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** And Esmerelda may have known that it was Frollo's RESPONCABILTY to intervane in situations that like that. (Which is probably why he had to attend the festival in the first place, despite how much he loathes it.) Both refusing to help poor Quasimodo, AND objecting to her intervention, soley because Quasi is deformed (she didn't know of their pre-existing affiliations yet at this point) demonstrates that he's as unfairlly spiteful to the deformed as he is to Gypies. And how he rigged the justice system to benifit himself in that regard. Both of these are used in her speech ("You misstreat this poor boy the SAME way you misstreat my people! You speak of justice, and yet you are CRUEL to those in need of youre help!")

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** And Esmerelda may have known that it was Frollo's RESPONCABILTY RESPONSIBILITY to intervane intervene in situations that like that. (Which is probably why he had to attend the festival in the first place, despite how much he loathes it.) Both refusing to help poor Quasimodo, AND objecting to her intervention, soley solely because Quasi is deformed (she didn't know of their pre-existing affiliations yet at this point) demonstrates that he's as unfairlly unfairly spiteful to the deformed as he is to Gypies. Gypsies. And how he rigged the justice system to benifit benefit himself in that regard. Both of these are used in her speech ("You misstreat mistreat this poor boy the SAME way you misstreat mistreat my people! You speak of justice, and yet you are CRUEL to those in need of youre help!")you're help!")
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*** Not to mention, this is set in a time when certain people were considered infalliable. One did not just question a public official. If he had just let her go, most would have either done the above and gone "cool, he's acting normal again" or said "oh, okay," and gone about their lives.

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*** Not to mention, this is set in a time when certain people were considered infalliable.infallible. One did not just question a public official. If he had just let her go, most would have either done the above and gone "cool, he's acting normal again" or said "oh, okay," and gone about their lives.



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* On a more practical view of the situation, why doesn't Esmeralda use Frollo's offer to her advantage in order to escape the execution? She could easily accept, and later knock him out (or even outright kill him - she is shown to have no qualms with violence as long as it's self-defence) and escape. She's used to avoiding guards and using cloak-and-dagger skills (smoke bombs, vanishing tricks, posing as a beggar) to her advantage. It's assumed, that Frollo would want some...privacy, and let's face it, she's a young woman at her physical peak, and he's an old man. Frollo is only able to grab her in the cathedral because she doesn't see it coming, and even then, Esmeralda manages to wrench herself free with some effort. If they would be facing one-on-one, and if Esmeralda would be able to get her hands on some kind of an improvised weapon (candlestick, crucifix, water pitcher to name a few that should be found from almost any room) she would overpower him easily.

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* On a more practical view of the situation, why doesn't Esmeralda use Frollo's offer to her advantage in order to escape the execution? She could easily accept, and later knock him out (or even outright kill him - she is shown to have no qualms with violence as long as it's self-defence) self-defense) and escape. She's used to avoiding guards and using cloak-and-dagger skills (smoke bombs, vanishing tricks, posing as a beggar) to her advantage. It's assumed, that Frollo would want some...privacy, and let's face it, she's a young woman at her physical peak, and he's an old man. Frollo is only able to grab her in the cathedral because she doesn't see it coming, and even then, Esmeralda manages to wrench herself free with some effort. If they would be facing one-on-one, and if Esmeralda would be able to get her hands on some kind of an improvised weapon (candlestick, crucifix, water pitcher to name a few that should be found from almost any room) she would overpower him easily.



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*** Frollo is not thinking very clearly in that scene. What he should have been doing, if he claims to be rightious, would be to repent of his sin (lust). He is right that that he can't 'beat' the devil alone, hence the need for God's help. Rather than seek and submit to God's will, though, Frollo seeks that his own will be done, and we all know how that turned out.

