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* ''WesternAnimation/TheAmazingWorldOfGumball'' enforces GentleGiant with Hector. Hector's mother always makes sure that he's extremely calm, gentle, and almost devoid of emotion (his diary reads "I must not laugh, I must not get overexcited, I must not shout, I must not sneeze.") As she explains, she does so to protect everyone else from him, because he's strong enough to effortlessly destroy all of Elmore and ''will'' do so if he has a fit.

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* Suprisingly, ''WebVideo/VinesauceTomodachiLife'' enforces WritingByTheSeatOfYourPants. Since ''VideoGame/TomodachiLife'' leaves many events and outcomes to the RandomNumberGod, any number of plot twists and character traits are established with no real foreshadowing (for the most part). Since [[WebVideo/{{Vinesauce}} Vinny]] is livestreaming the game and can't save scum his way out of certain events, he ends up being just as surprised as the viewers are by them. Essentially, the series writes itself on the fly.

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* Suprisingly, Surprisingly, ''WebVideo/VinesauceTomodachiLife'' enforces WritingByTheSeatOfYourPants. Since ''VideoGame/TomodachiLife'' leaves many events and outcomes to the RandomNumberGod, any number of plot twists and character traits are established with no real foreshadowing (for the most part). Since [[WebVideo/{{Vinesauce}} Vinny]] is livestreaming the game and can't save scum his way out of certain events, he ends up being just as surprised as the viewers are by them. Essentially, the series writes itself on the fly.fly.
** Actually, this holds for almost ''any'' work where the author relies on the RandomNumberGod, from [[Creator/ItaloCalvino Il castello dei destini incrociati]] to WebOriginal/{{Inglip}}.
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* Suprisingly, ''WebVideo/VinesauceTomodachiLife'' enforces WritingByTheSeatOfYourPants. Since ''VideoGame/TomodachiLife'' leaves many events and outcomes to the RandomNumberGod, [[WebVideo/{{Vinesauce}} Vinny's]] just as surprised by abrupt plot twists and character developments as the audience is. Essentially, the series writes itself on the fly.

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* Suprisingly, ''WebVideo/VinesauceTomodachiLife'' enforces WritingByTheSeatOfYourPants. Since ''VideoGame/TomodachiLife'' leaves many events and outcomes to the RandomNumberGod, [[WebVideo/{{Vinesauce}} Vinny's]] just as surprised by abrupt any number of plot twists and character developments traits are established with no real foreshadowing (for the most part). Since [[WebVideo/{{Vinesauce}} Vinny]] is livestreaming the game and can't save scum his way out of certain events, he ends up being just as surprised as the audience is.viewers are by them. Essentially, the series writes itself on the fly.
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* Suprisingly, ''WebVideo/VinesauceTomodachiLife'' enforces WritingByTheSeatOfYourPants. Since ''VideoGame/TomodachiLife'' leaves many events and outcomes to the RandomNumberGod, [[WebVideo/{{Vinesauce}} Vinny's]] just as surprised by abrupt plot twists and character developments as the audience. Essentially, the series writes itself on the fly.

to:

* Suprisingly, ''WebVideo/VinesauceTomodachiLife'' enforces WritingByTheSeatOfYourPants. Since ''VideoGame/TomodachiLife'' leaves many events and outcomes to the RandomNumberGod, [[WebVideo/{{Vinesauce}} Vinny's]] just as surprised by abrupt plot twists and character developments as the audience.audience is. Essentially, the series writes itself on the fly.
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* Suprisingly, ''WebVideo/VinesauceTomodachiLife'' enforces WritingByTheSeatOfYourPants. Since ''VideoGame/TomodachiLife'' leaves many events and outcomes to the RandomNumberGod, [[WebVideo/{{Vinesauce}} Vinny's]] just as surprised by abrupt plot twists and character developments as the audience. Essentially, the series writes itself on the fly.
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* ''Disney/AladdinReturnOfJafar'' enforces TechnicalPacifist throughout; as a genie, Jafar ''can't'' [[ThouShaltNotKill kill anyone]], even though his entire plan revolves around killing Aladdin for revenge... but [[LoopholeAbuse he's able to find ways around it]] by [[MurderByInaction relying on proxies and indirect assassination attempts where he technically doesn't lay a finger on Aladdin]]. Also, as he makes clear, just because he can't ''kill'' someone doesn't mean he can't ''hurt'' them.
-->''Jafar''': You'd be surprised what you can live through...

