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** Crowe takes some guff from his colleagues for this because, despite being a tough, experienced vice cop detective, when it's his own daughter who has been molested he [[CannotSpitItOut cannot speak in an entirely clinical manner about it]].
to:
** Crowe takes some guff from his colleagues for this because, despite being a tough, experienced vice cop detective, when [[ItsPersonal it's his own daughter who has been molested molested]] he [[CannotSpitItOut cannot speak in an entirely clinical manner about it]].
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Changed line(s) 24 (click to see context) from:
* SexualEuphemism: when the Japanese businessman sticks his hand up Crowe's daughter's skirt on the bus, she exclaims that someone touched her "holy of holies!"
to:
* SexualEuphemism: when SexualEuphemism:
** When the Japanese businessman sticks his hand up Crowe's daughter's skirt on the bus, she exclaims that someone touched her "holy ofholies!"holies!"
** Crowe takes some guff from his colleagues for this because, despite being a tough, experienced vice cop detective, when it's his own daughter who has been molested he [[CannotSpitItOut cannot speak in an entirely clinical manner about it]].
** When the Japanese businessman sticks his hand up Crowe's daughter's skirt on the bus, she exclaims that someone touched her "holy of
** Crowe takes some guff from his colleagues for this because, despite being a tough, experienced vice cop detective, when it's his own daughter who has been molested he [[CannotSpitItOut cannot speak in an entirely clinical manner about it]].
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* PaedoHunt: innocent Japanese men are beaten up by members of the public looking for Hada, Rita Crowe's groper.
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* IronicEcho: Hada sexually molests Crowe's daughter on a public bus and escapes without being identified. Immediately thereafter his own daughter is kidnapped and sexually enslaved, and Crowe is assigned to find her.
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Changed line(s) 16 (click to see context) from:
** Takeda, the Japanese businessman who gropes Crowe's daughter on a public bus, gets away but is randomly mugged and beaten up shortly thereafter, and right after that his own daughter is kidnapped and sexually enslaved.
to:
** Takeda, Hada, the Japanese businessman who gropes Crowe's daughter on a public bus, gets away but is randomly mugged and beaten up shortly thereafter, and right after that his own daughter is kidnapped and sexually enslaved.
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** Duke, locked up, winds up [[PrisonRape getting acquainted with his cellmate]].
** Takeda, the Japanese businessman who gropes Crowe's daughter on a public bus, gets away but is randomly mugged and beaten up shortly thereafter, and right after that his own daughter is kidnapped and sexually enslaved.
** Takeda, the Japanese businessman who gropes Crowe's daughter on a public bus, gets away but is randomly mugged and beaten up shortly thereafter, and right after that his own daughter is kidnapped and sexually enslaved.
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* SexualEuphemism: when the Japanese businessman sticks his hand up Crowe's daughter's skirt on the bus, she exclaims that someone touched her "holy of holies!"
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Not this trope because the groping is deliberate, not accidental
Deleted line(s) 21 (click to see context) :
* ThanksForTheMammary: The film is used as a culture dissonance moment when a Japanese man who's been transferred to his company's Los Angeles office is riding the bus. Said girl happens to be Crowe's daughter. Whoops.
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* LovesTheSoundOfScreaming: Crowe gets a blissful smile on his face as he hears Duke, now in the hands of his [[PrisonRape cellmate]], screaming for help.
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* SoftWater: Subverted when Crowe and his Partner drop one of Duke's henchmen off the balcony he dies when he lands in the swimming pool.
to:
* SoftWater: Subverted Subverted- when Crowe and his Partner drop one of Duke's henchmen off the balcony balcony, he dies when he lands in the swimming pool.
