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* Proteus politely introducing himself to Brona, and shaking her hand. As a prostitute, she probably isn't used to someone being so openly nice and courteous to her.
* Practically ''any'' scene with Proteus, for that matter, right up until the moment the Creature shoves a hand through him from behind.

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* Proteus politely introducing himself to Brona, Brona and shaking her hand. As a prostitute, sex worker, she probably isn't used to someone being so openly nice and courteous to her.
* Practically ''any'' scene with Proteus, Proteus for that matter, right up until the moment the Creature shoves a hand through him from behind.



* Caliban finding a friend, and a home in the theater, against all odds.

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* Caliban finding a friend, friend and a home in the theater, against all odds.



* Malcolm may claim that Ethan doesn't matter to him but this does not keep his offer to place Brona in a private hospital from being any less kind.
* Ethan caring for a dying Brona, refusing to abandon her in spite of her contagion, and confessing his love for her.
* The sole light-hearted moment in "Possession", where Victor asks Ethan to teach him to shoot. While Victor has a rough start, Ethan is patient with him, and later shows off his sharpshooting skills to Victor's glee. Then, when Sembene comes down saying Sir Malcolm wants to know what's going on, Ethan chuckles and says: "Ooops, dad caught us!"

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* Malcolm may claim that Ethan doesn't matter to him him, but this does not keep his offer to place Brona in a private hospital from being any less kind.
* Ethan caring for a dying Brona, refusing to abandon her in spite of her contagion, contagion and confessing his love for her.
* The sole light-hearted moment in "Possession", where Victor asks Ethan to teach him to shoot. While Victor has a rough start, Ethan is patient with him, and later shows off his sharpshooting skills to Victor's glee. Then, when Sembene comes down saying Sir Malcolm wants to know what's going on, Ethan chuckles and says: "Ooops, "Oops, dad caught us!"



* Takes a swerve into TearJerker at the end, but Malcolm finally taking down the Nile maps from the study and talking light-heartedly with Vanessa about getting a Christmas tree and letting "the boys" (Ethan and Victor, presumably) decorate it is a lovely moment.
* The look on Caliban's face when he first sees Brona, his intended mate is sweet. Less sweet is how and why Brona is lying on Victor's lab table.

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* Takes It takes a swerve into TearJerker at the end, but Malcolm finally taking down the Nile maps from the study and talking light-heartedly with Vanessa about getting a Christmas tree and letting "the boys" (Ethan and Victor, presumably) decorate it is a lovely moment.
* The look on Caliban's face when he first sees Brona, his intended mate mate, is sweet. Less sweet is how and why Brona is lying on Victor's lab table.



* In "Fresh Hell", after he massacred the patrons of the Mariner's Inn, Ethan intends to leave London. When Vanessa is attacked by the witches and goes near-catatonic with fear, he refuses to leave her, even confessing his condition.

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* In "Fresh Hell", after he massacred massacres the patrons of the Mariner's Inn, Ethan intends to leave London. When Vanessa is attacked by the witches and goes near-catatonic with fear, he refuses to leave her, even confessing his condition.



* Caliban's interactions with Lavinia Putney in the wax house are really sweet as Lavinia's blindness keeps her from being horrified or put off by his appearance. He can actually be himself. Though it makes one wonder if [[TooGoodForThisSinfulEarth she is too innocent and kind for this particular show.]]
** And, as we later discover - not so much. Lavinia turns out to be just as greedy and manipulative as her parents.

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* Caliban's interactions with Lavinia Putney in the wax house are really sweet sweet, as Lavinia's blindness keeps her from being horrified or put off by his appearance. He can actually be himself. Though it makes one wonder if [[TooGoodForThisSinfulEarth she is too innocent and kind for this particular show.]]
** And, as we later discover - -- not so much. Lavinia turns out to be just as greedy and manipulative as her parents.



* Many of the scenes between Vanessa and Ethan in "Little Scorpion," especially when Ethan asks Vanessa to teach him to dance. He even practices alone which makes Vanessa smile while watching him. The scenes in the cottage are one of the only times in the show's entire run where these two characters are at peace with no hidden agenda or immediate threat to their person.

to:

* Many of the scenes between Vanessa and Ethan in "Little Scorpion," especially when Ethan asks Vanessa to teach him to dance. He even practices alone alone, which makes Vanessa smile while watching him. The scenes in the cottage are one of the only times in the show's entire run where these two characters are at peace with no hidden agenda or immediate threat threats to their person.



