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* TheCameo: Joshua Bell, who plays most of the music in the soundtrack, is seen amongst the Orchestra in Oxford as Frederick Pope prepares to play his music.

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* TheCameo: Joshua Bell, who plays most of the music in the soundtrack, is seen amongst the Orchestra in Oxford as Frederick Pope prepares to play his music. [[spoiler: Joshua Bell actually does play the piece that Frederick Pope is playing, in that special effects have Jason Flemyng's head in place of Joshua Bell's.]]



** The Romani girl squatting on Pope's property with the violin soon becomes an inspiration after Victoria departs.



* DarkSecret: Xiang keeping the Red Violin safe, even as she herself is a member of the CulturePolice.
** The red violin's beautiful and distinctive varnish [[spoiler: is made with Anna's blood.]]

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* DarkSecret: Xiang keeping the Red Violin safe, even as she herself is a member of the CulturePolice.
**
The red violin's beautiful and distinctive varnish [[spoiler: is made with Anna's blood.]]]]
** Xiang keeping the Red Violin safe, even as she herself is a member of the CulturePolice.



** When Ming, at the auction, first sees the red violin, he says [[spoiler: "That's not the one I remember." His wife assures him that he's mistaken.]]

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** When Ming, Ming first sees the violin presented at the auction, first sees the red violin, he says [[spoiler: "That's not the one I remember." His wife assures him that he's mistaken. This may have (rightly) influenced his decision to not bid further on the violin.]]



* PetTheDog: Frederick Pope may be an arrogant jerk to his conductor and the rest of his orchestra, but he lets the Romani camp stay on his land as long as they like, and even gives them free tickets to his performances, all in exchange for one violin of theirs.

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* PetTheDog: Frederick Pope may be an arrogant jerk to his conductor and the rest of his orchestra, but he lets the Romani camp stay on his land as long as they like, and even gives them free tickets to his performances, all in exchange for one violin of theirs. [[spoiler: As it turns out, he also had ulterior motives for the Romani girl as well.]]



* RedChina: The fourth portion of the story takes place during the UsefulNotes/CulturalRevolution, when Western instruments are outlawed.
* RedHerring: When the monks tell Poussin that they buried the violin with Kaspar and then leave him at the graveside, the way the scene is shot makes it appear likely to the viewer that he intends to open the coffin to steal it back. [[spoiler:Instead the GraveRobbing that is shown immediately after this is revealed to have been carried out by a band of Roma, not Poussin.]] Also see the second MockGuffin entry above.

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* RedChina: The fourth portion of the story takes place during the UsefulNotes/CulturalRevolution, when Western instruments are outlawed.
outlawed. This segues into the final portion where after many years, the Chinese Police find Chou Yan's dead from old age and his cache of instruments. Now removed from the Cultural Revolution, the Chinese Government makes arrangements for the Canadian Government to sell these items at an auction.
* RedHerring: When the monks tell Poussin that they buried the violin with Kaspar and then leave him at the graveside, the way the scene is shot makes it appear likely to the viewer that he intends to open the coffin to steal it back. [[spoiler:Instead the GraveRobbing that is shown immediately after this is revealed to have been carried out by a band of Roma, not Poussin.]] Also see ]]
** We are also led to believe that Chou Yan is being forced to burn
the second MockGuffin entry above.Red Violin. Turns out that it is not.



* TarotTroubles: Anna's reading is not filled with good omens. The Moon, the Hanged Man, the Devil, and Justice all make appearances. [[spoiler: Subverted, with the last card -- Death -- which actually signifies a new beginning and change for the better.]]

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* TarotTroubles: Anna's reading is not filled with good omens. The Moon, the Hanged Man, the Devil, and Justice all make appearances. [[spoiler: Subverted, with the last card -- Death -- which actually signifies a new beginning and change for the better. It should be noted that one death does occur during the Death card subplot, that of Chou Yan's, and only through old age, and that his death ends a period of sheltering and protection from the world.]]



