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Changed line(s) 26 (click to see context) from:
* FaintInShock: At the climax of the movie, a distraught and guilt-ridden Ann pleads desperately to John, who's on the roof of City Hall, not to kill himself. At the height of her emotions, she confesses her love for him, and in the next instant, sinks in his arms in a dead faint. As a result, as John finally decides [[spoiler: not to jump at the end of the film and Henry tells off a defeated Norton with a TakeThat]]. Ann is thoroughly passed out throughout and misses all of this.
to:
* FaintInShock: At the climax of the movie, a distraught and guilt-ridden Ann pleads desperately to John, who's on at the roof top of City Hall, not to kill himself. At the height of her emotions, she confesses her love for him, and in the next instant, sinks in his arms in a dead faint. As a result, as John finally decides [[spoiler: not to jump at the end of the film and Henry tells off a defeated Norton with a TakeThat]]. Ann is thoroughly passed out throughout and misses all of this.
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Changed line(s) 6,7 (click to see context) from:
Ann Mitchell (Stanwyck), a reporter who is about to be laid off from her newspaper, fabricates a letter from a John Doe who says he will kill himself on Christmas Eve to protest the state of the country. Ann's unsuspecting editor runs the letter, and John Doe becomes a media sensation. The newspaper, wishing to exploit the hype, hires a former baseball player hobo, John Willoughby (Cooper), to portray this fictional person in public.
to:
Ann Mitchell (Stanwyck), a reporter who is about to be laid off from her newspaper, fabricates a letter from a John Doe who says he will kill himself on Christmas Eve to protest the state of the country. Ann's unsuspecting editor runs the letter, and John Doe becomes a media sensation. The newspaper, wishing to exploit the hype, hires a former baseball player hobo, John Willoughby (Cooper), a hobo who's a former baseball player, to portray this fictional person in public.
Changed line(s) 16 (click to see context) from:
* ChronicHeroSyndrome: Near the end John actually tries to kill himself, in order to revive the Doe movment.
to:
* ChronicHeroSyndrome: Near the end end, John actually tries to kill himself, in order to revive the Doe movment.movement.
Changed line(s) 26 (click to see context) from:
* FaintInShock: At the climax of the movie, a distraught and guilt-ridden Ann pleads desperately to John [[spoiler: on the roof of City Hall not to kill himself]]. At the height of her emotions, she confesses her love for him, and in the next instant, sinks in his arms in a dead faint. As a result, as John finally decides [[spoiler: not to jump at the end of the film and Henry tells off a defeated Norton with a TakeThat]]. Ann is thoroughly passed out throughout and misses all of this.
to:
* FaintInShock: At the climax of the movie, a distraught and guilt-ridden Ann pleads desperately to John [[spoiler: John, who's on the roof of City Hall Hall, not to kill himself]].himself. At the height of her emotions, she confesses her love for him, and in the next instant, sinks in his arms in a dead faint. As a result, as John finally decides [[spoiler: not to jump at the end of the film and Henry tells off a defeated Norton with a TakeThat]]. Ann is thoroughly passed out throughout and misses all of this.
Changed line(s) 31 (click to see context) from:
--> "We're all heels, especially me."
to:
Changed line(s) 36 (click to see context) from:
* MessianicArchetype: Multiple references comparing John Doe and the John Doe idea to Christ. For example, after John is jeered and pelted by a mob at the convention, Connell says "Well boys, you can chalk up another one to the Pontius Pilates." Later, Christ is described by Ann as "The first John Doe."
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* MessianicArchetype: Multiple references comparing John Doe and the John Doe idea to Christ. For example, after John is jeered and pelted by a mob at the convention, Connell says "Well "Well, boys, you can chalk up another one to the Pontius Pilates." Later, Christ is described by Ann as "The first John Doe."
Changed line(s) 46 (click to see context) from:
--> '''Henry''': There you are, Norton! The people! Try and lick that!
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Changed line(s) 52 (click to see context) from:
--> '''Ann''': Please don't give up. We'll start all over again. Just you and I. It isn't too late.
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--> '''Ann''': '''Ann:''' Please don't give up. We'll start all over again. Just you and I. It isn't too late.
