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* ActorAllusion: The [[DuelingDubs Japanese dubs]] has some examples of this:
** In the 2020 one, it's not very hard to see why they cast Creator/YukoMiyamura as Mrs. Danvers: [[Franchise/NeonGenesisEvangelion It is not the first time that she has voiced a character that a loved one close to her has died, and her absence causes serious conflicts in her personality, except replace "late master" with "mother"]].
** Likewise from the same version, this is not the first time we hear Creator/ShinichiroMiki (Maxim de Winter) [[Anime/MobileSuitGundam00 has voiced troubled men]] [[Anime/VisionOfEscaflowne who has lost a loved one at some point of their lives]].
** Ditto in the DVD dub, as this is not the first time Creator/RikiyaKoyama (Maxim) [[Literature/FateZero has voiced a man who has lost a loved one in tragic circunstances]].

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[[quoteright:315:https://static.tvtropes.org/pmwiki/pub/images/rebecca_1940.jpeg]]
[[caption-width-right:315:''"You're overwrought, madam; I've opened a window for you."'']]

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[[caption-width-right:315:''"You're overwrought, madam; I've opened a window for you."'']]
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* NiceJobFixingItVillain: Jack probably would have had better luck with his accusations if he hadn't been belligerently drunk while making them. The narrator even points out that his manner completely undermined his claims and probably saved Maxim.

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* NiceJobFixingItVillain: NiceJobFixingItVillain:
**
Jack probably would have had better luck with his accusations if he hadn't been belligerently drunk and otherwise acting ridiculous while making them. The narrator even points out that his manner completely undermined undermines his claims and probably saved Maxim. saves Maxim.
** Mrs. Danvers also gets a dose of this in the same scene. She doesn't initially realize ''why'' Jack is asking her to testify to [[spoiler: him and Rebecca being in love]]--namely, that he's trying to incriminate Maxim--so she disdainfully mocks the very idea, further weakening Jack's case.



* PoorCommunicationKills: Invoked. Near the end of the book, the narrator berates herself for building up images in her head of how people dislike her and then stewing about it, rather than ''talking'' to anybody about her feelings.



* RomanticizedAbuse: (verbal) Maxim calls the heroine "fool" and "idiot" pretty frequently. Absent from the 2020 version.

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* RomanticizedAbuse: (verbal) Maxim calls the heroine "fool" and "idiot" pretty frequently.frequently, including ''in his marriage proposal'' (although at least during the proposal, he realizes it wasn't exactly the most romantic thing to say). Absent from the 2020 version.



* UglyAmericanStereotype: Mrs. Van Hopper, the protagonist's initial employer, is an American woman on holiday in Monte Carlo. She's obnoxious and latches onto famous and wealthy guests to bolster herself.

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* UglyAmericanStereotype: Mrs. Van Hopper, the protagonist's initial employer, is an American woman on holiday in Monte Carlo. She's obnoxious and latches onto famous and wealthy guests to bolster herself.herself, and has absolutely no shame.



** The main character is the second wife of the eponymous Rebecca's husband. She's compared unfavorably to Rebecca without ever being told anything about her by his staff. Nothing is revealed abut her as they figure she doesn't need to know, except that she died. In the end the protagonist learns more about Rebecca and [[spoiler:gains the respect of the inhabitants by saving them from a fire]].

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** The main character is the second wife of the eponymous Rebecca's husband. She's compared unfavorably to Rebecca without ever being told anything about her by his staff. Nothing is revealed abut aobut her as they figure she doesn't need to know, except that she died. In the end the protagonist learns more about Rebecca and [[spoiler:gains the respect of the inhabitants by saving them from a fire]].
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* INeedAFreakingDrink: In the 1940 film, Jack Favell, who was visibly crushed and devastated when he learned from Dr. Baker that [[spoiler:Rebecca had terminal cancer, which also let Maxim off the hook for her death]], says "I wish I had a drink."
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* DarkSecret: Maxim has one. The narrator believes he can't love her because he's still thinking of his first wife Rebecca who was supposedly drowned in a sailing accident. [[spoiler:Turns out he had murdered Rebecca himself — and she had goaded him into it.]]
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* BuryYourGays: Averted in the book with Mrs. Danvers, and played straight if one subscribes to the film's heavy suggestion she's a lesbian in the film.