* ThePowerOfBlood: of the Blood Is Symbolic variety. [[spoiler: Busotti finishes the violin after his wife's death by making a varnish of her blood and painting it on with her hair. The violin carries on Anna's spirit (or, alternately, her child's). Ever after, the violin's owners constantly play a variant on Anna's Theme.]]

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* ThePowerOfBlood: of Of the Blood Is Symbolic variety. [[spoiler: Busotti finishes the violin after his wife's death by making a varnish of her blood and painting it on with her hair. The violin carries on Anna's spirit (or, alternately, her child's). Ever after, the violin's owners constantly play a variant on Anna's Theme.]]



* WhatHappenedToTheMouse: After she takes the violin to Chou Yan to keep it safe, we see Xiang's father back at the loft, saying he will wait for her to return. It is never revealed if she came back or what happened to her if she did, but considering what Ming had been forced to confess and the attitude of her father and the other revolutionaries, it probably wasn't good.

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* WhatHappenedToTheMouse: After she takes the violin to Chou Yan to keep it safe, we see Xiang's father husband back at the loft, saying he will wait for her to return. It is never revealed if she came back or what happened to her if she did, but considering what Ming had been forced to confess and the attitude of her father husband and the other revolutionaries, it probably wasn't good.
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* GraveRobbing: [[spoiler:[[{{Gypsy}} A band of Romani]] unearth the violin after it's buried with Kaspar and take it to England.]]

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* GraveRobbing: [[spoiler:[[{{Gypsy}} A [[spoiler:A band of Romani]] UsefulNotes/{{Romani}} unearth the violin after it's buried with Kaspar and take it to England.]]



* WholeEpisodeFlashback: The story of the auction is, although shown several times from different POVs, very little of the movie compared to the long flashbacks showing HowWeGotHere. Or, for another interpretation -- because the film's first and last shots are in Cremona, Italy, it's possible that the entire film is a Whole Episode Flash-''forward.''

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* WholeEpisodeFlashback: The story of the auction is, although shown several times from different POVs, [=POV=]s, very little of the movie compared to the long flashbacks showing HowWeGotHere. Or, for another interpretation -- because the film's first and last shots are in Cremona, Italy, it's possible that the entire film is a Whole Episode Flash-''forward.''
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* ShoutOut: During the scenes when Victoria is away and he has lost his muse and inspiration, a number of shots of Frederick Pope lying sprawled about listless and weak bring to mind the famous Jacques-Louis David painting [[https://en.wikipedia.org/wiki/The_Death_of_Marat "The Death of Marat"]]--one even comes very close to reproducing it, with Pope in the bathtub reading one of Victoria's letters. Marat was a political revolutionary, Pope a musical one; Marat was murdered by a woman (Charlotte Corday), while Victoria appeared about to murder Pope before shooting the violin instead. (Corday used a dagger.) In the end Pope still died, by suicide instead. There are even some similarities in features between Marat and the actor who played Pope.
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* TheMuse: Victoria to Fredrick, as their passionate affair fuels his music, and it's implied Frederick also helps Victoria compose her novels.

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* TheMuse: Victoria to Fredrick, Frederick, as their passionate affair fuels his music, and it's implied Frederick also helps Victoria compose her novels.
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* StageMom: Monsieur Poussin acts as this to Kaspar, in the sense that he keeps pushing him to the edge of his health in order to train up to his standards and achieve the miraculous talent he foresees in him--the scene where Kaspar nearly dies from his weak heart due to having the violin taken from him, and Poussin promises him he doesn't have to play if he doesn't want to, can come across as blatant manipulation (since he makes sure to stress how the audition could be cancelled, underscoring how not playing would be disappointing so many people). But unlike most examples of the trope, he isn't doing this to live out a fantasy he can't achieve, or for his own glory (though there is a bit of that in how he wants Kaspar to learn French so "everyone will know I taught him"--it's simply for the money he can make if Kaspar gets chosen by the prince. Still, his overall harsh treatment of the boy is true to the trope.

