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The film takes place in [[UsefulNotes/TheEighties 1984]] in state-socialist UsefulNotes/EastGermany and tells the story of Captain Gerd Wiesler (Ulrich Mühe), a stoic officer of the SecretPolice, Ministerium für Staatssicherheit (also known as UsefulNotes/TheStasi). His job is to find and interrogate "enemies of socialism", people with Western sympathies or just plain wrong opinions. He is ordered by friend and superior Anton Grubitz (Creator/UlrichTukur) to carry out a spying operation against playwright Georg Dreyman (Creator/SebastianKoch), whom they suspect is not what he seems. Wiesler and his men install numerous microphones in Dreyman's apartment, and his life is filled with sitting in the attic, listening in on Dreyman and his girlfriend, actress Christa-Maria Sieland (Creator/MartinaGedeck).
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The film takes place in [[UsefulNotes/TheEighties 1984]] in state-socialist UsefulNotes/EastGermany and tells the story of Captain Gerd Wiesler (Ulrich Mühe), (Creator/UlrichMuhe), a stoic officer of the SecretPolice, Ministerium für Staatssicherheit (also known as UsefulNotes/TheStasi). His job is to find and interrogate "enemies of socialism", people with Western sympathies or just plain wrong opinions. He is ordered by friend and superior Anton Grubitz (Creator/UlrichTukur) to carry out a spying operation against playwright Georg Dreyman (Creator/SebastianKoch), whom they suspect is not what he seems. Wiesler and his men install numerous microphones in Dreyman's apartment, and his life is filled with sitting in the attic, listening in on Dreyman and his girlfriend, actress Christa-Maria Sieland (Creator/MartinaGedeck).
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general clarification on works content (added "invoked trope" in Defector From Commie Land
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* DefectorFromCommieLand: Dreyman and the other writers use this to test whether his apartment is bugged. Paul has an uncle in West Berlin who frequently visits. They loudly discuss a plan in detail to smuggle him out. Wiesler does not report this to the border checkpoint, and when the car receives no extra searches, they assume the apartment is not bugged. Wiesler is later surprised when he realizes that Paul is still there, as he believed it was a genuine escape attempt.
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* DefectorFromCommieLand: [[InvokedTrope Invoked]], as Dreyman and the other writers use this to test whether his apartment is bugged. Paul has an uncle in West Berlin who frequently visits. They loudly discuss a plan in detail to smuggle him out. Wiesler does not report this to the border checkpoint, and when the car receives no extra searches, they assume the apartment is not bugged. Wiesler is later surprised when he realizes that Paul is still there, as he believed it was a genuine escape attempt.
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* AutoErotica: The minister rapes Christa-Maria with him in his car.
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* AutoErotica: The minister rapes Christa-Maria with him in his car.
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* LivingLieDetector: Wiesler, as shown in the early interrogation scene that is also an EstablishingCharacterMoment. He notes that innocent people will get angry when they're interrogated, and also that their stories tend to change as they reconstruct events. Guilty people get weepy and quiet, and they repeat their stories by rote because they're cover stories, not the truth. The man being interrogated eventually cracks under torture and confesses, though the audience is never shown if this confession is true or not[[note]]The approach described by Wiesler here is absolutely ideal… for extracting a FalseConfession. It's ''very'' poorly suited to getting at the actual truth.[[/note]]
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* LivingLieDetector: Wiesler, as shown in the early interrogation scene that is also an EstablishingCharacterMoment. He notes that innocent people will get angry when they're interrogated, and also that their stories tend to change as they reconstruct events. Guilty people get weepy and quiet, and they repeat their stories by rote because they're cover stories, not the truth. The man being interrogated eventually cracks under torture and confesses, though the audience is never shown if this confession is true or not[[note]]The not.[[note]]The approach described by Wiesler here is absolutely ideal… for extracting a FalseConfession. It's ''very'' poorly suited to getting at the actual truth.[[/note]]
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* SexualExtortion: The minister rapes Christa-Maria. She knows that he has to power to end her acting career if she does not agree.
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* SexualExtortion: The minister rapes Christa-Maria. She knows that he has to power to end her acting career if she does not agree.submit.
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* AutoErotica: The minister forces Christa-Maria to have sex with him in his car.
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* AutoErotica: The minister forces rapes Christa-Maria to have sex with him in his car.
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* KarmaHoudini: After coercing Christa into sex she was clearly repulsed by and vindictively ruining hers and other peoples' lives, not much happens to Minister Hempf. Sure, he loses power after the fall of the Berlin Wall but when Dreyman meets him by chance a couple of years later, he is doing pretty well for himself. In the film commentary, the director points out that this is [[TruthInTelevision based in reality]], as many of the East German bigwigs landed on their feet after the fall of the UsefulNotes/BerlinWall.
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* KarmaHoudini: After coercing Christa into sex she was clearly repulsed by raping Christa-Maria and vindictively ruining hers and other peoples' lives, not much happens to Minister Hempf. Sure, he loses power after the fall of the Berlin Wall but when Dreyman meets him by chance a couple of years later, he is doing pretty well for himself. In the film commentary, the director points out that this is [[TruthInTelevision based in reality]], as many of the East German bigwigs landed on their feet after the fall of the UsefulNotes/BerlinWall.