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* BuryYourGays: Averted in the book with Mrs. Danvers, and played straight if one subscribes to the film's heavy suggestion she's a lesbian in (or at the film.very least had SingleTargetSexuality toward Rebecca).
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* DumbassHasAPoint: The narrator's defining trait is that she is naive and totally lacking in worldly experience, and Maxim frequently refers to her as a fool. But in the interrogation scene she is far more aware of the dynamics of the situation than Maxim himself, and her narration makes several good points he has failed to notice - most importantly, that Julyan is starting to suspect him.
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** Also Maxim. His version of events regarding Rebecca's death is the only one we hear, and there are plenty of things about it that don't make sense. For instance, [[spoiler: why does Rebecca (universally considered beautiful, charming, intelligent and vivacious) settle for a loveless marriage of convenience with Maxim when she could have had her pick of men? What 'things about herself' does she tell him that are so awful he can 'never repeat them to a living soul'?]] Rebecca's motivations are central to our understanding of her... but we never get to hear her side.
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* JerkassHasAPoint: Deconstructed. Favell is casually rude, blunt, and lecherous. He's perfectly willing to [[Spoiler: sleep with Rebecca, despite her being married]] and his behaviour toward the narrator is downright predatory. He even attempts to capitalise on his [[spoiler:cousin's murder]] with {{Blackmail}}. Nevertheless his accusations against Maxim are completely correct. Shame he's so obnoxious that when he presents his case to the magistrate, nobody believes him...

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* JerkassHasAPoint: Deconstructed. Favell is casually rude, blunt, and lecherous. He's perfectly willing to [[Spoiler: [[spoiler: sleep with Rebecca, despite her being married]] and his behaviour toward the narrator is downright predatory. He even attempts to capitalise on his [[spoiler:cousin's murder]] with {{Blackmail}}. Nevertheless his accusations against Maxim are completely correct. Shame he's so obnoxious that when he presents his case to the magistrate, nobody believes him...



* LoveForgivesAllButLust: An interesting variation: The female lead spends the first half of the book moping because she thinks her husband is still in love with his (dead) first wife instead of her. Cue {{wangst}}. But then it's revealed that he hated his first wife, and he actually murdered her. Murder? No problem! He doesn't love that minx; he loves me! (To be fair, it's presented like his first wife was The Vamp with absolutely no moral code and masterfully provoked him to do it... but still.)

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* LoveForgivesAllButLust: An interesting variation: The female lead spends the first half of the book moping because she thinks her husband is still in love with his (dead) first wife instead of her. Cue {{wangst}}. [[spoiler: But then it's revealed that he hated his first wife, and he actually murdered her. Murder? No problem! He doesn't love that minx; he loves me! (To be fair, it's presented like his first wife was The Vamp with absolutely no moral code and masterfully provoked him to do it... but still.))]]
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* AccidentalMurder: In the Hitchcock film, [[spoiler:Maxim accidentally killed Rebecca; he got angry and pushed her, and she fell and struck her head.]] In the original novel, [[spoiler:he shot her, very much on purpose. She rather had it coming, to the point of taunting him into doing it.]] In the 2020 film, [[spoiler: Rebecca loaded the gun, put it in Maxim's hand, pushed the gun against her body and ''then'' taunted him into pulling the trigger.]]

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* AccidentalMurder: In the Hitchcock film, [[spoiler:Maxim accidentally killed Rebecca; he got angry and pushed her, and she fell and struck her head.]] In the original novel, [[spoiler:he shot her, very much on purpose. She rather had it coming, to the point of taunting him into doing it.]] In the musical, [[spoiler: it's the same as the Hitchcock version, he pushed her and she fell, though he says he's not entirely sure whether it was an accident or not.]] In the 2020 film, [[spoiler: Rebecca loaded the gun, put it in Maxim's hand, pushed the gun against her body and ''then'' taunted him into pulling the trigger.]]
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* {{Jerkass}}: Favell, who is casually rude, blunt, and lecherous. He even attempts to capitalise on his [[spoiler:cousin's murder]] with {{Blackmail}}. His one saving grace, at least in the novel, is that his accusations against Maxim are [[JerkassHasAPoint completely correct]]. The narrator notes that it is Favell's own obnoxious, graceless behaviour that turns the magistrate against him when he presents his case.