* Sembene calling his boss "Malcolm!" at a moment of crisis, rather than "Sir". For all that Victorian social proprieties may dictate a servile role for an African living in a rich white man's house, this breach of his usual deference — the fact that there is a chance that Sembene is in London because Malcolm owes his life to him and is willing to travel to Africa just to bury him in his own soil — it is quite likely they were comrades and friends in Africa.
* Though it isn't real, simply a hallucination brought about by Evelyn's brainwashing, the scene in "Memento Mori" where Malcolm imagines his deceased wife, son, and daughter waltzing at a ball is quite sweet. Particularly the bit of Malcolm dancing with Mina, after how things ended between them. It's one of the very few times we ever see Malcolm smile.

to:

* Sembene calling his boss "Malcolm!" at a moment of crisis, rather than "Sir". For all that Victorian social proprieties may dictate a servile role for an African living in a rich white man's house, this breach of his usual deference — the fact that there is a chance that Sembene is in London because Malcolm owes his life to him him, and that Malcolm is willing to travel to Africa just to bury him in his own soil — it is quite likely they were comrades and friends in Africa.
* Though it isn't real, but simply a hallucination brought about by Evelyn's brainwashing, the scene in "Memento Mori" where Malcolm imagines his deceased wife, son, and daughter waltzing at a ball is quite sweet. Particularly the bit of Malcolm dancing with Mina, after how things ended between them. It's one of the very few times we ever see Malcolm smile.



* Mixed with Awesome; Malcolm defending Kaetenay from a couple of racist cowboys. They may not have known each other long, but Malcolm won't let anyone talk down to his new companion.

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* Mixed with Awesome; Awesome: Malcolm defending Kaetenay from a couple of racist cowboys. They may not have known each other long, but Malcolm won't let anyone talk down to his new companion.



* The relationship between Vanessa and The Orderly in the asylum, who would later be revived as Caliban/The Creature...the two end up forming a deep bond and the simple, gentle humanity of the Orderly ends up as the only connection to goodness Vanessa has left. At one point, Vanessa attempts to seduce him, and while he succumbs to several passionate kisses, he realizes it's wrong and stops. And later, when he is heartbroken over her coming trepanation, she gives him another kiss that is gentle, loving and a sign of friendship, with no implied offer beneath it. This time, he simply accepts it and promises the last thing she sees before the trepanation is the face of someone who loves her. All of it can be summed up on Christmas, when the Orderly says he has no real belief in god, "but I will pray for you." It's a human story of a man who is there to be Vanessa's friend at her worst moment and to remind her of humanity's best.

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* The relationship between Vanessa and The Orderly the orderly in the asylum, who would later be revived as Caliban/The Creature...the Caliban/John Clare/the Creature. The two end up forming a deep bond bond, and the simple, gentle humanity of the Orderly orderly ends up as the only connection to goodness Vanessa has left. At one point, Vanessa attempts to seduce him, and while he succumbs to several passionate kisses, he realizes it's wrong and stops. And later, pulls away. Later, when he is heartbroken over her coming trepanation, she gives him another kiss that is gentle, loving loving, and a sign of friendship, with no implied offer of sex beneath it. This time, he simply accepts it and promises that the last thing she sees before the trepanation is will be the face of someone who loves her. All of it can be is summed up on Christmas, when the Orderly orderly says he has no real belief in god, God, "but I will pray for you." It's a human story of a man who is there to be Vanessa's friend at her worst moment and to remind her of humanity's best.



* Before the final battle with Dracula, Malcolm offers Victor, Catriona Hartdegen and Dr. Seward, who've accompanied him into the vampire's lair, an opportunity to leave and save themselves, and that he won't think less of them if they go. [[TrueCompanions They all make it clear they're going nowhere]], and Malcolm replies [[ItHasBeenAnHonor it's an honour to fight and likely die with them]].