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Multiple tropes should not be placed on the same bullet.
Changed line(s) 29 (click to see context) from:
* HeelFaceTurn / HighHeelFaceTurn: Connell's conscience drives him to tell John the truth about Norton's plot. Ann is driven by her conscience and her love of John.
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* HeelFaceTurn / HighHeelFaceTurn: HeelFaceTurn: Connell's conscience drives him to tell John the truth about Norton's plot. Ann is driven by her conscience and her love of John.
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Shes Got Legs is not longer a trope
* LegFocus: Connell, describing Ann on the phone, makes a point of mentioning that she has "as fine a pair" as "ever walked into this office."
Deleted line(s) 42 (click to see context) :
* ShesGotLegs: Connell, describing Ann on the phone, makes a point of mentioning that she has "as fine a pair" as "ever walked into this office."
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Crosswick Faint In shock
Changed line(s) 26 (click to see context) from:
* {{Fainting}}: At the climax of the movie, a distraught and guilt-ridden Ann pleads desperately to John on the roof of City Hall not to kill himself. At the height of her emotions, she confesses her love for him, and in the next instant, sinks in his arms in a dead faint. As a result, as John finally decides not to jump at the end of the film and Henry tells off a defeated Norton with a TakeThat, Ann is thoroughly passed out throughout and misses all of this.
to:
* {{Fainting}}: FaintInShock: At the climax of the movie, a distraught and guilt-ridden Ann pleads desperately to John [[spoiler: on the roof of City Hall not to kill himself.himself]]. At the height of her emotions, she confesses her love for him, and in the next instant, sinks in his arms in a dead faint. As a result, as John finally decides [[spoiler: not to jump at the end of the film and Henry tells off a defeated Norton with a TakeThat, TakeThat]]. Ann is thoroughly passed out throughout and misses all of this.
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trivia migration
Changed line(s) 27,28 (click to see context) from:
* FocusGroupEnding: Capra filmed and road-tested four endings to the film, including one in which Norton has a HeelFaceTurn and one, arguably the dramatically necessary one, where John follows through and [[DownerEnding jumps off the roof]]. After receiving a letter from a test viewer saying that the John Does themselves should save John, Capra filmed and released that. In his autobiography he continued to express dissatisfaction with the ending.
* FromBadtoWorse: For John, after the halfway point in the film.
* FromBadtoWorse: For John, after the halfway point in the film.
to:
* FocusGroupEnding: Capra filmed and road-tested four endings to the film, including one in which Norton has a HeelFaceTurn and one, arguably the dramatically necessary one, where John follows through and [[DownerEnding jumps off the roof]]. After receiving a letter from a test viewer saying that the John Does themselves should save John, Capra filmed and released that. In his autobiography he continued to express dissatisfaction with the ending.
* FromBadtoWorse:FromBadToWorse: For John, after the halfway point in the film.
* FromBadtoWorse:
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* {{Fainting}}: At the climax of the movie, a distraught and guilt-ridden Ann pleads desperately to John on the roof of City Hall not to kill himself. At the height of her emotions, she confesses her love for him, and in the next instant, sinks in his arms in a dead faint. As a result, as John finally decides not to jump at the end of the film and Henry tells off a defeated Norton with a TakeThat, Ann is thoroughly passed out throughout and misses all of this.
Changed line(s) 28 (click to see context) from:
* GlassesPull: A villainous and understated example. Norton has a habit of taking off and cleaning his pince-nez when he's saying something important. He takes them off when he tells Connell to mind his own busiiness, and again when he explains to Ann his plot to use the John Doe Clubs to win the White House, and again when he tells John that he'll destroy John if John doesn't play ball.
to:
* GlassesPull: A villainous and understated example. Norton has a habit of taking off and cleaning his pince-nez when he's saying something important. He takes them off when he tells Connell to mind his own busiiness, business, and again when he explains to Ann his plot to use the John Doe Clubs to win the White House, and again when he tells John that he'll destroy John if John doesn't play ball.
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* TakeThat: The final line of the movie.
