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Changed line(s) 58 (click to see context) from:
* SecretRelationship: The Prince of Wales' marriage to Mrs. Fitzherbert, which has to be kept secret because [[http://en.wikipedia.org/wiki/Royal_Marriages_Act_1772 royals can't get married without permission from the Crown]], and there's no chance of permission being given in this case because Mrs. Fitzherbert is both a commoner and a devoted Catholic. (For an heir to the British throne, marrying a commoner was obviously frowned upon, and [[http://www.britroyals.com/succession.htm marrying a Catholic was actually forbidden by law between 1701 and 2013]].)
to:
* SecretRelationship: The Prince of Wales' marriage to Mrs. Fitzherbert, which has to be kept secret because [[http://en.wikipedia.org/wiki/Royal_Marriages_Act_1772 British royals can't get married without permission from the Crown]], and there's no chance in hell of permission being given in this ''this'' case because Mrs. Fitzherbert is both a commoner and a devoted Catholic. (For an heir to the British throne, marrying a commoner was obviously frowned upon, and [[http://www.britroyals.com/succession.htm marrying a Catholic was actually forbidden by law between 1701 and 2013]].)
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Changed line(s) 7 (click to see context) from:
Contemporary audiences noted some obvious similarities between the film's [[UsefulNotes/TheHouseOfHanover House of Hanover]] and the twentieth-century [[TheHouseOfWindsor House of Windsor]], especially when it came to frustrated Princes of Wales. However, the film is as much a response to ''Theatre/KingLear'' as to modern royal foibles.
to:
Contemporary audiences noted some obvious similarities between the film's [[UsefulNotes/TheHouseOfHanover House of Hanover]] and the twentieth-century [[TheHouseOfWindsor [[UsefulNotes/TheHouseOfWindsor House of Windsor]], especially when it came to frustrated Princes of Wales. However, the film is as much a response to ''Theatre/KingLear'' as to modern royal foibles.
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Changed line(s) 7 (click to see context) from:
Contemporary audiences noted some obvious similarities between the film's [[TheHouseOfHanover House of Hanover]] and the twentieth-century [[TheHouseOfWindsor House of Windsor]], especially when it came to frustrated Princes of Wales. However, the film is as much a response to ''Theatre/KingLear'' as to modern royal foibles.
to:
Contemporary audiences noted some obvious similarities between the film's [[TheHouseOfHanover [[UsefulNotes/TheHouseOfHanover House of Hanover]] and the twentieth-century [[TheHouseOfWindsor House of Windsor]], especially when it came to frustrated Princes of Wales. However, the film is as much a response to ''Theatre/KingLear'' as to modern royal foibles.
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Changed line(s) 11,12 (click to see context) from:
* AdiposeRex: Prince George. He just gets bigger and bigger and bigger and bigger and bigger throughout this film.
** The Duke of York puts on weight during the film too.
** The Duke of York puts on weight during the film too.
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* AdiposeRex: AdiposeRex:
** Prince George. He just gets bigger and bigger and bigger and bigger andbigger throughout this film.
bigger.
** The Duke of York puts on weightduring the film too.
** Prince George. He just gets bigger and bigger and bigger and bigger and
** The Duke of York puts on weight
Changed line(s) 52 (click to see context) from:
* OhCrap: The Prince of Wales' response when the King shows up again, defusing the crisis.
to:
* OhCrap: OhCrap:
** The Prince of Wales' response when the King shows up again, defusing the crisis.
** The Prince of Wales' response when the King shows up again, defusing the crisis.
Changed line(s) 59 (click to see context) from:
* SoundtrackDissonance: Handel's "Zadok the Priest" (traditionally used at coronations) plays when the king is first bound to the chair.
to:
* SoundtrackDissonance: SoundtrackDissonance:
** Handel's "Zadok the Priest" (traditionally used at coronations) plays when the king is first bound to the chair.
** Handel's "Zadok the Priest" (traditionally used at coronations) plays when the king is first bound to the chair.
Changed line(s) 69,70 (click to see context) from:
* VerbalTic: What, what? Hey, hey!
** The verbal tics are a sign that George is ''normal''.
** The verbal tics are a sign that George is ''normal''.
to:
* VerbalTic: What, what? Hey, hey!
**hey! The verbal tics are a sign that George is ''normal''.
**
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trivia migration
Deleted line(s) 30 (click to see context) :
* HeyItsThatGuy: You might recognize King George as his descendant Elizabeth's most loyal civil servant [[YesMinister Sir Humphrey Appleby]].
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* BoundAndGagged: In a cruel mockery of the coronation, George III is gagged and bound to a chair when he "misbehaves."
** The whole treatment of King George in the hands of Francis Willis (and other doctors) is sadly [[TruthInTelevision Truth in Television]]. Obviously Willis was the first to use straightjacketing, and it made scandal at the time because it violated the person of the King. But when George went better and was declared cured Willis was acclaimed as a hero.
** The whole treatment of King George in the hands of Francis Willis (and other doctors) is sadly [[TruthInTelevision Truth in Television]]. Obviously Willis was the first to use straightjacketing, and it made scandal at the time because it violated the person of the King. But when George went better and was declared cured Willis was acclaimed as a hero.
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* BoundAndGagged: In a cruel mockery of the coronation, George III is gagged and bound to a chair when he "misbehaves."
**" The whole treatment of King George in the hands of Francis Willis (and other doctors) is sadly [[TruthInTelevision Truth in Television]]. Obviously Willis was the first to use straightjacketing, and it made scandal at the time because it violated the person of the King. But when George went better and was declared cured Willis was acclaimed as a hero.
**
Changed line(s) 29,30 (click to see context) from:
* GenreBlindness: Thurlow completely fails to realize that he's in ''Theatre/KingLear''.
** Except at the end when he ''gets it'' ("If only the messenger had moved quicker!")... and rushes to Pitt and the rest of Parliament with the good news just before the Regency bill could be passed.
** Except at the end when he ''gets it'' ("If only the messenger had moved quicker!")... and rushes to Pitt and the rest of Parliament with the good news just before the Regency bill could be passed.
to:
* GenreBlindness: Thurlow completely fails to realize that he's in ''Theatre/KingLear''.
**''Theatre/KingLear''. Except at the end when he ''gets it'' ("If only the messenger had moved quicker!")... and rushes to Pitt and the rest of Parliament with the good news just before the Regency bill could be passed.
**
Changed line(s) 53,55 (click to see context) from:
* NoGoodDeedGoesUnpunished: Of all the characters, Captain Greville is, by far, the nicest to George III; therefore, it should come as no surprise that [[spoiler: the king fires him at the end of the film.]]
** [[spoiler: To be fair, this was because the higher ranking staff get reassigned elsewhere since they've seen the king at his worst and it would make for a very awkward environment otherwise, and some are paid off handsomely.]] No, the sad thing about Greville [[spoiler: is that his 'relationship' with the Lady Pembroke ends and he figures out he'd been used by her to protect the King's reputation.]]
** As Fitzroy explains, Greville was sacked because he served the King out of personal feeling of kindness rather than duty. He went beyond his duty as the King's Squire to help him by pity and he invested himself emotionally to the King's well-being. Cue his clumsy early comment in front of the King's doctor that [[spoiler:The King is only a man]], which probably also made him suspicious to some of his superiors.