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* Before the final battle with Dracula, Malcolm offers Victor, Catriona Hartdegen Hartdegen, and Dr. Seward, who've accompanied him into the vampire's lair, an opportunity to leave and save themselves, and that he won't think less of them if they go. [[TrueCompanions They all make it clear they're going nowhere]], and Malcolm replies that [[ItHasBeenAnHonor it's an honour to fight and likely die with them]].
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* When John Clare remembers enough of his former life and seeks out Marjorie, his wife, she welcomes him back with almost no hesitation. The Creature has been defined by self-loathing from the beginning, believing that his deformities and his unnatural state would always make him an outcast, denied love and affection. Marjorie doesn't care about his appearance; she doesn't even seem to acknowledge it. All that matters to her is that the man she loved, once dead and lost, has come back to her.
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* Mixed with Awesome; Malcolm defending Kaetenay from a couple of racist cowboys. They may not have known each other long, but Malcolm won't let anyone talk down to his new companion.
* Malcolm defending Ethan from his bigoted, hateful father, as well as putting himself between the two men and killing Jared himself both to protect Ethan from his father's promises of hunting him down for the rest of his life and to spare Ethan's soul the sin of committing patricide. PapaWolf and LikeASonToMe at their best.


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* Kaetenay telling Malcolm he would have made a "magnificent Apache" before they head into battle against Dracula and his minions.
* Before the final battle with Dracula, Malcolm offers Victor, Catriona Hartdegen and Dr. Seward, who've accompanied him into the vampire's lair, an opportunity to leave and save themselves, and that he won't think less of them if they go. [[TrueCompanions They all make it clear they're going nowhere]], and Malcolm replies [[ItHasBeenAnHonor it's an honour to fight and likely die with them]].

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Moments pages are Spoilers Off pages.


'''As a Moments subpage, all spoilers are unmarked [[Administrivia/SpoilersOff as per policy.]] Administrivia/YouHaveBeenWarned.'''
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* Practically ''any'' scene with Proteus, for that matter, right up until [[spoiler:the moment the Creature shoves a hand through him from behind]].
* Whatever Malcolm and Vanessa are to each other, and even though she's just [[spoiler:channelled his dead son and revealed his sexual indiscretions]], Malcolm tucks Vanessa into bed after the ordeal.

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* Practically ''any'' scene with Proteus, for that matter, right up until [[spoiler:the the moment the Creature shoves a hand through him from behind]].
behind.
* Whatever Malcolm and Vanessa are to each other, and even though she's just [[spoiler:channelled channeled his dead son and revealed his sexual indiscretions]], indiscretions, Malcolm tucks Vanessa into bed after the ordeal.



* The look on Caliban's face when he first sees [[spoiler:Brona, his intended mate]] is sweet. Less sweet is how and why [[spoiler:Brona is lying on Victor's lab table]].

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* The look on Caliban's face when he first sees [[spoiler:Brona, Brona, his intended mate]] mate is sweet. Less sweet is how and why [[spoiler:Brona Brona is lying on Victor's lab table]].table.



* In "Fresh Hell", [[spoiler:after he massacred the patrons of the Mariner's Inn]], Ethan intends to leave London. When [[spoiler: Vanessa is attacked by the witches and goes near-catatonic with fear]], he refuses to leave her, even confessing his condition.
* After the attack by [[spoiler:the witches]], Vanessa is terrified, holing up in her room, refusing to speak to anyone until Malcolm gets home. When he does, she runs down the stairs and into his arms.

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* In "Fresh Hell", [[spoiler:after after he massacred the patrons of the Mariner's Inn]], Inn, Ethan intends to leave London. When [[spoiler: Vanessa is attacked by the witches and goes near-catatonic with fear]], fear, he refuses to leave her, even confessing his condition.
* After the attack by [[spoiler:the witches]], the witches, Vanessa is terrified, holing up in her room, refusing to speak to anyone until Malcolm gets home. When he does, she runs down the stairs and into his arms.



** [[spoiler:And, as we later discover - not so much. Lavinia turns out to be just as greedy and manipulative as her parents.]]

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** [[spoiler:And, And, as we later discover - not so much. Lavinia turns out to be just as greedy and manipulative as her parents.]]



--> '''Ethan''': The first time I picked up a gun and decided my life was more important than anyone else's. You never go back from that.
--> '''Vanessa''': And are you sure that wasn't part of His plan?
--> '''Ethan''': You've never killed anyone. Talk to me then.
--> '''Vanessa''': Whatever you have done, whoever you have made yourself, I'm here to accept you. We're together for a reason.
--> '''Ethan''': God's plan?
--> '''Vanessa''': Yes.

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--> '''Ethan''': '''Ethan:''' The first time I picked up a gun and decided my life was more important than anyone else's. You never go back from that.
--> '''Vanessa''': '''Vanessa:''' And are you sure that wasn't part of His plan?
--> '''Ethan''': '''Ethan:''' You've never killed anyone. Talk to me then.
--> '''Vanessa''': '''Vanessa:''' Whatever you have done, whoever you have made yourself, I'm here to accept you. We're together for a reason.
--> '''Ethan''': '''Ethan:''' God's plan?
--> '''Vanessa''': '''Vanessa:''' Yes.



