExample of SoundtrackDissonance ever put into anime: Asuka getting {{Mind Rape}}d by Arael while Hideaki Anno plays Handel's ''Hallelujah'' in episode 22. Also, the end of said scene in the Director's Cut has Rei nailing Arael
* The intro theme music for ''[[BatmanTheAnimatedSeries Batman: The Animated Series]]'' does this perfectly, with the
* [[ClassicDisneyShorts The old Disney cartoon]] ''Music Land'' has this in a literal sense, when two music-themed islands of animate musical instruments assault each other... using giant organ pipes and horns as cannons.
[[AC:{{Real Life}}]]
* During the
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** Forgot the MostTriumphantExample of SoundtrackDissonance ever put into anime: Asuka getting [[Mind Rape]]d by Arael while Hideaki Anno plays Handel's ''Hallelujah''. Also, the end of said scene in the Director's Cut has Rei nailing Arael with the Lance of Longinus with the end of Handel's ''Worthy is the Lamb'' in the background.
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** Forgot the MostTriumphantExample of SoundtrackDissonance ever put into anime: Asuka getting [[Mind Rape]]d {{Mind Rape}}d by Arael while Hideaki Anno plays Handel's ''Hallelujah''. ''Hallelujah'' in episode 22. Also, the end of said scene in the Director's Cut has Rei nailing Arael with the [[EleventhHourSuperpower Lance of Longinus Longinus]] with the end of Handel's ''Worthy is the Lamb'' in the background.
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** Forgot the MostTriumphantExample of SoundtrackDissonance ever put into anime: Asuka getting [[Mind Rape]]d by Arael while Hideaki Anno plays Handel's ''Hallelujah''. Also, the end of said scene in the Director's Cut has Rei nailing Arael with the Lance of Longinus with the end of Handel's ''Worthy is the Lamb'' in the background.
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None
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* ''AceCombat'' fits this trope perfectly. ''04'' uses ''[[http://en.wikipedia.org/wiki/Agnus_Dei Agnus Dei]]'' for its final mission, ''5'' uses OminousLatinChanting for the squadron theme song, and ''Zero'' (the final mission music of the game of the same name) combines that with Spanish flamenco. Seriously.
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* ''AceCombat'' fits this trope perfectly. ''04'' uses ''[[http://en.wikipedia.org/wiki/Agnus_Dei Agnus Dei]]'' (preceeded by a brief verse of ''[[http://en.wikipedia.org/wiki/Requiem_(Mozart)#Structure Rex Tremendae]]'') for its final mission, ''5'' uses OminousLatinChanting for the squadron theme song, and ''Zero'' (the final mission music of the game of the same name) combines that with Spanish flamenco. Seriously.
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to the troper who deleted this: the Halo examples doesn't have bombing either, yet they are here; let's not have an edit war over this
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* ''NeonGenesisEvangelion'' loves this trope - so much so that it has fell victim to MemeticMutation: "[stuff happens] while Hideaki Anno plays unfitting music". Two examples are Shinji vs. Kaworu (''Ode to Joy'') and Asuka vs. MP Evas (Bach - ''[[http://www.youtube.com/watch?v=HkY1_TpucLA II Air]]'').
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- Freefall
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* ''{{Freefall}}'': a ''[[http://freefall.purrsia.com/ff1200/fv01190.htm literal]]'' Orchestral Bombing.
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* An old Disney cartoon has this in a literal sense, when two music themed islands of animate musical instruments assault each other... using giant organ pipes and horns as cannons.
to:
* An [[ClassicDisneyShorts The old Disney cartoon cartoon]] ''Music Land'' has this in a literal sense, when two music themed music-themed islands of animate musical instruments assault each other... using giant organ pipes and horns as cannons.
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** If you can play through that part of the game without crying you ''aren't human.''
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What? That's orchestrated but there's no "bombing".
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* ''NeonGenesisEvangelion'' loves this trope - so much so that it has fell victim to MemeticMutation: "[stuff happens] while Hideaki Anno plays unfitting music". Two examples are Shinji vs. Kaworu (''Ode to Joy'') and Asuka vs. MP Evas (Bach - ''[[http://www.youtube.com/watch?v=HkY1_TpucLA II Air]]'').
** Not to mention that about 95% of the verse's official soundtrack is orchestral.
** Not to mention that about 95% of the verse's official soundtrack is orchestral.