** [[spoiler: To be fair, this was because the higher ranking staff get reassigned elsewhere since they've seen the king at his worst and it would make for a very awkward environment otherwise, and some are paid off handsomely.]] No, the sad thing about Greville [[spoiler: is that his 'relationship' with the Lady Pembroke ends and he figures out he'd been used by her to protect the King's reputation.]]
** As Fitzroy explains, Greville was sacked because he served the King out of personal feeling of kindness rather than duty. He went beyond his duty as the King's Squire to help him by pity and he invested himself emotionally to the King's well-being. Cue his clumsy early comment in front of the King's doctor that [[spoiler:The King is only a man]], which probably also made him suspicious to some of his superiors.
to:
* NoGoodDeedGoesUnpunished: Of all the characters, Captain Greville is, by far, the nicest to George III; therefore, it should come as no surprise that [[spoiler: the king fires him at the end of the film.]]
** [[spoiler: To be fair, this was because the higher ranking staff get reassigned elsewhere since they've seen the king at his worstfilm and it would make for a very awkward environment otherwise, and some are paid off handsomely.]] No, the sad thing about Greville [[spoiler: is that his 'relationship' with the Lady Pembroke ends and he figures out he'd been used by her to protect the King's reputation.]]
** As Fitzroy explains, Greville was sacked because he served the King out of personal feeling of kindness rather than duty. He went beyond his duty as the King's Squire to help him by pity and he invested himself emotionally to the King's well-being. Cue his clumsy early comment in front of the King's doctor that [[spoiler:The King is only a man]], which probably also made him suspicious to some of his superiors.reputation]].
** [[spoiler: To be fair, this was because the higher ranking staff get reassigned elsewhere since they've seen the king at his worst
** As Fitzroy explains, Greville was sacked because he served the King out of personal feeling of kindness rather than duty. He went beyond his duty as the King's Squire to help him by pity and he invested himself emotionally to the King's well-being. Cue his clumsy early comment in front of the King's doctor that [[spoiler:The King is only a man]], which probably also made him suspicious to some of his superiors.
Changed line(s) 59,60 (click to see context) from:
* PragmaticAdaptation: The politicians have much more to do in the original play. Sheridan and Dundas, for example, are actual roles, not bit parts. For the film, Bennett cut back on the politics to achieve a tighter focus on the King's madness.
** Bennett actually began chopping bits and pieces out of the political plot during the play's US tour.
** Bennett actually began chopping bits and pieces out of the political plot during the play's US tour.
to:
* PragmaticAdaptation: The politicians have much more to do in the original play. Sheridan and Dundas, for example, are actual roles, not bit parts. For the film, Bennett cut back on the politics to achieve a tighter focus on the King's madness.
** Bennettmadness. (Bennett actually began chopping bits and pieces out of the political plot during the play's US tour.)
** Bennett
Changed line(s) 62,66 (click to see context) from:
* SecretRelationship: The Prince of Wales' marriage to Mrs. Fitzherbert.
** For those who slept through history class: Maria Fitzherbert was a commoner AND a devoted Catholic. Both points prevented a current member of the British Royals from marrying someone like her until the 21st century (well, you ''could'' marry a commoner, but the looks of scorn from the titled nobility wouldn't be worth it). Worse yet: Royals can't get married - [[http://en.wikipedia.org/wiki/Royal_Marriages_Act_1772 not then nor now]] - without permission from the Crown.
*** The sad fact is that the movie hints that Mrs. Fitzherbert might have been ''the best thing'' in the prince's life, and could have been a decent queen if she'd only been given the chance.
*** At least as far as the "marrying a commoner" part goes, the current second-in-line for the British throne has opted to do just that, with some [[BlatantLies small interest]] [[SarcasmMode from the]] [[http://royalwedding.yahoo.com/ international press.]] [[http://www.britroyals.com/succession.htm Those in line for the thrones still couldn't marry Catholics until 2013, though.]]
*** And the Crown can get around the "marrying a commoner" bit by granting title to the bride or family. As long as they do it ''before'' the wedding...
** For those who slept through history class: Maria Fitzherbert was a commoner AND a devoted Catholic. Both points prevented a current member of the British Royals from marrying someone like her until the 21st century (well, you ''could'' marry a commoner, but the looks of scorn from the titled nobility wouldn't be worth it). Worse yet: Royals can't get married - [[http://en.wikipedia.org/wiki/Royal_Marriages_Act_1772 not then nor now]] - without permission from the Crown.
*** The sad fact is that the movie hints that Mrs. Fitzherbert might have been ''the best thing'' in the prince's life, and could have been a decent queen if she'd only been given the chance.
*** At least as far as the "marrying a commoner" part goes, the current second-in-line for the British throne has opted to do just that, with some [[BlatantLies small interest]] [[SarcasmMode from the]] [[http://royalwedding.yahoo.com/ international press.]] [[http://www.britroyals.com/succession.htm Those in line for the thrones still couldn't marry Catholics until 2013, though.]]
*** And the Crown can get around the "marrying a commoner" bit by granting title to the bride or family. As long as they do it ''before'' the wedding...
to:
* SecretRelationship: The Prince of Wales' marriage to Mrs. Fitzherbert.
** For those who slept through history class: Maria Fitzherbert was a commoner AND a devoted Catholic. Both points prevented a current member of the British Royals from marrying someone like her until the 21st century (well, you ''could'' marry a commoner, but the looks of scorn from the titled nobility wouldn'tFitzherbert, which has to be worth it). Worse yet: Royals can't get married - kept secret because [[http://en.wikipedia.org/wiki/Royal_Marriages_Act_1772 not then nor now]] - royals can't get married without permission from the Crown.
*** The sad fact is that the movie hints thatCrown]], and there's no chance of permission being given in this case because Mrs. Fitzherbert might have been ''the best thing'' in the prince's life, is both a commoner and could have been a decent queen if she'd only been given the chance.
*** At least as far as the "marrying a commoner" part goes, the current second-in-line fordevoted Catholic. (For an heir to the British throne has opted to do just that, with some [[BlatantLies small interest]] [[SarcasmMode from the]] [[http://royalwedding.yahoo.com/ international press.]] throne, marrying a commoner was obviously frowned upon, and [[http://www.britroyals.com/succession.htm Those in line for the thrones still couldn't marry Catholics until 2013, though.]]
*** And the Crown can get around the "marryingmarrying a commoner" bit Catholic was actually forbidden by granting title to the bride or family. As long as they do it ''before'' the wedding...law between 1701 and 2013]].)
** For those who slept through history class: Maria Fitzherbert was a commoner AND a devoted Catholic. Both points prevented a current member of the British Royals from marrying someone like her until the 21st century (well, you ''could'' marry a commoner, but the looks of scorn from the titled nobility wouldn't
*** The sad fact is that the movie hints that
*** At least as far as the "marrying a commoner" part goes, the current second-in-line for
*** And the Crown can get around the "marrying
Deleted line(s) 79,80 (click to see context) :
* UngratefulBastard: At the end, the King [[spoiler: fires all of the footmen, along with Captain Greville, and begrudges the annuity he has to pay Dr. Willis.]]
** He had to. The servants had seen the King at his worst, and keeping them on could have created some uncomfortable moments. It's implied most of them will get cushy jobs elsewhere.
** He had to. The servants had seen the King at his worst, and keeping them on could have created some uncomfortable moments. It's implied most of them will get cushy jobs elsewhere.
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Changed line(s) 16 (click to see context) from:
* BittersweetEnding: The King is cured and the Prince of Wales is thwarted - [[spoiler:but Greville and all the loyal retainers are sacked, Greville learns Lady Pembroke was just using him,]] and anyone who knows their history will be aware that George will have another relapse and be permanently mad by 1810.