** Though it sadly doesn't last, [[spoiler: Ethan and Vanessa's kiss is quite lovely to see after the slowly building tension and affection between them. Especially the way Ethan simply sweeps her off her feet like she's the most beautiful, important thing in the entire world.]]

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** Though it sadly doesn't last, [[spoiler: Ethan and Vanessa's kiss is quite lovely to see after the slowly building tension and affection between them. Especially the way Ethan simply sweeps her off her feet like she's the most beautiful, important thing in the entire world.]]



* Though it isn't real, simply a [[spoiler:hallucination brought about by Evelyn's brainwashing]], the scene in "Memento Mori" where Malcolm imagines his [[spoiler:deceased]] wife, son, and daughter waltzing at a ball is quite sweet. Particularly the bit of Malcolm dancing with Mina, after how things ended between them. It's one of the very few times we ever see Malcolm smile.

to:

* Though it isn't real, simply a [[spoiler:hallucination hallucination brought about by Evelyn's brainwashing]], brainwashing, the scene in "Memento Mori" where Malcolm imagines his [[spoiler:deceased]] deceased wife, son, and daughter waltzing at a ball is quite sweet. Particularly the bit of Malcolm dancing with Mina, after how things ended between them. It's one of the very few times we ever see Malcolm smile.



* Vanessa meeting Dr. Sweet in the Natural History Museum for the first time. His nerdy enthusiasm for zoology brings a smile back to her face after her deep depression. [[spoiler: This becomes less heartwarming and more terrifying when Dr. Sweet is revealed to be Dracula.]]
* The relationship between Vanessa and The Orderly in the asylum, [[spoiler: who would later be revived as Caliban/The Creature]]...the two end up forming a deep bond and the simple, gentle humanity of the Orderly ends up as the only connection to goodness Vanessa has left. At one point, Vanessa attempts to seduce him, and while he succumbs to several passionate kisses, he realizes it's wrong and stops. And later, when he is heartbroken over her coming trepanation, she gives him another kiss that is gentle, loving and a sign of friendship, with no implied offer beneath it. This time, he simply accepts it and promises the last thing she sees before the trepanation is the face of someone who loves her. All of it can be summed up on Christmas, when the Orderly says he has no real belief in god, "but I will pray for you." It's a human story of a man who is there to be Vanessa's friend at her worst moment and to remind her of humanity's best.

to:

* Vanessa meeting Dr. Sweet in the Natural History Museum for the first time. His nerdy enthusiasm for zoology brings a smile back to her face after her deep depression. [[spoiler: This becomes less heartwarming and more terrifying when Dr. Sweet is revealed to be Dracula.]]
Dracula.
* The relationship between Vanessa and The Orderly in the asylum, [[spoiler: who would later be revived as Caliban/The Creature]]...Creature...the two end up forming a deep bond and the simple, gentle humanity of the Orderly ends up as the only connection to goodness Vanessa has left. At one point, Vanessa attempts to seduce him, and while he succumbs to several passionate kisses, he realizes it's wrong and stops. And later, when he is heartbroken over her coming trepanation, she gives him another kiss that is gentle, loving and a sign of friendship, with no implied offer beneath it. This time, he simply accepts it and promises the last thing she sees before the trepanation is the face of someone who loves her. All of it can be summed up on Christmas, when the Orderly says he has no real belief in god, "but I will pray for you." It's a human story of a man who is there to be Vanessa's friend at her worst moment and to remind her of humanity's best.



* In "Ebb Tide", Kaetenay projects himself to London to seek out Vanessa, and discovers [[spoiler: she is already "halfway [Dracula's]"]]. He and Ethan have this exchange after the vision ends:
-->'''Kaetenay''': I can see why you love her, but she is damned.
-->'''Ethan''': Not while I walk this earth.

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* In "Ebb Tide", Kaetenay projects himself to London to seek out Vanessa, and discovers [[spoiler: she is already "halfway [Dracula's]"]].[Dracula's]". He and Ethan have this exchange after the vision ends:
-->'''Kaetenay''': -->'''Kaetenay:''' I can see why you love her, but she is damned.
-->'''Ethan''': -->'''Ethan:''' Not while I walk this earth.

