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From the transitional year of 1929, the beginnings of sound and the slow decay of [[SilentMovie silent films]], comes this fun, [[UsefulNotes/ThePreCodeEra slightly raunchy]] comedy.

to:

From the transitional year of 1929, the beginnings of sound and the slow decay of [[SilentMovie silent films]], comes this fun, [[UsefulNotes/ThePreCodeEra slightly raunchy]] romantic comedy.
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* NiceHat: In the age of cloche hats, there is plenty of gorgeous hats to go around.
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From the transitional year of 1929, the beginnings of sound and the slow decay of [[SilentMovie silent films]], comes this fun, [[ThePreCodeEra slightly raunchy]] comedy.

to:

From the transitional year of 1929, the beginnings of sound and the slow decay of [[SilentMovie silent films]], comes this fun, [[ThePreCodeEra [[UsefulNotes/ThePreCodeEra slightly raunchy]] comedy.
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sounds more like a flapper, SYL is an earlier trope and usually, working class women are not ladies (Spirited Young Lady is a classist trope)


* SpiritedYoungLady: Pert's unconventional ways is a stark contrast to her female peers. Free-spirited, intelligent, and able to hold her own as a working girl, she spends a lot of time subverting what was expected of young women during the 1920s; making her own money, buying her own clothes, and partying without chaperones.
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* WholePlotReference: Hm. Fiery, spirited flapper. Rich young man takes an interest in her. Rich young man turns out to be an executive at her work. A misunderstanding causes the man to question the woman's virtue, causing her to lose her job and interrupting their romance. We're talking about Clara Bow's 1927 film ''Film/{{It|1927}}'', right?

to:

* WholePlotReference: Hm. Fiery, spirited flapper. Rich young man takes an interest in her. Rich young man turns out to be an executive at her work. A misunderstanding causes the man to question the woman's virtue, causing her to lose her job and interrupting their romance. We're talking about Clara Bow's Creator/ClaraBow's 1927 film ''Film/{{It|1927}}'', right?
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* WholePlotReference: Hm. Fiery, spirited flapper. Rich young man takes an interest in her. Rich young man turns out to be an executive at her work. A misunderstanding causes the man to question the woman's virtue, causing her to lose her job and interrupting their romance. We're talking about Clara Bow's 1927 film ''Film/{{It}}'', right?

to:

* WholePlotReference: Hm. Fiery, spirited flapper. Rich young man takes an interest in her. Rich young man turns out to be an executive at her work. A misunderstanding causes the man to question the woman's virtue, causing her to lose her job and interrupting their romance. We're talking about Clara Bow's 1927 film ''Film/{{It}}'', ''Film/{{It|1927}}'', right?
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* GoodAllAlong: Peabody Jr’s dad seemed skeptical that a party girl like Pert could be serious marriage material for his soon. He’s soon proven wrong with the film's conclusion.

to:

* GoodAllAlong: Peabody Jr’s dad seemed skeptical that a party girl like Pert could be serious marriage material for his soon.son. He’s soon proven wrong with the film's conclusion.

Added: 1850

Changed: 100

Removed: 60

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A pre-stardom Creator/JeanHarlow can be seen very briefly as a background character at the 70-minute mark.




* ButLiquorIsQuicker: "Well mama--now that I'm tea'd up--let's neck."



* ContrivedCoincidence: New York City isn't a small town but Winthrop meets at a nightclub a girl that turns out to work at his business.



* DatingWhatDaddyHates: Inverted, since it’s Winthrop bringing Pert, a girl with a dubious reputation, but it’s his father that disapproves of her. Peabody Sr goes through great lengths to make sure his son is not taken for a ride. [[spoiler: He fires poor Pert, the best salesgirl they have.]] His suspicions are summed up well in this speech:

to:

* DatingWhatDaddyHates: Inverted, since it’s Winthrop bringing Pert, a girl with a dubious reputation, but it’s his father that disapproves of her. Peabody Sr goes through great lengths to make sure his son is not taken for a ride. [[spoiler: He fires poor Pert, the best salesgirl they have.]] have. His suspicions are summed up well in this speech:



* DiscreetDrinkDisposal: Jimmy, Pert's rather gross date, is making a concerted effort to get her drunk so he can have sex with her. She covers the mouth of the flask with her thumb when tipping it back.



