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Changed line(s) 17 (click to see context) from:
* Ax-Crazy: The killer.
to:
* Ax-Crazy: AxCrazy: The killer.
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Bastard Boyfriend has been rehauled into Fetishized Abuser (for then the narrative portrays an abuser as sexually desirable). Otherwise, it's an example of Domestic Abuser. If both people display toxic behaviors, it's Romanticized Abuse.
Changed line(s) 25 (click to see context) from:
* DirtyOldMan: Richard. He has apparently slept with multiple members of both the cast and crew. He hits on just about everybody, "and sometimes the guys, too, when he's drunk and forgets his glasses." He's also shown flirting with Jordyn Brooks, the much younger star of his film, and is in a relationship with Lark, a earnest wannabe actress in her twenties. He's nearly fifty.
to:
* DirtyOldMan: DirtyOldMan:
** Richard. He has apparently slept with multiple members of both the cast and crew. He hits on just about everybody, "and sometimes the guys, too, when he's drunk and forgets his glasses." He's also shown flirting with Jordyn Brooks, the much younger star of his film, and is in a relationship with Lark, a earnest wannabe actress in her twenties. He's nearly fifty.
** Richard. He has apparently slept with multiple members of both the cast and crew. He hits on just about everybody, "and sometimes the guys, too, when he's drunk and forgets his glasses." He's also shown flirting with Jordyn Brooks, the much younger star of his film, and is in a relationship with Lark, a earnest wannabe actress in her twenties. He's nearly fifty.
* DomesticAbuser:
** Bille's ex (who is only mentioned) was emotionally abusive.
** Diana's first boyfriend bullied her for being Italian and threatened to leave her for other girls, leaving her insecure and afraid of commitment.
-> '''Diana:''' I don't care what anyone says. When you're sixteen, that shit is important.
** Bille's ex (who is only mentioned) was emotionally abusive.
** Diana's first boyfriend bullied her for being Italian and threatened to leave her for other girls, leaving her insecure and afraid of commitment.
-> '''Diana:''' I don't care what anyone says. When you're sixteen, that shit is important.
Deleted line(s) 30,32 (click to see context) :
* BastardBoyfriend: Bille's ex (who is only mentioned) was emotionally abusive.
** Diana's first boyfriend bullied her for being Italian and threatened to leave her for other girls, leaving her insecure and afraid of commitment.
-> '''Diana:''' I don't care what anyone says. When you're sixteen, that shit is important.
** Diana's first boyfriend bullied her for being Italian and threatened to leave her for other girls, leaving her insecure and afraid of commitment.
-> '''Diana:''' I don't care what anyone says. When you're sixteen, that shit is important.
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Changed line(s) 1,3 (click to see context) from:
-> ''Things just get worse when people start turning up dead...'' - '''tagline'''
The Final Cut by Aimee Regina Belle (not to be confused with movie or album of the same name) is a murder mystery taking place in modern day British Columbia. Billie and Diana, best friends and recent graduates of UCLA, land their dream job on the set of a slasher film, only to find themselves in the middle of one. The cast and crew start to meet unfortunate accidents, and when they are trapped in the middle of nowhere, they must catch the killer before they catch them. The book is available as both a hard copy and for Kindle on [[http://www.amazon.com/Aimee-Regina-Belle/e/B00P5MUWRY Amazon.]]
The Final Cut by Aimee Regina Belle (not to be confused with movie or album of the same name) is a murder mystery taking place in modern day British Columbia. Billie and Diana, best friends and recent graduates of UCLA, land their dream job on the set of a slasher film, only to find themselves in the middle of one. The cast and crew start to meet unfortunate accidents, and when they are trapped in the middle of nowhere, they must catch the killer before they catch them. The book is available as both a hard copy and for Kindle on [[http://www.amazon.com/Aimee-Regina-Belle/e/B00P5MUWRY Amazon.]]
to:
The
-->--'''Tagline'''
''The Final
Changed line(s) 5,7 (click to see context) from:
!!The Final Cut contains examples of:
* Main/AbhorrentAdmirer: [[spoiler:Claudia]]
* Main/AbhorrentAdmirer: [[spoiler:Claudia]]
to:
*
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* Main/ActionGirl: Several characters. Diana fights off her attacker with the heel of a stiletto. Speaking of stilettos, she has allegedly outrun a police officer in stilettos on a sandy beach.
to:
* Main/ActionGirl: ActionGirl: Several characters. Diana fights off her attacker with the heel of a stiletto. Speaking of stilettos, she has allegedly outrun a police officer in stilettos on a sandy beach.
Changed line(s) 12 (click to see context) from:
* Main/AFatherToHisMen: Oddly enough, [[spoiler: Richard.]] He later admits to Diana that the reason he's so harsh -- from screaming at everyone to moving on with production after people to die off -- is because he sees this as the one big break for him and the crew who stuck around throughout all the B-movies.
to:
* Main/AFatherToHisMen: AFatherToHisMen: Oddly enough, [[spoiler: Richard.[[spoiler:Richard.]] He later admits to Diana that the reason he's so harsh -- from screaming at everyone to moving on with production after people to die off -- is because he sees this as the one big break for him and the crew who stuck around throughout all the B-movies.
