Is there an issue? Send a MessageReason:
Trope was cut/disambiguated due to cleanup
Deleted line(s) 14,15 (click to see context) :
* AmbiguousDisorder: Giulia who is not epileptic but still is more than slightly off.
** Averted with Sandro and Leone who are both epileptic.
** Averted with Sandro and Leone who are both epileptic.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* BrotherSisterIncest: [[spoiler: Sandro and Giulia.]]
Added DiffLines:
* IncestSubtext: [[spoiler: Sandro and Giulia.]]
Is there an issue? Send a MessageReason:
Up To Eleven is being dewicked.
Changed line(s) 35,36 (click to see context) from:
* TheVoiceless: Leone who is mostly silent
* UpToEleven: The trope of BigScrewedUpFamily
* UpToEleven: The trope of BigScrewedUpFamily
to:
* TheVoiceless: Leone who is mostly silent
* UpToEleven: The trope of BigScrewedUpFamilysilent.
* UpToEleven: The trope of BigScrewedUpFamily
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,4 (click to see context) from:
[[quoteright:330:https://static.tvtropes.org/pmwiki/pub/images/d4a86eb7_f26e_4d4b_b585_bc59186518d4.jpeg]]
''I pugni in tasca'' (English title: ''Fists in the Pocket'') is the 1965 debut film by Marco Bellocchio. A classic of Italian underground cinema, the film is a precursor to works in the spirit of the contestazione/contestation.
''I pugni in tasca'' (English title: ''Fists in the Pocket'') is the 1965 debut film by Marco Bellocchio. A classic of Italian underground cinema, the film is a precursor to works in the spirit of the contestazione/contestation.
to:
''I pugni in tasca'' (English title: ''Fists in the Pocket'') is the 1965 debut film by Marco Bellocchio. A classic of Italian underground cinema,
Changed line(s) 9,10 (click to see context) from:
This movie is a perfect choice as the second item for the double feature with Film/DillingerEMorto.
to:
This movie is a perfect choice as the second item for the double feature with Film/DillingerEMorto.
''Film/DillingerEMorto''.
Is there an issue? Send a MessageReason:
None
Changed line(s) 18 (click to see context) from:
* DisneyVillainDeath: [[spoiler: For the mother who falls off the huge cliff pushed by Sandro although she is not a villain.]]
to:
* DisneyVillainDeath: [[spoiler: For the mother mother, who falls off the huge cliff pushed by Sandro Sandro, although she is not a villain.]]
Changed line(s) 23,24 (click to see context) from:
* GenkiGirl: Giulia is at times the one.
* {{Matricide}}: Spoiler tags are useless because this trope is self-obvious once it is listed. Yes, this trope '''is''' present in this film.
* {{Matricide}}: Spoiler tags are useless because this trope is self-obvious once it is listed. Yes, this trope '''is''' present in this film.
to:
* GenkiGirl: Giulia is at times the one.
* KarmicDeath: Sandro goes to great effort to kill his family for supposedly being a burden on the eldest brother. [[spoiler: But Giulia manages to kill him by doing [[MurderByInaction nothing]] while he succumbs to epilepsy.]]
* {{Matricide}}:Spoiler tags are useless because this trope is self-obvious once it is listed. Yes, this trope '''is''' present Sandro's plan, along with his plot to kill his siblings. [[spoiler: He succeeds in this film.the former.]]
* KarmicDeath: Sandro goes to great effort to kill his family for supposedly being a burden on the eldest brother. [[spoiler: But Giulia manages to kill him by doing [[MurderByInaction nothing]] while he succumbs to epilepsy.]]
* {{Matricide}}:
Changed line(s) 28 (click to see context) from:
* PayEvilUntoEvil: Giulia to Sandro in the end.
to:
* PayEvilUntoEvil: [[spoiler: Giulia to Sandro in the end.]]
* PsychopathicManchild: Played with. Sandro ''really'' enjoys his attempts to murder his family, often giggling or dancing to himself. In other occasions, he struggles with what he's doing and bails out of several opportune moments to kill people. One gets the sense that Sandro doesn't always ''want'' to be this trope, but his condition prevents him from entering the real world and growing as a person, resulting in his violent tantrums and doubling down into immaturity.
* PsychopathicManchild: Played with. Sandro ''really'' enjoys his attempts to murder his family, often giggling or dancing to himself. In other occasions, he struggles with what he's doing and bails out of several opportune moments to kill people. One gets the sense that Sandro doesn't always ''want'' to be this trope, but his condition prevents him from entering the real world and growing as a person, resulting in his violent tantrums and doubling down into immaturity.