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*** Frollo is not thinking very clearly in that scene. What he should have been doing, if he claims to be rightious, righteous, would be to repent of his sin (lust). He is right that that he can't 'beat' the devil alone, hence the need for God's help. Rather than seek and submit to God's will, though, Frollo seeks that his own will be done, and we all know how that turned out.out.
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** She couldn't be at all certain that the gypsies at the Court of Miracles would take kindly to Phoebus; they would see him as one of 'Frollo's men' who was responsible for their persecution. Just her word that he had done a heel-face turn likely wouldn't be enough to convince them to trust him, they might well suspect him of being a spy and be reluctant to take care of him. Given the friendship she had established with Quasimodo, she relied on him to do her a favour and look after him.

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** She couldn't be at all certain that the gypsies at the Court of Miracles would take kindly to Phoebus; they would see him as one of 'Frollo's men' who was responsible for their persecution. Just her word that he had done a heel-face turn likely wouldn't be enough to convince them to trust him, they might well suspect him of being a spy and be reluctant to take care of him. Given the friendship she had established with Quasimodo, she relied on him to do her a favour favor and look after him.
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** Real life bigotry often also manifests as concern or fear. Frollo doesn't trust the gypsies, and fears they may corrupt the innocent law-abiding citizens of Paris.


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** And the reason Quasimodo would need someone else to raise him is because Frollo killed his mother while she was claiming sanctuary on the steps of the cathedral! Raising a baby is a lot of work, and those who worked in the church would have their own duties. The Archdeacon was telling Frollo that he'd caused this mess, and he would have to fix it. He wanted to redeem Frollo's soul as well, which he felt was already stained by the murder.
** Also if he tried to use force, there was nothing stopping Frollo from killing ''him'' as well, cooking up whatever reason he wanted to justify it in his mind - and then throwing the baby down the well anyway.


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** Maybe Quasi was able to help him out a bit. He has lots of dexterity and core strength so, once Phoebus caught him, he was able to swing himself around and not sand bag to become a dead weight.


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*** And when Esmerelda was about to be burned, the crowd were calling for her to be spared. So Quasi saved her from a fate they didn't want her to suffer.
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** There's also a nice PersecutionFlip, albeit a minor one. The gypsies have been stereotyped and written off as thieves, heathens, criminals etc - so they respond by stereotyping the others as racist persecutors. It all goes to show that stereotyping and demonising the group for the actions of the individual is going to result in the suffering of innocent people.

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** There's also a nice PersecutionFlip, albeit a minor one. The gypsies have been stereotyped and written off as [[RoguishRomani thieves, heathens, criminals criminals]] etc - so they respond by stereotyping the others as racist persecutors. It all goes to show that stereotyping and demonising demonizing the group for the actions of the individual is going to result in the suffering of innocent people.
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** And real life racism doesn't have a justification to it. It's systemical - where people are raised with the beliefs that they are superior to those who are different. Frollo simply hates them at heart because they are different from him - and he uses the stereotypes of conmen, seductresses and witches to justify this irrational hatred.