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* {{Jerkass}}: Favell, who JerkassHasAPoint: Deconstructed. Favell is casually rude, blunt, and lecherous.lecherous. He's perfectly willing to [[Spoiler: sleep with Rebecca, despite her being married]] and his behaviour toward the narrator is downright predatory. He even attempts to capitalise on his [[spoiler:cousin's murder]] with {{Blackmail}}. His one saving grace, at least in the novel, is that Nevertheless his accusations against Maxim are [[JerkassHasAPoint completely correct]]. The narrator notes correct. Shame he's so obnoxious that it is Favell's own obnoxious, graceless behaviour that turns the magistrate against him when he presents his case.case to the magistrate, nobody believes him...
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* Foreshadowing: When the narrator is exploring the cove she discovers a buoy with the name of Rebecca's sunken boat painted on the side - 'Je Reviens', which means 'I come back'. She reflects on the cruel irony of the name, since Rebecca took it out sailing and never came back. [[spoiler: Little does she know that the boat, with Rebecca's murdered body on board, is due to make a reappearance VERY shortly.]]

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* Foreshadowing: {{Foreshadowing}}: When the narrator is exploring the cove she discovers a buoy with the name of Rebecca's sunken boat painted on the side - 'Je Reviens', which means 'I come back'. She reflects on the cruel irony of the name, since Rebecca took it out sailing and never came back. [[spoiler: Little does she know that the boat, with Rebecca's murdered body on board, is due to make a reappearance VERY shortly.]]
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* Foreshadowing: When the narrator is exploring the cove she discovers a buoy with the name of Rebecca's sunken boat painted on the side - 'Je Reviens', which means 'I come back'. She reflects on the cruel irony of the name, since Rebecca took it out sailing and never came back. [[spoiler: Little does she know that the boat, with Rebecca's murdered body on board, is due to make a reappearance VERY shortly.]]
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* SmugSnake: Slimy, conceited, amoral, constantly-smirking Jack Favell, especially as played by Creator/GeorgeSanders, is one of the smuggest snakes in media history. His getting sucker punched by Maxim at the climax is probably the most satisfying moment in the whole film.

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* SmugSnake: Slimy, conceited, amoral, constantly-smirking Jack Favell, especially as played by Creator/GeorgeSanders, is one of the smuggest snakes in media history. His getting sucker punched by Maxim at the climax is probably the most satisfying moment in the whole film.Hitchcock version.
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* AnAesop: The novel has the message that abuse is abuse, and leaves the audience to think about how abuse can cause the victim to lash out in monstrous ways. Maxim is bad-tempered, dry, and a bit blunt, but wins over the narrator because she's polite to him and modest. He also scares her the night of the costume party and doesn't even seem to remember afterward. It's revealed that Maxim has a bad HairTriggerTemper because [[spoiler:he's carrying the guilt that he murdered Rebecca in a fit of righteous fury when she threatened to have Favell's baby. He expects the narrator to leave him, but instead she resolves to stay by his side, no matter what happens. Only then does Maxim mellow, able to live with the guilt]].
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* WhatYouAreInTheDark: Maxim has this in every version. He confronts [[spoiler:Rebecca in the privacy of her shoreside cottage, about having Favell over against his wishes. She then laughed and said if she had a child, he wouldn't be able to prove it was Favell's, and asked how he would like to raise it as the perfect heir. In the novel proper, he shot her, while in the miniseries, he strangled her with his bare hands. The Hitchcock film he has a different reaction: Maxim approaches her, angry...and smacks her in the face. That's it; obviously bad, but understated compared to. theother aadpations. A smirking Rebecca then tripped and hit her head on some tackle, killing her instantly. While the new wife points out that it was an accident and not murder, Maxim points out that he knows that, even if the court wouldn't believe him so at least his conscience is clear on that front]].

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* WhatYouAreInTheDark: Maxim has this in every version. He confronts [[spoiler:Rebecca in the privacy of her shoreside cottage, about having Favell over against his wishes. She then laughed and said if she had a child, he wouldn't be able to prove it was Favell's, and asked how he would like to raise it as the perfect heir. In the novel proper, he shot her, while in the miniseries, he strangled her with his bare hands. The Hitchcock film he has a different reaction: Maxim approaches her, angry...and smacks her in the face. That's it; obviously bad, but understated compared to. theother aadpations.to the other versions. A smirking Rebecca then tripped and hit her head on some tackle, killing her instantly. While the new wife points out that it was an accident and not murder, Maxim points out that he knows that, even if the court wouldn't believe him so at least his conscience is clear on that front]].