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Deleted line(s) 14 (click to see context) :
* [[Seppuku Jigai]]: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
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* {{Seppuku}}: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
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* [[Seppuku Jigai]]: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
Deleted line(s) 18 (click to see context) :
* {{Seppuku}}: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
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Deleted line(s) 14 (click to see context) :
* {{Seppuku|Jigai}}: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
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* {{Seppuku}}: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
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Changed line(s) 14 (click to see context) from:
* {{Seppuku Jigai}}: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
to:
* {{Seppuku Jigai}}: {{Seppuku|Jigai}}: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
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Changed line(s) 14 (click to see context) from:
* {{Seppuku}}Jigai: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
to:
* {{Seppuku}}Jigai: {{Seppuku Jigai}}: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
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"Renamed" Seppuku to Jigai
* {{Seppuku}}Jigai: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
Deleted line(s) 18 (click to see context) :
* {{Seppuku}}: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
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''Kinjite: Forbidden Subjects'' is a 1989 [[Creator/TheCannonGroup Cannon]] film starring Creator/CharlesBronson. The film is the final movie J. Lee Thompson directed.
to:
''Kinjite: Forbidden Subjects'' is a 1989 [[Creator/TheCannonGroup Cannon]] film starring Creator/CharlesBronson. The film is the final movie J. Lee Thompson directed.
directed and was one of Bronson's final film roles, the other one being the reprisal of his Paul Kersey role for the final film of the ''Film/DeathWish'' series.
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Deleted line(s) 14 (click to see context) :
* FightSceneFailure: It's hilariously obvious that Charles Bronson was too old for any strenuous fight scenes at this late point in his career, which constantly cut between close-up and wide angle shots to hide the fact that a stand-in is clearly performing all the kicks and punches.
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* FightSceneFailure: It's hilariously obvious that Charles Bronson was too old for any strenuous fight scenes at this late point in his career, which constantly cut between close-up and wide angle shots to hide the fact that a stand-in is clearly performing all the kicks and punches.
* LaserGuidedKarma: See above, that's the whole [[AnAesop aesop]] of the film when it comes to child prostitution.
* LaserGuidedKarma: See above, that's the whole [[AnAesop aesop]] of the film when it comes to child prostitution.
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* LaserGuidedKarma: See above, that's the whole [[AnAesop aesop]] of the film when it comes to child prostitution.
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* BigBad: Duke
to:
* BigBad: DukeDuke, a pimp specialized in exploiting innocent underage girls.
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* LaserGuidedKarma: See above, that's the whole [[AnAesop aesop]] of the film when it comes to child prostitution.
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Deleted line(s) 8,9 (click to see context) :
NeedsWikiMagicLove.
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* TheChikan: Two Japanese businessmen discuss the subject after one of them witnesses a woman being groped on the subway who does not loudly protest, both regarding it as a form of sexual fetishism. Later one of them drunkenly attempts the same thing on a business trip in the United States, [[ValuesDissonance resulting in immediate retaliation]].
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* {{Seppuku}}: While Duke does get what's coming to him big time, the film ends on a dark note as the Japanese girl that Crowe saved from him does this to expiate the shame of having been raped.
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Changed line(s) 3,4 (click to see context) from:
''Kinjite: Forbidden Subjects'' is a 1989 film starring Creator/CharlesBronson. The film is the final movie J. Lee Thompson directed.
to:
''Kinjite: Forbidden Subjects'' is a 1989 [[Creator/TheCannonGroup Cannon]] film starring Creator/CharlesBronson. The film is the final movie J. Lee Thompson directed.
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-->''Poetic'' justice (it's a KarmicRape)
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Deleted line(s) 15 (click to see context) :
* {{Gorn}}: ... don't ask.
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* SoftWater: Subverted when Crowe and his Partner drop one of Duke's henchmen off the balcony he dies when he hits the water.
to:
* SoftWater: Subverted when Crowe and his Partner drop one of Duke's henchmen off the balcony he dies when he hits lands in the water.swimming pool.
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added another trope Soft Water subverted because I saw it in the movie
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* SoftWater: Subverted when Crowe and his Partner drop one of Duke's henchmen off the balcony he dies when he hits the water.