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** And real life racism doesn't necessarily have a justification to it. It's systemical - where people are raised with the beliefs that they are superior to those who are different. Frollo simply hates them at heart because they are different from him - and he uses the stereotypes of conmen, seductresses and witches to justify this irrational hatred.
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** As for him managing to catch Quasi, it didn't exactly seem easy for him to do it. He definitely appeared to be a struggling a good deal.
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** The archduke isn't Frollo's boss. He can't force him to do anyhing. He gets Frollo to agree to save Quasimodo by scaring him with talk of damnation, but that only goes so far. At some point he got all he could out of that strategy and Frollo couldn't be pushed any further. At some point Frollo figured "Hey, I've done my part" and refused to listen to any more advice on how to be a better person.
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** Parts of the Bible are ''highly'' sex-negative, and throughout history there have been some people who took that super seriously and went through terrible self-hatred over their own sexuality. Frollo is shown to have a very real fear of God in the scene where he spares baby Quasimodo, and his whole ego is built around being "a righteous man", so it's completely understandable that he might have a sexual self-hate problem. (Of course he ignores a lot of other stuff in the Bible, like the whole "Help the poor" thing and the "Thou shalt not kill" thing, but that has plenty of historical basis too. Plenty of people have been super-obsessed with certain parts of their religion while apparently ignoring other parts, without even being fully aware of the contradiction) For reference, in Matthew 5:28 it says "Anyone who so much as looks at a woman with lust in his heart has committed adultury" (thus breaking one of the Ten Commandments). So whenever Frollo looks at Esmerelda and feels attracted to her, heck, whenever he ''thinks'' about her and feels attraction, he feels that he's commiting a terrible sin. He is both ashamed of his sin and enraged at Esmerelda for "causing" him to sin. He redirects his self-hate into hatred of Esmerelda and gypsies generally, which is easy because he's already prejudiced against gypsies for their "witchcraft".
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** What's more, the soldiers blindly fired a whole slew of arrows into the river after Pheobus fell into it, before Frollo ordered a ceasefire. The shot that hit him from the front could've been one of those, whereas the initial hit was just a flesh wound.
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** And real life racism doesn't have a justification to it. It's systemical - where people are raised with the beliefs that they are superior to those who are different. Frollo simply hates them at heart because they are different from him - and he uses the stereotypes of conmen, seductresses and witches to justify this irrational hatred.


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** Frollo has a personal bias against the gypsies, while the guards just work for him. So it makes a weird kind of sense that Frollo would personally give chase if a gypsy woman ran from him.


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** Some people can have lust or attraction to someone, while also hating them. And female sexuality has historically been demonized by the Catholic Church, so it's easier for Frollo to blame Esmerelda for casting a spell on him to make him fall in love with her - because that way he's pure saintly Frollo who otherwise wouldn't have such unholy thoughts about a mere woman, especially a heathen(!)


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** And actually, the original book was written because Victor Hugo wanted to ensure that preservation of architecture was carried out in Paris - which was not in a good state by that time. So it does make sense that the Palace of Justice would look different to how it does now. And the animators spent weeks in Paris studying the architecture, so they would certainly know what the modern Palace looks like.

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** If the fainting wasn't all smoke inhalation, but instead a mix of smoke + fear/adrenaline crash (See above headscratcher about fainting. Almost getting killed than getting swung onto the cathedral is going to be intense and scary) and pain, than she may be able to recover faster.



** If the fainting wasn't all smoke inhalation, but instead a mix of smoke + fear/adrenaline crash (See above headscratcher about fainting. Almost getting killed than getting swung onto the cathedral is going to be intense and scary) and pain, than she may be able to recover faster. Plus, personality wise, she seems the type to push through things, so may be hiding some pain/other issues.



** Frollo was quite likely killed by the impact of hitting the ground if the lead was less deep than it appears. If it's as deep as it looked (based on him disappearing into it), it's probably best not thinking about what his death was like being submurged in molten lead.

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** Frollo was quite likely killed by the impact of hitting the ground if the lead was less deep than it appears. If it's as deep as it looked (based on him disappearing into it), it's probably best not thinking about what his death was like being submurged submerged in molten lead.



* How the hell did Frollo first became Evil?j

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* How the hell did Frollo first became Evil?jEvil?


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** Plus some people just seem to have that kind of personality.

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** As the story take place in 1482, I'd say the succession war for the Burgindian Stae ("Guerre de Succession de Bourgogne") that lasted from 1477 to 1482, and involved the french king Louis I de Valois against the Holy Roman Emperor Maximilian I of Habsburg.

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** As the story take place in 1482, I'd say the succession war for the Burgindian Stae State ("Guerre de Succession de Bourgogne") that lasted from 1477 to 1482, and involved the french king Louis I de Valois against the Holy Roman Emperor Maximilian I of Habsburg.