Changed line(s) 14 (click to see context) from:
* Main/AffectionateNickname: Played with. Diana refers to Richard exclusively as Dick, which ''is'' a nickname for Richard, but it fit his personality, too. Later, it becomes this trope.
to:
* Main/AffectionateNickname: AffectionateNickname: Played with. Diana refers to Richard exclusively as Dick, which ''is'' a nickname for Richard, but it fit his personality, too. Later, it becomes this trope.
Changed line(s) 18,19 (click to see context) from:
* Main/ComicallyMissingThePoint: Upon finding [[spoiler: Claudia's]] creepy shrine to him, Richard is pleased at being "appreciated."
* Main/BlueOniRedOni: Diana and Billie. Diana is skilled at wrangling reporters, pushy, frequently hits on guys and very comfortable with social situations. On the other hand, Billie is socially awkward, passive-aggressive, shy and would rather be behind her camera than anywhere else.
* Main/BlueOniRedOni: Diana and Billie. Diana is skilled at wrangling reporters, pushy, frequently hits on guys and very comfortable with social situations. On the other hand, Billie is socially awkward, passive-aggressive, shy and would rather be behind her camera than anywhere else.
to:
* Main/ComicallyMissingThePoint: ComicallyMissingThePoint: Upon finding [[spoiler: Claudia's]] [[spoiler:Claudia's]] creepy shrine to him, Richard is pleased at being "appreciated."
*Main/BlueOniRedOni: BlueOniRedOni: Diana and Billie. Diana is skilled at wrangling reporters, pushy, frequently hits on guys and very comfortable with social situations. On the other hand, Billie is socially awkward, passive-aggressive, shy and would rather be behind her camera than anywhere else.
*
Changed line(s) 21,23 (click to see context) from:
* Main/BodyHorror: [[spoiler: Pam]] is found ''cooking on the grill'' after [[spoiler:she's murdered.]]
* Main/CreepyGood: Joe appears to be a good guy, but whenever something goes wrong, he takes great pleasure in terrorizing the crew, Diana in particular, with stories about land spirits.
* Main/CuteClumsyGirl: Billie definitely counts. At one point, she backs into a creek and ruins an expensive camera. Granted, it was Richard's fault.
* Main/CreepyGood: Joe appears to be a good guy, but whenever something goes wrong, he takes great pleasure in terrorizing the crew, Diana in particular, with stories about land spirits.
* Main/CuteClumsyGirl: Billie definitely counts. At one point, she backs into a creek and ruins an expensive camera. Granted, it was Richard's fault.
to:
* Main/BodyHorror: [[spoiler: Pam]] BodyHorror: [[spoiler:Pam]] is found ''cooking on the grill'' after [[spoiler:she's murdered.]]
*Main/CreepyGood: CreepyGood: Joe appears to be a good guy, but whenever something goes wrong, he takes great pleasure in terrorizing the crew, Diana in particular, with stories about land spirits.
*Main/CuteClumsyGirl: CuteClumsyGirl: Billie definitely counts. At one point, she backs into a creek and ruins an expensive camera. Granted, it was Richard's fault.
*
*
Changed line(s) 25 (click to see context) from:
* Main/DirtyOldMan: Richard. He has apparently slept with multiple members of both the cast and crew. He hits on just about everybody, "and sometimes the guys, too, when he's drunk and forgets his glasses." He's also shown flirting with Jordyn Brooks, the much younger star of his film, and is in a relationship with Lark, a earnest wannabe actress in her twenties. He's nearly fifty.
to:
* Main/DirtyOldMan: DirtyOldMan: Richard. He has apparently slept with multiple members of both the cast and crew. He hits on just about everybody, "and sometimes the guys, too, when he's drunk and forgets his glasses." He's also shown flirting with Jordyn Brooks, the much younger star of his film, and is in a relationship with Lark, a earnest wannabe actress in her twenties. He's nearly fifty.
Changed line(s) 27 (click to see context) from:
* Main/EstablishingCharacterMoment: We first meet Diana wearing heels and having already sent out press releases for The Final Cut (name of the movie in-universe) from her iPad on the airplane. Really helps establish her as a workaholic and fashionista.
to:
* Main/EstablishingCharacterMoment: EstablishingCharacterMoment: We first meet Diana wearing heels and having already sent out press releases for The Final Cut (name of the movie in-universe) from her iPad on the airplane. Really helps establish her as a workaholic and fashionista.
Changed line(s) 29,30 (click to see context) from:
** Jordyn is [[https://tvtropes.org/Main/BitchAlert introduced whining]] at Miles to get her hypoallergenic pillows and mineral water, even though he is clearly busy.
