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Changed line(s) 4,5 (click to see context) from:
* ''Regina Lampert: ''Of course, you won't be able to lie on your back for a while, but then you can lie from any position, can't you?
* Reggie's seductions of [[IHaveManyNames Cary Grant's character]] are both sexy and hilarious. On his constant spurning: "This is a ludicrous situation--I can think of a dozen men who are just ''longing'' to use my shower...!"
* Reggie's seductions of [[IHaveManyNames Cary Grant's character]] are both sexy and hilarious. On his constant spurning: "This is a ludicrous situation--I can think of a dozen men who are just ''longing'' to use my shower...!"
to:
* ''Regina Lampert: ''Of '''Regina Lampert:''' Of course, you won't be able to lie on your back for a while, but then you can lie from any position, can't you?
* Reggie's seductions of Creator/CaryGrant's [[IHaveManyNamesCary Grant's character]] are both sexy and hilarious. On his constant spurning: "This is a ludicrous situation--I can think of a dozen men who are just ''longing'' to use my shower...!"
* Reggie's seductions of Creator/CaryGrant's [[IHaveManyNames
Changed line(s) 15 (click to see context) from:
* This, while investigating Charles possessions:
to:
* This, while investigating Charles Charles' possessions:
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/funny_charade.png]]
[[caption-width-right:350:"If you could see your face right now, Reggie."]]
[[caption-width-right:350:"If you could see your face right now, Reggie."]]
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* When Mr. Bartholomew is explaining the backstory to Reggie in a cafe, he's briefly sidetracked when she unthinkingly discards a recently-lit cigarette and immediately produces another one, snipping the filter off:
-->'''Bartholomew:''' ...What was wrong with that one?
-->'''Reggie:''' Oh, nothing I guess ''(picks it back up and hands him the new one)''
-->'''Bartholomew:''' Do you know how much these cost over here?!
-->'''Bartholomew:''' ...What was wrong with that one?
-->'''Reggie:''' Oh, nothing I guess ''(picks it back up and hands him the new one)''
-->'''Bartholomew:''' Do you know how much these cost over here?!
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Changed line(s) 7 (click to see context) from:
-->Reggie Lampert: Cutting it out.
to:
Changed line(s) 12 (click to see context) from:
* This:
to:
* This:This, while investigating Charles possessions:
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Changed line(s) 19,20 (click to see context) from:
--> '''Jean-Louis''': I found it! I found it!
--> '''Reggie''': If you think you're getting credit for this, you're crazy.
--> '''Reggie''': If you think you're getting credit for this, you're crazy.
to:
-->
'''Reggie''': If you think you're getting credit for this, you're crazy.
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Changed line(s) 4,6 (click to see context) from:
-->Creator/CaryGrant: Reggie, cut it out.
-->Reggie Lampert: OK. ''[stops kissing him]''
-->Creator/CaryGrant: Well now what are you doing?
-->Reggie Lampert: OK. ''[stops kissing him]''
-->Creator/CaryGrant: Well now what are you doing?
to:
Changed line(s) 8,10 (click to see context) from:
-->Creator/CaryGrant: Who told you to do that?
-->Reggie Lampert: You did!
-->Creator/CaryGrant: Oh, I'm not through protesting yet.
-->Reggie Lampert: You did!
-->Creator/CaryGrant: Oh, I'm not through protesting yet.
to:
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* "Peter" takes his shoes off to take a shower... [[NonNudeBathing but keeps his clothes on]]. ''All'' his clothes. Including his jacket.
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* Reggie spills ice cream on "Peter"'s suit. Later he says, "Let me know what you want to eat so I can pick out a suit that matches."
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Changed line(s) 32 (click to see context) from:
* Peter/Dyle/etc. takes the time to make a smart remark while Scobie is [[LiteralCliffhanger hanging from the roof]] and about to fall to his death.
to:
* Peter/Dyle/etc. takes the time to make a smart remark while Scobie is [[LiteralCliffhanger hanging from the roof]] and about to fall to his death.roof]].
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* Peter/Dyle/etc. takes the time to make a smart remark while Scobie is [[LiteralCliffhanger hanging from the roof]] and about to fall to his death.
--> '''"Peter":''' If you get bored try writing "Love thy neighbour" a hundred times on the side of the building.
--> '''"Peter":''' If you get bored try writing "Love thy neighbour" a hundred times on the side of the building.
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Changed line(s) 11 (click to see context) from:
* The expression Creator/CaryGrant displays to Reggie at the start of their final conversation in the embassy, when [[spoiler: she finally learns who he really is.]]
to:
* The expression Creator/CaryGrant displays to Reggie at the start of their final conversation in the embassy, when [[spoiler: she finally learns who he really is.]]
Changed line(s) 22 (click to see context) from:
* The discovery of the [[spoiler: dead]] Scobie.
to:
* The discovery of the [[spoiler: dead]] dead Scobie.