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* BittersweetEnding: The King is cured and the Prince of Wales is thwarted - [[spoiler:but Greville and all the loyal retainers are sacked, Greville learns Lady Pembroke was just using him,]] and anyone who knows their history will be aware that George will have another relapse and be permanently mad by 1810.1810, meaning his son will become Prince Regent in any case.
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* BittersweetEnding: The King is cured and the Prince of Wales is thwarted - [[spoiler:but Greville and all the loyal retainers are sacked, Greville learns Lady Pembroke was just using him,]] and anyone who knows their history will be aware that George will have another relapse and be permanently mad by 1810.
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Changed line(s) 53,54 (click to see context) from:
** [[spoiler: the higher ranking staff gets reassigned elsewhere, and some are paid off handsomely.]] No, the sad thing about Greville [[spoiler: is that his 'relationship' with the Lady Pembroke ends and he figures out he'd been used by her to protect the King's reputation.]]
** As Fitzroy explains, Greville was sacked because his served the King out of personal feeling of kindness rather than duty. He went beyond his duty as the King's Squire to help him by pity and he invested himself emotionally to the King's well-being. Cue his clumsy early comment in front of the King's doctor that [[spoiler:The King is only a man]], which probably also made him suspicious to some of his superiors.
** As Fitzroy explains, Greville was sacked because his served the King out of personal feeling of kindness rather than duty. He went beyond his duty as the King's Squire to help him by pity and he invested himself emotionally to the King's well-being. Cue his clumsy early comment in front of the King's doctor that [[spoiler:The King is only a man]], which probably also made him suspicious to some of his superiors.
to:
** [[spoiler: To be fair, this was because the higher ranking staff gets get reassigned elsewhere, elsewhere since they've seen the king at his worst and it would make for a very awkward environment otherwise, and some are paid off handsomely.]] No, the sad thing about Greville [[spoiler: is that his 'relationship' with the Lady Pembroke ends and he figures out he'd been used by her to protect the King's reputation.]]
** As Fitzroy explains, Greville was sacked becausehis he served the King out of personal feeling of kindness rather than duty. He went beyond his duty as the King's Squire to help him by pity and he invested himself emotionally to the King's well-being. Cue his clumsy early comment in front of the King's doctor that [[spoiler:The King is only a man]], which probably also made him suspicious to some of his superiors.
** As Fitzroy explains, Greville was sacked because
Changed line(s) 63,64 (click to see context) from:
*** The movie hints that Mrs. Fitzherbert might have been ''the best thing'' in the prince's life and could have been a decent queen.
*** At least as far as the "marrying a commoner" part goes, the current second-in-line for the British throne has opted to do just that, with some [[BlatantLies small interest]] [[SarcasmMode from the]] [[http://royalwedding.yahoo.com/ international press.]] [[http://www.britroyals.com/succession.htm They still couldn't marry Catholics until 2013, though.]]
*** At least as far as the "marrying a commoner" part goes, the current second-in-line for the British throne has opted to do just that, with some [[BlatantLies small interest]] [[SarcasmMode from the]] [[http://royalwedding.yahoo.com/ international press.]] [[http://www.britroyals.com/succession.htm They still couldn't marry Catholics until 2013, though.]]
to:
*** The sad fact is that the movie hints that Mrs. Fitzherbert might have been ''the best thing'' in the prince's life life, and could have been a decent queen.
queen if she'd only been given the chance.
*** At least as far as the "marrying a commoner" part goes, the current second-in-line for the British throne has opted to do just that, with some [[BlatantLies small interest]] [[SarcasmMode from the]] [[http://royalwedding.yahoo.com/ international press.]] [[http://www.britroyals.com/succession.htmThey Those in line for the thrones still couldn't marry Catholics until 2013, though.]]
*** At least as far as the "marrying a commoner" part goes, the current second-in-line for the British throne has opted to do just that, with some [[BlatantLies small interest]] [[SarcasmMode from the]] [[http://royalwedding.yahoo.com/ international press.]] [[http://www.britroyals.com/succession.htm
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Changed line(s) 64 (click to see context) from:
*** At least as far as the "marrying a commoner" part goes, the current second-in-line for the British throne has opted to do just that, with some [[BlatantLies small interest]] [[SarcasmMode from the]] [[http://royalwedding.yahoo.com/ international press.]] They still can't marry Catholics, though.
to:
*** At least as far as the "marrying a commoner" part goes, the current second-in-line for the British throne has opted to do just that, with some [[BlatantLies small interest]] [[SarcasmMode from the]] [[http://royalwedding.yahoo.com/ international press.]] [[http://www.britroyals.com/succession.htm They still can't couldn't marry Catholics, Catholics until 2013, though.]]
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Changed line(s) 62 (click to see context) from:
** For those who slept through history class: Maria Fitzherbert was a commoner AND a devoted Catholic. Both points would prevent a current member of the British Royals from marrying someone like her ''even today'' (well, you ''could'' marry a commoner, but the looks of scorn from the titled nobility wouldn't be worth it). Worse yet: Royals can't get married - [[http://en.wikipedia.org/wiki/Royal_Marriages_Act_1772 not then nor now]] - without permission from the Crown.
to:
** For those who slept through history class: Maria Fitzherbert was a commoner AND a devoted Catholic. Both points would prevent prevented a current member of the British Royals from marrying someone like her ''even today'' until the 21st century (well, you ''could'' marry a commoner, but the looks of scorn from the titled nobility wouldn't be worth it). Worse yet: Royals can't get married - [[http://en.wikipedia.org/wiki/Royal_Marriages_Act_1772 not then nor now]] - without permission from the Crown.
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* AdiposeRex: Prince George. He just gets bigger and bigger and bigger and bigger and bigger throughout this film.
** The Duke of York puts on weight during the film too.
** The Duke of York puts on weight during the film too.
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* YouWatchTooMuchX: Pitt's anxieties about the King's likely fate prompt this response from Thurlow.
---> '''Thurlow''': You've been reading too many novels.
---> '''Thurlow''': You've been reading too many novels.
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Changed line(s) 80 (click to see context) from:
* ViewersAreMorons: NOT an example, despite what many will tell you. There is persistent rumour that the title was changed from ''The Madness of George III'' to ''The Madness of King George'' because they thought American audiences would think it was a sequel. The change was for American eyes, but the intent was merely to make it clear to a country that's never had royalty that the movie was about a king. When English audiences see a first name followed by a Roman numeral, they immediately think 'king'. Americans have no such coding.
to:
* ViewersAreMorons: NOT an example, despite what many will tell you. There is persistent rumour that the title was changed from ''The Madness of George III'' to ''The Madness of King George'' because they thought American audiences would think it was a sequel. The change was for American eyes, but the intent was merely to make it clear to a country that's never had royalty that the movie was about a king. When English audiences see a first name followed by a Roman numeral, they immediately think 'king'. Americans have no such coding. Also, George III is the single person who Americans are most likely to think of if you mention "King George", for [[UsefulNotes/TheAmericanRevolution obvious reasons]].
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* TheCameo: Several performers from the Royal National's original and touring productions have bit parts, including the original Sheridan (the pig farmer) and the touring Queen Charlotte (the madwoman at Willis' farm) and Prince of Wales (the Black Rod).
* CompositeCharacter: Chunks of Sheridan's and Dundas' dialogue in the play have been reassigned to Pitt and Thurlow.
