Follow TV Tropes

Following

History Film / TheWiz

Go To

OR

Is there an issue? Send a MessageReason:
None

Added DiffLines:

* AnimateInanimateObject: The SinisterSubway is filled with such things as living columns, biting trash cans, and serpent-like electrical cables.
Is there an issue? Send a MessageReason:
We don't use chained sinkholes.


* BigRottenApple: This still being pre-Giuliani New York City, Oz is depicted as [[SceneryGorn the run-down]] WretchedHiveOfScumAndVillainy it was in the 1970s, full of dilapidated cars, crumbling buildings, a jagged skyline and graffiti everywhere. [[InformedAttractiveness This is magical??]]

to:

* BigRottenApple: This still being pre-Giuliani New York City, Oz is depicted as [[SceneryGorn the run-down]] WretchedHiveOfScumAndVillainy wretched hive it was in the 1970s, full of dilapidated cars, crumbling buildings, a jagged skyline and graffiti everywhere. [[InformedAttractiveness This is magical??]]
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* TruerToTheText: The stage version downplays the famous Oz head (typically throwing it in as a MythologyGag) and instead has the Wizard appear before the characters in-person, dressed as a magnificent sorcerer. The film reestablishes the head as his "wizard" form, and doesn't reveal that he's just a man until later, much like the book.

Added: 432

Changed: 210

Is there an issue? Send a MessageReason:
None


* AdaptationalUgliness: In the original Broadway production, Evillene wasn't necessarily ''ugly'', just garishly dressed. The film makes use of [[UncannyValleyMakeup heavy prosthetic makeup]] to give her a more grotesque appearance.

to:

* AdaptationalUgliness: AdaptationalUgliness:
**
In the original Broadway production, Evillene wasn't necessarily ''ugly'', just garishly dressed. The film makes use of [[UncannyValleyMakeup heavy prosthetic makeup]] to give her a more grotesque appearance.
** Similarly, Evillene's workers look ''much'' uglier here than in the play, since all of the actors wear large, exaggerated masks with buggy eyes. Once the witch is killed, however, they all turn back into normal humans.
Is there an issue? Send a MessageReason:
None


* AdaptationalUgliness: In the original Broadway production, Evillene wasn't necessarily ''ugly'', just garishly dressed. The film makes use of [[UncannyValleyMakeup heavy prosthetic makeup]] in order give her a more grotesque appearance.

to:

* AdaptationalUgliness: In the original Broadway production, Evillene wasn't necessarily ''ugly'', just garishly dressed. The film makes use of [[UncannyValleyMakeup heavy prosthetic makeup]] in order to give her a more grotesque appearance.

Added: 97

Changed: 24

Is there an issue? Send a MessageReason:
None


* AdaptationalUgliness: In the original Broadway production, Evillene wasn't necessarily ''ugly'', just garishly dressed. The film makes use of heavy prosthetic makeup in order give her a more grotesque appearance.

to:

* AdaptationalUgliness: In the original Broadway production, Evillene wasn't necessarily ''ugly'', just garishly dressed. The film makes use of [[UncannyValleyMakeup heavy prosthetic makeup makeup]] in order give her a more grotesque appearance.


Added DiffLines:

* AttackTheTail: Evillene tortures the Cowardly Lion by having him painfully hung up by his tail.
Is there an issue? Send a MessageReason:
Removing trivia pothole which triggered a warning.


* DarkerAndEdgier: [[SceneryGorn From the post-apocalyptic New York setting and general decay of the architecture, to the costuming, to the casting of Dorothy herself]] [[DawsonCasting (changed from a young girl to an]] ExtremeDoormat [[DawsonCasting adult),]] the film version is a bleak (The Scarecrow is being tortured by the crows), but [[SceneryPorn sumptuously shot piece of work.]] The VillainSong subverts this, though - it is a [[IWantSong selfish ode to self]] done in the style of a [[LyricalDissonance Gospel number]].

to:

* DarkerAndEdgier: [[SceneryGorn From the post-apocalyptic New York setting and general decay of the architecture, to the costuming, to the casting of Dorothy herself]] [[DawsonCasting (changed from a young girl to an]] an ExtremeDoormat [[DawsonCasting adult),]] adult), the film version is a bleak (The Scarecrow is being tortured by the crows), but [[SceneryPorn sumptuously shot piece of work.]] The VillainSong subverts this, though - it is a [[IWantSong selfish ode to self]] done in the style of a [[LyricalDissonance Gospel number]].
Is there an issue? Send a MessageReason:
Crosswicking

Added DiffLines:

* RustRemovingOil: Dorothy and the Scarecrow come across an amusement park mechanical man who is rusted. They "slide some oil to [him]" which loosens his joints which lets him move, sing and dance.
Is there an issue? Send a MessageReason:
Removing a chained sinkhole.


Creator/{{Motown}} and Creator/{{Universal}} produced a movie adaptation of the Broadway musical ''Theatre/TheWiz'', an all-African-American retelling of the book ''Literature/TheWonderfulWizardOfOz'', in 1978. It was directed by Creator/SidneyLumet and Creator/JoelSchumacher wrote the screenplay. In addition to the {{Race Lift}}ing, this added a further, big twist to the ''Oz'' tale: Instead of turn-of-the-20th-century Kansas, the story begins in modern Harlem and Dorothy is a shy schoolteacher in her 20s who has never ventured beyond it -- a change made to accommodate the casting of Music/DianaRoss (in her 30s at the time) in the role, as she [[http://en.wikipedia.org/wiki/The_Wiz_(film)#Pre-production_and_development had campaigned heavily for it]]. It's a blizzard that sweeps her to Oz, a fantasy version of the rest of New York City. The Tin Woodman is now a forgotten amusement park robot, the Cowardly Lion masquerades as a statue outside the Public Library, the Wicked Witch of the West (here named Evillene) runs a sweatshop, etc. It remains notable for marking the end of {{Blaxploitation}} in cinema, and for its AllStarCast of African-American talent, from Creator/RichardPryor as the Wiz himself to Lena Horne as Glinda to a 19-year-old Music/MichaelJackson as the Scarecrow (his only major film role, not counting the anthology ''{{Film/Moonwalker}}'' and his cameo in ''Film/MenInBlackII'')[[note]]Jackson's casting in the film brought him to the attention of its music producer, Quincy Jones, who convinced Jackson to let him produce what would become his three [[Music/OffTheWall most]] [[Music/{{Thriller}} successful]] [[Music/{{Bad}} albums]].[[/note]].