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* StageMom: Monsieur Poussin acts as this to Kaspar, in the sense that he keeps pushing him to the edge of his health in order to train up to his standards and achieve the miraculous talent he foresees in him--the scene where Kaspar nearly dies from his weak heart due to having the violin taken from him, and Poussin promises him he doesn't have to play if he doesn't want to, can come across as blatant manipulation (since he makes sure to stress how the audition could be cancelled, underscoring how not playing would be disappointing so many people). But unlike most examples of the trope, he isn't doing this to live out a fantasy he can't achieve, or for his own glory (though there is a bit of that in how he wants Kaspar to learn French so "everyone will know I taught him"--it's him")--it's simply for the money he can make if Kaspar gets chosen by the prince. Still, his overall harsh treatment of the boy is true to the trope.

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* ChekhovsGunman: In the opening scenes, as Morritz enters the auction room, he passes by a man desperately trying to enter the auction itself. That man is Nicholas Olsberg, the representative from the Pope Foundation as revealed by the scenes in Oxford.

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* ChekhovsGunman: ChekhovsGunman:
**
In the opening scenes, as Morritz enters the auction room, he passes by a man desperately trying to enter the auction itself. That man is Nicholas Olsberg, the representative from the Pope Foundation as revealed by the scenes in Oxford.Oxford.
** The Chinese servant who delivers Frederick Pope's mail (both his own letters to Victoria and hers to him) turns out to be the one who receives the violin and sells it to the secondhand dealer in Shanghai. Since Pope had said she could do whatever she wanted with his possessions and obviously she would want nothing to do with the violin, she must have let him take it.

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* TheCasanova: Fredrick Pope.

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* TheCasanova: Fredrick Frederick Pope.



* DrivenToSuicide: [[spoiler:Fredrick Pope, after Victoria leaves him and shoots at his violin]].

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* DrivenToSuicide: [[spoiler:Fredrick [[spoiler:Frederick Pope, after Victoria leaves him and shoots at his violin]].



* TheHedonist: Fredrick Pope. His house is furnished with the most luxurious trappings, his musical and sexual appetites intersect in peculiar ways (to say the least), and as time goes on, he develops an addiction to opium.
* HeyWait: You forgot your coat, Mr. Morritz.

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* TheHedonist: Fredrick Frederick Pope. His house is furnished with the most luxurious trappings, his musical and sexual appetites intersect in peculiar ways (to say the least), and as time goes on, he develops an addiction to opium.
opium. The trope is lampshaded by Cesca's reading of the Tarot cards where she calls him "the Devil himself."
* HeyWait: You forgot your coat, Mr. Morritz. ([[{{Irony}} And after he specifically made sure the coat-checker wouldn't let him forget it.]])



* RedHerring: When the monks tell Poussin that they buried the violin with Kaspar and then leave him at the graveside, the way the scene is shot makes it appear likely to the viewer that he intends to open the coffin to steal it back. [[spoiler:Instead the GraveRobbing that is shown immediately after this is revealed to have been carried out by a band of Roma, not Poussin.]] Also see the second MockGuffin entry above.



* StageMom: Monsieur Poussin acts as this to Kaspar, in the sense that he keeps pushing him to the edge of his health in order to train up to his standards and achieve the miraculous talent he foresees in him--the scene where Kaspar nearly dies from his weak heart due to having the violin taken from him, and Poussin promises him he doesn't have to play if he doesn't want to, can come across as blatant manipulation (since he makes sure to stress how the audition could be cancelled, underscoring how not playing would be disappointing so many people). But unlike most examples of the trope, he isn't doing this to live out a fantasy he can't achieve, or for his own glory (though there is a bit of that in how he wants Kaspar to learn French so "everyone will know I taught him"--it's simply for the money he can make if Kaspar gets chosen by the prince. Still, his overall harsh treatment of the boy is true to the trope.