* Main/BastardBoyfriend: Bille's ex (who is only mentioned) was emotionally abusive.
* Main/BastardBoyfriend: Bille's ex (who is only mentioned) was emotionally abusive.
to:
** Jordyn is [[https://tvtropes.org/Main/BitchAlert org/BitchAlert introduced whining]] at Miles to get her hypoallergenic pillows and mineral water, even though he is clearly busy.
*Main/BastardBoyfriend: BastardBoyfriend: Bille's ex (who is only mentioned) was emotionally abusive.
*
Changed line(s) 33,35 (click to see context) from:
* Main/EldritchAbomination: Joe's Main/Wendigos.
* Main/LosingYourHead: One crew member is killed this way.
* Main/NonActionSnarker: While Richard doesn't do much to help, he certainly criticizes everyone else week enough.
* Main/LosingYourHead: One crew member is killed this way.
* Main/NonActionSnarker: While Richard doesn't do much to help, he certainly criticizes everyone else week enough.
to:
* Main/EldritchAbomination: EldritchAbomination: Joe's Main/Wendigos.
Wendigos.
*Main/LosingYourHead: LosingYourHead: One crew member is killed this way.
*Main/NonActionSnarker: NonActionSnarker: While Richard doesn't do much to help, he certainly criticizes everyone else week enough.
*
*
Changed line(s) 38 (click to see context) from:
* Main/ReallyGetsAround: Richard for reasons stated above.
to:
* Main/ReallyGetsAround: ReallyGetsAround: Richard for reasons stated above.
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* Main/ShoutOut: Diana keeps Closet Sidney, a poster of hockey player Sidney Crosby in her closet for good luck.
to:
* Main/ShoutOut: ShoutOut: Diana keeps Closet Sidney, a poster of hockey player Sidney Crosby in her closet for good luck.
Changed line(s) 42,43 (click to see context) from:
* Main/TheNoodleIncident: This isn't the first time Billie and Diana have been surrounded by dead people. Apparently, they couldn't catch a break even in college.
* Main/TitleDrop: The book and in-universe movie share the same title.
* Main/TitleDrop: The book and in-universe movie share the same title.
to:
* Main/TheNoodleIncident: TheNoodleIncident: This isn't the first time Billie and Diana have been surrounded by dead people. Apparently, they couldn't catch a break even in college.
*Main/TitleDrop: TitleDrop: The book and in-universe movie share the same title.
*
Changed line(s) 45,47 (click to see context) from:
* Mail/TomboyandGirlyGirl: Billie is shy, reseved, enjoys photography and collects black-and-white crime photos. Diana is bossy, demanding, Main/ReallyGetsAround and loves her job as a PR assistant.
* Main/Wendigo: Joe is convinced they are the ones killing the cast and crew.
* Main/WomanScorned: Oh, yes. [[spoiler:Claudia]] for one. She's absolutely obsessed with [[spoiler:Richard]] and makes a shrine to him in her closet. When he doesn't returned her feelings, she does not take it well and ends up [[spoiler:being the Main/BigBad]]
* Main/Wendigo: Joe is convinced they are the ones killing the cast and crew.
* Main/WomanScorned: Oh, yes. [[spoiler:Claudia]] for one. She's absolutely obsessed with [[spoiler:Richard]] and makes a shrine to him in her closet. When he doesn't returned her feelings, she does not take it well and ends up [[spoiler:being the Main/BigBad]]
to:
* Mail/TomboyandGirlyGirl: Mail/TomboyAndGirlyGirl: Billie is shy, reseved, enjoys photography and collects black-and-white crime photos. Diana is bossy, demanding, Main/ReallyGetsAround ReallyGetsAround and loves her job as a PR assistant.
*Main/Wendigo: Wendigo: Joe is convinced they are the ones killing the cast and crew.
*Main/WomanScorned: WomanScorned: Oh, yes. [[spoiler:Claudia]] for one. She's absolutely obsessed with [[spoiler:Richard]] and makes a shrine to him in her closet. When he doesn't returned her feelings, she does not take it well and ends up [[spoiler:being the Main/BigBad]]BigBad]]
----
*
*
----
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Changed line(s) 4 (click to see context) from:
--------------------------------------------------------------------------------------------
to:
Changed line(s) 13 (click to see context) from:
->'''Richard:''' …We'll be able to do the movies we ''want'', not just what we're ''allowed'' to do.
to:
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* Main/BodyHorror: [[spoiler: Pam]] is found ''cooking on the grill'' after [[spoiler: she's murdered.]]
to:
* Main/BodyHorror: [[spoiler: Pam]] is found ''cooking on the grill'' after [[spoiler: she's [[spoiler:she's murdered.]]
Changed line(s) 39 (click to see context) from:
** Diana sleeps with quite a few men, apparently. This is possibly explained by her backstory. [[spoiler: Her first boyfriend treated her badly for being Italian and threatened to leave her for other girls, basically destroying her self-confidence and leaving her terrified of commitment.]]
to:
** Diana sleeps with quite a few men, apparently. This is possibly explained by her backstory. [[spoiler: Her [[spoiler:Her first boyfriend treated her badly for being Italian and threatened to leave her for other girls, basically destroying her self-confidence and leaving her terrified of commitment.]]
