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* ImpromptuFortress: Practically the entirety of Iwo Jima becomes this. Mount Suribachi at the southwestern part of the island already had a system of caves, and these were expanded into a tunnel network like a human-sized ant colony. From there, Japanese soldiers hunkered down while the American Navy pounded the island with thousands of shells. The tunnels held, but the bigger problems of food shortages, no sanitary sewers, and dysentery proved to be as formidable as the American assault force.
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* ShootTheMedicFirst: Lt. Ito shows tells his men to target medics because enemy soldiers will sacrifice themselves to save them.

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* ShootTheMedicFirst: Lt. Ito Captain Tanida shows tells his men to target medics because enemy soldiers will sacrifice themselves to save them.



* StateSec: The Kempeitai.

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* StateSec: The Kempeitai.Kempeitai, the Japanese Military Police. Saigo and his squadmates suspect that Shimizu is a member of the former sent to spy on them for their unpatriotic words.
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* HeroicSacrifice: Lt. Okubo gives his life saving the remaining soldiers under his command, by taking out an American machine gun position with a grenade.
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* BreakTheHaughty: Lt. Ito, who goes from being an all around [[TheNeidermeyer incompetent officer]] who wishes to dies a GloriousDeath ends up not only surviving the battle, but also broken, exhausted, and in American captivity by the end of the film.
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* WhatHappenedToTheMouse: General Hayashi and Admiral Ichimaru, General Kuribayashi's fellow high-ranking officers, disappear as the Battle of Iwo Jima rages on, and remain unaccounted for. Given the [[HopelessWar deteriorating situation for the Japanese]] and their tendency to either [[BetterToDieThanBeKilled commit suicide over surrender]] or [[DefiantToTheEnd die fighting]], it's very likely that both men were KilledOffscreen.
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Despite being an American production, the film is almost entirely in Japanese. Characters include Gen. Tadamichi Kuribayashi (Creator/KenWatanabe), the commander of the island and a decent man who doodles drawings on letters home to his wife and family; Saigo, a MildlyMilitary private who only wants to go home to ''his'' wife and family, and Shimzu, a new arrival to Saigo's squad who Saigo suspects of being a spy for StateSec.

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Despite being an American production, the film is almost entirely in Japanese. Characters include Gen. Tadamichi Kuribayashi (Creator/KenWatanabe), the commander of the island and a decent man who doodles drawings on letters home to his wife and family; Saigo, a MildlyMilitary private who only wants to go home to ''his'' wife and family, and Shimzu, Shimizu, a new arrival to Saigo's squad who Saigo suspects of being a spy for StateSec.



* AnimalsHateHim: A dog incessantly barks at Shimuzu's superior because it either doesn't like his smell or senses an aura of wicked evil coming from him. [[spoiler: It doesn't end well for the dog.]]

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* AnimalsHateHim: A dog incessantly barks at Shimuzu's Shimizu's superior because it either doesn't like his smell or senses an aura of wicked evil coming from him. [[spoiler: It doesn't end well for the dog.]]



* KickTheDog: Shimuzu's superior accuses a harmless family dog of being a potential disturbance to Army Communications and orders him to put it to death. He goes back and does the job himself after Shimuzu fakes the execution.

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* KickTheDog: Shimuzu's Shimizu's superior accuses a harmless family dog of being a potential disturbance to Army Communications and orders him to put it to death. He goes back and does the job himself after Shimuzu Shimizu fakes the execution.



* PetTheDog: Shimzu is mostly very quiet, feared to be from the [[StateSec Kempeitai]] and showed the possibility he'd shoot Saigo for not committing suicide like the other soldiers in his troop (he is convinced otherwise and doesn't go through with it). After Saigo tells him he's going to surrender and dares him to arrest him, he tells him he was actually discharged from the Kempeitai: he pretended to shoot a family's dog his superior ordered him to, but the dog barked while they were leaving and accidentally tipped off his superior who then had him discharged for insubordination.