* CompositeCharacter: Chunks of Sheridan's and Dundas' dialogue in the play have been reassigned to Pitt and Thurlow.
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* EyeTake: Pitt does this a few times, most notably when Willis confesses that he has never read Shakespeare. Sometimes combined with FascinatingEyebrow.
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* HistoricalVillainUpgrade: Bennett caricatures Fox's politics in order to exaggerate his (very real, very famous) rivalry with Pitt.
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Fridges don\'t belong in trope lists. The real George\'s opinion of Shakespeare is not relevant to the question of whether the work includes Shakespeare shout-outs.
Changed line(s) 61,62 (click to see context) from:
* ShoutOutToShakespeare: to ''Theatre/KingLear'', obviously. In real life, King George didn't enjoy Shakespeare much.[[hottip:*: "Was there ever such stuff as great part of Shakespeare? Only one must not say so! But what think you? What? Is there not sad stuff? What? What?"]]
** But he uses ''Lear'' [[FridgeBrilliance to get Thurlow aware of how it relates to what's happening to the King]], and gets the side-switching minister back on his side.
** But he uses ''Lear'' [[FridgeBrilliance to get Thurlow aware of how it relates to what's happening to the King]], and gets the side-switching minister back on his side.
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* ShoutOutToShakespeare: to ''Theatre/KingLear'', obviously. In real life, King George didn't enjoy Shakespeare much.[[hottip:*: "Was there ever such stuff as great part of Shakespeare? Only one must not say so! But what think you? What? Is there not sad stuff? What? What?"]]
** But heTo ''Theatre/KingLear''. He uses ''Lear'' [[FridgeBrilliance to get Thurlow aware of how it relates to what's happening to the King]], King, and gets the side-switching minister back on his side.
** But he
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Changed line(s) 61 (click to see context) from:
* ShoutOutToShakespeare: to ''Theatre/KingLear'', obviously. In real life, King George didn't enjoy Shakespeare much.[[hottip:*: "Was there ever such stuff as great part of Shakespeare? Only one must not say so!"]]
to:
* ShoutOutToShakespeare: to ''Theatre/KingLear'', obviously. In real life, King George didn't enjoy Shakespeare much.[[hottip:*: "Was there ever such stuff as great part of Shakespeare? Only one must not say so!"]]so! But what think you? What? Is there not sad stuff? What? What?"]]
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Changed line(s) 61 (click to see context) from:
* ShoutOutToShakespeare: to ''Theatre/KingLear'', obviously. In real life, King George didn't enjoy Shakespeare much.
to:
* ShoutOutToShakespeare: to ''Theatre/KingLear'', obviously. In real life, King George didn't enjoy Shakespeare much.[[hottip:*: "Was there ever such stuff as great part of Shakespeare? Only one must not say so!"]]
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* EmpathicEnvironment: The King's madness tracks the changing seasons.
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Changed line(s) 5,6 (click to see context) from:
A little over two centuries later, the playwright Alan Bennett turned this material into ''Theatre/TheMadnessOfGeorgeIII'' (1991), which proved to be an international hit. Bennett and director Nicholas Hytner adapted it to film as ''The Madness of King George'' (1994); the film had a successful art house run and earned an Oscar nomination (not to mention some very belated recognition) for its star, Nigel Hawthorne. HelenMirren was also nominated for an Oscar as "Best Actress in a Supporting Role", for her portayal of Charlotte of Mecklenburg-Strelitz, George III's Queen consort.
to:
A little over two centuries later, the playwright Alan Bennett turned this material into ''Theatre/TheMadnessOfGeorgeIII'' (1991), which proved to be an international hit. Bennett and director Nicholas Hytner adapted it to film as ''The Madness of King George'' (1994); the film had a successful art house run and earned an Oscar nomination (not to mention some very belated recognition) for its star, Nigel Hawthorne. HelenMirren Creator/HelenMirren was also nominated for an Oscar as "Best Actress in a Supporting Role", for her portayal of Charlotte of Mecklenburg-Strelitz, George III's Queen consort.
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Removing wick to Did Not Do The Research per rename at TRS.
Deleted line(s) 19,20 (click to see context) :
* DidNotDoTheResearch: A small, blink-and-you'll-miss-it instance. Early on, George III is bemoaning the loss of the American colonies. The camera at one point shows a globe turned to display the new United States. The problem is that the borders of the U.S. shown are those as of the Louisiana Purchase of 1803; the movie is set in 1788, at which point the U.S. did not occupy any territory west of the Mississippi River.
** This scene is arguably also an example in that George III apparently never dwelt negatively on American independence after it happened and advocated friendship with the new United States.
** This scene is arguably also an example in that George III apparently never dwelt negatively on American independence after it happened and advocated friendship with the new United States.
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Namespace changed.
Changed line(s) 3,4 (click to see context) from:
In late 1788, George III once again began showing signs of the mysterious mental illness that had first plagued him in the 1760s. Politicians, scenting the possibility of change, homed in for the kill. So, for that matter, did the king's much-disliked son and heir, the Prince of Wales. But in 1789, just as the Prince was on the verge of becoming Regent...the king made a miraculous (and mysterious) recovery.
to:
In late 1788, George III once again began showing signs of the mysterious mental illness that had first plagued him in the 1760s. Politicians, scenting the possibility of change, homed in for the kill. So, for that matter, did the king's much-disliked son and heir, the Prince of Wales. But in 1789, just as the Prince was on the verge of becoming Regent...the king made a miraculous (and mysterious) recovery.
recovery.
Changed line(s) 11 (click to see context) from:
* BearerOfBadNews: Captain Fitzroy does this quite a lot, although he's clearly enjoying himself.
to:
* BearerOfBadNews: Captain Fitzroy does this quite a lot, although he's clearly enjoying himself.
Changed line(s) 13,15 (click to see context) from:
* BerserkButton: The Prince of Wales is this to King George... regardless of his sanity or not. And when he finds out - once his wits are about him - that his worthless son had gotten ''married without permission''...
* {{Blackmail}}: Lord Chancellor Thurlow uses the Prince's marriage to blackmail Fox.
* BoundAndGagged: In a cruel mockery of the coronation, George III is gagged and bound to a chair when he "misbehaves."
* {{Blackmail}}: Lord Chancellor Thurlow uses the Prince's marriage to blackmail Fox.
* BoundAndGagged: In a cruel mockery of the coronation, George III is gagged and bound to a chair when he "misbehaves."
to:
* BerserkButton: The Prince of Wales is this to King George... regardless of his sanity or not. And when he finds out - once his wits are about him - that his worthless son had gotten ''married without permission''...
permission''...
* {{Blackmail}}: Lord Chancellor Thurlow uses the Prince's marriage to blackmailFox.
Fox.
* BoundAndGagged: In a cruel mockery of the coronation, George III is gagged and bound to a chair when he "misbehaves." "
* {{Blackmail}}: Lord Chancellor Thurlow uses the Prince's marriage to blackmail
* BoundAndGagged: In a cruel mockery of the coronation, George III is gagged and bound to a chair when he "misbehaves.
Changed line(s) 17,18 (click to see context) from:
* CreatorCameo: That's author Alan Bennett as the nasal MP who starts speechifying just as George III rolls up in his coach.
* DeadpanSnarker: Fortnum; Pitt, on occasion.
* DeadpanSnarker: Fortnum; Pitt, on occasion.
to:
* CreatorCameo: That's author Alan Bennett as the nasal MP who starts speechifying just as George III rolls up in his coach.
coach.