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* Ax-Crazy: The killer.
Changed line(s) 29 (click to see context) from:
* Main/JerkassBoyfriend: Bille's ex (who is only mentioned) was emotionally abusive.
to:
* Main/JerkassBoyfriend: Main/BastardBoyfriend: Bille's ex (who is only mentioned) was emotionally abusive.
Changed line(s) 32 (click to see context) from:
* Main/NonActionSnarker: While Richard doesn't do much to help, he certainly criticizes ev eryone else week enough.
to:
* Main/EldritchAbomination: Joe's Main/Wendigos.
* Main/LosingYourHead: One crew member is killed this way.
* Main/NonActionSnarker: While Richard doesn't do much to help, he certainly criticizesev eryone everyone else week enough.
* Main/LosingYourHead: One crew member is killed this way.
* Main/NonActionSnarker: While Richard doesn't do much to help, he certainly criticizes
Added DiffLines:
* Main/TitleDrop: The book and in-universe movie share the same title.
Added DiffLines:
* Main/Wendigo: Joe is convinced they are the ones killing the cast and crew.
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None
Added DiffLines:
* Main/JerkassBoyfriend: Bille's ex (who is only mentioned) was emotionally abusive.
** Diana's first boyfriend bullied her for being Italian and threatened to leave her for other girls, leaving her insecure and afraid of commitment.
-> '''Diana:''' I don't care what anyone says. When you're sixteen, that shit is important.
** Diana's first boyfriend bullied her for being Italian and threatened to leave her for other girls, leaving her insecure and afraid of commitment.
-> '''Diana:''' I don't care what anyone says. When you're sixteen, that shit is important.
Added DiffLines:
* Mail/TomboyandGirlyGirl: Billie is shy, reseved, enjoys photography and collects black-and-white crime photos. Diana is bossy, demanding, Main/ReallyGetsAround and loves her job as a PR assistant.
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Added DiffLines:
-> ''Things just get worse when people start turning up dead...'' - '''tagline'''
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None
Changed line(s) 18 (click to see context) from:
* Main/BodyHorror: [[spoiler: Pam]] is found "cooking on the grill" after [[spoiler: she's murdered.]]
to:
* Main/BodyHorror: [[spoiler: Pam]] is found "cooking ''cooking on the grill" grill'' after [[spoiler: she's murdered.]]
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None
Added DiffLines:
* Main/ComicallyMissingThePoint: Upon finding [[spoiler: Claudia's]] creepy shrine to him, Richard is pleased at being "appreciated."
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Good book. I\'ve read it.
Changed line(s) 1 (click to see context) from:
The Final Cut by Aimee Regina Belle is a murder mystery taking place in modern day British Columbia. Billie and Diana, best friends and recent graduates of UCLA, land their dream job on the set of a slasher film, only to find themselves in the middle of one. The cast and crew start to meet unfortunate accidents, and when they are trapped in the middle of nowhere, they must catch the killer before they catch them.
to:
The Final Cut by Aimee Regina Belle (not to be confused with movie or album of the same name) is a murder mystery taking place in modern day British Columbia. Billie and Diana, best friends and recent graduates of UCLA, land their dream job on the set of a slasher film, only to find themselves in the middle of one. The cast and crew start to meet unfortunate accidents, and when they are trapped in the middle of nowhere, they must catch the killer before they catch them. The book is available as both a hard copy and for Kindle on [[http://www.amazon.com/Aimee-Regina-Belle/e/B00P5MUWRY Amazon.]]
Changed line(s) 10 (click to see context) from:
* Main/AFatherToHisMen: Oddly enough, [[spoiler: Richard.]] He later admits to Diana that the reason he's so harsh -- from screaming at everyone to [[spoiler: moving on with production after people to die off]] -- is because he sees this as the one big break for him and the crew who stuck around throughout all the B-movies.
to:
* Main/AFatherToHisMen: Oddly enough, [[spoiler: Richard.]] He later admits to Diana that the reason he's so harsh -- from screaming at everyone to [[spoiler: moving on with production after people to die off]] off -- is because he sees this as the one big break for him and the crew who stuck around throughout all the B-movies.
Changed line(s) 12 (click to see context) from:
* Main/AffetionateNickname: Played with. Diana refers to Richard exclusively as Dick, which ''is'' a nickname for Richard, but it fit his personality, too. Later, it becomes this trope.
to:
* Main/AffetionateNickname: Main/AffectionateNickname: Played with. Diana refers to Richard exclusively as Dick, which ''is'' a nickname for Richard, but it fit his personality, too. Later, it becomes this trope.
