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** After the centaurs and centaurettes meet and most of them pair off, the cupids notice that one centaur and one centaurette are alone, with both of them sitting by themselves and clearly lonely and unhappy. They [[ShipperOnDeck bring the two together]] and love immediately blossoms from there.

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** After the centaurs and centaurettes meet and most of them pair off, the cupids notice that one centaur and one centaurette are alone, with both of them sitting by themselves and clearly lonely and unhappy. They The cupids [[ShipperOnDeck bring the two together]] and love immediately blossoms from there.
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** The cupids notice a centaur and a centaurette, both sitting alone and sad. They [[ShipperOnDeck bring the two together]] and love immediately blossoms from there.

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** The After the centaurs and centaurettes meet and most of them pair off, the cupids notice a that one centaur and a centaurette, one centaurette are alone, with both of them sitting alone by themselves and sad.clearly lonely and unhappy. They [[ShipperOnDeck bring the two together]] and love immediately blossoms from there.
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* The entirety of the Pastoral Symphony segment, really, with the Greek Mythology, the centaurs, the fauns, and everyone dancing around, but the heartwarming really kicks off in the symphony's last three movements:
** Everyone preparing for the bacchanal seems delighted to be participating in their own ways, be it bringing the grapes, crushing the grapes, or just building atmosphere by throwing petals or playing music.

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\n* The entirety of the Pastoral Symphony segment, really, with the Greek Mythology, the centaurs, the fauns, and everyone dancing around, but around.
** The cupids notice a centaur and a centaurette, both sitting alone and sad. They [[ShipperOnDeck bring
the heartwarming really kicks off two together]] and love immediately blossoms from there.
** Starting
in the symphony's last final three movements:
** Everyone
movements: everyone preparing for the bacchanal seems bacchanal. They seem delighted to be participating in their own ways, be it bringing the grapes, crushing the grapes, or just building atmosphere by throwing petals or playing music.

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Removed: 62

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Revised the portion of the end of the Sorcerer's apprentice section to include more context. Also removed the part referring to Yen Sid batting Micky on his way with the broom. As funny as it is, and apropos as the provided dialogue seems, it does not belong in the heartwarming page.


* The smile Yen Sid and Mickey share at the end of ''The Sorcerer's Apprentice''. "So, how was it?" "Pretty swell, master."
** Followed by the funny moment: "It better not happen again!"

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* The smile Yen Sid and Mickey share at the end of ''The Sorcerer's Apprentice''. As Mickey begins to slink off to resume his task of fetching water normally, he turns back to Yen Sid. Yen Sid smirks a bit more playfully, as if saying, "So, how was it?" it?". Mickey relaxes and smiles back meekfully, as though he were saying, "Pretty swell, master."
** Followed by the funny moment: "It better not happen again!"
"
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* Mickey coming in to shake hands and congratulate composer Stokowski straight afterwards. He seems quite taken to interacting with Disney's prize cartoon star.

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* Mickey coming in to shake hands and congratulate composer Maestro Stokowski straight afterwards. He seems quite taken to interacting with Disney's prize cartoon star.
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Added DiffLines:

** Two Choanoflagellate give each other a kiss.
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I'm fairly sure Deem Taylor refers to Chernabog being by the 'arrival of the dawn', but in a more prosaic manner, the fact that the flashes of light are timed alongside (and exclusive to) the striking of church bells, it is unlikely that the light comes from candles held by a long line of worshippers.


** Not to mention the symbolism behind the scene. Chernabog (Satan, basically) is portrayed as this absolutely terrifying force of evil, summoning ghosts and demons and toying with them for his amusement. But then suddenly he and his fellow ghouls recoil at the sight of some offscreen source of light. Is it God, come to destroy him? Is it the Sun, whose light is known to vanquish certain monsters? No, it's a long line of Christians, walking by torchlight on a pilgrimage somewhere. Chernabog, as mighty as he is, is defeated by the simple faith of God's children.

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** Not to mention the symbolism behind the scene. Chernabog (Satan, basically) is portrayed as this absolutely terrifying force of evil, summoning ghosts and demons and toying with them for his amusement. But then suddenly he and his fellow ghouls recoil at the sight of some offscreen off-screen source of light. Is it God, come to destroy him? Is it the Sun, whose light is known to vanquish certain monsters? No, it's a long line of Christians, walking by torchlight on a pilgrimage somewhere. Chernabog, as mighty as he is, is defeated by the simple faith striking of God's children.a church bell, signalling the arrival of the dawn and potentially the time for the worshipers in Ave Maria to set out.
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[[caption-width-right:350:See, if this was any other reality, one would be eating the other. The fact that they got this far is, quite frankly, a thing of beauty.]]
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* Mickey coming in to shake hands and congratulate composer Stokowski straight afterwards. He seems quite taken to interacting with Disney's prize cartoon star.

Added: 479

Changed: 1359

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* The baby Pegasi.
** The end of the Pastoral segment, where everyone settles down to sleep, in preparation for another fun lively day.
** ''Pastorale'' with the Greek Mythology, the centaurs, the fauns, and everyone dancing around.
** A centaurette saving a baby unicorn during the storm.
** One of the baby pegasuses is being tossed to and fro in the storm. The mother pegasus immediately goes over to it, grabs it, and protects it and her other babies in a tree.
* The 'King' alligator Ben Ali Gator silently telling the others, "Back off!" After he falls for the girl hippo Hyacinth.

to:


* The baby Pegasi.
** The end
entirety of the Pastoral Symphony segment, where everyone settles down to sleep, in preparation for another fun lively day.
** ''Pastorale''
really, with the Greek Mythology, the centaurs, the fauns, and everyone dancing around.
around, but the heartwarming really kicks off in the symphony's last three movements:
** Everyone preparing for the bacchanal seems delighted to be participating in their own ways, be it bringing the grapes, crushing the grapes, or just building atmosphere by throwing petals or playing music.
** Bacchus [[WhatsUpKingDude seems pretty cool with the mortals]] (if only because he's stumbling drunk the whole way through). During the dancing scene, a couple of centaurettes show no qualms over dancing with him briefly (as does Jacchus); and at the brief intermission, when the line of centaurs/centaurettes bow to him, he bows back.
** Also sweet is the amount of love and affection Bacchus has for his little [[{{Portmanteau}} donkicorn]] companion. Just before the storm, he kisses him full on the snout, and when Zeus shows up, his first response is to clutch Jacchus close to his chest. And after the storm passes, his last shot is of him holding the little guy under his arm as he raises a glass to Iris.
** As the storm begins, a few baby unicorns all hide under a larger one (presumably their mother), who braces for the incoming wind.
** A centaurette saving a baby unicorn stranded on a rock during the storm.
** One of the baby pegasuses pegasi is being tossed to and fro in the storm. The mother pegasus immediately goes over to it, grabs it, and protects it and her other babies in a tree.
** The very end of the segment, where everyone settles down to sleep in preparation for another fun lively day.
* The 'King' alligator Ben Ali Gator silently telling the others, "Back off!" After after he falls for the girl hippo Hyacinth.

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