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* Many of the scenes between Vanessa and Ethan in "Little Scorpion," especially when Ethan asks Vanessa to teach him to dance. He even practices alone which makes Vanessa smile while watching him.

to:

* Many of the scenes between Vanessa and Ethan in "Little Scorpion," especially when Ethan asks Vanessa to teach him to dance. He even practices alone which makes Vanessa smile while watching him. The scenes in the cottage are one of the only times in the show's entire run where these two characters are at peace with no hidden agenda or immediate threat to their person.
** Special mention to the waltz that plays during the incredibly sweet montage of them spending time together, doing domestic things and genuinely enjoying one another's company. It's an absolutely beautiful piece of music that can make you smile as much as they are in the scenes.
** Though it sadly doesn't last, [[spoiler: Ethan and Vanessa's kiss is quite lovely to see after the slowly building tension and affection between them. Especially the way Ethan simply sweeps her off her feet like she's the most beautiful, important thing in the entire world.]]
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* The sole light-hearted moment in "Possession", where Victor asks Ethan to teach him to shoot. While Victor has a rough start, Ethan is patient with him, and later shows off his sharpshooting skills to Victor's glee.

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* The sole light-hearted moment in "Possession", where Victor asks Ethan to teach him to shoot. While Victor has a rough start, Ethan is patient with him, and later shows off his sharpshooting skills to Victor's glee. Then, when Sembene comes down saying Sir Malcolm wants to know what's going on, Ethan chuckles and says: "Ooops, dad caught us!"

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to:

* In "Ebb Tide", Kaetenay projects himself to London to seek out Vanessa, and discovers [[spoiler: she is already "halfway [Dracula's]"]]. He and Ethan have this exchange after the vision ends:
-->'''Kaetenay''': I can see why you love her, but she is damned.
-->'''Ethan''': Not while I walk this earth.
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to:

** From the same episode, when Dr. Seward reveals that she's been unsuccessfully trying to end the hypnotism, the normally stoic and professional doctor tells Vanessa that she'll stay with her, saying "I wouldn't leave you for the world". Then, as she cradles Vanessa, she asks what her ancestor Joan Clayton would have told Vanessa, and when Vanessa says that she would have told her to be true, she repeats the words to her.
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* The relationship between Vanessa and The Orderly in the asylum, [[spoiler: who would later be revived as Caliban/The Creature]]...the two end up forming a deep bond and the simple, gentle humanity of the Orderly ends up as the only connection to goodness Vanessa has left. At one point, Vanessa attempts to seduce him, and while he succumbs to several passionate kisses, he realizes it's wrong and stops. And later, when he is heartbroken over her coming trepanation, she gives him another kiss that is gentle, loving and a sign of friendship, with no implied offer beneath it. This time, he simply accepts it and promises the last thing she sees before the lobotomy is the face of someone who loves her. All of it can be summed up on Christmas, when the Orderly says he has no real belief in god, "but I will pray for you." It's a human story of a man who is there to be Vanessa's friend at her worst moment and to remind her of humanity's best.

to:

* The relationship between Vanessa and The Orderly in the asylum, [[spoiler: who would later be revived as Caliban/The Creature]]...the two end up forming a deep bond and the simple, gentle humanity of the Orderly ends up as the only connection to goodness Vanessa has left. At one point, Vanessa attempts to seduce him, and while he succumbs to several passionate kisses, he realizes it's wrong and stops. And later, when he is heartbroken over her coming trepanation, she gives him another kiss that is gentle, loving and a sign of friendship, with no implied offer beneath it. This time, he simply accepts it and promises the last thing she sees before the lobotomy trepanation is the face of someone who loves her. All of it can be summed up on Christmas, when the Orderly says he has no real belief in god, "but I will pray for you." It's a human story of a man who is there to be Vanessa's friend at her worst moment and to remind her of humanity's best.
Is there an issue? Send a MessageReason:
None


* The relationship between Vanessa and The Orderly in the asylum, [[spoiler: who would later be revived as Caliban/The Creature]]...the two end up forming a deep bond and the simple, gentle humanity of the Orderly ends up as the only connection to goodness Vanessa has left. At one point, Vanessa attempts to seduce him, and while he succumbs to several passionate kisses, he realizes it's wrong and stops. And later, when he is heartbroken over her coming lobotomy, she gives him another kiss that is gentle, loving and a sign of friendship, with no implied offer beneath it. This time, he simply accepts it and promises the last thing she sees before the lobotomy is the face of someone who loves her. All of it can be summed up on Christmas, when the Orderly says he has no real belief in god, "but I will pray for you." It's a human story of a man who is there to be Vanessa's friend at her worst moment and to remind her of humanity's best.