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''Kinjite: Forbidden Subjects'' is a 1989 film starring CharlesBronson. The film is the final movie J. Lee Thompson directed.
to:
''Kinjite: Forbidden Subjects'' is a 1989 film starring CharlesBronson.Creator/CharlesBronson. The film is the final movie J. Lee Thompson directed.
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[[quoteright:250:http://static.tvtropes.org/pmwiki/pub/images/kinjite_8311.jpg]]
''Kinjite: Forbidden Subjects'' is a 1989 film starring CharlesBronson. The film is the final movie J. Lee Thompson directed.
Bronson plays another renegade cop out for vigilante justice on the mean streets. Lt. Crowe's target is Duke, a ruthless pimp who runs a child prostitution ring. This scumbag likes to kidnap teenage girls, rape them, hook them on drugs and put them out on the street. Because of Duke's slick craftiness and the fact that potential witnesses are unwilling to testify, Crowe is having a hard time taking him down. Duke's latest victim is a Japanese businessman's young daughter, who Crowe has been assigned to rescue.
Crowe, like many of Bronson's other characters, gets so fed up with Duke's actions that he takes the law into his own hands, firebombing the pimp's car and forcing him to eat his own $25,000 watch before issuing an ultimatum: quit the business now, or else. Duke, naturally, isn't inclined to do what Crowe says and continues his vile trade, which sets the stage for a violent confrontation.
NeedsWikiMagicLove.
----
!!Tropes in this film:
* BigBad: Duke
* CowboyCop: Lt. Crowe
* {{Gorn}}: ... don't ask.
* PrisonRape: [[https://www.youtube.com/watch?v=Lcp5GAvYN3k The ending]].
-->'''Crowe''': Now that's justice.
* ThanksForTheMammary: The film is used as a culture dissonance moment when a Japanese man who's been transferred to his company's Los Angeles office is riding the bus. Said girl happens to be Crowe's daughter. Whoops.
* TroubledSympatheticBigot: One of Crowe's main flaws is his racism toward Asians in general, which he ultimately has to swallow in order to rescue the businessman's daughter.
* VigilanteMan: Bronson was good at playing these, and this film is no exception.
----
''Kinjite: Forbidden Subjects'' is a 1989 film starring CharlesBronson. The film is the final movie J. Lee Thompson directed.
Bronson plays another renegade cop out for vigilante justice on the mean streets. Lt. Crowe's target is Duke, a ruthless pimp who runs a child prostitution ring. This scumbag likes to kidnap teenage girls, rape them, hook them on drugs and put them out on the street. Because of Duke's slick craftiness and the fact that potential witnesses are unwilling to testify, Crowe is having a hard time taking him down. Duke's latest victim is a Japanese businessman's young daughter, who Crowe has been assigned to rescue.
Crowe, like many of Bronson's other characters, gets so fed up with Duke's actions that he takes the law into his own hands, firebombing the pimp's car and forcing him to eat his own $25,000 watch before issuing an ultimatum: quit the business now, or else. Duke, naturally, isn't inclined to do what Crowe says and continues his vile trade, which sets the stage for a violent confrontation.
NeedsWikiMagicLove.
----
!!Tropes in this film:
* BigBad: Duke
* CowboyCop: Lt. Crowe
* {{Gorn}}: ... don't ask.
* PrisonRape: [[https://www.youtube.com/watch?v=Lcp5GAvYN3k The ending]].
-->'''Crowe''': Now that's justice.
* ThanksForTheMammary: The film is used as a culture dissonance moment when a Japanese man who's been transferred to his company's Los Angeles office is riding the bus. Said girl happens to be Crowe's daughter. Whoops.
* TroubledSympatheticBigot: One of Crowe's main flaws is his racism toward Asians in general, which he ultimately has to swallow in order to rescue the businessman's daughter.
* VigilanteMan: Bronson was good at playing these, and this film is no exception.
----