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* ''Disney/AladdinReturnOfJafar'' ''Disney/AladdinTheReturnOfJafar'' enforces TechnicalPacifist throughout; as a genie, Jafar ''can't'' [[ThouShaltNotKill kill anyone]], even though his entire plan revolves around killing Aladdin for revenge... but [[LoopholeAbuse he's able to find ways around it]] by [[MurderByInaction relying on proxies and indirect assassination attempts where he technically doesn't lay a finger on Aladdin]]. Also, as he makes clear, just because he can't ''kill'' someone doesn't mean he can't ''hurt'' them.
-->''Jafar''': -->'''Jafar''': You'd be surprised what you can live through...
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* ''Disney/AladdinReturnOfJafar'' enforces TechnicalPacifist throughout; as a genie, Jafar ''can't'' [[ThouShaltNotKill kill anyone]], even though his entire plan revolves around killing Aladdin for revenge... but [[LoopholeAbuse he's able to find ways around it]] by [[MurderByInaction relying on proxies and indirect assassination attempts where he technically doesn't lay a finger on Aladdin]]. Also, as he makes clear, just because he can't ''kill'' someone doesn't mean he can't ''hurt'' them.
-->''Jafar''': You'd be surprised what you can live through...
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* In ''Film/WhoFramedRogerRabbit'', WesternAnimation/BugsBunny and WesternAnimation/MickeyMouse and WesternAnimation/DonaldDuck and WesternAnimation/DaffyDuck are Enforced examples of ThoseTwoGuys. When the production staff at Touchstone Pictures (an alternate label for Creator/{{Disney}}) went to Creator/WarnerBrothers for permission to use ''WesternAnimation/LooneyTunes'' characters in their film, Warner Brothers only agreed to let them use the A-listers Bugs and Daffy on the condition that they both receive ''exactly'' as much screentime as Mickey and Donald, respectively. The only surefire way to honor that agreement was to have both characters share every scene with their {{Alternate Company Equivalent}}s, with neither character appearing without the other.
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Tropes that are there because the writer had to include them - especially when a sharp-eyed viewer can tell the creator would have preferred to leave them out.

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Tropes that are there because the writer had to include them - especially them--especially when a sharp-eyed viewer can tell the creator would have preferred to leave them out.



* ActionGirl - at least when a show is action/adventure-oriented and has a prominent female role. Otherwise, the whole thing just looks plain discriminatory.
* CensorshipTropes. You can't ignore the censors without consequences.

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* ActionGirl - at ActionGirl: At least when a show is action/adventure-oriented and has a prominent female role. Otherwise, the whole thing just looks plain discriminatory.
* CensorshipTropes. CensorshipTropes: You can't ignore the censors without consequences.



* When fiction deals with the history of some region, it may sometimes need RoseTintedNarrative to get mainstream success in that region. In worse cases, Rose Tinted Narrative will be required for [[BannedInChina publication.]]

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* When fiction deals with the history of some region, it may sometimes need RoseTintedNarrative to get mainstream success in that region. In worse cases, Rose Tinted Narrative will be required for [[BannedInChina publication.]]publication]].



** Also happens with other works that require the authorization of their subjects - authorized biographies, for instance.
** Under UsefulNotes/TheHaysCode, priests, ministers, and other religious authorities had to be portrayed respectfully without exception. Fittingly, one of the co-authors of the Code's actual text was a Jesuit Catholic priest - and while he acknowledged that not all "ministers of religion" were worthy of respect, mockery of any one of them would (supposedly) encourage sacrilegious attitudes.

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** Also happens with other works that require the authorization of their subjects - authorized subjects--authorized biographies, for instance.
** Under UsefulNotes/TheHaysCode, priests, ministers, and other religious authorities had to be portrayed respectfully without exception. Fittingly, one of the co-authors of the Code's actual text was a Jesuit Catholic priest - and priest--and while he acknowledged that not all "ministers of religion" were worthy of respect, mockery of any one of them would (supposedly) encourage sacrilegious attitudes.



** ''Series/GameOfThrones'' takes this even further. In [[Literature/ASongOfIceAndFire the books]], Daenerys Targaryen is 14 when she is [[ArrangedMarriage married off]] to [[ProudWarriorRaceGuy Khal Drogo]], and eventually becomes pregnant with his child. She was aged up significantly to avoid the MoralGuardians, but as the time of her birth is tied to [[GreatOffscreenWar Robert's Rebellion]], the rest of the cast had to be aged up as well. Of course, this allows a few ''more'' characters to get that delicious high-skin {{Sexposition}} time, so it works out, we guess?

