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*** Even funnier is Aldo's contrast with Omar, who's being almost reactionless, and Donnie, who's just making this nervous shit-eating grin.
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* Goebbele throwing a hissy fit when Shosanna mentions ''' Lillian Harvey.'''
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The soldiers being killed were clearly American
Changed line(s) 11 (click to see context) from:
* When Donny discovers where Hitler is staying and goes back into the theatre to get Omar, Omar's initial reaction is first unwilling as he's watching and apparently enjoying the propaganda film that's about a German sniper killing dozens of German soldiers.
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* When Donny discovers where Hitler is staying and goes back into the theatre to get Omar, Omar's initial reaction is first unwilling as he's watching and apparently enjoying the propaganda film that's about a German sniper killing dozens of German American soldiers.
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Changed line(s) 24 (click to see context) from:
** The best part is the look on Aldo's face during that exchange. He doesn't say a word about it, but you can see "Man, I was hoping he wouldn't find out about that," written right on his face.
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** The best part is the look on Aldo's face during that exchange. He doesn't say a word about it, but you can see "Man, I was hoping he wouldn't find out about that," written right on his face.face, and he hastily changes the subject a moment later.
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Changed line(s) 38 (click to see context) from:
* While negotiating with Aldo's OSS General over the conditions of his surrender, Landa goes over the details of the report of his participation of "Operation Kino" including placing Aldo Raine's dynamite in Hitler's balcony seat. By the way, that last parts actually true.
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* While negotiating with Aldo's OSS General over the conditions of his surrender, Landa goes over the details of the report of his participation of "Operation Kino" including placing Aldo Raine's dynamite in Hitler's balcony seat. By the way, that last parts part's actually true.
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* When Donny discovers where Hitler is staying and goes back into the theatre to get Omar, Omar's initial reaction is first unwilling as he's watching and apparently enjoying the propaganda film that's about a German sniper killing dozens of German soldiers.
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* Aldo and Little Man casually discussing Landa's surrender, while Little Man has his knife halfway through a nazi's scalp.
* Despite the shooting, death, and chaos in the basement tavern, all Stiglitz cares about is stabbing the shit out of Major Hellstrom over and over again.
* Despite the shooting, death, and chaos in the basement tavern, all Stiglitz cares about is stabbing the shit out of Major Hellstrom over and over again.
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Changed line(s) 36 (click to see context) from:
* While negotiating with Aldo's OSS General over the conditions of his surrender, Landa goes over the details of the report of his participation of "Operation Kino" including placing Aldo Raine's dynamite in Hitler's blacony seat. By the way, that kast parts actually true.
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* While negotiating with Aldo's OSS General over the conditions of his surrender, Landa goes over the details of the report of his participation of "Operation Kino" including placing Aldo Raine's dynamite in Hitler's blacony balcony seat. By the way, that kast last parts actually true.
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* While negotiating with Aldo's OSS General over the conditions of his surrender, Landa goes over the details of the report of his participation of "Operation Kino" including placing Aldo Raine's dynamite in Hitler's blacony seat. By the way, that kast parts actually true.
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*** Also a clever visual metaphor for the Vichy French, who just bent over and took it from the Germans instead of fighting for their country.
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* "Dammit, Hirschberg!" It's not so much what Aldo says, more the way he says it, like Hirschberg's a young child who just broke something expensive rather than a grown man who just shot someone in the back of the head.
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Changed line(s) 33 (click to see context) from:
* In the opening scene, Pierre LaPadite asks Landa if he can smoke, and pulls out a corncob pipe. Landa asks if he may smoke as well, and is told to make himself at home, whereupon... [[ http://www.youtube.com/watch?v=1_0AE8Qst6s watch for yourself]]
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* In the opening scene, Pierre LaPadite asks Landa if he can smoke, and pulls out a corncob pipe. Landa asks if he may smoke as well, and is told to make himself at home, whereupon... [[ http://www.[[http://www.youtube.com/watch?v=1_0AE8Qst6s watch for yourself]]
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* In the opening scene, Pierre LaPadite asks Landa if he can smoke, and pulls out a corncob pipe. Landa asks if he may smoke as well, and is told to make himself at home, whereupon... [[ http://www.youtube.com/watch?v=1_0AE8Qst6s watch for yourself]]
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Changed line(s) 32 (click to see context) from:
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* Landa's slight facial twitch when Aldo asks him if he plans to take his uniform off when he gets to Nantucket.
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* Aldo's response to Landa's furious outrage upon his driver being shot.
-->'''Landa:''' You'll be shot for this!
-->'''Aldo:''' Nah, I don't think so. More like chewed out. I've been chewed out before.
-->'''Landa:''' You'll be shot for this!
-->'''Aldo:''' Nah, I don't think so. More like chewed out. I've been chewed out before.
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Changed line(s) 28 (click to see context) from:
** Well, it's not ''too'' far fetched what Shosanna is imagining. This brief cutaway shot [[ItMakesSenseInContext makes more sense]] [[AllThereInTheManual when you read the script]], where when this bit occurs, our good narrator says that Francesca Mondino is Goebbels' favorite actress to appear in his films. "She is also his favorite mistress.... to act in his bed."
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** Well, it's not ''too'' far fetched what Shosanna is imagining. This brief cutaway shot [[ItMakesSenseInContext makes more sense]] [[AllThereInTheManual when you read the script]], where when this bit occurs, our good the narrator says that Francesca says, "Francesca Mondino is much more then Goebbels' French interpreter. She's also Goebbels' favorite French actress to appear in his films. "She is also his films... ''[cue image of Francesca acting in the propaganda film "Sentimental Combat"]'' ...and Goebbels' favorite mistress.... French mistress, to act in his bed.""