Changed line(s) 31 (click to see context) from:
* "Oh, I hope all our children are boys so I can name them after you!" [[spoiler: Regina, in reference to the ridiculous amount of pseudonyms Brian Cruikshank uses throughout the film.]]
to:
* "Oh, I hope all our children are boys so I can name them after you!" [[spoiler: Regina, in reference to the ridiculous amount of pseudonyms Brian Cruikshank uses throughout the film.]]
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Changed line(s) 3 (click to see context) from:
** "Cut it out! ...Well, ''now'' what are you doing?" "I'm cutting it out."
to:
-->Creator/CaryGrant: Reggie, cut it
-->Reggie Lampert: OK. ''[stops kissing him]''
-->Creator/CaryGrant: Well now what are you
-->Reggie Lampert: Cutting it
-->Creator/CaryGrant: Who told you to do that?
-->Reggie Lampert: You did!
-->Creator/CaryGrant: Oh, I'm not through protesting yet.
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Changed line(s) 1 (click to see context) from:
* Regina Lampert: Of course, you won't be able to lie on your back for a while but then you can lie from any position, can't you?
to:
* Regina ''Regina Lampert: Of ''Of course, you won't be able to lie on your back for a while while, but then you can lie from any position, can't you?
Changed line(s) 4 (click to see context) from:
* The expression Cary Grant displays to Reggie at the start of their final conversation in the embassy, when [[spoiler: she finally learns who he really is.]]
to:
* The expression Cary Grant Creator/CaryGrant displays to Reggie at the start of their final conversation in the embassy, when [[spoiler: she finally learns who he really is.]]
Changed line(s) 13 (click to see context) from:
--> '''Reggie''': If you think your getting credit for this your crazy.
to:
--> '''Reggie''': If you think your you're getting credit for this your this, you're crazy.
Changed line(s) 16 (click to see context) from:
--> '''Tex''': Well maybe now him and his other hand will meet up some place.
to:
--> '''Tex''': Well Well, maybe now him and his other hand will meet up some place.
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* Reggie and Jean-Louis discovering Scobie's spare hand in his suitcase.
** When they first find it, thinking it has money inside.
--> '''Jean-Louis''': I found it! I found it!
--> '''Reggie''': If you think your getting credit for this your crazy.
** Tex's disgust upon finding out it's only Scobie's spare.
* The discovery of the [[spoiler: dead]] Scobie.
--> '''Tex''': Well maybe now him and his other hand will meet up some place.
** When they first find it, thinking it has money inside.
--> '''Jean-Louis''': I found it! I found it!
--> '''Reggie''': If you think your getting credit for this your crazy.
** Tex's disgust upon finding out it's only Scobie's spare.
* The discovery of the [[spoiler: dead]] Scobie.
--> '''Tex''': Well maybe now him and his other hand will meet up some place.
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Changed line(s) 17 (click to see context) from:
* "Oh, I hope all our children are boys so I can name them after you!" [[spoiler: Regina, in reference to the ridiculous amount of pseudonyms Brian Cruikshank uses throughout the film.]]
to:
* "Oh, I hope all our children are boys so I can name them after you!" [[spoiler: Regina, in reference to the ridiculous amount of pseudonyms Brian Cruikshank uses throughout the film.]]]]
----
----
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Changed line(s) 13 (click to see context) from:
-->'''Gideon:''' ''[In obvious pain] Forgive me; it was quite unintentional, I'm sure...
to:
-->'''Gideon:''' ''[In obvious pain] pain]'' Forgive me; it was quite unintentional, I'm sure...
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* During a game where men and women have to pass an orange between each other using only their chins and necks, Regina gets spooked by Gideon and kicks him so hard that the orange remains stuck under his chin.
-->'''Regina:''' [[DeadpanSnarker He stepped on my foot.]]
-->'''Gideon:''' ''[In obvious pain] Forgive me; it was quite unintentional, I'm sure...
-->'''Regina:''' [[DeadpanSnarker He stepped on my foot.]]
-->'''Gideon:''' ''[In obvious pain] Forgive me; it was quite unintentional, I'm sure...
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Changed line(s) 5 (click to see context) from:
* "Heroin... peppermint-flavored heroin."
to:
* "Heroin... peppermint-flavored heroin." This:
--> '''Cary Grant:''' Heroin.
--> ''(Regina lights up with an "I knew it!" look)''
--> '''Cary Grant:''' Peppermint-flavored heroin.
--> ''(Regina deflates)''
--> '''Cary Grant:''' Heroin.
--> ''(Regina lights up with an "I knew it!" look)''
--> '''Cary Grant:''' Peppermint-flavored heroin.
--> ''(Regina deflates)''
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Changed line(s) 9 (click to see context) from:
--> '''Reggie Lampert''': I'm having a nervous ''StepfordSnarker breakdown''.
to:
--> '''Reggie Lampert''': I'm having a nervous ''StepfordSnarker breakdown''.''[[StepfordSnarker breakdown]]''.