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** If the fainting wasn't all smoke inhalation, but instead a mix of smoke + fear/adrenaline crash (See above headscratcher about fainting. Almost getting killed than getting swung onto the cathedral is going to be intense and scary) and pain, than she may be able to recover faster.
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*** ''Very'' good observation; exceptions include ''WesternAnimation/TheLittleMermaid1'', ''WesternAnimation/{{Aladdin}}'', ''WesternAnimation/{{Hercules}}'' (where it would have been impossible anyway), and ''WesternAnimation/{{Mulan}}''.

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*** ''Very'' good observation; exceptions include ''WesternAnimation/TheLittleMermaid1'', ''WesternAnimation/{{The Little Mermaid|1989}}'', ''WesternAnimation/{{Aladdin}}'', ''WesternAnimation/{{Hercules}}'' (where it would have been impossible anyway), and ''WesternAnimation/{{Mulan}}''.
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** As the story take place in 1482, I'll say the "Guerre de Succession de Bourgogne" (War of the Burgundian Succession) that lasted from 1477 to 1482, and involved the royal dynasties of the Valois (Louis XI) vs the Habsburg (Maximilian I).

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** As the story take place in 1482, I'll I'd say the "Guerre succession war for the Burgindian Stae ("Guerre de Succession de Bourgogne" (War of the Burgundian Succession) Bourgogne") that lasted from 1477 to 1482, and involved the royal dynasties of the french king Louis I de Valois (Louis XI) vs against the Habsburg (Maximilian I).Holy Roman Emperor Maximilian I of Habsburg.
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** Quasimodo probably only lashed out at Phoebus to avoid interrogation. He literally JUST RELEASED Esmerelda. He doesn't wanna put solders on her trail when he can accuse them of invading sanctuary.
** And Phoebus specifically said he was LOOKING for Esmeralda. If other solders kept there motive for entering the church under wraps, they probably wouldn't have faced trouble from the clergy.
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** When he starts his sweep, the rope is curved just enough to give him a little slack, and the rest of the rope dangles down from behind him and off screen. As he sweeps down, he lets himself slide down the length of the rope so that he can land on the platform. That's why he couldn't use the rope - which he grabbed near the end of his rescue, to return to the point where he'd pushed off. He had to climb up most of the cathedral instead, to make up for lost altitude.
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** He's the MINISTER of Justice.


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** And it probably IS that big in the eyes of 15th Century Parisians who've never seen how high modern skyscrapers can get.
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La Divina Tragedia!![[Disney/TheHunchbackOfNotreDame Disney version]]

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La Divina Tragedia!![[Disney/TheHunchbackOfNotreDame Tragedia!![[WesternAnimation/TheHunchbackOfNotreDame Disney version]]



** You know they did stuff like this in ''{{Disney/Aladdin}}'' and everyone just thought it was funny, right?

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** You know they did stuff like this in ''{{Disney/Aladdin}}'' ''{{WesternAnimation/Aladdin}}'' and everyone just thought it was funny, right?



** Also, there's a trend with many of the Disney Renaissance movies...during the climax, the hero, at one moment or another, has the perfect opportunity to kill the villain, but decides not to, often along the lines of "I'm not a man like you." Afterwards, the villain will attempt to kill the hero, often in the most absurd way possible, resulting in his death, which he [[{{Hoist by His Own Petard}} inevitably brought upon himself.]] Its seen in ''Disney/BeautyAndTheBeast'', ''Disney/TheLionKing'', ''Disney/TheHunchbackOfNotreDame'', and ''Disney/{{Tarzan}}''.
*** ''Very'' good observation; exceptions include ''Disney/TheLittleMermaid'', ''Disney/{{Aladdin}}'', ''Disney/{{Hercules}}'' (where it would have been impossible anyway), and ''Disney/{{Mulan}}''.