Changed line(s) 17 (click to see context) from:
* Main/BodyHorror: [[spoiler: Pam]] is found cooking on the grill after [[spoiler: she's murdered.]]
to:
* Main/BodyHorror: [[spoiler: Pam]] is found cooking "cooking on the grill grill" after [[spoiler: she's murdered.]]
Changed line(s) 23 (click to see context) from:
* Main/NonActionSnarker: While Richard doesn't do much to help, he certainly criticizes everyone else week enough.
to:
* Main/EstablishingCharacterMoment: We first meet Diana wearing heels and having already sent out press releases for The Final Cut (name of the movie in-universe) from her iPad on the airplane. Really helps establish her as a workaholic and fashionista.
** Richard is introduced through ominous warnings from the crew, then through Billie witnessing him in the middle of a screaming argument over the phone.
** Jordyn is [[http://tvtropes.org/Main/BitchAlert introduced whining]] at Miles to get her hypoallergenic pillows and mineral water, even though he is clearly busy.
* Main/NonActionSnarker: While Richard doesn't do much to help, he certainly criticizeseveryone ev eryone else week enough.
** Richard is introduced through ominous warnings from the crew, then through Billie witnessing him in the middle of a screaming argument over the phone.
** Jordyn is [[http://tvtropes.org/Main/BitchAlert introduced whining]] at Miles to get her hypoallergenic pillows and mineral water, even though he is clearly busy.
* Main/NonActionSnarker: While Richard doesn't do much to help, he certainly criticizes
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None
Changed line(s) 6 (click to see context) from:
** On a lesser extent, Diana to Sidney.
to:
** On a lesser extent, Subverted with Diana to Sidney.and Sidney Crosby, since he doesn't know she exists.
Changed line(s) 10,11 (click to see context) from:
* Main/AFatherToHisMen: Oddly enough, Richard. He era walks to Diana that the reason he's so harsh, from screaming at everyone to moving on with the production when people start dying, is because he sees this as the one big break for him and the crew who stuck around throughout all the B-movies.
->'''Richard:''' …We'll be able to do the movies we ''want'', not just what we're ''allowed'' to do.
->'''Richard:''' …We'll be able to do the movies we ''want'', not just what we're ''allowed'' to do.
to:
* Main/AFatherToHisMen: Oddly enough, Richard. [[spoiler: Richard.]] He era walks later admits to Diana that the reason he's so harsh, harsh -- from screaming at everyone to [[spoiler: moving on with the production when after people start dying, to die off]] -- is because he sees this as the one big break for him and the crew who stuck around throughout all the B-movies.
->'''Richard:''' …We'll be able to do the movies we ''want'', not just what we're ''allowed'' todo.do.
* Main/AffetionateNickname: Played with. Diana refers to Richard exclusively as Dick, which ''is'' a nickname for Richard, but it fit his personality, too. Later, it becomes this trope.
** Billie's real name is Belinda. Diana also refers to her as Bils,
** In return, Billie calls her Di on occasion.
->'''Richard:''' …We'll be able to do the movies we ''want'', not just what we're ''allowed'' to
* Main/AffetionateNickname: Played with. Diana refers to Richard exclusively as Dick, which ''is'' a nickname for Richard, but it fit his personality, too. Later, it becomes this trope.
** Billie's real name is Belinda. Diana also refers to her as Bils,
** In return, Billie calls her Di on occasion.
Changed line(s) 13 (click to see context) from:
** Richard and Fay. Richard is the bossy, loud, persnickety director, who constantly fires his crew (though if they don't show up for work the next, he gets confused.) Fay is the gentle screenwriter, and one of the few who can put up with Richard's antics.
to:
** Richard and Fay. Richard is the bossy, loud, persnickety director, who constantly fires his crew (though if they don't show up for work crew, changes the next, he gets confused.) script and is generally unpleasant. Fay is the gentle screenwriter, and one of the few who can put up with Richard's antics.antics.
*Main/BodyHorror: [[spoiler: Pam]] is found cooking on the grill after [[spoiler: she's murdered.]]
*Main/BodyHorror: [[spoiler: Pam]] is found cooking on the grill after [[spoiler: she's murdered.]]
Changed line(s) 16 (click to see context) from:
** Immediately afterwards she sets a tent on fire.
to:
** Immediately afterwards she sets a tent on fire.fire with a space heater.
** Jordyn's agent, Grady, as well. He's twice her age, and she's his client to boot.
* Main/ReallyGetsAround: Richard for reasons stated above.
** Diana sleeps with quite a few men, apparently. This is possibly explained by her backstory. [[spoiler: Her first boyfriend treated her badly for being Italian and threatened to leave her for other girls, basically destroying her self-confidence and leaving her terrified of commitment.]]
** Diana sleeps with quite a few men, apparently. This is possibly explained by her backstory. [[spoiler: Her first boyfriend treated her badly for being Italian and threatened to leave her for other girls, basically destroying her self-confidence and leaving her terrified of commitment.]]