* DeadpanSnarker: Fortnum; Pitt, on occasion.
* DeadpanSnarker: Fortnum; Pitt, on occasion.
Changed line(s) 21,23 (click to see context) from:
* DramaticIrony: The happy ending is not, in fact, a happy ending, because George III will go mad again (permanently so by 1810).
* DysfunctionalFamily: The Prince of Wales vs. Ma and Pa.
* TheEvilPrince: The Prince of Wales, although the film does convey his understandable frustration.
* DysfunctionalFamily: The Prince of Wales vs. Ma and Pa.
* TheEvilPrince: The Prince of Wales, although the film does convey his understandable frustration.
to:
* DramaticIrony: The happy ending is not, in fact, a happy ending, because George III will go mad again (permanently so by 1810).
1810).
* DysfunctionalFamily: The Prince of Wales vs. Ma andPa.
Pa.
* TheEvilPrince: The Prince of Wales, although the film does convey his understandable frustration.
* DysfunctionalFamily: The Prince of Wales vs. Ma and
* TheEvilPrince: The Prince of Wales, although the film does convey his understandable frustration.
Changed line(s) 29,30 (click to see context) from:
* HistoricalDomainCharacter: Virtually the entire cast of characters, except for Captain Fitzroy.
* HoneyTrap: To gain access to the King, the Queen sends Lady Pembroke off to seduce [[spoiler: Captain Greville.]]
* HoneyTrap: To gain access to the King, the Queen sends Lady Pembroke off to seduce [[spoiler: Captain Greville.]]
to:
* HistoricalDomainCharacter: Virtually the entire cast of characters, except for Captain Fitzroy.
Fitzroy.
* HoneyTrap: To gain access to the King, the Queen sends Lady Pembroke off to seduce [[spoiler: Captain Greville.]] ]]
* HoneyTrap: To gain access to the King, the Queen sends Lady Pembroke off to seduce [[spoiler: Captain Greville.
Changed line(s) 34 (click to see context) from:
* ImpededMessenger: Both averted and [[{{Lampshade}} lampshaded]] in Thurlow's race to Parliament before the Regency bill passes.
to:
* ImpededMessenger: Both averted and [[{{Lampshade}} lampshaded]] in Thurlow's race to Parliament before the Regency bill passes.
Changed line(s) 45,46 (click to see context) from:
* MeaningfulName: Fitzroy, a name originally given to a king's illegitimate child.
* MeddlingParents: The King and Queen keep close tabs on what their adult children are doing. Too close, as far as the Prince of Wales is concerned...
* MeddlingParents: The King and Queen keep close tabs on what their adult children are doing. Too close, as far as the Prince of Wales is concerned...
to:
* MeaningfulName: Fitzroy, a name originally given to a king's illegitimate child.
child.
* MeddlingParents: The King and Queen keep close tabs on what their adult children are doing. Too close, as far as the Prince of Wales is concerned...
* MeddlingParents: The King and Queen keep close tabs on what their adult children are doing. Too close, as far as the Prince of Wales is concerned...
Changed line(s) 49,50 (click to see context) from:
** As Fitzroy explains, Greville was sacked because his served the King out of personal feeling of kindness rather than duty. He went beyond his duty as the King's Squire to help him by pity and he invested himself emotionally to the King's well-being. Cue his clumsy early comment in front of the King's doctor that [[spoiler:The King is only a man]], which probably also made him suspicious to some of his superiors.
* NotHimself: One of the big themes--the King returns to sanity when he begins to "seem himself."
* NotHimself: One of the big themes--the King returns to sanity when he begins to "seem himself."
to:
** As Fitzroy explains, Greville was sacked because his served the King out of personal feeling of kindness rather than duty. He went beyond his duty as the King's Squire to help him by pity and he invested himself emotionally to the King's well-being. Cue his clumsy early comment in front of the King's doctor that [[spoiler:The King is only a man]], which probably also made him suspicious to some of his superiors.
superiors.
* NotHimself: One of the big themes--the King returns to sanity when he begins to "seem himself." "
* NotHimself: One of the big themes--the King returns to sanity when he begins to "seem himself.
Changed line(s) 54 (click to see context) from:
** Bennett actually began chopping bits and pieces out of the political plot during the play's US tour.
to:
** Bennett actually began chopping bits and pieces out of the political plot during the play's US tour.
Changed line(s) 62 (click to see context) from:
* ShoutOutToShakespeare: to ''KingLear'', obviously. In real life, King George didn't enjoy Shakespeare much.
to:
* ShoutOutToShakespeare: to ''KingLear'', ''Theatre/KingLear'', obviously. In real life, King George didn't enjoy Shakespeare much.
Changed line(s) 65,67 (click to see context) from:
** The king also breaks down completely during a concert devoted to Handel's music.
* TheStoic: Pitt.
* StrawmanPolitical: Republicanism (as in opposition to monarchical government, not the GOP) is the film's whipping boy.
* TheStoic: Pitt.
* StrawmanPolitical: Republicanism (as in opposition to monarchical government, not the GOP) is the film's whipping boy.
to:
** The king also breaks down completely during a concert devoted to Handel's music.
music.
* TheStoic:Pitt.
Pitt.
* StrawmanPolitical: Republicanism (as in opposition to monarchical government, not the GOP) is the film's whipping boy.
* TheStoic:
* StrawmanPolitical: Republicanism (as in opposition to monarchical government, not the GOP) is the film's whipping boy.
Changed line(s) 70 (click to see context) from:
** Thurlow twists and turns all over the place.
to:
** Thurlow twists and turns all over the place.
Changed line(s) 73 (click to see context) from:
** Captain Fitzroy also jumps both ways, although he is more interested in the King as a ''position'' than he is in his own career.
to:
** Captain Fitzroy also jumps both ways, although he is more interested in the King as a ''position'' than he is in his own career.
Is there an issue? Send a MessageReason:
Appears to be misuse of First Person Peripheral Narrator
Deleted line(s) 35,36 (click to see context) :
* TheIshmael: Captain Greville.
** TruthInTelevision, as Bennett used Greville's memoirs as one of his sources.
** TruthInTelevision, as Bennett used Greville's memoirs as one of his sources.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Except at the end when he ''gets it'' ("If only the messenger had moved quicker!")... and rushes to Pitt and the rest of Parliament with the good news just before the Regency bill could be passed.
Is there an issue? Send a MessageReason:
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Changed line(s) 52 (click to see context) from:
* OhCrap: The Prince of Wales' response when the King shows up again.
to:
* OhCrap: The Prince of Wales' response when the King shows up again. again, defusing the crisis.
** The prince shows an even bigger OhCrap when his father approaches him in private and says matter-of-factly "Married, sir?" See SecretRelationship below.
** The prince shows an even bigger OhCrap when his father approaches him in private and says matter-of-factly "Married, sir?" See SecretRelationship below.
Is there an issue? Send a MessageReason:
None
Changed line(s) 61 (click to see context) from:
* ShoutOut: Fortnum exits to open a shop that sounds suspiciously like Fortnum & Mason. (It isn't--Fortnum & Mason opened in 1707, although the earlier Fortnum was also a royal footman.)
to:
* ShoutOut: Fortnum exits to open a shop that sounds suspiciously like Fortnum & Mason. (It isn't--Fortnum & Mason opened in 1707, although the earlier Fortnum was also a royal footman.) )
* ShoutOutToShakespeare: to ''KingLear'', obviously. In real life, King George didn't enjoy Shakespeare much.