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** Also, there's a trend with many of the Disney Renaissance movies...during the climax, the hero, at one moment or another, has the perfect opportunity to kill the villain, but decides not to, often along the lines of "I'm not a man like you." Afterwards, the villain will attempt to kill the hero, often in the most absurd way possible, resulting in his death, which he [[{{Hoist by His Own Petard}} inevitably brought upon himself.]] Its seen in ''Disney/BeautyAndTheBeast'', ''Disney/TheLionKing'', ''Disney/TheHunchbackOfNotreDame'', ''WesternAnimation/BeautyAndTheBeast'', ''WesternAnimation/TheLionKing1994'', ''WesternAnimation/TheHunchbackOfNotreDame'', and ''Disney/{{Tarzan}}''.
''WesternAnimation/{{Tarzan}}''.
*** ''Very'' good observation; exceptions include ''Disney/TheLittleMermaid'', ''Disney/{{Aladdin}}'', ''Disney/{{Hercules}}'' ''WesternAnimation/TheLittleMermaid1'', ''WesternAnimation/{{Aladdin}}'', ''WesternAnimation/{{Hercules}}'' (where it would have been impossible anyway), and ''Disney/{{Mulan}}''.''WesternAnimation/{{Mulan}}''.



** And see the climax of ''{{Disney/Tangled}}'' where, even after learning that Gothel kidnapped her and emotionally abused her for years (as well as stabbing her lover right in front of her) all for her hair, Rapunzel still instinctively throws her arms out to save Gothel when she falls out the tower window. Frollo has spent years being Quasi's abuser but also his only father figure. A relationship like that is very complicated, and the feelings towards it even more so - especially after the victim has finally realised that the abuser is an abuser. If Quasi had killed Frollo then and there, he'd alternate between relief and guilt because - abuser or not - he'd have killed his only father.

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** And see the climax of ''{{Disney/Tangled}}'' ''{{WesternAnimation/Tangled}}'' where, even after learning that Gothel kidnapped her and emotionally abused her for years (as well as stabbing her lover right in front of her) all for her hair, Rapunzel still instinctively throws her arms out to save Gothel when she falls out the tower window. Frollo has spent years being Quasi's abuser but also his only father figure. A relationship like that is very complicated, and the feelings towards it even more so - especially after the victim has finally realised that the abuser is an abuser. If Quasi had killed Frollo then and there, he'd alternate between relief and guilt because - abuser or not - he'd have killed his only father.



** During TheMiddleAges, gypsies were stereotyped as notorious con artists who stole money, kidnapped children (Like Sarousch in [[Disney/TheHunchbackOfNotreDameII the sequel]]) and had fortune tellings, palm readings etc. That sort of thing was considered witchcraft, which is unholy in Frollo's mind. And he was hardly the only one who hated gypsies in those days. He just happens to be in a position of power where he can actually do something about it. Essentially he believed they were all heathens and criminals.

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** During TheMiddleAges, gypsies were stereotyped as notorious con artists who stole money, kidnapped children (Like Sarousch in [[Disney/TheHunchbackOfNotreDameII [[WesternAnimation/TheHunchbackOfNotreDameII the sequel]]) and had fortune tellings, palm readings etc. That sort of thing was considered witchcraft, which is unholy in Frollo's mind. And he was hardly the only one who hated gypsies in those days. He just happens to be in a position of power where he can actually do something about it. Essentially he believed they were all heathens and criminals.
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** The guard specifically states that Esmeralda is "nowhere in the cathedral". I always assumed the archdeacon found her missing and, knowing Frollo to be unjust, went to the guards to accuse them of violating Sanctuary and somehow taking her away anyhow. The guards, having not had anything to do with it, would put two and two together--if ''they'' don't have her, and ''we'' don't have her, then that means...
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** Don't know why you couldn't look this up yourself, but Wikipedia says the building underwent reconstruction during the 1800s.

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** Don't know why you couldn't look this up yourself, but Wikipedia says the building underwent reconstruction during the 1800s.1800s. If that wasn't the cause of the discrepancy, it is a fictional depiction of the building, so it can look however the filmmakers would like it to.
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** Don't know why you couldn't look this up yourself, but Wikipedia says the building underwent reconstruction during the 1800s.
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* the Palace of Justice, the place where Frollo sent those gypsies appears as an gothic castle in the movie, in real life present day Paris, it's now look like a Baroque building, what happened to the original?