** Richard has directed a movie before that was "basically Sharknado with weasels."
Changed line(s) 23 (click to see context) from:
** According to Billie, she and Diana have been chased by the police before.
to:
** According to Billie, she and Diana have been chased by the police before.before, and Diana smoked all of them. In heels. On a sandy beach.
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Deleting extra spaces.
Deleted line(s) 7 (click to see context) :
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Changed line(s) 6 (click to see context) from:
to:
** On a lesser extent, Diana to Sidney.
Added DiffLines:
* Main/ShoutOut: Diana keeps Closet Sidney, a poster of hockey player Sidney Crosby in her closet for good luck.
* Main/TheNoodleIncident: This isn't the first time Billie and Diana have been surrounded by dead people. Apparently, they couldn't catch a break even in college.
** According to Billie, she and Diana have been chased by the police before.
* Main/TheNoodleIncident: This isn't the first time Billie and Diana have been surrounded by dead people. Apparently, they couldn't catch a break even in college.
** According to Billie, she and Diana have been chased by the police before.
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Changed line(s) 5,6 (click to see context) from:
* Main/AbhorrentAdmirer:
to:
* Main/AbhorrentAdmirer:
Main/AbhorrentAdmirer: [[spoiler:Claudia]]
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Corrected link to Abhorrent Admirer page.
Changed line(s) 5,6 (click to see context) from:
* Main/AbhorentAdmirer:
to:
* Main/AbhorentAdmirer:
Main/AbhorrentAdmirer:
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Minor spelling correction(s).
Changed line(s) 5,6 (click to see context) from:
* Main/AbbhorentAdmirer:
to:
* Main/AbbhorentAdmirer:
Main/AbhorentAdmirer:
Changed line(s) 17,18 (click to see context) from:
* Main/CreepyGood: Joe appears to be a good guy, but whenever something goes wrong, he takes great pleasure in terrorising the crew, Diana in particular, with stories about land spirits.
to:
* Main/CreepyGood: Joe appears to be a good guy, but whenever something goes wrong, he takes great pleasure in terrorising terrorizing the crew, Diana in particular, with stories about land spirits.
Changed line(s) 24 (click to see context) from:
* Main/NonActionSnarker: While Richard doesn't do much to help, he certainly criticises everyone else week enough.
to:
* Main/NonActionSnarker: While Richard doesn't do much to help, he certainly criticises criticizes everyone else week enough.
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*Main/AbbhorentAdmirer:
Changed line(s) 10,11 (click to see context) from:
->Richard: …We'll be able to do the movies we "want", not just what we're "allowed" to do.
to:
Changed line(s) 20,21 (click to see context) from:
* Main/DirtyOldMan: Richard. He has apparently slept with multiple members of both the cast and crew. He hits on just about everybody, "and sometimes the guys, too, when he's drunk and forgets his glasses." He's also shown flirting with Jordyn Brooks, the much younger star of his film. He's nearly fifty.
to:
* Main/DirtyOldMan: Richard. He has apparently slept with multiple members of both the cast and crew. He hits on just about everybody, "and sometimes the guys, too, when he's drunk and forgets his glasses." He's also shown flirting with Jordyn Brooks, the much younger star of his film.film, and is in a relationship with Lark, a earnest wannabe actress in her twenties. He's nearly fifty.
Changed line(s) 24,26 (click to see context) from:
-> Richard: The buddy system? What are we, in kindergarten?
* Main/WomanScorned: Oh, yes.
* Main/WomanScorned: Oh, yes.
to:
* Main/WomanScorned: Oh, yes. [[spoiler:Claudia]] for one. She's absolutely obsessed with [[spoiler:Richard]] and makes a shrine to him in her closet. When he doesn't returned her feelings, she does not take it well and ends up [[spoiler:being the Main/BigBad]]
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Changed line(s) 7,10 (click to see context) from:
** Billie and Fay prove themselves capable.
* Main/AFatherToHisMen: Oddly enough, Richard. He era walks to Diana that the reason he's so harsh, from screaming at everyone to moving on with the production when people start dying, is because he sees this as the one big break for him and the crew who stuck around throughout all the B-movies.
Richard: "…We'll be able to do the movies we want, not just what we're allowed to do."
* Main/AFatherToHisMen: Oddly enough, Richard. He era walks to Diana that the reason he's so harsh, from screaming at everyone to moving on with the production when people start dying, is because he sees this as the one big break for him and the crew who stuck around throughout all the B-movies.
Richard: "…We'll be able to do the movies we want, not just what we're allowed to do."
to:
** Billie and Fay prove themselves capable.
capable.
* Main/AFatherToHisMen: Oddly enough, Richard. He era walks to Diana that the reason he's so harsh, from screaming at everyone to moving on with the production when people start dying, is because he sees this as the one big break for him and the crew who stuck around throughout all theB-movies.B-movies.
->Richard: …We'll be able to do the movies we "want", not just what we're "allowed" to do.
Richard: "…We'll be able to do the movies we want, not just what we're allowed to do."