* EstablishingCharacterMoment: A title introduces Pert as "an effervescent American girl", which neatly describes Colleen Moore's whole career. The film then cuts to Pert dancing in, and winning, a Charleston contest. She's established as a fun-loving party girl.



* GoodAllAlong: Peabody Jr’s dad seemed skeptical that a party girl like Pert could be serious marriage material for his soon. [[spoiler: He’s soon proven wrong with the film's conclusion.]]
* HappilyEverAfter

to:

* GoodAllAlong: Peabody Jr’s dad seemed skeptical that a party girl like Pert could be serious marriage material for his soon. [[spoiler: He’s soon proven wrong with the film's conclusion.]]
conclusion.
* HappilyEverAfterHappilyEverAfter: Pert and Winthrop get married.
* HaveAGayOldTime: "One night you make love to me--and the next day you fire me!" Pert's talking about their date.
* MatchCut: From Pert lying in bed staring pensively up at the ceiling, to Winthrop Sr. in a similar position on the couch. From Pert holding a dress up to evaluate it, to Pert in the same position but now wearing the dress.



* TheRoaringTwenties
* RomanticFalseLead:The smooth talking, greasy-haired Jimmy.

to:

* TheRoaringTwenties
* RomanticFalseLead:The smooth talking, greasy-haired Jimmy.
NoTellMotel: Winthrop takes Pert to one as a test of her virtue.



* PunnyName: The motel that Winthrop takes Pert to is called the "Stumble Inn".
* QuestioningTitle: Why be good? To get a husband, of course!
* TheRoaringTwenties
* RomanticFalseLead:The smooth talking, greasy-haired Jimmy.
* SecretTestOfCharacter: Winthrop takes Pert to a NoTellMotel in order to test whether or not she's too slutty. When she refuses to have sex with him, she passes.



* TheVamp: The ''vamps''. At the department store, the salesgirls who are late and wind up at personnel—which is now Winthrop Jr’s new job—try to dissuade him from writing them up by playing some coy maneuvers. But Winthrop is NotDistractedByTheSexy.

to:

* TheVamp: The ''vamps''. At the department store, the salesgirls who are late and wind up at personnel—which is now Winthrop Jr’s new job—try to dissuade him from writing them up by playing some coy maneuvers. But Winthrop is NotDistractedByTheSexy.NotDistractedByTheSexy.
* WholePlotReference: Hm. Fiery, spirited flapper. Rich young man takes an interest in her. Rich young man turns out to be an executive at her work. A misunderstanding causes the man to question the woman's virtue, causing her to lose her job and interrupting their romance. We're talking about Clara Bow's 1927 film ''Film/{{It}}'', right?
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--->'''Pert Kelly''': Pop, listen to me. This is 1929—not 1899—I contribute as much money to this house as you do—and as long as I think it is harmless, I’m going to wear what I like, and do what I like!

to:

--->'''Pert -->'''Pert Kelly''': Pop, listen to me. This is 1929—not 1899—I contribute as much money to this house as you do—and as long as I think it is harmless, I’m going to wear what I like, and do what I like!



--->'''Winthrop Peabody Sr''': Son, I don’t hold for caste distinction—it’s as right for you to marry a girl who works for a living—as anyone else—From what you've seen of her, do you believe she’s—a—good girl?

to:

--->'''Winthrop -->'''Winthrop Peabody Sr''': Son, I don’t hold for caste distinction—it’s as right for you to marry a girl who works for a living—as anyone else—From what you've seen of her, do you believe she’s—a—good girl?