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* SexualExtortion: The minister forces Christa-Maria to have sex with him. She knows that he has to power to end her acting career if she does not agree.
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* SexualExtortion: The minister forces Christa-Maria to have sex with him.rapes Christa-Maria. She knows that he has to power to end her acting career if she does not agree.
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* LivingLieDetector: Wiesler, as shown in the early interrogation scene that is also an EstablishingCharacterMoment. He notes that innocent people will get angry when they're interrogated, and also that their stories tend to change as they reconstruct events. Guilty people get weepy and quiet, and they repeat their stories by rote because they're cover stories, not the truth. The man being interrogated does the latter, and sure enough, he really did help a friend escape to the West.[[note]]The approach described by Wiesler here is absolutely ideal… for extracting a FalseConfession. It's ''very'' poorly suited to getting at the actual truth.[[/note]]
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* LivingLieDetector: Wiesler, as shown in the early interrogation scene that is also an EstablishingCharacterMoment. He notes that innocent people will get angry when they're interrogated, and also that their stories tend to change as they reconstruct events. Guilty people get weepy and quiet, and they repeat their stories by rote because they're cover stories, not the truth. The man being interrogated does eventually cracks under torture and confesses, though the latter, and sure enough, he really did help a friend escape to the West.[[note]]The audience is never shown if this confession is true or not[[note]]The approach described by Wiesler here is absolutely ideal… for extracting a FalseConfession. It's ''very'' poorly suited to getting at the actual truth.[[/note]]
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* ProductPlacement: ''Der Spiegel (The Mirror)'' , one of Germany's most prominent news magazines, is a major plot point. They even created the cover of the suicide issue used in the film, ensuring it met with their art standards.
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* ProductPlacement: ''Der Spiegel (The Mirror)'' , Mirror)'', one of Germany's most prominent news magazines, is a major plot point. They even created the cover of the suicide issue used in the film, ensuring it met with their art standards.
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* LooseFloorboardHidingSpot: Where Dreyman keeps his secret typewriter.
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Forgot to leave an edit reason - Wiesler is never an Anti Hero. He's a Villain Protagonist at the beginning who goes straight to being a genuine hero over the course of the movie, so Anti Villain fits better
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* AntiHero: Wiesler is working for the bad guys, but the story is about his journey into heroism.
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* AntiHero: AntiVillain: Wiesler is working for a loyal Stasi agent who gets up to some bad stuff at the bad guys, beginning of the movie, but the story key word there is about "loyal"; he genuinely believes The Stasi are good for East Germany and protect the common folk from bad people. The realization that his journey into higher-ups don't share his loyalty to their mission begins his rise to heroism.
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* BittersweetEnding: [[spoiler:Christa-Marie is dead and Wiesler ends his career steaming envelopes in his basement for doing the right thing, but communism faces the judgment of history four years later when the Berlin Wall comes down. In the end, it doesn't erase the trauma The Stasi caused, but Wiesler takes some consolation in having been able to do the right thing when it counted and protect a good man, and Dreyman writes a book to thank him for his efforts]].
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''The Lives of Others'' won seven Deutscher Filmpreis awards and the Oscar for Best Foreign Film in 2006. It has been praised for its portrayal of Stasi, its employees and its victims as human beings trapped in an unforgiving dictatorship. Although the story is widely considered [[{{Narm}} narmy]] by actual survivors of Stasi methods (only eight Stasi agents have ''ever'' been publicly known to regret their actions, help their victims or rebel in any form against the system as Wiesler does), the film gives a very heartfelt portrayal of life in socialist East Germany.
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''The Lives of Others'' won seven Deutscher Filmpreis awards and the Oscar for Best Foreign Film in 2006. It has been praised for its portrayal of Stasi, its employees and its victims as human beings trapped in an unforgiving dictatorship. Although the story is widely considered [[{{Narm}} narmy]] by actual survivors of Stasi methods (only eight (no Stasi agents have agent has ''ever'' been publicly known to regret their actions, help their victims or rebel in any form against the system as Wiesler does), the film gives a very heartfelt portrayal of life in socialist East Germany.
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Yes, there weren't many. But eight is more than none. If you can read German, read the article by the Federal Agency for Civic Education on the film called "Wieslers Verweigerung".
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''The Lives of Others'' won seven Deutscher Filmpreis awards and the Oscar for Best Foreign Film in 2006. It has been praised for its portrayal of Stasi, its employees and its victims as human beings trapped in an unforgiving dictatorship. Although the story is widely considered [[{{Narm}} narmy]] by actual survivors of Stasi methods (no Stasi agent has ''ever'' been publicly known to regret his actions, let alone help his victims), the film gives a very heartfelt portrayal of life in socialist East Germany.