* WholeEpisodeFlashback: The story of the auction is, although shown several times from different POVs, very little of the movie compared to the long flashbacks showing HowWeGotHere. Or, for another interpretation -- because the film's first and last shots are in Cremona, Italy, it's possible that the entire film is a Whole Episode Flash-''forward.''
* WomanScorned: Victoria grabs a gun when she hears Frederick getting his ''inspiration'' from someone else.


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* WhatHappenedToTheMouse: After she takes the violin to Chou Yan to keep it safe, we see Xiang's father back at the loft, saying he will wait for her to return. It is never revealed if she came back or what happened to her if she did, but considering what Ming had been forced to confess and the attitude of her father and the other revolutionaries, it probably wasn't good.
* WholeEpisodeFlashback: The story of the auction is, although shown several times from different POVs, very little of the movie compared to the long flashbacks showing HowWeGotHere. Or, for another interpretation -- because the film's first and last shots are in Cremona, Italy, it's possible that the entire film is a Whole Episode Flash-''forward.''
* WomanScorned: Victoria grabs a gun when she hears Frederick getting his ''inspiration'' from someone else.
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* [[PoweredByAForsakenChild Powered By A Forsaken Child... or Mother]]: The Red Violin. From when Cesca begins to read Anna's cards, the path she lays out strongly resembles the violin's life. But it's unclear whether the future she reads is for Anna or her unborn son [[spoiler:-- and then, if the violin should be seen as carrying Anna's spirit or his.]]

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* [[PoweredByAForsakenChild Powered By A Forsaken Child... or Mother]]: PoweredByAForsakenChild: The Red Violin. From when Cesca begins to read Anna's cards, the path she lays out strongly resembles the violin's life. But it's unclear whether the future she reads is for Anna or her unborn son [[spoiler:-- and then, if the violin should be seen as carrying Anna's spirit or his.]]
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* UsefulNotes/AcademyAward: For Best Original Score.

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* UsefulNotes/AcademyAward: For Best Original Score.
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* RedChina: The fourth portion of the story takes place during the CulturalRevolution, when Western instruments are outlawed.

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* RedChina: The fourth portion of the story takes place during the CulturalRevolution, UsefulNotes/CulturalRevolution, when Western instruments are outlawed.
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* ArtifactOfAttraction: The Red Violin. Those who own it tend to love it passionately, and be inspired by it like nothing else. Victoria seems to think it has an evil will of its own. Granted, this becomes increasingly [[JustifiedTrope Justified]] as the years go on, and the violin becomes recognizably more and more valuable by its age.

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* ArtifactOfAttraction: The Red Violin. Those who own it tend to love it passionately, and be inspired by it like nothing else. Victoria seems to think it has an evil will of its own. Granted, this becomes increasingly [[JustifiedTrope Justified]] as the years go on, and the violin becomes recognizably more and more valuable by its age. In the present day, the violin is recognized as the last creation of the Renaissance master Busotti, and as a relic of the Romantic musician Frederick Pope -- practically priceless.

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''The Red Violin'' is a historical fiction film following the people that have played an elusive, expertly crafted red violin. The film starts with the luthier in Italy, a fastidious master who crafts a perfect instrument for his unborn son. Then, following the pattern laid down by five Tarot cards, the violin's journey takes it through Europe, Asia, and finally the New World, from one owner to another. Four centuries pass as it haunts its many owners with beautiful music and constant misfortune. The climax of the film is an auction house in Montreal, where the violin, now recognized as a priceless treasure, is up for the highest bidder.

''The Red Violin'' was produced by companies from Italy, Canada and the United Kingdom. It was released by Lionsgate in 1998. It won the Academy Award for Best Original Score (composed by John Corigliano), and received/was nominated for many other awards for filmmaking and music, including a nomination for Best Foreign Language Film at the Golden Globes.

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''The Red Violin'' is a historical fiction HistoricalFiction[=/=]SpeculativeFiction film following the people that have played story of an elusive, expertly crafted red violin. The film starts violin with the luthier in Italy, a fastidious master who crafts a perfect instrument for his unborn son. Then, following the pattern laid down by five Tarot cards, the violin's journey takes it through Europe, Asia, and finally the New World, from one owner to another. Four centuries pass as it haunts its many owners with beautiful music and constant misfortune. The climax of the film is an auction house in Montreal, where the violin, now recognized as a priceless treasure, is up for the highest bidder.DarkSecret.