** But he uses ''Lear'' [[FridgeBrilliance to get Thurlow aware of how it relates to what's happening to the King]], and gets the side-switching minister back on his side.
* ShoutOutToShakespeare: to ''KingLear'', obviously. In real life, King George didn't enjoy Shakespeare much.
** But he uses ''Lear'' [[FridgeBrilliance to get Thurlow aware of how it relates to what's happening to the King]], and gets the side-switching minister back on his side.
Is there an issue? Send a MessageReason:
Changed line(s) 5,6 (click to see context) from:
A little over two centuries later, the playwright Alan Bennett turned this material into ''The Madness of George III'' (1991), which proved to be an international hit. Bennett and director Nicholas Hytner adapted it to film as ''The Madness of King George'' (1994); the film had a successful art house run and earned an Oscar nomination (not to mention some very belated recognition) for its star, Nigel Hawthorne. HelenMirren was also nominated for an Oscar as "Best Actress in a Supporting Role", for her portayal of Charlotte of Mecklenburg-Strelitz, George III's Queen consort.
to:
A little over two centuries later, the playwright Alan Bennett turned this material into ''The Madness of George III'' ''Theatre/TheMadnessOfGeorgeIII'' (1991), which proved to be an international hit. Bennett and director Nicholas Hytner adapted it to film as ''The Madness of King George'' (1994); the film had a successful art house run and earned an Oscar nomination (not to mention some very belated recognition) for its star, Nigel Hawthorne. HelenMirren was also nominated for an Oscar as "Best Actress in a Supporting Role", for her portayal of Charlotte of Mecklenburg-Strelitz, George III's Queen consort.
Deleted line(s) 11 (click to see context) :
* TheAlcoholic: Pitt, in the play (the film only mentions this in passing).
Changed line(s) 28,29 (click to see context) from:
* HistoricalBeautyUpdate: In the film, Queen Charlotte and Lady Pembroke. William Pitt the Younger, too, although that's a matter of casting instead of the script.
** Averted in the play, however.
** Averted in the play, however.
to:
* HistoricalBeautyUpdate: In the film, Queen Charlotte and Lady Pembroke. William Pitt the Younger, too, although that's a matter of casting instead of the script. \n** Averted in the play, however.
Changed line(s) 57,58 (click to see context) from:
* RoyallyScrewedUp: By porphyria, according to both film and play.
** Explained by a combination of FlashForward and BreakingTheFourthWall in the play.
** Explained by a combination of FlashForward and BreakingTheFourthWall in the play.
to:
* RoyallyScrewedUp: By porphyria, according to both film and play.
** Explained by a combination of FlashForward and BreakingTheFourthWall in the play.porphyria.
** Explained by a combination of FlashForward and BreakingTheFourthWall in the play.
Is there an issue? Send a MessageReason:
Added DiffLines:
[[quoteright:333:http://static.tvtropes.org/pmwiki/pub/images/MadnessofKingGeorge_6098.jpg]]
In late 1788, George III once again began showing signs of the mysterious mental illness that had first plagued him in the 1760s. Politicians, scenting the possibility of change, homed in for the kill. So, for that matter, did the king's much-disliked son and heir, the Prince of Wales. But in 1789, just as the Prince was on the verge of becoming Regent...the king made a miraculous (and mysterious) recovery.
A little over two centuries later, the playwright Alan Bennett turned this material into ''The Madness of George III'' (1991), which proved to be an international hit. Bennett and director Nicholas Hytner adapted it to film as ''The Madness of King George'' (1994); the film had a successful art house run and earned an Oscar nomination (not to mention some very belated recognition) for its star, Nigel Hawthorne. HelenMirren was also nominated for an Oscar as "Best Actress in a Supporting Role", for her portayal of Charlotte of Mecklenburg-Strelitz, George III's Queen consort.
Contemporary audiences noted some obvious similarities between the film's [[TheHouseOfHanover House of Hanover]] and the twentieth-century [[TheHouseOfWindsor House of Windsor]], especially when it came to frustrated Princes of Wales. However, the film is as much a response to ''Theatre/KingLear'' as to modern royal foibles.
----
!!This film provides examples of:
* TheAlcoholic: Pitt, in the play (the film only mentions this in passing).
* BearerOfBadNews: Captain Fitzroy does this quite a lot, although he's clearly enjoying himself.
* BeingWatched: All of the royals are under constant, if supposedly invisible, observation, but Dr. Willis specializes in controlling people just by looking at them.
* BerserkButton: The Prince of Wales is this to King George... regardless of his sanity or not. And when he finds out - once his wits are about him - that his worthless son had gotten ''married without permission''...
* {{Blackmail}}: Lord Chancellor Thurlow uses the Prince's marriage to blackmail Fox.
* BoundAndGagged: In a cruel mockery of the coronation, George III is gagged and bound to a chair when he "misbehaves."
** The whole treatment of King George in the hands of Francis Willis (and other doctors) is sadly [[TruthInTelevision Truth in Television]]. Obviously Willis was the first to use straightjacketing, and it made scandal at the time because it violated the person of the King. But when George went better and was declared cured Willis was acclaimed as a hero.
* CreatorCameo: That's author Alan Bennett as the nasal MP who starts speechifying just as George III rolls up in his coach.
* DeadpanSnarker: Fortnum; Pitt, on occasion.
* DidNotDoTheResearch: A small, blink-and-you'll-miss-it instance. Early on, George III is bemoaning the loss of the American colonies. The camera at one point shows a globe turned to display the new United States. The problem is that the borders of the U.S. shown are those as of the Louisiana Purchase of 1803; the movie is set in 1788, at which point the U.S. did not occupy any territory west of the Mississippi River.
** This scene is arguably also an example in that George III apparently never dwelt negatively on American independence after it happened and advocated friendship with the new United States.
* DramaticIrony: The happy ending is not, in fact, a happy ending, because George III will go mad again (permanently so by 1810).
* DysfunctionalFamily: The Prince of Wales vs. Ma and Pa.
* TheEvilPrince: The Prince of Wales, although the film does convey his understandable frustration.
* GenreBlindness: Thurlow completely fails to realize that he's in ''Theatre/KingLear''.
* HappilyMarried: George and Charlotte, when George has his wits about him.
* HeyItsThatGuy: You might recognize King George as his descendant Elizabeth's most loyal civil servant [[YesMinister Sir Humphrey Appleby]].
* HistoricalBeautyUpdate: In the film, Queen Charlotte and Lady Pembroke. William Pitt the Younger, too, although that's a matter of casting instead of the script.
** Averted in the play, however.
* HistoricalDomainCharacter: Virtually the entire cast of characters, except for Captain Fitzroy.
* HoneyTrap: To gain access to the King, the Queen sends Lady Pembroke off to seduce [[spoiler: Captain Greville.]]
* IAmTheTrope:
-->'''George:''' I am '''THE KING OF ENGLAND!'''\\
'''Willis:''' ''No'', sir. ''YOU'' are the ''PATIENT''!
* ImpededMessenger: Both averted and [[{{Lampshade}} lampshaded]] in Thurlow's race to Parliament before the Regency bill passes.
* TheIshmael: Captain Greville.
** TruthInTelevision, as Bennett used Greville's memoirs as one of his sources.
* ItsWhatIDo: Fox calls Pitt out on being TheStoic:
-->'''Fox''': Do you enjoy all this flummery, Mr. Pitt?\\
'''Pitt''': No, Mr. Fox.\\
'''Fox''': Do you enjoy ''anything'', Mr. Pitt?\\
'''Pitt''': A balance sheet, Mr. Fox. I enjoy a good balance sheet.