* Main/AFatherToHisMen: Oddly enough, Richard. He era walks to Diana that the reason he's so harsh, from screaming at everyone to moving on with the production when people start dying, is because he sees this as the one big break for him and the crew who stuck around throughout all the
->Richard: …We'll be able to do the movies we "want", not just what we're "allowed" to do.
Changed line(s) 19,21 (click to see context) from:
* Main/DirtyOldMan: Richard. He has apparently slept with multiple members of both the cast and crew. He hits on just about everybody, "and sometimes the guys, too, when he's drunk and forgets his glasses." He's also shown flirting with the much younger star of his film. He's nearly fifty.
* Main/Non-ActionSnarker: While Richard doesn't do much to help, he certainly criticises everyone else week enough.
* Main/Non-ActionSnarker: While Richard doesn't do much to help, he certainly criticises everyone else week enough.
to:
* Main/DirtyOldMan: Richard. He has apparently slept with multiple members of both the cast and crew. He hits on just about everybody, "and sometimes the guys, too, when he's drunk and forgets his glasses." He's also shown flirting with Jordyn Brooks, the much younger star of his film. He's nearly fifty.
*Main/Non-ActionSnarker: Main/NonActionSnarker: While Richard doesn't do much to help, he certainly criticises everyone else week enough.
*
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to:
-> Richard: The buddy system? What are we, in kindergarten?
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Changed line(s) 9 (click to see context) from:
* Main/AFathertoHisMen: Oddly enough, Richard. He era walks to Diana that the reason he's so harsh, from screaming at everyone to moving on with the production when people start dying, is because he sees this as the one big break for him and the crew who stuck around throughout all the B-movies.
to:
* Main/AFathertoHisMen: Main/AFatherToHisMen: Oddly enough, Richard. He era walks to Diana that the reason he's so harsh, from screaming at everyone to moving on with the production when people start dying, is because he sees this as the one big break for him and the crew who stuck around throughout all the B-movies.
*Main/CreepyGood: Joe appears to be a good guy, but whenever something goes wrong, he takes great pleasure in terrorising the crew, Diana in particular, with stories about land spirits.
Changed line(s) 19 (click to see context) from:
to:
* Main/Non-ActionSnarker: While Richard doesn't do much to help, he certainly criticises everyone else week enough.
** Joe, to an extent. He gets rather snarky with Diana at times, as well as with Richard.
** Joe, to an extent. He gets rather snarky with Diana at times, as well as with Richard.
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Added DiffLines:
*Main/AFathertoHisMen: Oddly enough, Richard. He era walks to Diana that the reason he's so harsh, from screaming at everyone to moving on with the production when people start dying, is because he sees this as the one big break for him and the crew who stuck around throughout all the B-movies.
Richard: "…We'll be able to do the movies we want, not just what we're allowed to do."
Richard: "…We'll be able to do the movies we want, not just what we're allowed to do."
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* Main/BlueOniRedOni: Diana and Billie. Diana is skilled at wrangling reporters, pushy, frequently hits on guys and very comfortable with social situations. On the other hand, Billie is socially awkward, passive-aggressive, shy and would rather be behind her camera than anywhere else.
** Richard and Fay. Richard is the bossy, loud, persnickety director, who constantly fires his crew (though if they don't show up for work the next, he gets confused.) Fay is the gentle screenwriter, and one of the few who can put up with Richard's antics.
** Richard and Fay. Richard is the bossy, loud, persnickety director, who constantly fires his crew (though if they don't show up for work the next, he gets confused.) Fay is the gentle screenwriter, and one of the few who can put up with Richard's antics.
Changed line(s) 12,14 (click to see context) from:
* Main/BlueOniRedOni: Diana and Billie. Diana is skilled at wrangling reporters, pushy, frequently hits on guys and very comfortable with social situations. On the other hand, Billie is socially awkward, passive-aggressive, shy and would rather be behind her camera than anywhere else.
** Richard and Fay. Richard is the bossy, loud, persnickety director, who constantly fires his crew (though if they don't show up for work the next, he gets confused.) Fay is the gentle screenwriter, and one of the few who can put up with Richard's antics.
** Richard and Fay. Richard is the bossy, loud, persnickety director, who constantly fires his crew (though if they don't show up for work the next, he gets confused.) Fay is the gentle screenwriter, and one of the few who can put up with Richard's antics.
to:
* Main/BlueOniRedOni: Diana Main/DirtyOldMan: Richard. He has apparently slept with multiple members of both the cast and Billie. Diana is skilled at wrangling reporters, pushy, frequently crew. He hits on guys just about everybody, "and sometimes the guys, too, when he's drunk and very comfortable forgets his glasses." He's also shown flirting with social situations. On the other hand, Billie is socially awkward, passive-aggressive, shy and would rather be behind her camera than anywhere else.much younger star of his film. He's nearly fifty.
** Richard and Fay. Richard is the bossy, loud, persnickety director, who constantly fires his crew (though if they don't show up for work the next, he gets confused.) Fay is the gentle screenwriter, and one of the few who can put up with Richard's antics.