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** ''Series/GameOfThrones'' takes this even further. In [[Literature/ASongOfIceAndFire the books]], Daenerys Targaryen is 14 13 when she is [[ArrangedMarriage married off]] to [[ProudWarriorRaceGuy Khal Drogo]], and eventually becomes pregnant with his child.child--just as she turns 14. She was aged up significantly to avoid the MoralGuardians, but as the time of her birth is tied to [[GreatOffscreenWar Robert's Rebellion]], the rest of the cast had to be aged up as well. Of course, this allows a few ''more'' characters to get that delicious high-skin {{Sexposition}} time, so it works out, we guess?
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* PostScriptSeason: This is almost never something planned by the writers. If a show is renewed, it'll get written for, but the writers then have to work their way out of the constraints of the original story.
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** Series/GameOfThrones takes this even further. In [[Literature/ASongOfIceAndFire the books]], Danerys is 14 when she is [[ArrangedMarriage married off]] to [[ProudWarriorRaceGuy Khal Drogo]]. She was aged up significantly to avoid the MoralGuardians, but as the time of her birth is tied to [[GreatOffscreenWar Robert's Rebellion]], the rest of the cast had to be aged up as well. Of course, this allows a few ''more'' characters to get that delicious high-skin {{Sexposition}} time, so it works out, we guess?

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** Series/GameOfThrones ''Series/GameOfThrones'' takes this even further. In [[Literature/ASongOfIceAndFire the books]], Danerys Daenerys Targaryen is 14 when she is [[ArrangedMarriage married off]] to [[ProudWarriorRaceGuy Khal Drogo]].Drogo]], and eventually becomes pregnant with his child. She was aged up significantly to avoid the MoralGuardians, but as the time of her birth is tied to [[GreatOffscreenWar Robert's Rebellion]], the rest of the cast had to be aged up as well. Of course, this allows a few ''more'' characters to get that delicious high-skin {{Sexposition}} time, so it works out, we guess?
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* TwoPartTrilogy: When a work turns out to be particularly successful, executives often demand two or more followups [[CashCowFranchise to cash in on the success of the original]], which necessitates writing one story that can be stretched over multiple installments. Conversely, when a writer gets an idea for a multi-part story, they usually can't get the later installments greenlit unless the first one turns out to be successful, which necessitates writing a first installment that can stand on its own.
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* ProductPlacement is often the result of ExecutiveMeddling, while some are done with the agreement of the filmmakers. Whatever reason, this trope brings more money to the production.

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* ProductPlacement is often the result of ExecutiveMeddling, while some are done with the agreement of the filmmakers. Whatever reason, this trope brings more money to the production.production, which is often a necessity for covering the costs of filming.
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* AdaptationalModesty is practically mandatory in movie adaptations that strive to reach a general audience. Even if an actor is comfortable with appearing naked onscreen, extended scenes of full-frontal nudity pretty much ''guarantee'' a film an "R" rating, which makes a film much harder to market. Especially mandatory if a character is underage; while putting naked underaged characters in a novel or comic book might fly, it most definitely ''doesn't'' in a movie or television series, where ([[DawsonCasting with a few exceptions]]) they have to be played by real underaged actors.
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* AvoidTheDreadedGRating. It's presumed that any work that ''can'' be seen without moral qualms by anyone, regardless of age, is not worth seeing by adults ("children will watch ''[[ViewersAreMorons anything]]''"). Since this would cut into profits by scaring off parts of the potential audience, it needs to be avoided.

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* AvoidTheDreadedGRating. It's presumed that any work that ''can'' be seen without moral qualms by anyone, regardless of age, is not worth seeing by adults ("children will watch ''[[ViewersAreMorons anything]]''").''anything''"). Since this would cut into profits by scaring off parts of the potential audience, it needs to be avoided.
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* SecondaryCharacterTitle notably shows up in many of Creator/WilliamShakespeare's plays that deal with historical monarchs and rulers. Because of the Elizabethan era's rigid social hierarchy, characters of higher social status had to set themselves apart from the commoners by speaking in verse, and plays always had to be named for the character of the highest social ranking--even if they weren't actually the protagonist. Examples include ''Theatre/JuliusCaesar'' (where the protagonist is Brutus), ''Theatre/{{Cymbeline}}'' (where the protagonist is Cymbeline's daughter Imogen), ''Theatre/HenryIV'' (where the protagonist is the young Prince Hal), and ''Theatre/HenryVI'' (which is about the feuding English nobility in the Wars of the Roses). [[note]] The only reason his most famous tragedy is called ''Theatre/{{Hamlet}}'' instead of ''Claudius'' is because Claudius isn't the ''legitimate'' King of Denmark.[[/note]]