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* PetTheDog: Shimzu Shimizu is mostly very quiet, feared to be from the [[StateSec Kempeitai]] and showed the possibility he'd shoot Saigo for not committing suicide like the other soldiers in his troop (he is convinced otherwise and doesn't go through with it). After Saigo tells him he's going to surrender and dares him to arrest him, he tells him he was actually discharged from the Kempeitai: he pretended to shoot a family's dog his superior ordered him to, but the dog barked while they were leaving and accidentally tipped off his superior who then had him discharged for insubordination.
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* ObligatoryWarCrimeScene: The bayoneting of the American soldier [[spoiler:who got into the cave]], as well as the execution of two surrendered Japanese soldiers by a pair of paranoid Americans who were expressly ordered to keep them under guard.
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* AnAesop: War is bad, and the other side is human as well.[[note]]Explains why Eastwood had to make this alongside ''Flags of Our Fathers'', now doesn't it?[[/note]] This is shown when they read a captured Marine's letter from his mother.
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* TheDreadedToiletDuty: Saigo is chosen by his commander to dump out the "poop pail" that his squad has been using while hunkered in their bunkers on the island. The commander urges Saigo not to lose the pail, "or you will carry out our poop with your hands." As Saigo emerges from the bunker, he sees the enormous American fleet poised to invade, and drops the pail in astonishment. Poor Saigo then has to fish the pail out of a ditch as the naval shelling starts.
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* SurrenderBackfire: The soldiers who surrender to an American patrol are summarily shot instead of being taken prisoner. The discovery of their bodies reinforces the belief that surrender is not an option and that suicidal attacks are preferable to capture.

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* HopelessWar: You realize the full extent of how hopeless it is for the Japanese when the film shows the American fleet: hundreds of ships (including various battleships and carriers), transporting marines in overwhelming numbers and all the air and artillery support they need.

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* HopelessWar: You realize the full extent of how hopeless it is for the Japanese when the film shows the American fleet: hundreds of ships (including various battleships and carriers), transporting marines in overwhelming numbers and all the air and artillery support they need. This comes after one of the characters estimates the ships coming as "30, 50 at the most", and once he leaves the cave and sees them for himself, he is dumbfounded.

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* HonorBeforeReason: The Japanese forces (or at least a large amount of them) would rather engage in futile and suicidal attacks because they deem it to be more honorable than fighting smart, something that frustrates Kuribayashi to no end.

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* HonorBeforeReason: The Japanese forces (or at least a large amount of them) would rather engage in futile and suicidal attacks because they deem it to be more honorable than fighting smart, something that frustrates Kuribayashi to no end. Worse than that, many of them don't even bother fighting after a certain point, they just shoot themselves in the face or blow themselves up with grenades.
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* CueTheSun: At the end of the battle the sun dawns red over the sea.

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* CueTheSun: At the end of the battle the sun dawns red over the sea.sea.
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* CueTheSun: At the end of the battle the sun dawns red over the sea, perhaps symbolising that despite the loss Iwo Jima will always belong to Japan... or that Japan will always remember her own, wherever they fell, and for whatever cause.

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* CueTheSun: At the end of the battle the sun dawns red over the sea, perhaps symbolising that despite the loss Iwo Jima will always belong to Japan... or that Japan will always remember her own, wherever they fell, and for whatever cause.sea.
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* TakingYouWithMe: The entire point of the battle. The Americans are going to win and the Japanese defenders know it, so the only thing left is to sell their lives at as high a cost as possible.[[note]]It worked. Unlike most other Pacific battles where the Japanese suffered much higher casualties than the Americans, at Iwo Jima the Japanese actually inflicted more casualties than they took. Of course the Japanese casualties were almost all killed while the Americans were mostly wounded.[[/quote]]

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* TakingYouWithMe: The entire point of the battle. The Americans are going to win and the Japanese defenders know it, so the only thing left is to sell their lives at as high a cost as possible.[[note]]It worked. Unlike most other Pacific battles where the Japanese suffered much higher casualties than the Americans, at Iwo Jima the Japanese actually inflicted more casualties than they took. Of course the Japanese casualties were almost all killed while the Americans were mostly wounded.[[/quote]][[/note]]

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Despite being an American production, the film is almost entirely in Japanese. Characters include Gen. Tadamichi Kuribayashi (Creator/KenWatanabe), the commander of the island and a decent man who doodles drawings on letters home to his wife and family; Saigo, a MildlyMilitary private who only wants to go home to ''his'' wife and family, and Shimzu, a new arrival to Saigo's squad who Saigo suspects of being a spy for StateSec.



* TheCameo: The Flamethrower operator from ''Film/FlagsOfOurFathers'', who is shown clearing out the same pillboxes he did in the first film.



** The flamethrower operator from ''Film/FlagsOfOurFathers'' is shown clearing out the same pillboxes he did in the first film.



* {{A Father To His Men}}: General "I will always be right in front of you" [[KenWatanabe Kuribayashi]].