The film starts with a luthier in Italy, a fastidious master who lovingly crafts a perfect instrument for his unborn son... and then marks it indelibly with an act of mad grief. Following the pattern laid down by five Tarot cards, the violin's journey takes it through Europe, Asia, and finally the New World. For four centuries it passes from owner to owner, haunting each with beautiful music and constant misfortune, and leaves a trail of triumph, obsession, hope, and misery in its wake.

MeanwhileInTheFuture an auction house in Montreal prepares to open bidding on the violin, now recognized as a priceless treasure. Over the course of the film, we gradually come to learn the connections that lead many of the attendees to seek the violin, and how many lives the instrument has affected for good or ill.

''The Red Violin'' was produced by companies from Italy, Canada and the United Kingdom. It was Kingdom, and released by Lionsgate in 1998. It won the Academy Award for Best Original Score (composed by John Corigliano), and received/was nominated for many other awards for filmmaking and music, including a nomination for Best Foreign Language Film at the Golden Globes.



* TheBadGuyWins: [[spoiler: All the auction candidates who want to buy the violin for sentimental or respectful reasons are outbid, and it ends up going to the pompous Mr. Ruselsky, who only wants it to boast about it. Or... does it? ]]

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* TheBadGuyWins: [[spoiler: All the auction candidates who want to buy the violin for sentimental or respectful reasons are outbid, and it ends up going to the pompous Mr. Ruselsky, who only wants it to boast about it.about. Or... does it? ]]


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* MaybeMagicMaybeMundane: The dark fates of the violin's owners and the obsession it creates could simply be the attributed to the costs of artistic excellence and human nature. Its owner's habits of playing a particular tune could be could be the result of trained ears being subtly guided by the resonance points the academic researcher finds. The mysterious power of the music it produces could be the result of a masterwork finding itself in the hands of gifted musicians. Nevertheless, a number of characters seem to sense something a bit... [[ArtifactOfDoom off]]... about the instrument.


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* ThePowerOfLove[=/=]ThePowerOfHate - one mystical-variety explanation for the violin's [[BlessedWithSuck two edged properties]] is that its creator imbued it with ''both''.
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* AcademyAward: For Best Original Score.

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* AcademyAward: UsefulNotes/AcademyAward: For Best Original Score.
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** Also played with: when Chou Yan is forced to destroy his violin in China, the film makes you wonder if it was the real Red Violin. [[spoiler: Turns out it wasn't, and it has yet to make an appearance in this time period.]]
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* OnlyInItForTheMoney: Monsieur Poussin adopts Kaspar Weiss not for love or to improve his talent, but only to sell his talent to the highest bidder. When Weiss meets an untimely death, he has the gall to ask the monks for the Red Violin itself, hoping to sell it.

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* OnlyInItForTheMoney: Monsieur Poussin adopts Kaspar Weiss not for love or to improve his talent, but only to sell his talent to the highest bidder.bidder (as Poussin is under significant financial duress). When Weiss meets an untimely death, he has the gall to ask the monks for the Red Violin itself, hoping to sell it.
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* OnlyInItForTheMoney: Monsieur Poussin adopts Kaspar Weiss not for love or to improve his talent, but only to sell his talent to the highest bidder. When Weiss meets an untimely death, he has the gall to ask the monks for the Red Violin itself, hoping to sell it.
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* FailedASpotCheck: Played Straight and Averted. [[spoiler:While Morritz is swapping out the real Red Violin for the replica, he drops the auction tag and doesn't notice it. When Leroux is about to call security after noticing the tag is missing, Evan finds the dropped tag in the inventory room.]]
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* TheBadGuyWins: [[spoiler: All the auction candidates who want to buy the violin for sentimental or respectful reasons are outbid, and it ends up going to the pompous Mr. Ruselky, who only wants it to boast about it. Or... does it? ]]