to:

* The relationship between Vanessa and The Orderly in the asylum, [[spoiler: who would later be revived as Caliban/The Creature]]...the two end up forming a deep bond and the simple, gentle humanity of the Orderly ends up as the only connection to goodness Vanessa has left. At one point, Vanessa attempts to seduce him, and while he succumbs to several passionate kisses, he realizes it's wrong and stops. And later, when he is heartbroken over her coming lobotomy, trepanation, she gives him another kiss that is gentle, loving and a sign of friendship, with no implied offer beneath it. This time, he simply accepts it and promises the last thing she sees before the lobotomy is the face of someone who loves her. All of it can be summed up on Christmas, when the Orderly says he has no real belief in god, "but I will pray for you." It's a human story of a man who is there to be Vanessa's friend at her worst moment and to remind her of humanity's best.
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to:

\n* The relationship between Vanessa and The Orderly in the asylum, [[spoiler: who would later be revived as Caliban/The Creature]]...the two end up forming a deep bond and the simple, gentle humanity of the Orderly ends up as the only connection to goodness Vanessa has left. At one point, Vanessa attempts to seduce him, and while he succumbs to several passionate kisses, he realizes it's wrong and stops. And later, when he is heartbroken over her coming lobotomy, she gives him another kiss that is gentle, loving and a sign of friendship, with no implied offer beneath it. This time, he simply accepts it and promises the last thing she sees before the lobotomy is the face of someone who loves her. All of it can be summed up on Christmas, when the Orderly says he has no real belief in god, "but I will pray for you." It's a human story of a man who is there to be Vanessa's friend at her worst moment and to remind her of humanity's best.
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to:

\n* Vanessa meeting Dr. Sweet in the Natural History Museum for the first time. His nerdy enthusiasm for zoology brings a smile back to her face after her deep depression. [[spoiler: This becomes less heartwarming and more terrifying when Dr. Sweet is revealed to be Dracula.]]

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** The therapy ultimately helps; she writes a letter to Malcolm about her determination to keep living.
---> But please do not fear for me. I have no fear myself. The old monsters are gone. The old curses have echoed to silence. And if my immortal soul is lost to me, something yet remains. I remain.
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\n* After their last interaction being much more antagonistic, Lily gently tells Victor to move on with his life, as "(he) won't like what (Lily's) becoming."

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!! Season 3
* Lyle persuading Vanessa to allow him into Grandage Place despite her severe paranoia and depression. He doesn't judge her or remonstrate her, he simply cracks some jokes to make her laugh, and then tells her that he's been through a depressive period himself. He talks her into seeking treatment, and Vanessa is so overcome by his kindness that she simply lays her head on his lap while crying.

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* Sembene calling his boss "Malcolm!" at a moment of crisis, rather than "Sir". For all that Victorian social proprieties may dictate a servile role for an African living in a rich white man's house, this breach of his usual deference suggests the pair spent their years in the wilderness as close friends and comrades.

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* Sembene calling his boss "Malcolm!" at a moment of crisis, rather than "Sir". For all that Victorian social proprieties may dictate a servile role for an African living in a rich white man's house, this breach of his usual deference suggests the pair spent their years fact that there is a chance that Sembene is in the wilderness as close London because Malcolm owes his life to him and is willing to travel to Africa just to bury him in his own soil — it is quite likely they were comrades and friends and comrades.in Africa.

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* Practically ''any'' scene with Proteus, for that matter, right up until [[spoiler: the moment the Creature shoves a hand through him from behind]].
* Whatever Malcolm and Vanessa are to each other, and even though she's just [[spoiler: channeled his dead son and revealed his sexual indiscretions]], Malcolm tucks Vanessa into bed after the ordeal.

to:

* Practically ''any'' scene with Proteus, for that matter, right up until [[spoiler: the [[spoiler:the moment the Creature shoves a hand through him from behind]].
* Whatever Malcolm and Vanessa are to each other, and even though she's just [[spoiler: channeled [[spoiler:channelled his dead son and revealed his sexual indiscretions]], Malcolm tucks Vanessa into bed after the ordeal.