--> '''Henry''': There you are, Norton! The people! Try and lick that!
--> '''Henry''': There you are, Norton! The people! Try and lick that!
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Changed line(s) 1,5 (click to see context) from:
[[quoteright:320:https://static.tvtropes.org/pmwiki/pub/images/1448042610279.jpg]]
[[caption-width-right:320:Some hobos clean up real nice.]]
''Meet John Doe'' is a 1941 film directed by Creator/FrankCapra and starring Creator/GaryCooper and Creator/BarbaraStanwyck.
[[caption-width-right:320:Some hobos clean up real nice.]]
''Meet John Doe'' is a 1941 film directed by Creator/FrankCapra and starring Creator/GaryCooper and Creator/BarbaraStanwyck.
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''Meet John Doe'' is a 1941 comedy-drama film directed by
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Added DiffLines:
* EnforcedMethodActing: InUniverse; in order to get John to make a convincing angry face for the paper, Ann pretends to be an umpire who's just called one of his pitches, a perfect strike down the middle of the plate, a ball. It works.
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Added DiffLines:
** The Colonel's theory of "the helots" being responsible for giving decent people a lot of grief is an inversion of the facts. Helots were slaves in ancient Sparta. They were the "John Does" -- did all the hard work and were regularly and violently oppressed by the owning class.
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Deleted line(s) 32 (click to see context) :
* HotScoop: Ann. This is what happened when Barbara Stanwyck played a reporter.
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:329:Some hobos clean up real nice.]]
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Changed line(s) 1,3 (click to see context) from:
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/1448042610279.jpg]]
[[caption-width-right:350:Some hobos clean up real nice.]]
[[caption-width-right:350:Some hobos clean up real nice.]]
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Changed line(s) 41 (click to see context) from:
* ShesGotLegs: Connell, describing Ann on the phone, mentions that she has "as fine a pair" as "ever walked into this office."
to:
* ShesGotLegs: Connell, describing Ann on the phone, mentions makes a point of mentioning that she has "as fine a pair" as "ever walked into this office."
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Deleted line(s) 37 (click to see context) :
* NiceLegs: Connell, describing Ann on the phone, mentions that she has "as fine a pair" as "ever walked into this office."
Added DiffLines:
* ShesGotLegs: Connell, describing Ann on the phone, mentions that she has "as fine a pair" as "ever walked into this office."
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None
Added DiffLines:
Added DiffLines:
* NiceLegs: Connell, describing Ann on the phone, mentions that she has "as fine a pair" as "ever walked into this office."
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None
Changed line(s) 33 (click to see context) from:
* MessianicArchetype: Multiple references comparing John Doe and the John Doe idea to Christ. For example, after John is jeered and pelted by a mob at the convention, Connell says "Well boys, you can chalk up another one to the Pontius Pilates."
to:
* MessianicArchetype: Multiple references comparing John Doe and the John Doe idea to Christ. For example, after John is jeered and pelted by a mob at the convention, Connell says "Well boys, you can chalk up another one to the Pontius Pilates." Later, Christ is described by Ann as "The first John Doe."
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Detail, example
Changed line(s) 33 (click to see context) from:
* MessianicArchetype: Multiple references comparing John Doe and the John Doe idea to Christ.
to:
* MessianicArchetype: Multiple references comparing John Doe and the John Doe idea to Christ. For example, after John is jeered and pelted by a mob at the convention, Connell says "Well boys, you can chalk up another one to the Pontius Pilates."
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Detail
Changed line(s) 25 (click to see context) from:
* GlassesPull: A villainous and understated example. Norton has a habit of taking off his pince-nez when he's saying something important. He takes them off when he tells Connell to mind his own busiiness, and again when he explains to Ann his plot to use the John Doe Clubs to win the White House, and again when he tells John that he'll destroy John if John doesn't play ball.
to:
* GlassesPull: A villainous and understated example. Norton has a habit of taking off and cleaning his pince-nez when he's saying something important. He takes them off when he tells Connell to mind his own busiiness, and again when he explains to Ann his plot to use the John Doe Clubs to win the White House, and again when he tells John that he'll destroy John if John doesn't play ball.