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Changed line(s) 27 (click to see context) from:
* Shosanna's ImagineSpot where she pictures Goebbels boning his translator.
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* Shosanna's ImagineSpot where she pictures Goebbels boning his translator.translator Francesca Mondino doggy-style.
**Well, it's not ''too'' far fetched what Shosanna is imagining. This brief cutaway shot [[ItMakesSenseInContext makes more sense]] [[AllThereInTheManual when you read the script]], where when this bit occurs, our good narrator says that Francesca Mondino is Goebbels' favorite actress to appear in his films. "She is also his favorite mistress.... to act in his bed."
**Well, it's not ''too'' far fetched what Shosanna is imagining. This brief cutaway shot [[ItMakesSenseInContext makes more sense]] [[AllThereInTheManual when you read the script]], where when this bit occurs, our good narrator says that Francesca Mondino is Goebbels' favorite actress to appear in his films. "She is also his favorite mistress.... to act in his bed."
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* Shosanna's ImagineSpot where she pictures Goebbels boning his translator.
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Changed line(s) 11 (click to see context) from:
* Donny offering 'champagne' to Hitler's guards. "Cham-pan-yuh?"
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* Donny offering 'champagne' 'champagne,' which is clearly water, to Hitler's guards. "Cham-pan-yuh?"
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* Landa has Aldo encuffed and his head in a black bag. He pokes him in the eye. Aldo headbutts him.
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* Aldo's speech when recruiting the Basterds certainly qualifies:
-->'''Aldo:''' "Now, I don't know about y'all, but I sure as hell didn't come down from the goddamn Smoky Mountains, cross five thousand miles of water, fight my way through half of Sicily and jump out of a fuckin' air-o-plane to teach the Nazis lessons in humanity."
-->'''Aldo:''' "Now, I don't know about y'all, but I sure as hell didn't come down from the goddamn Smoky Mountains, cross five thousand miles of water, fight my way through half of Sicily and jump out of a fuckin' air-o-plane to teach the Nazis lessons in humanity."
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** "Is that how they say it, that's a bingo?" The way he drops the humor and AffablyEvil for confusion sells it.
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** Not to mention that when they came in, guns blazing, Stiglitz doesn't even twitch.
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Removing Understatement misuse
: that\'s not an understatement
: that\'s not an understatementChanged line(s) 21 (click to see context) from:
-->'''Landa:''' "[[AffablyEvil Ah, Hugo]]. You've moved up in the world! Look at you, 'Lieutenant First Class', and with [[{{Understatement}} your record of insubordination]]. Truly remarkable."
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-->'''Landa:''' "[[AffablyEvil Ah, Hugo]]. You've moved up in the world! Look at you, 'Lieutenant First Class', and with [[{{Understatement}} your record of insubordination]].insubordination. Truly remarkable.""
----
----
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Changed line(s) 19 (click to see context) from:
* A little black humour in here, while rescuing Hugo, the Basterds kill his captors in the most over the top and bloody ways. After that, while talking to him, one of the soldiers appear to be alive, and one of the Basterds answers him with a shot. Without changing expression, or looking to him. Without camera movements. Its hilarious. No, really.
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* A little black humour in here, while rescuing Hugo, the Basterds kill his captors in the most over the top and bloody ways. After that, while talking to him, one of the soldiers appear to be alive, and one of the Basterds answers him with a shot. Without changing expression, or looking to him. Without camera movements. Its hilarious. No, really.really.
* Landa inspecting Stiglitz's body.
-->'''Landa:''' "[[AffablyEvil Ah, Hugo]]. You've moved up in the world! Look at you, 'Lieutenant First Class', and with [[{{Understatement}} your record of insubordination]]. Truly remarkable."
* Landa inspecting Stiglitz's body.
-->'''Landa:''' "[[AffablyEvil Ah, Hugo]]. You've moved up in the world! Look at you, 'Lieutenant First Class', and with [[{{Understatement}} your record of insubordination]]. Truly remarkable."
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* Donny offering 'champagne' to Hitler's guards. "Cham-pan-yuh?"
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Changed line(s) 18 (click to see context) from:
* A little black humour in here, while rescuing Hugo, the Basterds kill his captives in the most over the top and bloody ways. After that, while talking to him, one of the soldiers appear to be alive, and one of the Basterds answers him with a shot. Without changing expression, or looking to him. Without camera movements. Its hilarious. No, really.
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* A little black humour in here, while rescuing Hugo, the Basterds kill his captives captors in the most over the top and bloody ways. After that, while talking to him, one of the soldiers appear to be alive, and one of the Basterds answers him with a shot. Without changing expression, or looking to him. Without camera movements. Its hilarious. No, really.
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** Aldo realizes early that their plan is a horrible idea, and his face for the ''entire scene'' is a hilariously contorted grimace.
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Changed line(s) 16 (click to see context) from:
** The best part is the look on Aldo's face during that exchange. He doesn't say a word about it, but you can see "Man, I was hoping he wouldn't find out about that," written right on his face.
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** The best part is the look on Aldo's face during that exchange. He doesn't say a word about it, but you can see "Man, I was hoping he wouldn't find out about that," written right on his face.face.
* A little black humour in here, while rescuing Hugo, the Basterds kill his captives in the most over the top and bloody ways. After that, while talking to him, one of the soldiers appear to be alive, and one of the Basterds answers him with a shot. Without changing expression, or looking to him. Without camera movements. Its hilarious. No, really.
* A little black humour in here, while rescuing Hugo, the Basterds kill his captives in the most over the top and bloody ways. After that, while talking to him, one of the soldiers appear to be alive, and one of the Basterds answers him with a shot. Without changing expression, or looking to him. Without camera movements. Its hilarious. No, really.