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* TheBadGuyWins: [[spoiler: All the auction candidates who want to buy the violin for sentimental or respectful reasons are outbid, and it ends up going to the pompous Mr. Ruselky, Ruselsky, who only wants it to boast about it. Or... does it? ]]



* HypocriticalHumor: Mr. Ruselky, a violin expert testing out the most promising finds, plays the red violin itself, and declares that it's "nothing special." The day that the news story breaks that the violin is actually ''the'' red violin, he at once snaps that he knew it ''at once'', Morritz lied to him, and that violin should be his!

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* HypocriticalHumor: Mr. Ruselky, Ruselsky, a violin expert testing out the most promising finds, plays the red violin itself, and declares that it's "nothing special." The day that the news story breaks that the violin is actually ''the'' red violin, he at once snaps that he knew it ''at once'', Morritz lied to him, and that violin should be his!



* MeaninglessVillainVictory: [[spoiler: Mr. Ruselky ends up winning the red violin at auction -- but what he doesn't know is, that violin he won is a fake. And even if he figures it out, his pride will never let him admit he was so duped.]]

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* MeaninglessVillainVictory: [[spoiler: Mr. Ruselky Ruselsky ends up winning the red violin at auction -- but what he doesn't know is, that violin he won is a fake. And even if he figures it out, his pride will never let him admit he was so duped.]]
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* TheCameo: See "Actor Allusion," above.

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* TheCameo: See "Actor Allusion," above.Joshua Bell, who plays most of the music in the soundtrack, is seen amongst the Orchestra in Oxford as Frederick Pope prepares to play his music.
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** The [[GraveRobbing]] gypsies, who play it for another century before ending up in Frederick Pope's possession.

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** The [[GraveRobbing]] GraveRobbing gypsies, who play it for another century before ending up in Frederick Pope's possession.

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* ChekovsGun: [[spoiler: To verify the violin's authenticity, Mme. Leroux (in Montreal) orders a replica of the violin that was made when it came into Frederick Pope's hand (Pope being the violin's most famous owner), in order to compare them. They're almost indistinguishable. Morritz later swaps out the real violin for the replica.]]

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* ChekovsGun: ChekhovsGun:
** There is a reason why the display of the Red Violin was delayed by a few seconds. [[spoiler: And it isn't the real one either.]]
**
[[spoiler: To verify the violin's authenticity, Mme. Leroux (in Montreal) orders a replica of the violin that was made when it came into Frederick Pope's hand (Pope being the violin's most famous owner), in order to compare them. They're almost indistinguishable. Morritz later swaps out the real violin for the replica.]]]]
* ChekhovsGunman: In the opening scenes, as Morritz enters the auction room, he passes by a man desperately trying to enter the auction itself. That man is Nicholas Olsberg, the representative from the Pope Foundation as revealed by the scenes in Oxford.


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* TimePassesMontage: Three of them.
** The collection of Choirboys from the orphanage in Austria who play the violin for 100 years.
** The [[GraveRobbing]] gypsies, who play it for another century before ending up in Frederick Pope's possession.
** Finally, the violin goes up on sale in a pawnshop where it is displayed for 30 years as the owner ages significantly.


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* WomanScorned: Victoria grabs a gun when she hears Frederick getting his ''inspiration'' from someone else.
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** Kaspar averts the trope, a polite and willing little boy who just wants to play music. M. Poussin, his mentor and patron, is certain that Kaspar's talent is worth every sous of debt that he incurs.

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** Kaspar averts the trope, a polite and willing little boy who just wants to play music. M. Poussin, his mentor and patron, is certain that Kaspar's talent is worth every sous ''sous'' of debt that he incurs.

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* ChekovsGun: [[spoiler: To verify the violin's authenticity, Mme. Leroux (in Montreal) orders a replica of the violin that was made when it came into Frederick Pope's hand (Pope being the violin's most famous owner), in order to compare them. They're almost indistinguishable. Morritz later swaps out the real violin for the replica.]]