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Changed line(s) 13 (click to see context) from:
** Richard and Fay. Richard is the bossy, loud, persnickety director, who constantly fires his crew (though if they don't show up for work the next, he gets confused.) Fay is the gentle screenwriter, and one of the few who can put up with Richard's antics.
to:
** Richard and Fay. Richard is the bossy, loud, persnickety director, who constantly fires his crew (though if they don't show up for work the next, he gets confused.) Fay is the gentle screenwriter, and one of the few who can put up with Richard's antics.antics.
*Main/WomanScorned: Oh, yes.
*Main/WomanScorned: Oh, yes.
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Changed line(s) 5 (click to see context) from:
* Action Girl: Several characters. Diana fights off her attacker with the heel of a stiletto. Speaking of stilettos, she has allegedly outrun a police officer in stilettos on a sandy beach.
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* Action Girl: Main/ActionGirl: Several characters. Diana fights off her attacker with the heel of a stiletto. Speaking of stilettos, she has allegedly outrun a police officer in stilettos on a sandy beach.
Changed line(s) 9,11 (click to see context) from:
* Main/CuteClumsyGirl
* Blue Oni, Red Oni: Diana and Billie. Diana is skilled at wrangling reporters, pushy, frequently hits on guys and very comfortable with social situations. On the other hand, Billie is socially awkward, passive-aggressive, shy and would rather be behind her camera than anywhere else.
* Blue Oni, Red Oni: Diana and Billie. Diana is skilled at wrangling reporters, pushy, frequently hits on guys and very comfortable with social situations. On the other hand, Billie is socially awkward, passive-aggressive, shy and would rather be behind her camera than anywhere else.
to:
* Main/CuteClumsyGirl
Main/CuteClumsyGirl: Billie definitely counts. At one point, she backs into a creek and ruins an expensive camera. Granted, it was Richard's fault.
** Immediately afterwards she sets a tent on fire.
*Blue Oni, Red Oni: Main/BlueOniRedOni: Diana and Billie. Diana is skilled at wrangling reporters, pushy, frequently hits on guys and very comfortable with social situations. On the other hand, Billie is socially awkward, passive-aggressive, shy and would rather be behind her camera than anywhere else.
** Immediately afterwards she sets a tent on fire.
*
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Changed line(s) 5,6 (click to see context) from:
* Action Girl: Several characters. Diana fights off her attacker with the heel of a stiletto. Speaking of stilettos, she has allegedly out run a police officer in stilettos on a sandy beach.
to:
* Action Girl: Several characters. Diana fights off her attacker with the heel of a stiletto. Speaking of stilettos, she has allegedly out run outrun a police officer in stilettos on a sandy beach.
** Claudia. She hikes out several miles in the pouring rain to see if they can get out.
** Billie and Fay prove themselves capable.
* Main/CuteClumsyGirl
** Claudia. She hikes out several miles in the pouring rain to see if they can get out.
** Billie and Fay prove themselves capable.
* Main/CuteClumsyGirl
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Added DiffLines:
*Action Girl: Several characters. Diana fights off her attacker with the heel of a stiletto. Speaking of stilettos, she has allegedly out run a police officer in stilettos on a sandy beach.
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Changed line(s) 2 (click to see context) from:
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to:
!!The Final Cut contains examples of:
* Blue Oni, Red Oni: Diana and Billie. Diana is skilled at wrangling reporters, pushy, frequently hits on guys and very comfortable with social situations. On the other hand, Billie is socially awkward, passive-aggressive, shy and would rather be behind her camera than anywhere else.
** Richard and Fay. Richard is the bossy, loud, persnickety director, who constantly fires his crew (though if they don't show up for work the next, he gets confused.) Fay is the gentle screenwriter, and one of the few who can put up with Richard's antics.
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Changed line(s) 1 (click to see context) from:
The Final Cut by Aimee Regina Belle is a murder mystery taking place in modern day British Columbia. Billie and Diana, best friends and recent graduates of UCLA, land their dream job on the set of a slasher film, only to find themselves in the middle of one. The cast and crew start to meet unfortunate accidents, and when they are trapped in the middle of nowhere, they must catch the killer before they catch them.
to:
The Final Cut by Aimee Regina Belle is a murder mystery taking place in modern day British Columbia. Billie and Diana, best friends and recent graduates of UCLA, land their dream job on the set of a slasher film, only to find themselves in the middle of one. The cast and crew start to meet unfortunate accidents, and when they are trapped in the middle of nowhere, they must catch the killer before they catch them.them.
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The Final Cut by Aimee Regina Belle is a murder mystery taking place in modern day British Columbia. Billie and Diana, best friends and recent graduates of UCLA, land their dream job on the set of a slasher film, only to find themselves in the middle of one. The cast and crew start to meet unfortunate accidents, and when they are trapped in the middle of nowhere, they must catch the killer before they catch them.