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* the Palace of Justice, the place where Frollo sent those arrested gypsies there appears as an gothic castle in the movie, in real life present day Paris, it's now look like a Baroque building, what happened to the original?
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* the Palace of Justice, the place where Frollo sent those gypsies appears as an gothic castle in the movie, in real life present day Paris, it's now look like a Baroque building, what happened to the original?
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** Maybe someone spotted her in the street and reported it? It's not just Frollo and his guards who are prejudiced to the gypsies. Perhaps some concerned parent caught a glimpse of Esmerelda before she disguised herself and ran to tell the guards.


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** There's also a nice GeniusBonus if you know the real intent behind Victor Hugo writing the novel in the first place. He wrote it so that people would be motivated to preserve architecture, because it is a living remnant of history, and lasts longer than human life. Frollo unroots a piece of the Palace just to make his point - that he doesn't value the historical significance of the building, and therefore it's another reason to dislike him.


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** When she spits at him, he announces to the crowd that she "has refused to recant". To the misinformed public, he's offering her a chance to repent for her sins as a witch. If she does, she'll be spared.


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** And see the climax of ''{{Disney/Tangled}}'' where, even after learning that Gothel kidnapped her and emotionally abused her for years (as well as stabbing her lover right in front of her) all for her hair, Rapunzel still instinctively throws her arms out to save Gothel when she falls out the tower window. Frollo has spent years being Quasi's abuser but also his only father figure. A relationship like that is very complicated, and the feelings towards it even more so - especially after the victim has finally realised that the abuser is an abuser. If Quasi had killed Frollo then and there, he'd alternate between relief and guilt because - abuser or not - he'd have killed his only father.


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** And the fact that ethnic groups in real life aren't all black and white (excuse the pun). There are some good and some bad, and unfortunately extremists use the bad as excuses to persecute everyone (there's more to it in real life of course, but that's the basis in this film). Esmerelda sides with the oppressed not because they are angels or impossibly perfect, but because it is their basic human right to not be persecuted for their race. If they weren't persecuted, then they wouldn't have to have a secret hideout that anyone discovering could result in their execution.
** There's also a nice PersecutionFlip, albeit a minor one. The gypsies have been stereotyped and written off as thieves, heathens, criminals etc - so they respond by stereotyping the others as racist persecutors. It all goes to show that stereotyping and demonising the group for the actions of the individual is going to result in the suffering of innocent people.


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** If you think about it, a baby is a lot of work to take care of. Frollo can't have done it all himself. As noted above, he may have found a nurse to do the necessary in the early days. And other people in the church would definitely hear a baby's crying. And I can't see why the Archdeacon would keep quiet about there being a child raised in the cathedral.


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** Someone else probably used him. It was the master that committed those crimes, not the horse.


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** The cynical suggestion is that she was thrown in some unmarked grave or burned. The more optimistic suggestion is that the Archdeacon saw she got a proper burial, although he wouldn't know her name to mark her grave.
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** There's also a likelihood that Quasimodo's father might have been white. The man who is with Quasimodo's mother could have been her (new) lover or a relative.
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*** That man was worried about their well-being. The "Shut it up will you!" Line can be understandable in a life and death situation.
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*** That man was worried about their well-being. The "Shut it up will you!" Line can be understandable in a life and death situation.


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*** Especially one that was kidnapped soley to spite society.


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*** They'll redeem themselves with a more "respectfull" individual serving as their leader.


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** It was also Frollo's means of publicity. (how it worked in the 1480's thats is..) Both buring the cottage and Pheobus rescuing the family drew attention from locals. In doing away with Pheobus immediantly afterwards, Frollo is saying to everyone "Don't get any ideas people! This man may have saved this family, but he won't be doing the same for you!"

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