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* {{A Father To His Men}}: General "I will always be right in front of you" [[KenWatanabe Kuribayashi]].Kuribayashi.



* {{Irony}}: Ito seems to be [[MartyrdomCulture insistent on dying in battle]], [[spoiler:and leaves everyone else to hope to destroy a tank by lying in wait with mines attached to him. He later grows tired of waiting when nothing comes by and heads back to the (emptied) caves, and is last seen in the film being found by a group of Marines...making him the only other implied survivor in the movie.]]



* {{Irony}}: Ito seems to be [[MartyrdomCulture insistent on dying in battle]], [[spoiler:and leaves everyone else to hope to destroy a tank by lying in wait with mines attached to him. He later grows tired of waiting when nothing comes by and heads back to the (emptied) caves, and is last seen in the film being found by a group of Marines...making him the only other implied survivor in the movie.]]

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* {{Irony}}: Ito seems to LastStand: A given. Their only options were; die fighting; commit suicide; or be [[MartyrdomCulture insistent on dying in battle]], [[spoiler:and leaves everyone else to hope to destroy a tank by lying in wait with mines attached to him. He later grows tired of waiting when nothing comes by and heads back to executed for treason.
* The MacGuffin:
the (emptied) caves, and is last seen in bag of letters written by Japanese soldiers on the film being island found by modern day archeologists in a group of Marines...making him cave. They were originally hidden by Saigo just before the only other implied survivor in end of the movie.]]



* LastStand: A given. Their only options were; die fighting; commit suicide; or be executed for treason.
* The MacGuffin: the bag of letters written by Japanese soldiers on the island found by modern day archeologists in a cave. They were originally hidden by Saigo just before the end of the movie.



* PerspectiveFlip
* PetTheDog: Shimizu is mostly very quiet, feared to be from the [[StateSec Kempeitai]] and showed the possibility he'd shoot Saigo for not committing suicide like the other soldiers in his troop (he is convinced otherwise and doesn't go through with it). After Saigo tells him he's going to surrender and dares him to arrest him, he tells him he was actually discharged from the Kempeitai: he pretended to shoot a family's dog his superior ordered him to, but the dog barked while they were leaving and accidentally tipped off his superior who then had him discharged for insubordination.

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* PerspectiveFlip
PerspectiveFlip: After ''Flags of Our Fathers'' covered this battle from the American perspective, this film covers it from the Japanese perspective.
* PetTheDog: Shimizu Shimzu is mostly very quiet, feared to be from the [[StateSec Kempeitai]] and showed the possibility he'd shoot Saigo for not committing suicide like the other soldiers in his troop (he is convinced otherwise and doesn't go through with it). After Saigo tells him he's going to surrender and dares him to arrest him, he tells him he was actually discharged from the Kempeitai: he pretended to shoot a family's dog his superior ordered him to, but the dog barked while they were leaving and accidentally tipped off his superior who then had him discharged for insubordination.



* TakingYouWithMe: The entire point of the battle. The Americans are going to win and the Japanese defenders know it, so the only thing left is to sell their lives at as high a cost as possible.

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* TakingYouWithMe: The entire point of the battle. The Americans are going to win and the Japanese defenders know it, so the only thing left is to sell their lives at as high a cost as possible.[[note]]It worked. Unlike most other Pacific battles where the Japanese suffered much higher casualties than the Americans, at Iwo Jima the Japanese actually inflicted more casualties than they took. Of course the Japanese casualties were almost all killed while the Americans were mostly wounded.[[/quote]]
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* TheNeidermeyer: Lieutenant Ito.

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* TheNeidermeyer: Lieutenant Ito.Ito, who is pretty much incompetent in doing anything outside of having soldiers executed, be it having a number of his men killed in a pointless counterattack or getting more men killed trying to cross a small ravine.
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No critical reception on pages.


''Letters from Iwo Jima'' is the 2006 POVSequel to ''Film/FlagsOfOurFathers'', which was also directed by Creator/ClintEastwood, providing a PerspectiveFlip to UsefulNotes/ImperialJapan, the antagonists of the first film. It was widely well received and is commonly seen as [[EvenBetterSequel being even better than its well-received predecessor.]]

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''Letters from Iwo Jima'' is the 2006 POVSequel to ''Film/FlagsOfOurFathers'', which was also directed by Creator/ClintEastwood, providing a PerspectiveFlip to UsefulNotes/ImperialJapan, the antagonists of the first film. It was widely well received and is commonly seen as [[EvenBetterSequel being even better than its well-received predecessor.]]\n
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Hardly an example. The fight was rough.