--->'''Pert Kelly''': Who is it demands the kissing, the spooning---who but you---you men---Nowadays? I suppose you'd like me if I wore long skirts and mittens and sat home knitting socks? Yes you would! You men! You insist on a girl being what you want – and then you bawl her for being it! Listen! I’m a good girl. And what I do and what I wear---is because you fool men demand it!

to:

--->'''Pert -->'''Pert Kelly''': Who is it demands the kissing, the spooning---who but you---you men---Nowadays? I suppose you'd like me if I wore long skirts and mittens and sat home knitting socks? Yes you would! You men! You insist on a girl being what you want – and then you bawl her for being it! Listen! I’m a good girl. And what I do and what I wear---is because you fool men demand it!
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From the transitional year of 1929, during the beginnings of sound and the slow decay of [[SilentMovie silent films]], comes this fun, [[ThePreCodeEra slightly raunchy]] comedy.

to:

From the transitional year of 1929, during the beginnings of sound and the slow decay of [[SilentMovie silent films]], comes this fun, [[ThePreCodeEra slightly raunchy]] comedy.
Is there an issue? Send a MessageReason:
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[[SilentMovie From the transitional year of 1929]], the beginnings of sound and the slow decay of silent films, comes a fun, [[ThePreCodeEra slightly raunchy]] tale called ''Why Be Good?'' (1929).

to:

[[SilentMovie From the transitional year of 1929]], 1929, during the beginnings of sound and the slow decay of [[SilentMovie silent films, films]], comes a this fun, [[ThePreCodeEra slightly raunchy]] tale called ''Why Be Good?'' (1929).
comedy.
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[[SilentMovie From the transitional year of 1929]], the beginnings of sound and the slow decay of silent films, comes a fun, [[ThePreCodeEra slightly raunchy]] tale called ''Why Be Good''? (1929).

to:

[[SilentMovie From the transitional year of 1929]], the beginnings of sound and the slow decay of silent films, comes a fun, [[ThePreCodeEra slightly raunchy]] tale called ''Why Be Good''? Good?'' (1929).
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[[SilentMovie From the transitional year of 1929]], the beginnings of sound and the slow decay of silent films, comes a fun, [[ThePreCodeEra slightly raunchy]] tale called ''Why Be Good''?

to:

[[SilentMovie From the transitional year of 1929]], the beginnings of sound and the slow decay of silent films, comes a fun, [[ThePreCodeEra slightly raunchy]] tale called ''Why Be Good''?
Good''? (1929).



* TheVamp: The ''vamps''. At the department store, the salesgirls who are late and wind up at personnel—which is now Winthrop Jr’s new job—try to dissuade him from writing them up by playing some coy maneuvers. But Winthrop is NotDistractedByTheSexy.

to:

* TheVamp: The ''vamps''. At the department store, the salesgirls who are late and wind up at personnel—which is now Winthrop Jr’s new job—try to dissuade him from writing them up by playing some coy maneuvers. But Winthrop is NotDistractedByTheSexy.
NotDistractedByTheSexy.
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None


[[SilentMovie From the transitional year of 1929]], the beginnings of sound and the slow decay of silent films, comes a fun, [[ThePreCodeEra slightly raunchy]] tale called '''Why Be Good'''?

to:

[[SilentMovie From the transitional year of 1929]], the beginnings of sound and the slow decay of silent films, comes a fun, [[ThePreCodeEra slightly raunchy]] tale called '''Why ''Why Be Good'''?
Good''?
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None


[[SilentMovie From the transitional year of 1929]], the beginnings of sound and the slow decay of silent films, comes a fun, [[ThePreCodeEra slightly raunchy]] tale called ''Why Be Good''?

to:

[[SilentMovie From the transitional year of 1929]], the beginnings of sound and the slow decay of silent films, comes a fun, [[ThePreCodeEra slightly raunchy]] tale called ''Why '''Why Be Good''?
Good'''?
Is there an issue? Send a MessageReason:
None


* GoodAllAlong: Peabody Jr’s dad seemed skeptical that a party girl like Pert could be serious marriage material for his soon. [[spoiler: He’s soon proven wrong with the films conclusion.]]

to:

* GoodAllAlong: Peabody Jr’s dad seemed skeptical that a party girl like Pert could be serious marriage material for his soon. [[spoiler: He’s soon proven wrong with the films film's conclusion.]]
Is there an issue? Send a MessageReason:
None


[[SilentMovieFrom the transitional year of 1929]], the beginnings of sound and the slow decay of silent films, comes a fun, [[ThePreCodeEra slightly raunchy]] tale called ''Why Be Good''?

to:

[[SilentMovieFrom [[SilentMovie From the transitional year of 1929]], the beginnings of sound and the slow decay of silent films, comes a fun, [[ThePreCodeEra slightly raunchy]] tale called ''Why Be Good''?
Is there an issue? Send a MessageReason:
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From the transitional year of 1929, the beginnings of sound and the slow decay of silent films, comes a fun, slightly raunchy tale called ''Why Be Good''?

to:

From [[SilentMovieFrom the transitional year of 1929, 1929]], the beginnings of sound and the slow decay of silent films, comes a fun, [[ThePreCodeEra slightly raunchy raunchy]] tale called ''Why Be Good''?
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Pert Kelly (Colleen Moore) is just another cool gal having a night on the town when she meets a dashing young man. Both are smitten, so they promise to meet each other the next night. But with morning comes a dash of reality, Pert works at a department store, and her new boss is the young man, Winthrop Peabody Jr (Neil Hamilton), she met last night. He’s no longer fun; a stuffed shirt, son of the owner, who’s now working in personnel.

to:

Pert Kelly (Colleen Moore) is just another cool gal having a night on the town when she meets a dashing young man. Both are smitten, so they promise to meet each other the next night. But with morning comes a dash of reality, Pert works at a department store, and her new boss is the young man, Winthrop Peabody Jr (Neil Hamilton), she met last night. He’s no longer fun; a stuffed shirt, son of the owner, who’s now working in personnel.
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Pert Kelly (Colleen Moore) is just another cool gal having a night on the town when she meets a dashing young man. Both are smitten, so they promise to meet each other the next night. But with morning comes a dash of reality, Pert works at a department store, and her knew boss is the young man, Winthrop Peabody Jr (Neil Hamilton), she met last night. He’s no longer fun, but a stuffed shirt, son of the owner, who’s now working in personnel.

to:

Pert Kelly (Colleen Moore) is just another cool gal having a night on the town when she meets a dashing young man. Both are smitten, so they promise to meet each other the next night. But with morning comes a dash of reality, Pert works at a department store, and her knew new boss is the young man, Winthrop Peabody Jr (Neil Hamilton), she met last night. He’s no longer fun, but fun; a stuffed shirt, son of the owner, who’s now working in personnel.



* PimpedOutDress: All of Pert’s outfits are cute, and have the age appropriate additions of fringe and ruffles.

to:

* PimpedOutDress: All of Pert’s outfits are cute, and have the jazz age appropriate additions of fringe and ruffles.
Is there an issue? Send a MessageReason:
None


Pert Kelly (Colleen Moore) is just another cool gal having a night on the town when she meets a dashing young man. Both are smitten, so they promise to meet each other the next night. But with morning comes a dash of reality, Pert works at a department store, and her knew boss is the young man, Winthrop Peabody Jr (Neil Hamilton), she met last night. He’s no longer fun, but a stuffed shirt, son of the owner who’s now working in personnel.

to:

Pert Kelly (Colleen Moore) is just another cool gal having a night on the town when she meets a dashing young man. Both are smitten, so they promise to meet each other the next night. But with morning comes a dash of reality, Pert works at a department store, and her knew boss is the young man, Winthrop Peabody Jr (Neil Hamilton), she met last night. He’s no longer fun, but a stuffed shirt, son of the owner owner, who’s now working in personnel.
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None


* SpiritedYoungLady: And how she shows it! The coolest lady around.

to:

* SpiritedYoungLady: And how SpiritedYoungLady: Pert's unconventional ways is a stark contrast to her female peers. Free-spirited, intelligent, and able to hold her own as a working girl, she shows it! The coolest lady around. spends a lot of time subverting what was expected of young women during the 1920s; making her own money, buying her own clothes, and partying without chaperones.
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None

Added DiffLines:

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* SilentMovie: Why Be Good is very much in the transitional period between silent and talking films since its soundtrack includes sound effects. For example, there’s car horns, background noise, and a synced soundtrack that has all the popular tunes of the 1920s. These tunes include classics like: "I'm Thirsty for Kisses and Hungry for Love," "If You Want the Rainbow, You Must Have the Rain," "Tall, Dark and Handsome," "Flapperette," "Changes," "Le Chant des Boulevards" and "That's Her Now".

to:

* SilentMovie: Why ''Why Be Good is Good'' was very much in the transitional period between silent and talking films since its soundtrack includes sound effects. For example, there’s car horns, background noise, and a synced synchronized musical soundtrack that has all the popular tunes of the 1920s. These tunes include classics like: include: "I'm Thirsty for Kisses and Hungry for Love," "If You Want the Rainbow, You Must Have the Rain," "Tall, Dark and Handsome," "Flapperette," "Changes," "Le Chant des Boulevards" and "That's Her Now".
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None


* FamilyBusiness: Winthrop Peabody Sr is the owner, and his son is the head of personnel.

to:

* FamilyBusiness: Winthrop Peabody Sr is the owner, owner of a department store, and his son is the has been newly made head of personnel.
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* Tagline: "She won him with her pep - but almost lost him with her rep."

to:

* Tagline: {{Tagline}}: "She won him with her pep - but almost lost him with her rep."
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--->'''Winthrop Peabody Sr''': Son, I don’t hold for caste distinction—it’s as right for you to marry a girl who works for a living—as anyone else—From what you ‘ve seen of her, do you believe she’s—a—good girl?

to:

--->'''Winthrop Peabody Sr''': Son, I don’t hold for caste distinction—it’s as right for you to marry a girl who works for a living—as anyone else—From what you ‘ve you've seen of her, do you believe she’s—a—good girl?



--->'''Pert Kelly''': Who is it demands the kissing the spooning—who but you---you men---Nowadays? I suppose you'd like me if I wore long skirts and mittens and sat home knitting socks? Yes you would! You men! You insist on a girl being what you want – and then you bawl her for being it! Listen! I’m a good girl. And what I do and what I wear---is because you fool men demand it!

to:

--->'''Pert Kelly''': Who is it demands the kissing kissing, the spooning—who spooning---who but you---you men---Nowadays? I suppose you'd like me if I wore long skirts and mittens and sat home knitting socks? Yes you would! You men! You insist on a girl being what you want – and then you bawl her for being it! Listen! I’m a good girl. And what I do and what I wear---is because you fool men demand it!



* GoodAllAlong: Peabody Jr’s dad seemed sceptical that a party girl like Pert could be serious marriage material for his soon. [[spoiler: He’s soon proven wrong with the films conclusion.]]

to:

* GoodAllAlong: Peabody Jr’s dad seemed sceptical skeptical that a party girl like Pert could be serious marriage material for his soon. [[spoiler: He’s soon proven wrong with the films conclusion.]]
Is there an issue? Send a MessageReason:
None


Pert Kelly (Colleen Moore) is just another cool gal having a night on the town when she meets a dashing young man. Both are smitten, so they promise to meet each other the next night. But with morning comes a dash of reality, Pert works at a department store, and her knew boss is the young man, Winthrop Peabody Jr., she met last night. He’s no longer fun, but a stuffed shirt, son of the owner who’s now working in personnel.

to:

Pert Kelly (Colleen Moore) is just another cool gal having a night on the town when she meets a dashing young man. Both are smitten, so they promise to meet each other the next night. But with morning comes a dash of reality, Pert works at a department store, and her knew boss is the young man, Winthrop Peabody Jr., Jr (Neil Hamilton), she met last night. He’s no longer fun, but a stuffed shirt, son of the owner who’s now working in personnel.
Is there an issue? Send a MessageReason:
None


From the transitional year of 1929, the beginnings of sound and the slow decay of silent films, comes a fun, slightly raunchy tale called Why Be Good?

to:

From the transitional year of 1929, the beginnings of sound and the slow decay of silent films, comes a fun, slightly raunchy tale called Why ''Why Be Good?
Good''?
Is there an issue? Send a MessageReason:
None

Added DiffLines:

[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/whylc1_edited_1.jpg]]
[[caption-width-right:350:Why be good, indeed.]]

From the transitional year of 1929, the beginnings of sound and the slow decay of silent films, comes a fun, slightly raunchy tale called Why Be Good?

Pert Kelly (Colleen Moore) is just another cool gal having a night on the town when she meets a dashing young man. Both are smitten, so they promise to meet each other the next night. But with morning comes a dash of reality, Pert works at a department store, and her knew boss is the young man, Winthrop Peabody Jr., she met last night. He’s no longer fun, but a stuffed shirt, son of the owner who’s now working in personnel.