* MuseAbuse: Frequently Played With throughout the movie, in different forms for different storylines.
** Kaspar averts the trope, a polite and willing little boy who just wants to play music. M. Poussin, his mentor and patron, is certain that Kaspar's talent is worth every sous of debt that he incurs.
** Frederick and Victoria are in a dangerously co-dependent relationship where they are each other's Muse and inspiration. This manifests in Frederick in an inability to function without Victoria, and Victoria shows extreme jealousy.
** Xiang's love for her mother's gift is so great that she puts her own life in danger to keep it.
** Morritz is not (primarily) an artist, but he starts pouring time, interest, and research into the Violin far beyond what an academic should do, risking estrangement from his family.



* [[PoweredByAForsakenChild Powered By A Forsaken Child... or Mother]]: The Red Violin. From when Cesca begins to read Anna's cards, it's unclear whether the future she reads is for Anna or her unborn son [[spoiler:-- and then, if the violin should be seen as carrying Anna's spirit or his.]]

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* [[PoweredByAForsakenChild Powered By A Forsaken Child... or Mother]]: The Red Violin. From when Cesca begins to read Anna's cards, the path she lays out strongly resembles the violin's life. But it's unclear whether the future she reads is for Anna or her unborn son [[spoiler:-- and then, if the violin should be seen as carrying Anna's spirit or his.]]
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* DoesThisRemindYouOfAnything: "Pope's Concert." In case the music itself wasn't zesty enough, Pope's performance is accented by little grunts, moans, sighs... and the audience members all begin to look uncomfortable... or, in the case of one female attendee, ''pleasantly'' uncomfortable...
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* ActorAllusion: Violinist Joshua Bell, who is world-renowned and played the violin parts on the soundtrack (and thus, most of the characters who play the titular violin were "played" by him), has a cameo as a violinist in the orchestra during Pope's recital. [[spoiler:He never actually gets to play the violin in this scene.]]
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* PetTheDog: Frederick Pope may be an arrogant jerk to his conductor and the rest of his orchestra, but he lets the gypsy camp stay on his land as long as they like, and even gives them free tickets to his performances, all in exchange for one violin of theirs.

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* PetTheDog: Frederick Pope may be an arrogant jerk to his conductor and the rest of his orchestra, but he lets the gypsy Romani camp stay on his land as long as they like, and even gives them free tickets to his performances, all in exchange for one violin of theirs.



** Frederick Pope of Oxford, some century and a half later, is a Byronic musical genius. His performances feature music composed on the spot in a fit of sexual inspiration, and hang the rest of the orchestra for prudes. The downside is that when his muse departs, he can barely function, let alone compose [[spoiler: and finds inspiration with a gypsy girl.]]

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** Frederick Pope of Oxford, some century and a half later, is a Byronic musical genius. His performances feature music composed on the spot in a fit of sexual inspiration, and hang the rest of the orchestra for prudes. The downside is that when his muse departs, he can barely function, let alone compose [[spoiler: and finds inspiration with a gypsy Romani girl.]]
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* GraveRobbing: [[spoiler:[[{{Gypsy}} Gypsies]] unearth the violin after it's buried with Kaspar and take it to England.]]

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* GraveRobbing: [[spoiler:[[{{Gypsy}} Gypsies]] A band of Romani]] unearth the violin after it's buried with Kaspar and take it to England.]]
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** When Ming, at the auction, first sees the red violin, he says [[spoiler: "That's not the one I remember."]] His wife assures him that he's mistaken.

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** When Ming, at the auction, first sees the red violin, he says [[spoiler: "That's not the one I remember."]] " His wife assures him that he's mistaken. mistaken.]]
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** When Ming, at the auction, first sees the red violin, he says [[spoiler: "That's not the one I remember."]]

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** When Ming, at the auction, first sees the red violin, he says [[spoiler: "That's not the one I remember."]]"]] His wife assures him that he's mistaken.

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