* CurbstompBattle: The Japanese are hopelessly outnumbered and outgunned by the American invasion force sent to capture Iwo Jima. Not helped by the fact that the Japanese Carrier Fleet was wiped out early in the film, thus isolating them from any support from the Imperial Navy.
** CurbstompCushion: That said, Kuribayashi makes a concerted effort to inflict as many American casualties as possible, which he succeeds in doing so thanks to the defense network built into the island.
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** In RealLife this worked brilliantly. In every other land battle of the Pacific Theater from Guadalcanal through Okinawa the Japanese defenders always took much higher casualties than the Allies. At Iwo Jima, by contrast, the Japanese defenders managed a 1:1 kill ratio.
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* TakingYouWithMe: The entire point of the battle. The Americans are going to win and the Japanese defenders know it, so the only thing left is to sell their lives at as high a cost as possible.

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** ->''"How would you feel if America and Japan went to war?"''
** ->''"The United States is the last country in the world Japan should fight."''

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** ->''"How would you feel if America and Japan went to war?"''
** ->''"The United States is the last country in the world Japan should fight."''


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* WeAreStrugglingTogether: The movie faithfully portrays the endemic InterserviceRivalry between the Imperial Army and Navy, as well as the indiscipline and anarchic ''gekokujō'' dynamic of the Army as a whole. Despite Kuribayashi's orders, various junior officers either succumb to despair or decide to go out in a blaze of glory, taking their men on pointless suicide missions that ultimately do little to slow down the American advance.
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''Letters from Iwo Jima'' is the 2006 POVSequel to ''Film/FlagsOfOurFathers'', which was also directed by Creator/ClintEastwood, providing a PerspectiveFlip to UsefulNotes/ImperialJapan, the antagonists of the first film. It was widely well received and is commonly seen as being even better than its well-received predecessor.

to:

''Letters from Iwo Jima'' is the 2006 POVSequel to ''Film/FlagsOfOurFathers'', which was also directed by Creator/ClintEastwood, providing a PerspectiveFlip to UsefulNotes/ImperialJapan, the antagonists of the first film. It was widely well received and is commonly seen as [[EvenBetterSequel being even better than its well-received predecessor.
predecessor.]]

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* ChekhovsGun: You didn't really think the M1911 Kuribayashi was gifted would show up that much and ''not'' get used, did you? [[spoiler:[[DrivenToSuicide On himself]], that is.]]



* {{Foreshadowing}}: You didn't really think the M1911 Kuribayashi was gifted would show up that much and ''not'' get used, did you? [[spoiler:[[DrivenToSuicide On himself]], that is.]]
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* KillItWithFire: Marine flamethrower operators are shown clearing Japanese fortifications, and the result is not pretty.
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* ColdSniper: One Marine sniper appears at the end of the film, [[spoiler: and kills Lt. Fujita before he can MercyKill Gen. Kuribayashi]].
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Has nothing to do with familiarity with in-universe fiction.


* ForegoneConclusion: We already know how the Battle of Iwo Jima ends. Their orders were not to win... only to kill ten Americans apiece before they themselves were killed. This can give the illusion that the Japanese are GenreSavvy.

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* ForegoneConclusion: We already know how the Battle of Iwo Jima ends. Their orders were not to win... only to kill ten Americans apiece before they themselves were killed. This can give the illusion that the Japanese are GenreSavvy.
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* TemptingFate: From the trailer, and the flashback scene of Kuribayashi at a dinner in the US before the war.
**->''"How would you feel if America and Japan went to war?"''
**->''"The United States is the last country in the world Japan should fight."''

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* ContinuityNod: The torture of a captured Marine is a reference to Iggy's death in ''Film/FlagsOfOurFathers''. Similarly, the scene in ''Flags'' where Doc sees [[NothingIsScarier an unseen horror in a cave]] runs on from a scene in ''Letters'' where some Japanese soldiers commit ''seppuku'' with hand grenades.

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* ContinuityNod: ContinuityNod:
**
The torture of a captured Marine is a reference to Iggy's death in ''Film/FlagsOfOurFathers''. ''Film/FlagsOfOurFathers''.
**
Similarly, the scene in ''Flags'' where Doc sees [[NothingIsScarier an unseen horror in a cave]] runs on from a scene in ''Letters'' where some Japanese soldiers commit ''seppuku'' with hand grenades.

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