A series of comic misunderstandings, and the inevitable answer to the film’s question, make this a newly discovered classic silent film.
Colleen Moore’s portrayal of Pert is the epitome of the classic flapper: [[TheRoaringTwenties the bob, the dresses, and lest we forget, the dancing and parties]] are central to the story, and just downright fun.
----
!!Tropes:
*CallingTheOldManOut: Pa Kelly has serious issues with Pert going out to parties and wearing the outfits she has. She quickly rebuttals with this:
--->'''Pert Kelly''': Pop, listen to me. This is 1929—not 1899—I contribute as much money to this house as you do—and as long as I think it is harmless, I’m going to wear what I like, and do what I like!
*ChickMagnet: Winthrop Jr definitely is, making his first day on the job harder with all those salesgirls giving him the eye.
*DanceSensation: Pert wins a dance contest doing The Charleston.
*DatingWhatDaddyHates: Inverted, since it’s Winthrop bringing Pert, a girl with a dubious reputation, but it’s his father that disapproves of her. Peabody Sr goes through great lengths to make sure his son is not taken for a ride. [[spoiler: He fires poor Pert, the best salesgirl they have.]] His suspicions are summed up well in this speech:
--->'''Winthrop Peabody Sr''': Son, I don’t hold for caste distinction—it’s as right for you to marry a girl who works for a living—as anyone else—From what you ‘ve seen of her, do you believe she’s—a—good girl?
*DoubleStandard: Near the end of the film, Pert gives a damning speech about the double standards held against women. Dialogue cards read:
--->'''Pert Kelly''': Who is it demands the kissing the spooning—who but you---you men---Nowadays? I suppose you'd like me if I wore long skirts and mittens and sat home knitting socks? Yes you would! You men! You insist on a girl being what you want – and then you bawl her for being it! Listen! I’m a good girl. And what I do and what I wear---is because you fool men demand it!
*FamilyBusiness: Winthrop Peabody Sr is the owner, and his son is the head of personnel.
*TheFlapper: Pert Kelly, as mentioned above, is the total embodiment of the modern, sophisticated woman. She makes her own money, goes out partying late into the night, and flirts, conquers, and enchants the men around her.
*GoodAllAlong: Peabody Jr’s dad seemed sceptical that a party girl like Pert could be serious marriage material for his soon. [[spoiler: He’s soon proven wrong with the films conclusion.]]
*HappilyEverAfter
*MsFanservice: We see Pert in her bra while her mother helps her undress!
*NiceHat: In the age of cloche hats, there is plenty of gorgeous hats to go around.
*TheRoaringTwenties
*RomanticFalseLead:The smooth talking, greasy-haired Jimmy.
*PimpedOutDress: All of Pert’s outfits are cute, and have the age appropriate additions of fringe and ruffles.
*PluckyOfficeGirl: Pert is the best salesgirl in her department, and is fairly popular with her coworkers.
*SilentMovie: Why Be Good is very much in the transitional period between silent and talking films since its soundtrack includes sound effects. For example, there’s car horns, background noise, and a synced soundtrack that has all the popular tunes of the 1920s. These tunes include classics like: "I'm Thirsty for Kisses and Hungry for Love," "If You Want the Rainbow, You Must Have the Rain," "Tall, Dark and Handsome," "Flapperette," "Changes," "Le Chant des Boulevards" and "That's Her Now".
*SpiritedYoungLady: And how she shows it! The coolest lady around.
*Tagline: "She won him with her pep - but almost lost him with her rep."
*TallDarkAndHandsome: Winthrop has all the girls falling over for him.
*TheTease: With her vivacious spirit, and her knowing smile, Pert can definitely be a considered a top-teaser.
*TwentiesBobHaircut: Colleen Moore, along with her contemporary, Louise Brooks, made this hairstyle very popular.
*TheVamp: The ''vamps''. At the department store, the salesgirls who are late and wind up at personnel—which is now Winthrop Jr’s new job—try to dissuade him from writing them up by playing some coy maneuvers. But Winthrop is NotDistractedByTheSexy.

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