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* SecondaryCharacterTitle notably shows up in many of Creator/WilliamShakespeare's plays that deal with historical monarchs and rulers. Because of the Elizabethan era's rigid social hierarchy, characters of higher social status had to set themselves apart from the commoners by speaking in verse, and plays always had to be named for the character of the highest social ranking--even if they weren't actually the protagonist. Examples include ''Theatre/JuliusCaesar'' (where the protagonist is Brutus), ''Theatre/{{Cymbeline}}'' (where the protagonist is Cymbeline's daughter Imogen), ''Theatre/HenryIV'' (where the protagonist is the young Prince Hal), and ''Theatre/HenryVI'' (which is about the feuding English nobility in the Wars of the Roses). [[note]] The only reason his most famous tragedy is called ''Theatre/{{Hamlet}}'' instead of ''Claudius'' is because that Claudius isn't the ''legitimate'' King of Denmark.[[/note]]
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* In the ''Franchise/StarWars'' universe, [[OldMaster Yoda]] remains an example of InexplicablyAwesome because Creator/GeorgeLucas has explicitly forbade ExpandedUniverse writers from exploring his backstory, or revealing anything major about his (still unnamed) species.

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* In the ''Franchise/StarWars'' universe, [[OldMaster Yoda]] remains an example of InexplicablyAwesome because Creator/GeorgeLucas has explicitly forbade ExpandedUniverse writers from exploring his backstory, or revealing anything major about his (still unnamed) species.
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Line ignores that Tropes Are Tools.


* ProductPlacement is most often the result of ExecutiveMeddling, and therefore falls into this trope. Some works (e.g. ''Series/ThirtyRock'') try to lampshade/make fun of it; others (like ''Series/MadMen'') work it in elegantly; but in most it just sits there.

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* ProductPlacement is most often the result of ExecutiveMeddling, and therefore falls into while some are done with the agreement of the filmmakers. Whatever reason, this trope. Some works (e.g. ''Series/ThirtyRock'') try trope brings more money to lampshade/make fun of it; others (like ''Series/MadMen'') work it in elegantly; but in most it just sits there.the production.
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* SecondaryCharacterTitle notably shows up in many of Creator/WilliamShakespeare's plays that deal with historical monarchs and rulers. Because of the Elizabethan era's rigid social hierarchy, characters of higher social status had to set themselves apart from the commoners by speaking in verse, and plays always had to be named for the character of the highest social ranking--even if they weren't actually the protagonist. Examples include ''Theatre/JuliusCaesar'' (where the protagonist is Brutus), ''Theatre/{{Cymbeline}}'' (where the protagonist is Cymbeline's daughter Imogen), ''Theatre/HenryIV'' (where the protagonist is the young Prince Hal), and ''Theatre/HenryVI'' (which is about the feuding English nobility in the Wars of the Roses).

to:

* SecondaryCharacterTitle notably shows up in many of Creator/WilliamShakespeare's plays that deal with historical monarchs and rulers. Because of the Elizabethan era's rigid social hierarchy, characters of higher social status had to set themselves apart from the commoners by speaking in verse, and plays always had to be named for the character of the highest social ranking--even if they weren't actually the protagonist. Examples include ''Theatre/JuliusCaesar'' (where the protagonist is Brutus), ''Theatre/{{Cymbeline}}'' (where the protagonist is Cymbeline's daughter Imogen), ''Theatre/HenryIV'' (where the protagonist is the young Prince Hal), and ''Theatre/HenryVI'' (which is about the feuding English nobility in the Wars of the Roses). [[note]] The only reason his most famous tragedy is called ''Theatre/{{Hamlet}}'' instead of ''Claudius'' is because Claudius isn't the ''legitimate'' King of Denmark.[[/note]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* SecondaryCharacterTitle notably shows up in many of Creator/WilliamShakespeare's plays that deal with historical monarchs and rulers. Because of the Elizabethan era's rigid social hierarchy, characters of higher social status had to set themselves apart from the commoners by speaking in verse, and plays always had to be named for the character of the highest social ranking--even if they weren't actually the protagonist. Examples include ''Theatre/JuliusCaesar'' (where the protagonist is Brutus), ''Theatre/{{Cymbeline}}'' (where the protagonist is Cymbeline's daughter Imogen), ''Theatre/HenryIV'' (where the protagonist is the young Prince Hal), and ''Theatre/HenryVI'' (which is about the feuding English nobility in the Wars of the Roses).
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-->TROPE*
-->
-->*Our magnanimous sponsor {{TropeCo}}® requires us to display this word.
---> --The "Enforced" box of the image on PlayingWithATrope

to:

-->TROPE*
-->
-->*Our
->TROPE*
->
->*Our
magnanimous sponsor {{TropeCo}}® requires us to display this word.
---> --The -->-- The "Enforced" box of the image on PlayingWithATrope
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* ProductPlacement is most often the result of ExecutiveMeddling, and therefore falls into this trope. Some works (e.g. ''Series/ThirtyRock'') try to lampshade/make fun of it; others (like ''Series/MadMen'') work it in elegantly; but in most it just sits there.
Is there an issue? Send a MessageReason:
None


** Series/GameOfThrones takes this even further. In [[Literature/ASongOfIceAndFire the books]], Danerys is 14 when she is [[ArrangedMarriage married off]] to [[ProudWarriorRaceGuy Khal Drogo]]. She was aged up significantly to avoid the MoralGuardians, but as the time of her birth is tied to [[GreatOffscreenWar Robert's Rebellion]], the rest of the cast had to be aged up as well.

to:

** Series/GameOfThrones takes this even further. In [[Literature/ASongOfIceAndFire the books]], Danerys is 14 when she is [[ArrangedMarriage married off]] to [[ProudWarriorRaceGuy Khal Drogo]]. She was aged up significantly to avoid the MoralGuardians, but as the time of her birth is tied to [[GreatOffscreenWar Robert's Rebellion]], the rest of the cast had to be aged up as well. Of course, this allows a few ''more'' characters to get that delicious high-skin {{Sexposition}} time, so it works out, we guess?
Is there an issue? Send a MessageReason:
None


* DawsonCasting can sometimes be necessary for legal reasons. One example is the film adaptation of ''Literature/TheReader''. Michael Kross legally couldn't shoot his sex scenes with KateWinslet until he had turned 18. A very common example is to avoid Union regulations and/or actual laws in regards to youth actors.

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* DawsonCasting can sometimes be necessary for legal reasons. One example is the film adaptation of ''Literature/TheReader''. Michael Kross legally couldn't shoot his sex scenes with KateWinslet Creator/KateWinslet until he had turned 18. A very common example is to avoid Union regulations and/or actual laws in regards to youth actors.
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* MoralGuardians / PoliticalCorrectnessGoneMad

to:

* MoralGuardians / PoliticalCorrectnessGoneMadMoralGuardians[=/=]PoliticalCorrectnessGoneMad



** Under the HaysCode, priests, ministers, and other religious authorities had to be portrayed respectfully without exception. Fittingly, one of the co-authors of the Code's actual text was a Jesuit Catholic priest - and while he acknowledged that not all "ministers of religion" were worthy of respect, mockery of any one of them would (supposedly) encourage sacrilegious attitudes.

to:

** Under the HaysCode, UsefulNotes/TheHaysCode, priests, ministers, and other religious authorities had to be portrayed respectfully without exception. Fittingly, one of the co-authors of the Code's actual text was a Jesuit Catholic priest - and while he acknowledged that not all "ministers of religion" were worthy of respect, mockery of any one of them would (supposedly) encourage sacrilegious attitudes.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* In the ''Franchise/StarWars'' universe, [[OldMaster Yoda]] remains an example of InexplicablyAwesome because Creator/GeorgeLucas has explicitly forbade ExpandedUniverse writers from exploring his backstory, or revealing anything major about his (still unnamed) species.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

** Under the HaysCode, priests, ministers, and other religious authorities had to be portrayed respectfully without exception. Fittingly, one of the co-authors of the Code's actual text was a Jesuit Catholic priest - and while he acknowledged that not all "ministers of religion" were worthy of respect, mockery of any one of them would (supposedly) encourage sacrilegious attitudes.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ActionGirl - at least when a show is action/adventure-oriented and has a prominent female role. Otherwise, the whole thing just looks plain discriminatory.
Is there an issue? Send a MessageReason:
None


* When fiction deals with the history of some region, it may sometimes need RoseTintedNarrative to get mainstream success in that region. In worse cases, RoseTintedNarrative will be required for [[BannedInChina publication.]]

to:

* When fiction deals with the history of some region, it may sometimes need RoseTintedNarrative to get mainstream success in that region. In worse cases, RoseTintedNarrative Rose Tinted Narrative will be required for [[BannedInChina publication.]]

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* In many PG-13-rated movies, PrecisionFStrike is only used because of the MPAA's rules on profanity, which state that a movie arbitrarily receives an "R" rating if it uses the word "fuck" more than once.

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* In many PG-13-rated movies, PrecisionFStrike is only used because of shows up in many movies whose producers had to fight for "PG-13" ratings, since the MPAA's rules on profanity, which state profanity mean that a movie arbitrarily receives an "R" rating if it uses the word "fuck" more than once.once.
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