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* [[NonIndicativeName/{{Film}} Non Indicative Name]]: Surveillance really doesn't appear in this film other than Hallaway using video-cameras to participate in the interviews. Lynch claims that the title comes from "surveillance cameras, and 'how people change their stories based on what we see and what it is we assume about each other.'"
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* [[NonIndicativeName/{{Film}} Non Indicative Name]]: NonindicativeName: Surveillance really doesn't appear in this film other than Hallaway using video-cameras to participate in the interviews. Lynch claims that the title comes from "surveillance cameras, and 'how people change their stories based on what we see and what it is we assume about each other.'"
* OneWordTitle: NonindicativeName-type: Surveillance really doesn't appear in this film other than Hallaway using video-cameras to participate in the interviews. Lynch claims that the title comes from "surveillance cameras, and 'how people change their stories based on what we see and what it is we assume about each other.'"
* OneWordTitle: NonindicativeName-type: Surveillance really doesn't appear in this film other than Hallaway using video-cameras to participate in the interviews. Lynch claims that the title comes from "surveillance cameras, and 'how people change their stories based on what we see and what it is we assume about each other.'"
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''Surveillance'' is a 2008 thriller film by Jennifer Lynch, daughter of Creator/DavidLynch, involving two FBI agents, Hallaway and Anderson, investigating the three survivors of a roadside bloodbath. Over the course of the three interviews, a story unfolds where nothing is quite as it seems. The movie was known for being Jennifer Lynch's second film in fifteen years, after ''Film/BoxingHelena'', but also for winning the ''Festival de Cine de Sitges'' in October of 2008.
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''Surveillance'' is a 2008 thriller film by Jennifer Lynch, daughter of Creator/DavidLynch, involving two FBI agents, Hallaway (Creator/BillPullman) and Anderson, Anderson (Julia Ormond), investigating the three survivors (Ryan Simpkins, Kent Harper, and Pell James) of a roadside bloodbath. Over the course of the three interviews, a story unfolds where nothing is quite as it seems. The movie was known for being Jennifer Lynch's second film in fifteen years, after ''Film/BoxingHelena'', but also for winning the ''Festival de Cine de Sitges'' in October of 2008.
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* AxCrazy: The killers [[spoiler: Hallaway and Anderson]].
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* CreepyChild: Stephanie, though she does not do anything bad at all in the movie, is remarkably calm about the horrible murders she saw. She is also extremely perceptive.
* KarmaHoudini: [[spoiler: The killers get away scot-free after killing everyone though they let the little girl go because she was on to them from the start.]]
* KarmaHoudini: [[spoiler: The killers get away scot-free after killing everyone though they let the little girl go because she was on to them from the start.]]
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* MalevolentMaskedMen: The two killers wear masks that look like melted faces. [[spoiler:A deleted scene shows that they're the result of Hallaway and Anderson randomly smearing latex over each others' faces]].
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* MalevolentMaskedMen: The two killers wear masks that look like melted faces. [[spoiler:A deleted scene shows that they're the result of Hallaway and Anderson randomly smearing latex over each others' faces]].faces.]]
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* RashomonStyle: While the stories that the witnesses tell vary, the footage we're seen always remains the same. Some details don't come to light until later in the story.
* SeparateSceneStorytelling: The testimony of the witnesses is displayed in clips in different film stock, and differs from that the witness is narrating.
* TwistEnding: [[spoiler:Hallaway and Anderson are the killers, and are doing the interviews to relive the killings before they eliminate all of the witnesses]].
* SeparateSceneStorytelling: The testimony of the witnesses is displayed in clips in different film stock, and differs from that the witness is narrating.
* TwistEnding: [[spoiler:Hallaway and Anderson are the killers, and are doing the interviews to relive the killings before they eliminate all of the witnesses]].
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* RashomonStyle: While the stories that the witnesses tell vary, the footage we're seen shown always remains the same. Some details don't come to light until later in the story.
* SeparateSceneStorytelling: The testimony of the witnesses is displayed in clips in different film stock, and differs fromthat what the witness is narrating.
* TwistEnding: [[spoiler:Hallaway and Anderson are the killers, and are doing the interviews to relive the killings before they eliminate all of thewitnesses]].witnesses.]]
* SeparateSceneStorytelling: The testimony of the witnesses is displayed in clips in different film stock, and differs from
* TwistEnding: [[spoiler:Hallaway and Anderson are the killers, and are doing the interviews to relive the killings before they eliminate all of the
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!The film exhibits the following tropes:
!!The film exhibits the following tropes:
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* TwistEnding: [[spoiler:Hallaway and Anderson are the killers, and are doing the interviews to relive the killings before they eliminate all of the witnesses]].
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* TwistEnding: [[spoiler:Hallaway and Anderson are the killers, and are doing the interviews to relive the killings before they eliminate all of the witnesses]].witnesses]].
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''Surveillance'' is a 2008 thriller film by Jennifer Lynch, daughter of Creator/DavidLynch, involving two FBI agents, Hallaway and Anderson, investigating the three survivors of a roadside bloodbath. Over the course of the three interviews, a story unfolds where nothing is quite as it seems. The movie was known for being Jennifer Lynch's second in fifteen years, after ''Film/BoxingHelena'', but also for winning the ''Festival de Cine de Sitges'' in October of 2008.