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Changed line(s) 9 (click to see context) from:
--> '''Reggie Lampert''': [[StepfordSnarker I'm having a nervous]] ''[[StepfordSnarker breakdown]]''.
to:
--> '''Reggie Lampert''': [[StepfordSnarker I'm having a nervous]] ''[[StepfordSnarker breakdown]]''.nervous ''StepfordSnarker breakdown''.
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Changed line(s) 9 (click to see context) from:
--> '''Reggie Lampert''': I'm having a nervous ''breakdown''.
to:
--> '''Reggie Lampert''': [[StepfordSnarker I'm having a nervous ''breakdown''.nervous]] ''[[StepfordSnarker breakdown]]''.
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Changed line(s) 3,4 (click to see context) from:
** "Cut it out! ...What are you doing?" "I'm cutting it out."
* The expression Peter displays to Reggie at the start of their final conversation in the embassy, when [[spoiler: she finally learns who he really is.]]
* The expression Peter displays to Reggie at the start of their final conversation in the embassy, when [[spoiler: she finally learns who he really is.]]
to:
** "Cut it out! ...What Well, ''now'' what are you doing?" "I'm cutting it out."
* The expressionPeter Cary Grant displays to Reggie at the start of their final conversation in the embassy, when [[spoiler: she finally learns who he really is.]]
* The expression
Changed line(s) 7 (click to see context) from:
* ''Peter Joshua'' opens the phone booth to see Regina. ...Regina screams for seemingly no reason.
to:
* ''Peter Joshua'' "Peter Joshua" opens the phone booth to see Regina. ...Regina screams for seemingly no reason.
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Changed line(s) 9 (click to see context) from:
--> '''Reggie Lampert''': I'm having a nervous breakdown.
to:
--> '''Reggie Lampert''': I'm having a nervous breakdown.''breakdown''.
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* Reggie's seductions of [[IHaveManyNames Cary Grant's character]] are both sexy and hilarious. On his constant spurning: "This is a ludicrous situation--I can think of a dozen men who are just ''longing'' to use my shower...!"
** "Cut it out! ...What are you doing?" "I'm cutting it out."
** "Cut it out! ...What are you doing?" "I'm cutting it out."
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Changed line(s) 8 (click to see context) from:
* "Oh, I hope all our children are boys so I can name them after you!" [[spoiler: Regina, in reference to the ridiculous amount of pseudonyms Brian Crookshanks uses throughout the film.]]
to:
* "Oh, I hope all our children are boys so I can name them after you!" [[spoiler: Regina, in reference to the ridiculous amount of pseudonyms Brian Crookshanks Cruikshank uses throughout the film.]]
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Added DiffLines:
* "Oh, I hope all our children are boys so I can name them after you!" [[spoiler: Regina, in reference to the ridiculous amount of pseudonyms Brian Crookshanks uses throughout the film.]]
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* "Heroin... peppermint-flavored heroin."
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Changed line(s) 3 (click to see context) from:
* Reggie's eyes going wide when, just after she's informed that Peter is really someone named Dyle who's also seeking the lost money, he gives her a comforting hug and tells her he's moved into the room next to hers.
to:
* Reggie's eyes going wide when, just after she's informed that Peter is really someone named Dyle who's also seeking the lost money, he gives her a comforting hug and tells her he's moved into the room next to hers.hers.
* ''Peter Joshua'' opens the phone booth to see Regina. ...Regina screams for seemingly no reason.
--> '''Peter Joshua''': What are you doing in here?
--> '''Reggie Lampert''': I'm having a nervous breakdown.
* ''Peter Joshua'' opens the phone booth to see Regina. ...Regina screams for seemingly no reason.
--> '''Peter Joshua''': What are you doing in here?
--> '''Reggie Lampert''': I'm having a nervous breakdown.
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Changed line(s) 2 (click to see context) from:
* The expression Peter displays to Reggie at the start of their final conversation in the embassy, when [[spoiler: she finally learns who he really is.]]
to:
* The expression Peter displays to Reggie at the start of their final conversation in the embassy, when [[spoiler: she finally learns who he really is.]]]]
* Reggie's eyes going wide when, just after she's informed that Peter is really someone named Dyle who's also seeking the lost money, he gives her a comforting hug and tells her he's moved into the room next to hers.
* Reggie's eyes going wide when, just after she's informed that Peter is really someone named Dyle who's also seeking the lost money, he gives her a comforting hug and tells her he's moved into the room next to hers.
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Changed line(s) 1 (click to see context) from:
* Regina Lampert: Of course, you won't be able to lie on your back for a while but then you can lie from any position, can't you?
to:
* Regina Lampert: Of course, you won't be able to lie on your back for a while but then you can lie from any position, can't you?you?
* The expression Peter displays to Reggie at the start of their final conversation in the embassy, when [[spoiler: she finally learns who he really is.]]
* The expression Peter displays to Reggie at the start of their final conversation in the embassy, when [[spoiler: she finally learns who he really is.]]