* Vanessa modeling an evening gown for Malcolm, readying herself for a night out with Dorian. It's the happiest we've seen either of them in the present-day.

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* Vanessa modeling modelling an evening gown for Malcolm, readying herself for a night out with Dorian. It's the happiest we've seen either of them in the present-day.



* The look on Caliban's face when he first sees [[spoiler: Brona, his intended mate]] is sweet. Less sweet is how and why [[spoiler: Brona is lying on Victor's lab table]].

to:

* The look on Caliban's face when he first sees [[spoiler: Brona, [[spoiler:Brona, his intended mate]] is sweet. Less sweet is how and why [[spoiler: Brona [[spoiler:Brona is lying on Victor's lab table]].



* In "Fresh Hell", [[spoiler: after he massacred the patrons of the Mariner's Inn]], Ethan intends to leave London. When [[spoiler: Vanessa is attacked by the witches and goes near-catatonic with fear]], he refuses to leave her, even confessing his condition.

to:

* In "Fresh Hell", [[spoiler: after [[spoiler:after he massacred the patrons of the Mariner's Inn]], Ethan intends to leave London. When [[spoiler: Vanessa is attacked by the witches and goes near-catatonic with fear]], he refuses to leave her, even confessing his condition.



* Though it isn't real, simply a [[spoiler: hallucination brought about by Evelyn's brainwashing]], the scene in "Memento Mori" where Malcolm imagines his [[spoiler: deceased]] wife, son, and daughter waltzing at a ball is quite sweet. Particularly the bit of Malcolm dancing with Mina, after how things ended between them. It's one of the very few times we ever see Malcolm smile.

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* Though it isn't real, simply a [[spoiler: hallucination [[spoiler:hallucination brought about by Evelyn's brainwashing]], the scene in "Memento Mori" where Malcolm imagines his [[spoiler: deceased]] [[spoiler:deceased]] wife, son, and daughter waltzing at a ball is quite sweet. Particularly the bit of Malcolm dancing with Mina, after how things ended between them. It's one of the very few times we ever see Malcolm smile.



** It's also mentioned in the fantasy-scene that Mina is alive and coming to visit with her husband Jonathan, meaning that all the terrible things which transpired in the previous few years never happened in that version of Vanessa's world. The fact that Mina's husband is Jonathan Harker rather than her military fiance suggests that either Mina never became engaged to the latter in the first place, negating Vanessa's indiscretion altogether, or that Mina has long since forgiven her friend for past errors, if she's willing to visit Vanessa with her own children.
* Vanessa's last interaction with John Claire, where she tells the poor tormented creature that he is "the most human man [she's] ever met."

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** It's also mentioned in the fantasy-scene that Mina is alive and coming to visit with her husband Jonathan, meaning that all the terrible things which transpired in the previous few years never happened in that version of Vanessa's world. The fact that Mina's husband is Jonathan Harker rather than her military fiance fiancé suggests that either Mina never became engaged to the latter in the first place, negating Vanessa's indiscretion altogether, or that Mina has long since forgiven her friend for past errors, if she's willing to visit Vanessa with her own children.
* Vanessa's last interaction with John Claire, where she kisses him and tells the poor tormented creature that he is "the most human man [she's] ever met.""

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** It's also mentioned in the fantasy-scene that Mina is alive and coming to visit with her husband Jonathan, meaning that all the terrible things which transpired in the previous few years never happened in that version of Vanessa's world.

to:

** It's also mentioned in the fantasy-scene that Mina is alive and coming to visit with her husband Jonathan, meaning that all the terrible things which transpired in the previous few years never happened in that version of Vanessa's world. The fact that Mina's husband is Jonathan Harker rather than her military fiance suggests that either Mina never became engaged to the latter in the first place, negating Vanessa's indiscretion altogether, or that Mina has long since forgiven her friend for past errors, if she's willing to visit Vanessa with her own children.
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[[spoiler:And, as we later discover - not so much. Lavina turning out to be one evil little cow.]]

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** [[spoiler:And, as we later discover - not so much. Lavina turning Lavinia turns out to be one evil little cow.just as greedy and manipulative as her parents.]]



** It's also mentioned in the fantasy-scene that Mina is alive and coming to visit, meaning that all the terrible things which transpired in the previous few years never happened in that version of Vanessa's world.