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''The Lives of Others'' won seven Deutscher Filmpreis awards and the Oscar for Best Foreign Film in 2006. It has been praised for its portrayal of Stasi, its employees and its victims as human beings trapped in an unforgiving dictatorship. Although the story is widely considered [[{{Narm}} narmy]] by actual survivors of Stasi methods (no (only eight Stasi agent has agents have ''ever'' been publicly known to regret his their actions, let alone help his victims), their victims or rebel in any form against the system as Wiesler does), the film gives a very heartfelt portrayal of life in socialist East Germany.
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* ArtisticLicenseHistory: Wiesler's actions would have been impossible for any real Stasi agent, because the Stasi knew that the watchmen have to be watched even more closely than the civilian populace - Stasi agents worked in mutually-surveilling teams when on duty, and were watched off-duty as well. However, the film is presented more as a morality play, interested in questions about human nature and not so much in history.
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* ArtisticLicenseHistory: Wiesler's actions would have been close to impossible for any most real Stasi agent, agents, because the Stasi knew that the watchmen have to be watched even more closely than the civilian populace - Stasi agents worked in mutually-surveilling teams when on duty, and were watched off-duty as well. However, the film is presented more as a morality play, interested in questions about human nature and not so much in history.
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* BigBadFriend: {{Played with}} and ultimately subverted with Anton Grubitz. Despite initially coming across as a close friend and colleague of Wiesler, it soon becomes apparent that Grubitz views Wiesler as little more than a tool for his own political advancement.
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* BigBadFriend: {{Played with}} and ultimately subverted with Anton Grubitz. Despite initially coming across as a close friend and colleague of Wiesler, it soon becomes apparent that Grubitz views Wiesler as little more than a tool for his own political advancement.
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* BrokenPedestal: Wiesler [[WellIntentionedExtremist truly believes in surveillance of citizens]] to weed out malcontents, but he's shaken when the minister starts abusing their power just to get in a married woman's pants.
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* BrokenPedestal: Wiesler [[WellIntentionedExtremist truly believes in surveillance of citizens]] to weed out malcontents, but he's shaken when the minister starts abusing their power just to get in a married woman's pants.
* DefectorFromDecadence: While the Sonata of a Good Man sets up Wiesler's increasingly risky protection of Dreyman, the starting point of his rebellion is his disgust with his superior and Minister Hempf, who are using the power of the Stasi for their own personal gain, unlike the idealist Wiesler. Until that particular mission, Wiesler had no reason ''not'' to put faith into the GDR.
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* LivingLieDetector: Wiesler, as shown in the early interrogation scene that is also an EstablishingCharacterMoment. He notes that innocent people will get angry when they're interrogated, and also that their stories tend to change as they reconstruct events. Guilty people get weepy and quiet, and they repeat their stories by rote because they're cover stories, not the truth. The man being interrogated does the latter, and sure enough, he really did help a friend escape to the West.[[note]]The approach described by Wiesler here is absolutely ideal... for extracting a FalseConfession. It's ''very'' poorly suited to getting at the actual truth.[[/note]]
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* LivingLieDetector: Wiesler, as shown in the early interrogation scene that is also an EstablishingCharacterMoment. He notes that innocent people will get angry when they're interrogated, and also that their stories tend to change as they reconstruct events. Guilty people get weepy and quiet, and they repeat their stories by rote because they're cover stories, not the truth. The man being interrogated does the latter, and sure enough, he really did help a friend escape to the West.[[note]]The approach described by Wiesler here is absolutely ideal... ideal… for extracting a FalseConfession. It's ''very'' poorly suited to getting at the actual truth.[[/note]]
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** NiceJobFixingItVillain: When Anton Grubitz reveals to Wiesler that in fact, the surveillance has no ideological reason but is a personal favour for Minister Hempf, Wiesler is [[DefectorFromDecadence so disgusted]] he first alerts Dreyman to his girlfriend's forced affair, and, with increasing awareness that this particular operation is wrong even by Stasi standards, he instead becomes Dreyman's de facto guardian angel.
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* LivingLieDetector: Wiesler, as shown in the early interrogation scene that is also an EstablishingCharacterMoment. He notes that innocent people will get angry when they're interrogated, and also that their stories tend to change as they reconstruct events. Guilty people get weepy and quiet, and they repeat their stories by rote because they're cover stories, not the truth. The man being interrogated does the latter, and sure enough, he really did help a friend escape to the West.
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* LivingLieDetector: Wiesler, as shown in the early interrogation scene that is also an EstablishingCharacterMoment. He notes that innocent people will get angry when they're interrogated, and also that their stories tend to change as they reconstruct events. Guilty people get weepy and quiet, and they repeat their stories by rote because they're cover stories, not the truth. The man being interrogated does the latter, and sure enough, he really did help a friend escape to the West.[[note]]The approach described by Wiesler here is absolutely ideal... for extracting a FalseConfession. It's ''very'' poorly suited to getting at the actual truth.[[/note]]
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* VillainHasAPoint: When in the opening Wiesler marks the student calling the interrogation inhuman, it's not just him being heartless - the kid is quite literally not cut for the job and thus making it known is part of the training and vetting process.