to:

Creator/{{Motown}} and Creator/{{Universal}} produced a movie adaptation of the Broadway musical ''Theatre/TheWiz'', an all-African-American retelling of the book ''Literature/TheWonderfulWizardOfOz'', in 1978. It was directed by Creator/SidneyLumet and Creator/JoelSchumacher wrote the screenplay. In addition to the {{Race Lift}}ing, this added a further, big twist to the ''Oz'' tale: Instead of turn-of-the-20th-century Kansas, the story begins in modern Harlem and Dorothy is a shy schoolteacher in her 20s who has never ventured beyond it -- a change made to accommodate the casting of Music/DianaRoss (in her 30s at the time) in the role, as she [[http://en.wikipedia.org/wiki/The_Wiz_(film)#Pre-production_and_development had campaigned heavily for it]]. It's a blizzard that sweeps her to Oz, a fantasy version of the rest of New York City. The Tin Woodman is now a forgotten amusement park robot, the Cowardly Lion masquerades as a statue outside the Public Library, the Wicked Witch of the West (here named Evillene) runs a sweatshop, etc. It remains notable for marking the end of {{Blaxploitation}} in cinema, and for its AllStarCast of African-American talent, from Creator/RichardPryor as the Wiz himself to Lena Horne as Glinda to a 19-year-old Music/MichaelJackson as the Scarecrow (his only major film role, not counting the anthology ''{{Film/Moonwalker}}'' and his cameo in ''Film/MenInBlackII'')[[note]]Jackson's casting in the film brought him to the attention of its music producer, Quincy Jones, Music/QuincyJones, who convinced Jackson to let him produce what would become his three [[Music/OffTheWall most]] [[Music/{{Thriller}} successful]] [[Music/{{Bad}} albums]].[[/note]].
most successful albums: ''Music/OffTheWall'', ''Music/{{Thriller}}'', and ''Music/{{Bad}}''[[/note]].
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* AdaptationalNiceGuy: Nipsey Russell's Tin Man lacks the [[{{Jerkass}} mean]] remarks of his stage counterpart and is more of a compassionate TeamDad figure.
Is there an issue? Send a MessageReason:
None


* MessianicArchetype: How about a Madonna Archtype? Glinda resembles the Virgin Mary. If the matching blue robe and veil were not a giveaway, she even wears a crown of stars. Her army of floating space babies also resembes attendant cherubs.

to:

* MessianicArchetype: How about a Madonna Archtype? MadonnaArchetype: Glinda resembles the Virgin Mary. If the matching blue robe and veil were not a giveaway, she even wears a crown of stars. Her army of floating space babies also resembes resembles attendant cherubs.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ScreamingWarrior: The Lion lets out a [[SkywardScream Skyward Roar]] while fighting the sentient pillars of the subway.
Is there an issue? Send a MessageReason:
Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process


* ScaryBlackWoman: Evillene, full stop. Not helping is her ugly, {{Gonk}}y appearance that almost makes her look like a [[UncannyValley broken doll]] with a lot of missing hair on its head.

to:

* ScaryBlackWoman: Evillene, full stop. Not helping is her ugly, {{Gonk}}y appearance that almost makes her look like a [[UncannyValley broken doll]] doll with a lot of missing hair on its head.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* FeelNoPain: While being tortured by the Wicked Witch to make Dorothy give up the slippers, the Scarecrow (who is getting [[HalfTheManHeUsedToBe cut in half]] with a buzzsaw) and the Tin Man (who gets his body SquashedFlat with a press) both reassure her that they aren't in pain, but it doesn't help Dorothy react with any less horror at the sight of her friends getting such disturbing treatments.
Is there an issue? Send a MessageReason:
None


* MalevolentMaskedMen: Mixed with EvilPuppeteer, as the peddler is seen donning an expressionless mask of fabric upon approaching Dorothy and her posse in the subway before unleashing two ghastly sentient puppets on them.

to:

* MalevolentMaskedMen: Mixed with EvilPuppeteer, MarionetteMaster, as the peddler is seen donning an expressionless mask of fabric upon approaching Dorothy and her posse in the subway before unleashing two ghastly sentient puppets on them.

Added: 129

Removed: 123

Is there an issue? Send a MessageReason:
Nice Shoes has been disambiguated per TRS: [1]


* NiceShoes: The Silver Slippers. As with the main source material, they are the one thing that can send Dorothy back home.


Added DiffLines:

* TrickedOutShoes: The Silver Slippers. As with the main source material, they are the one thing that can send Dorothy back home.
Is there an issue? Send a MessageReason:
None


* OutOfTheFryingPan: The Scarecrow mutters that trope directly when he realizes that the Poppy Girls are up to no good.

to:

* OutOfTheFryingPan: The Scarecrow mutters that trope directly when he realizes that the Poppy Girls are up to no good. And considering that they just escaped from the monsters in the subway only to run into these more hypnotic foes, he is probably right.

Top