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* BewareTheNiceOnes: The second wife eventually gains the courage to give reasonable orders to her new serving staff. WHen Mrs. Danvers complains that it's now how "Mrs. de Winter" did things, the narrator reminds her that ''she'' is Mrs. de Winter and this is how she likes to order her meals.

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* BewareTheNiceOnes: The second wife eventually gains the courage to give reasonable orders to her new serving staff. WHen When Mrs. Danvers complains that it's now how "Mrs. de Winter" did things, the narrator reminds her that ''she'' is Mrs. de Winter and this is how she likes to order her meals.


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* WhatYouAreInTheDark: Maxim has this in every version. He confronts [[spoiler:Rebecca in the privacy of her shoreside cottage, about having Favell over against his wishes. She then laughed and said if she had a child, he wouldn't be able to prove it was Favell's, and asked how he would like to raise it as the perfect heir. In the novel proper, he shot her, while in the miniseries, he strangled her with his bare hands. The Hitchcock film he has a different reaction: Maxim approaches her, angry...and smacks her in the face. That's it; obviously bad, but understated compared to. theother aadpations. A smirking Rebecca then tripped and hit her head on some tackle, killing her instantly. While the new wife points out that it was an accident and not murder, Maxim points out that he knows that, even if the court wouldn't believe him so at least his conscience is clear on that front]].
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* BewareTheNiceOnes: The second wife eventually gains the courage to give reasonable orders to her new serving staff. WHen Mrs. Danvers complains that it's now how "Mrs. de Winter" did things, the narrator reminds her that ''she'' is Mrs. de Winter and this is how she likes to order her meals.


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* NeverSpeakIllOfTheDead: Deconstructed. Due to societal conventions and [[spoiler:no one wanting to admit that Rebecca was a horrible person]], the second Mrs. de Winter is led to believe that she can never [[spoiler:measure up to Rebecca]]. It turns out that [[spoiler:Beatrice knew but kept quiet for her brother's sake, while Maxim doesn't want to admit that he murdered her in a fit of passion and Ben was intimidated into telling no one or Rebecca would commit him]]. Ironically, Jack Favell is the first person to openly state that [[spoiler:Rebecca had affairs, including one with him]].


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* RevengeBeforeReason: In the book at least, the police chief recommended to the de Winter couple that they should [[spoiler:head to Switzerland and lay low for a few months, so that gossip will die down about the investigation into Rebecca's death. Maxim and the second Mrs. de Winter had already committed to leaving their life behind, with Maxim having relief at the thought of no longer having to play the "perfect" gentleman. Thus, it makes Mrs. Danvers burning down Manderley a bit excessive considering they were going to give her what she wanted: the mansion, with no new management to boss her around]].


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* ShutUpHannibal: Mrs. Danvers spends the whole novel talking about how "Mrs. de Winter" did things. After her attempting to goad the second wife into a suicide and humiliating her, she gets a smackdown when complaining about how the second wife ordered lunch over the phone: "''I'' am Mrs. de Winter now." Even better, the second wife doesn't even have to raise her tone.


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* StatingTheSimpleSolution: Maxim admits [[spoiler:he ought to have divorced Rebecca a long time ago, rather than give into her DealWithTheDevil because he gave into social obligations]]. In fact, [[spoiler:he threatened to divorce her when realizing she had broken their deal. The reason why he didn't is she claimed that no court would believe him, even if he brought Beatrice in as a witness, and she goaded him into shooting her]].
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* HonestJohnsDealership: In the 1940 film, it's revealed that Favell is a "motor car salesman", which suits his sleazy personality (presumably he tries to hustle wealthy customers to buy luxury cars, which again is perfectly in character for him).
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* BitchAlert: The famous entrance scene for Mrs. Danvers in the 1940 film, sweeping out in front of the rest of the servants and walking toward the camera, with a fearsome, sour expression of disapproval on her face. Before Danvers even says one word you know the second Mrs. de Winter is in deep trouble.