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''Surveillance'' is a 2008 thriller film by Jennifer Lynch, daughter of Creator/DavidLynch, involving two FBI agents, Hallaway and Anderson, investigating the three survivors of a roadside bloodbath. Over the course of the three interviews, a story unfolds where nothing is quite as it seems. The movie was known for being Jennifer Lynch's second film in fifteen years, after ''Film/BoxingHelena'', but also for winning the ''Festival de Cine de Sitges'' in October of 2008.
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* [[Non Indicative Name NonIndicativeName/{{Film}} Non Indicative Name]]: Surveillance really doesn't appear in this film other than Hallaway using video-cameras to participate in the interviews. Lynch claims that the title comes from "surveillance cameras, and 'how people change their stories based on what we see and what it is we assume about each other.'"
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* [[Non Indicative Name NonIndicativeName/{{Film}} [[NonIndicativeName/{{Film}} Non Indicative Name]]: Surveillance really doesn't appear in this film other than Hallaway using video-cameras to participate in the interviews. Lynch claims that the title comes from "surveillance cameras, and 'how people change their stories based on what we see and what it is we assume about each other.'"
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Changed line(s) 9 (click to see context) from:
* NonIndicativeName/{{Film}}: Surveillance really doesn't appear in this film other than Hallaway using video-cameras to participate in the interviews. Lynch claims that the title comes from "surveillance cameras, and 'how people change their stories based on what we see and what it is we assume about each other.'"
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* NonIndicativeName/{{Film}}: [[Non Indicative Name NonIndicativeName/{{Film}} Non Indicative Name]]: Surveillance really doesn't appear in this film other than Hallaway using video-cameras to participate in the interviews. Lynch claims that the title comes from "surveillance cameras, and 'how people change their stories based on what we see and what it is we assume about each other.'"
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[[quoteright:220:http://static.tvtropes.org/pmwiki/pub/images/220px-surveillance_2008_film_7716.jpg]]
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* NonIndicativeName/Film: Surveillance really doesn't appear in this film other than Hallaway using video-cameras to participate in the interviews. Lynch claims that the title comes from "surveillance cameras, and 'how people change their stories based on what we see and what it is we assume about each other.'"
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* NonIndicativeName/Film: NonIndicativeName/{{Film}}: Surveillance really doesn't appear in this film other than Hallaway using video-cameras to participate in the interviews. Lynch claims that the title comes from "surveillance cameras, and 'how people change their stories based on what we see and what it is we assume about each other.'"
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Added DiffLines:
''Surveillance'' is a 2008 thriller film by Jennifer Lynch, daughter of Creator/DavidLynch, involving two FBI agents, Hallaway and Anderson, investigating the three survivors of a roadside bloodbath. Over the course of the three interviews, a story unfolds where nothing is quite as it seems. The movie was known for being Jennifer Lynch's second in fifteen years, after ''Film/BoxingHelena'', but also for winning the ''Festival de Cine de Sitges'' in October of 2008.
!The film exhibits the following tropes:
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* BadCopIncompetentCop: Bennet and Conrad spend their day shooting out tires and then terrorizing the targets, claiming that their speeding caused the tire to blow out.
* MalevolentMaskedMen: The two killers wear masks that look like melted faces. [[spoiler:A deleted scene shows that they're the result of Hallaway and Anderson randomly smearing latex over each others' faces]].
* NonIndicativeName/Film: Surveillance really doesn't appear in this film other than Hallaway using video-cameras to participate in the interviews. Lynch claims that the title comes from "surveillance cameras, and 'how people change their stories based on what we see and what it is we assume about each other.'"
* PoliceBrutality: Bennet and Conrad enjoy getting their victims to grovel at their feet and beg not to be shot.
* RashomonStyle: While the stories that the witnesses tell vary, the footage we're seen always remains the same. Some details don't come to light until later in the story.
* SeparateSceneStorytelling: The testimony of the witnesses is displayed in clips in different film stock, and differs from that the witness is narrating.
* TwistEnding: [[spoiler:Hallaway and Anderson are the killers, and are doing the interviews to relive the killings before they eliminate all of the witnesses]].
!The film exhibits the following tropes:
----
* BadCopIncompetentCop: Bennet and Conrad spend their day shooting out tires and then terrorizing the targets, claiming that their speeding caused the tire to blow out.
* MalevolentMaskedMen: The two killers wear masks that look like melted faces. [[spoiler:A deleted scene shows that they're the result of Hallaway and Anderson randomly smearing latex over each others' faces]].
* NonIndicativeName/Film: Surveillance really doesn't appear in this film other than Hallaway using video-cameras to participate in the interviews. Lynch claims that the title comes from "surveillance cameras, and 'how people change their stories based on what we see and what it is we assume about each other.'"
* PoliceBrutality: Bennet and Conrad enjoy getting their victims to grovel at their feet and beg not to be shot.
* RashomonStyle: While the stories that the witnesses tell vary, the footage we're seen always remains the same. Some details don't come to light until later in the story.
* SeparateSceneStorytelling: The testimony of the witnesses is displayed in clips in different film stock, and differs from that the witness is narrating.
* TwistEnding: [[spoiler:Hallaway and Anderson are the killers, and are doing the interviews to relive the killings before they eliminate all of the witnesses]].