* {{Jerkass}}: The Prince of Wales. He cares less about his father, his family, and the empire than his own indulgences.
* TheLancer: Lady Pembroke, to Queen Charlotte. Even when George's madness has him assaulting Pembroke in public, the Lady still proves herself loyal to Charlotte. And the Queen knows it, which is why she entrusts the Lady to [[spoiler:seduce Greville.]]
* MadLove: While mad, the King becomes obsessed with Lady Pembroke.
-->'''King''': Did we ever forget ourselves utterly, because if we did forget ourselves I would so like to remember. What, what?
* ManChild: The Prince of Wales.
* MeaningfulName: Fitzroy, a name originally given to a king's illegitimate child.
* MeddlingParents: The King and Queen keep close tabs on what their adult children are doing. Too close, as far as the Prince of Wales is concerned...
* NoGoodDeedGoesUnpunished: Of all the characters, Captain Greville is, by far, the nicest to George III; therefore, it should come as no surprise that [[spoiler: the king fires him at the end of the film.]]
** [[spoiler: the higher ranking staff gets reassigned elsewhere, and some are paid off handsomely.]] No, the sad thing about Greville [[spoiler: is that his 'relationship' with the Lady Pembroke ends and he figures out he'd been used by her to protect the King's reputation.]]
** As Fitzroy explains, Greville was sacked because his served the King out of personal feeling of kindness rather than duty. He went beyond his duty as the King's Squire to help him by pity and he invested himself emotionally to the King's well-being. Cue his clumsy early comment in front of the King's doctor that [[spoiler:The King is only a man]], which probably also made him suspicious to some of his superiors.
* NotHimself: One of the big themes--the King returns to sanity when he begins to "seem himself."
* OhCrap: The Prince of Wales' response when the King shows up again.
* PragmaticAdaptation: The politicians have much more to do in the original play. Sheridan and Dundas, for example, are actual roles, not bit parts. For the film, Bennett cut back on the politics to achieve a tighter focus on the King's madness.
** Bennett actually began chopping bits and pieces out of the political plot during the play's US tour.
* RoyallyScrewedUp: By porphyria, according to both film and play.
** Explained by a combination of FlashForward and BreakingTheFourthWall in the play.
* SecretRelationship: The Prince of Wales' marriage to Mrs. Fitzherbert.
** For those who slept through history class: Maria Fitzherbert was a commoner AND a devoted Catholic. Both points would prevent a current member of the British Royals from marrying someone like her ''even today'' (well, you ''could'' marry a commoner, but the looks of scorn from the titled nobility wouldn't be worth it). Worse yet: Royals can't get married - [[http://en.wikipedia.org/wiki/Royal_Marriages_Act_1772 not then nor now]] - without permission from the Crown.
*** The movie hints that Mrs. Fitzherbert might have been ''the best thing'' in the prince's life and could have been a decent queen.
*** At least as far as the "marrying a commoner" part goes, the current second-in-line for the British throne has opted to do just that, with some [[BlatantLies small interest]] [[SarcasmMode from the]] [[http://royalwedding.yahoo.com/ international press.]] They still can't marry Catholics, though.
*** And the Crown can get around the "marrying a commoner" bit by granting title to the bride or family. As long as they do it ''before'' the wedding...
* ShoutOut: Fortnum exits to open a shop that sounds suspiciously like Fortnum & Mason. (It isn't--Fortnum & Mason opened in 1707, although the earlier Fortnum was also a royal footman.)
* SoundtrackDissonance: Handel's "Zadok the Priest" (traditionally used at coronations) plays when the king is first bound to the chair.
** The king also breaks down completely during a concert devoted to Handel's music.
* TheStoic: Pitt.
* StrawmanPolitical: Republicanism (as in opposition to monarchical government, not the GOP) is the film's whipping boy.
* TakeThat: The ending was an InJoke aimed at the modern Royal Family at the time.
* TurnCoat:
** Thurlow twists and turns all over the place.
--->'''Dundas''': How long has he been hanging his hat there?\\
'''Pitt''': I don't know. But why not? He has his reputation to consider, after all. He has never been on the losing side yet. (from ''The Madness of George III'')
** Captain Fitzroy also jumps both ways, although he is more interested in the King as a ''position'' than he is in his own career.
* UngratefulBastard: At the end, the King [[spoiler: fires all of the footmen, along with Captain Greville, and begrudges the annuity he has to pay Dr. Willis.]]
** He had to. The servants had seen the King at his worst, and keeping them on could have created some uncomfortable moments. It's implied most of them will get cushy jobs elsewhere.
* VerbalTic: What, what? Hey, hey!
** The verbal tics are a sign that George is ''normal''.
* ViewersAreMorons: NOT an example, despite what many will tell you. There is persistent rumour that the title was changed from ''The Madness of George III'' to ''The Madness of King George'' because they thought American audiences would think it was a sequel. The change was for American eyes, but the intent was merely to make it clear to a country that's never had royalty that the movie was about a king. When English audiences see a first name followed by a Roman numeral, they immediately think 'king'. Americans have no such coding.
----
In late 1788, George III once again began showing signs of the mysterious mental illness that had first plagued him in the 1760s. Politicians, scenting the possibility of change, homed in for the kill. So, for that matter, did the king's much-disliked son and heir, the Prince of Wales. But in 1789, just as the Prince was on the verge of becoming Regent...the king made a miraculous (and mysterious) recovery.
A little over two centuries later, the playwright Alan Bennett turned this material into ''The Madness of George III'' (1991), which proved to be an international hit. Bennett and director Nicholas Hytner adapted it to film as ''The Madness of King George'' (1994); the film had a successful art house run and earned an Oscar nomination (not to mention some very belated recognition) for its star, Nigel Hawthorne. HelenMirren was also nominated for an Oscar as "Best Actress in a Supporting Role", for her portayal of Charlotte of Mecklenburg-Strelitz, George III's Queen consort.
Contemporary audiences noted some obvious similarities between the film's [[TheHouseOfHanover House of Hanover]] and the twentieth-century [[TheHouseOfWindsor House of Windsor]], especially when it came to frustrated Princes of Wales. However, the film is as much a response to ''Theatre/KingLear'' as to modern royal foibles.
----
!!This film provides examples of:
* TheAlcoholic: Pitt, in the play (the film only mentions this in passing).
* BearerOfBadNews: Captain Fitzroy does this quite a lot, although he's clearly enjoying himself.
* BeingWatched: All of the royals are under constant, if supposedly invisible, observation, but Dr. Willis specializes in controlling people just by looking at them.
* BerserkButton: The Prince of Wales is this to King George... regardless of his sanity or not. And when he finds out - once his wits are about him - that his worthless son had gotten ''married without permission''...
* {{Blackmail}}: Lord Chancellor Thurlow uses the Prince's marriage to blackmail Fox.
* BoundAndGagged: In a cruel mockery of the coronation, George III is gagged and bound to a chair when he "misbehaves."
** The whole treatment of King George in the hands of Francis Willis (and other doctors) is sadly [[TruthInTelevision Truth in Television]]. Obviously Willis was the first to use straightjacketing, and it made scandal at the time because it violated the person of the King. But when George went better and was declared cured Willis was acclaimed as a hero.
* CreatorCameo: That's author Alan Bennett as the nasal MP who starts speechifying just as George III rolls up in his coach.