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* BitchAlert: The famous entrance scene EstablishingCharacterMoment for Mrs. Danvers in the 1940 film, sweeping as she enters the room, sweeps out in front of the rest of the servants and walking walks toward the camera, with a fearsome, sour expression of disapproval on her face. Before Danvers even says one word you know the second Mrs. de Winter is in deep trouble.going to have a major ordeal on her hands.

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* BitchInSheepsClothing: [[spoiler: The widely adored Rebecca was an utterly selfish, narcissitic bitch who was nice to people to their faces but laughed and jeered at them behind their backs.]]

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* BitchAlert: The famous entrance scene for Mrs. Danvers in the 1940 film, sweeping out in front of the rest of the servants and walking toward the camera, with a fearsome, sour expression of disapproval on her face. Before Danvers even says one word you know the second Mrs. de Winter is in deep trouble.
* BitchInSheepsClothing: [[spoiler: The widely adored Rebecca was an utterly selfish, narcissitic narcissistic bitch who was nice to people to their faces but laughed and jeered at them behind their backs.]]

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* EvilSoundsDeep: Creator/GeorgeSanders playing the role in the 1940 film adds this element to Jack Favell.



* SmugSnake: Slimy, conceited, amoral, constantly-smirking Jack Favell, especially as played by George Sanders, is one of the smuggest snakes in media history. His getting sucker punched by Maxim at the climax is probably the most satisfying moment in the whole film.

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* SmugSnake: Slimy, conceited, amoral, constantly-smirking Jack Favell, especially as played by George Sanders, Creator/GeorgeSanders, is one of the smuggest snakes in media history. His getting sucker punched by Maxim at the climax is probably the most satisfying moment in the whole film.
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* OddFriendship: Aloof, judgmental Danvers and outgoing, sleazy Favell form a strange alliance in the story.

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* WhamLine: [[spoiler: Maxim's "I ''hated'' her!".]]

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* WhamLine: [[spoiler: Maxim's "I ''hated'' her!".WhamLine:
** In the novel.
--->[[spoiler:'''Maxim''': I hated her!]]
** It's included in the 1940 film, but it's preceded by an equally potent example.
--->[[spoiler:'''Maxim''': I knew where Rebecca's body was. Lying on that cabin floor on the bottom of the sea.]]
--->[[spoiler:'''Mrs. de Winter''': How did you know?]]
--->[[spoiler:'''Maxim''': Because I put it there.
]]
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* InCaseYouForgotWhoWroteIt: A particularly pompous example at the start of the 1940 film.
-->SELZNICK INTERNATIONAL presents its picturization of [[Creator/DaphneDuMaurier DAPHNE DU MAURIER'S]] celebrated novel ''REBECCA''

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* MeaningfulName: Rebecca means "a snare" or "captivating".

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* MeaningfulName: MeaningfulName:
**
Rebecca means "a snare" or "captivating"."captivating".
** Given their tendencies to be a bit cold, and their stormy, volatile relationship, having Maxim and Rebecca share the surname "de Winter" flirts with being a bit too on the nose.
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* SmugSnake: Jack Favell, especially as played by George Sanders, is one of the smuggest snakes in media history.

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* SmugSnake: Slimy, conceited, amoral, constantly-smirking Jack Favell, especially as played by George Sanders, is one of the smuggest snakes in media history.history. His getting sucker punched by Maxim at the climax is probably the most satisfying moment in the whole film.
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* PlayingGertrude: In the novel, Maxim is supposed to be in his forties, while Mrs. Danvers is an older woman. In general, adaptations tend to have much younger performers in these roles, taking their cue from the 1940 film, which had Creator/LaurenceOlivier (33 at the time) as Maxim and Judith Anderson (43) as Danvers. Averted with Creator/DianaRigg and Creator/KristinScottThomas, who were both around 60 when they played Danvers.
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* CreatorCameo: In the 1940 film, Creator/AlfredHitchcock makes one of his signature cameos when he walks past Favell and the constable while they talk. There's about three minutes left in the film at that point, making it the latest Hitchcock cameo in any of his films.[[note]]After a while, he started to place his cameos very early in films, so the audience wouldn't spend all their time looking for him instead of paying attention to the story[[/note]]

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