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** It's also mentioned in the fantasy-scene that Mina is alive and coming to visit, visit with her husband Jonathan, meaning that all the terrible things which transpired in the previous few years never happened in that version of Vanessa's world.
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Added DiffLines:

[[spoiler:And, as we later discover - not so much. Lavina turning out to be one evil little cow.]]
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Added DiffLines:

** It's also mentioned in the fantasy-scene that Mina is alive and coming to visit, meaning that all the terrible things which transpired in the previous few years never happened in that version of Vanessa's world.
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* In "And Then They Were Enemies", Satan tries to tempt Vanessa with a dream of a normal, happy life. In this imagined world, Vanessa lives a genteel life with her husband Ethan, and together they have two happy, healthy children. In this doomed dream, it is one of the rare occasions we see both Vanessa (and Ethan by extension) being truly happy and unburdened.

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* In "And Then They Were Enemies", Satan tries to tempt Vanessa with a dream of a normal, happy life. In this imagined world, Vanessa lives a genteel life with her husband Ethan, and together they have two happy, healthy children. In this doomed dream, it is one of the rare occasions we see both Vanessa (and Ethan by extension) being truly happy and unburdened.
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* In "And Then They Were Enemies", Satan tries to tempt Vanessa with a dream of a normal, happy life. In this imagined world, Vanessa lives a genteel life with her husband Ethan, and together they have two happy, healthy children. In this doomed dream, it is one of the rare occasions we see both Vanessa (and Ethan by extension) being truly happy and unburdened.

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* In "And Then They Were Enemies", Satan tries to tempt Vanessa with a dream of a normal, happy life. In this imagined world, Vanessa lives a genteel life with her husband Ethan, and together they have two happy, healthy children. In this doomed dream, it is one of the rare occasions we see both Vanessa (and Ethan by extension) being truly happy and unburdened.unburdened.
* Vanessa's last interaction with John Claire, where she tells the poor tormented creature that he is "the most human man [she's] ever met."
Is there an issue? Send a MessageReason:
None


* Though it isn't real, simply a [[spoiler: hallucination brought about by Evelyn's brainwashing]], the scene in "Memento Mori" where Malcolm imagines his [[spoiler: deceased]] wife, son, and daughter waltzing at a ball is quite sweet. Particularly the bit of Malcolm dancing with Mina, after how things ended between them. It's one of the very few times we ever see Malcolm smile.

to:

* Though it isn't real, simply a [[spoiler: hallucination brought about by Evelyn's brainwashing]], the scene in "Memento Mori" where Malcolm imagines his [[spoiler: deceased]] wife, son, and daughter waltzing at a ball is quite sweet. Particularly the bit of Malcolm dancing with Mina, after how things ended between them. It's one of the very few times we ever see Malcolm smile.smile.
* In "And Then They Were Enemies", Satan tries to tempt Vanessa with a dream of a normal, happy life. In this imagined world, Vanessa lives a genteel life with her husband Ethan, and together they have two happy, healthy children. In this doomed dream, it is one of the rare occasions we see both Vanessa (and Ethan by extension) being truly happy and unburdened.
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* Sembene calling his boss "Malcolm!" at a moment of crisis, rather than "Sir". For all that Victorian social proprieties may dictate a servile role for an African living in a rich white man's house, this breach of his usual deference suggests the pair spent their years in the wilderness as close friends and comrades.

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* Sembene calling his boss "Malcolm!" at a moment of crisis, rather than "Sir". For all that Victorian social proprieties may dictate a servile role for an African living in a rich white man's house, this breach of his usual deference suggests the pair spent their years in the wilderness as close friends and comrades.comrades.
* Though it isn't real, simply a [[spoiler: hallucination brought about by Evelyn's brainwashing]], the scene in "Memento Mori" where Malcolm imagines his [[spoiler: deceased]] wife, son, and daughter waltzing at a ball is quite sweet. Particularly the bit of Malcolm dancing with Mina, after how things ended between them. It's one of the very few times we ever see Malcolm smile.
Is there an issue? Send a MessageReason:
None


* Sembene calling his boss "Malcolm!" at a moment of crisis, rather than "Sir". For all that Victorian social proprieties may dictate a servile role for an African living in a rich white man's house, this breach of his usual deference suggests the pair spent their years in the wilderness as close friends and equals.

to:

* Sembene calling his boss "Malcolm!" at a moment of crisis, rather than "Sir". For all that Victorian social proprieties may dictate a servile role for an African living in a rich white man's house, this breach of his usual deference suggests the pair spent their years in the wilderness as close friends and equals.comrades.

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