* DeadpanSnarker: Fortnum; Pitt, on occasion.
* DidNotDoTheResearch: A small, blink-and-you'll-miss-it instance. Early on, George III is bemoaning the loss of the American colonies. The camera at one point shows a globe turned to display the new United States. The problem is that the borders of the U.S. shown are those as of the Louisiana Purchase of 1803; the movie is set in 1788, at which point the U.S. did not occupy any territory west of the Mississippi River.
** This scene is arguably also an example in that George III apparently never dwelt negatively on American independence after it happened and advocated friendship with the new United States.
* DramaticIrony: The happy ending is not, in fact, a happy ending, because George III will go mad again (permanently so by 1810).
* DysfunctionalFamily: The Prince of Wales vs. Ma and Pa.
* TheEvilPrince: The Prince of Wales, although the film does convey his understandable frustration.
* GenreBlindness: Thurlow completely fails to realize that he's in ''Theatre/KingLear''.
* HappilyMarried: George and Charlotte, when George has his wits about him.
* HeyItsThatGuy: You might recognize King George as his descendant Elizabeth's most loyal civil servant [[YesMinister Sir Humphrey Appleby]].
* HistoricalBeautyUpdate: In the film, Queen Charlotte and Lady Pembroke. William Pitt the Younger, too, although that's a matter of casting instead of the script.
** Averted in the play, however.
* HistoricalDomainCharacter: Virtually the entire cast of characters, except for Captain Fitzroy.
* HoneyTrap: To gain access to the King, the Queen sends Lady Pembroke off to seduce [[spoiler: Captain Greville.]]
* IAmTheTrope:
-->'''George:''' I am '''THE KING OF ENGLAND!'''\\
'''Willis:''' ''No'', sir. ''YOU'' are the ''PATIENT''!
* ImpededMessenger: Both averted and [[{{Lampshade}} lampshaded]] in Thurlow's race to Parliament before the Regency bill passes.
* TheIshmael: Captain Greville.
** TruthInTelevision, as Bennett used Greville's memoirs as one of his sources.
* ItsWhatIDo: Fox calls Pitt out on being TheStoic:
-->'''Fox''': Do you enjoy all this flummery, Mr. Pitt?\\
'''Pitt''': No, Mr. Fox.\\
'''Fox''': Do you enjoy ''anything'', Mr. Pitt?\\
'''Pitt''': A balance sheet, Mr. Fox. I enjoy a good balance sheet.
* {{Jerkass}}: The Prince of Wales. He cares less about his father, his family, and the empire than his own indulgences.
* TheLancer: Lady Pembroke, to Queen Charlotte. Even when George's madness has him assaulting Pembroke in public, the Lady still proves herself loyal to Charlotte. And the Queen knows it, which is why she entrusts the Lady to [[spoiler:seduce Greville.]]
* MadLove: While mad, the King becomes obsessed with Lady Pembroke.
-->'''King''': Did we ever forget ourselves utterly, because if we did forget ourselves I would so like to remember. What, what?
* ManChild: The Prince of Wales.
* MeaningfulName: Fitzroy, a name originally given to a king's illegitimate child.
* MeddlingParents: The King and Queen keep close tabs on what their adult children are doing. Too close, as far as the Prince of Wales is concerned...
* NoGoodDeedGoesUnpunished: Of all the characters, Captain Greville is, by far, the nicest to George III; therefore, it should come as no surprise that [[spoiler: the king fires him at the end of the film.]]
** [[spoiler: the higher ranking staff gets reassigned elsewhere, and some are paid off handsomely.]] No, the sad thing about Greville [[spoiler: is that his 'relationship' with the Lady Pembroke ends and he figures out he'd been used by her to protect the King's reputation.]]
** As Fitzroy explains, Greville was sacked because his served the King out of personal feeling of kindness rather than duty. He went beyond his duty as the King's Squire to help him by pity and he invested himself emotionally to the King's well-being. Cue his clumsy early comment in front of the King's doctor that [[spoiler:The King is only a man]], which probably also made him suspicious to some of his superiors.
* NotHimself: One of the big themes--the King returns to sanity when he begins to "seem himself."
* OhCrap: The Prince of Wales' response when the King shows up again.
* PragmaticAdaptation: The politicians have much more to do in the original play. Sheridan and Dundas, for example, are actual roles, not bit parts. For the film, Bennett cut back on the politics to achieve a tighter focus on the King's madness.
** Bennett actually began chopping bits and pieces out of the political plot during the play's US tour.
* RoyallyScrewedUp: By porphyria, according to both film and play.
** Explained by a combination of FlashForward and BreakingTheFourthWall in the play.
* SecretRelationship: The Prince of Wales' marriage to Mrs. Fitzherbert.
** For those who slept through history class: Maria Fitzherbert was a commoner AND a devoted Catholic. Both points would prevent a current member of the British Royals from marrying someone like her ''even today'' (well, you ''could'' marry a commoner, but the looks of scorn from the titled nobility wouldn't be worth it). Worse yet: Royals can't get married - [[http://en.wikipedia.org/wiki/Royal_Marriages_Act_1772 not then nor now]] - without permission from the Crown.
*** The movie hints that Mrs. Fitzherbert might have been ''the best thing'' in the prince's life and could have been a decent queen.
*** At least as far as the "marrying a commoner" part goes, the current second-in-line for the British throne has opted to do just that, with some [[BlatantLies small interest]] [[SarcasmMode from the]] [[http://royalwedding.yahoo.com/ international press.]] They still can't marry Catholics, though.
*** And the Crown can get around the "marrying a commoner" bit by granting title to the bride or family. As long as they do it ''before'' the wedding...
* ShoutOut: Fortnum exits to open a shop that sounds suspiciously like Fortnum & Mason. (It isn't--Fortnum & Mason opened in 1707, although the earlier Fortnum was also a royal footman.)
* SoundtrackDissonance: Handel's "Zadok the Priest" (traditionally used at coronations) plays when the king is first bound to the chair.
** The king also breaks down completely during a concert devoted to Handel's music.
* TheStoic: Pitt.
* StrawmanPolitical: Republicanism (as in opposition to monarchical government, not the GOP) is the film's whipping boy.
* TakeThat: The ending was an InJoke aimed at the modern Royal Family at the time.
* TurnCoat:
** Thurlow twists and turns all over the place.
--->'''Dundas''': How long has he been hanging his hat there?\\
'''Pitt''': I don't know. But why not? He has his reputation to consider, after all. He has never been on the losing side yet. (from ''The Madness of George III'')
** Captain Fitzroy also jumps both ways, although he is more interested in the King as a ''position'' than he is in his own career.
* UngratefulBastard: At the end, the King [[spoiler: fires all of the footmen, along with Captain Greville, and begrudges the annuity he has to pay Dr. Willis.]]
** He had to. The servants had seen the King at his worst, and keeping them on could have created some uncomfortable moments. It's implied most of them will get cushy jobs elsewhere.
* VerbalTic: What, what? Hey, hey!
** The verbal tics are a sign that George is ''normal''.
* ViewersAreMorons: NOT an example, despite what many will tell you. There is persistent rumour that the title was changed from ''The Madness of George III'' to ''The Madness of King George'' because they thought American audiences would think it was a sequel. The change was for American eyes, but the intent was merely to make it clear to a country that's never had royalty that the movie was about a king. When English audiences see a first name followed by a Roman numeral, they immediately think 'king'. Americans have no such coding.
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