Is there an issue? Send a MessageReason:
None
Changed line(s) 31 (click to see context) from:
* SuddenlyVoiced: Leone talks once but without any dramatic consequences.
to:
* SuddenlyVoiced: SuddenlySpeaking: Leone talks once but without any dramatic consequences.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
This movie is a perfect choice as the second item for the double feature with Film/DillingerEMorto.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/d4a86eb7_f26e_4d4b_b585_bc59186518d4.jpeg]]
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
''I pugni in tasca'' (English title: ''Fists in the Pocket'') is the 1965 debut film by Marco Bellocchio. A classic of Italian underground cinema, the film is the precursor to works in the spirit of the contestazione/contestation.
to:
''I pugni in tasca'' (English title: ''Fists in the Pocket'') is the 1965 debut film by Marco Bellocchio. A classic of Italian underground cinema, the film is the a precursor to works in the spirit of the contestazione/contestation.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
''I pugni in tasca'' (English title: ''Fists in the Pocket'') is the 1965 debut film by Marco Bellocchio, and a classic of the Italian underground cinema. This film is defined as the precursor to the works in the spirit of the contestazione/contestation.
to:
''I pugni in tasca'' (English title: ''Fists in the Pocket'') is the 1965 debut film by Marco Bellocchio, and a Bellocchio. A classic of the Italian underground cinema. This cinema, the film is defined as the precursor to the works in the spirit of the contestazione/contestation.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
''I pugni in tasca'' (English title: ''Fists in the Pocket'') is a 1965 film which was a debut work by Marco Bellocchio, future classic of the Italian underground cinema. This film is defined as the precursor to the works in the spirit of the contestazione/contestation.
to:
[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/d4a86eb7_f26e_4d4b_b585_bc59186518d4.jpeg]]
''I pugni in tasca'' (English title: ''Fists in the Pocket'') isa the 1965 film which was a debut work film by Marco Bellocchio, future and a classic of the Italian underground cinema. This film is defined as the precursor to the works in the spirit of the contestazione/contestation.
''I pugni in tasca'' (English title: ''Fists in the Pocket'') is
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
I pugni in tasca (English title Fists in the Pocket) is a 1965 film which was a debut work by Marco Bellocchio, future classic of the Italian underground cinema. This film is defined as the precursor to the works in the spirit of the contestazione/contestation.
to:
Changed line(s) 8,9 (click to see context) from:
!! Tropes of contestation
to:
!! Tropes of contestation
contestation:
Is there an issue? Send a MessageReason:
None
Changed line(s) 14 (click to see context) from:
* DisneyVillainDeath: [[spoiler: For the mother who falls off the huge cliff pushed by Sandro althoiugh she is not a villain.]]
to:
* DisneyVillainDeath: [[spoiler: For the mother who falls off the huge cliff pushed by Sandro althoiugh although she is not a villain.]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 21 (click to see context) from:
* MeaningfulName: Augusto which is derived from the Lariin adjective meaning "esteemed, venerable".
to:
* MeaningfulName: Augusto which is derived from the Lariin Latin adjective meaning "esteemed, venerable".
Is there an issue? Send a MessageReason:
None
Changed line(s) 5,6 (click to see context) from:
Once the second brother decides that the eldest brother who can lead a normal life should be liberated from all of them, himself included because they are unable to do anything. The film folloows his attempts to achieve this goal as well as half-hearted attempts to still somehow adapt to the surrounding life.
to:
Once the second brother decides that the eldest brother who can lead a normal life should be liberated from all of them, himself included because they are unable to do anything. The film folloows follows his attempts to achieve this goal as well as occasional half-hearted attempts to still somehow adapt to the surrounding life.
Is there an issue? Send a MessageReason:
None
Changed line(s) 3,4 (click to see context) from:
The film describes a family led by the blind mother. She has four children (three boys and a girl), the eldest of who is a working person and the rest three are barely functional. They live in a big house but mostly don't know what to do with their free time abusing one another.
to:
The film describes a family led by the blind mother. She has four children (three boys and a girl), the eldest of who whom is a working person and the rest three are barely functional. They live in a big house but mostly don't know what to do with their free time abusing one another.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* FreudianTrio:
** The superego: Augusto
** The ego: Giulia
** The id: Sandro
** The superego: Augusto
** The ego: Giulia
** The id: Sandro
Is there an issue? Send a MessageReason:
None
Changed line(s) 5,6 (click to see context) from:
Once the second brother decides that the eldest brother who can lead a normal life should be liberated from all of them, himself included because they are unable to do anything. The film folloows his attempts to achieve this goal as well as half-hearted attempts to somehow adapt to the surrounding life.
to:
Once the second brother decides that the eldest brother who can lead a normal life should be liberated from all of them, himself included because they are unable to do anything. The film folloows his attempts to achieve this goal as well as half-hearted attempts to still somehow adapt to the surrounding life.
* DeadlyBath: For [[spoiler: Leone who is first drugged then drowned by Sandro.]]
Changed line(s) 22 (click to see context) from:
* SuddenlyVoiced: Leone talks once but without any dramatic consequences
to:
* SuddenlyVoiced: Leone talks once but without any dramatic consequencesconsequences.
* TantrumThrowing: Sandro and Guilia throw out of the window the furniture from their mother's room after her death.
* TantrumThrowing: Sandro and Guilia throw out of the window the furniture from their mother's room after her death.
Is there an issue? Send a MessageReason:
None
Changed line(s) 13 (click to see context) from:
* DisneyVillainDeath: [[For the mother who falls off the huge cliff pushed by Sandro.]]
to:
* DisneyVillainDeath: [[For [[spoiler: For the mother who falls off the huge cliff pushed by Sandro.]]Sandro althoiugh she is not a villain.]]
* GenkiGirl: Giulia is at times the one.
* GenkiGirl: Giulia is at times the one.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* DisneyVillainDeath: [[For the mother who falls off the huge cliff pushed by Sandro.]]
Added DiffLines:
* UnnamedParent: The mother is only credited as such.
Is there an issue? Send a MessageReason:
None
Deleted line(s) 13 (click to see context) :
* LazerGuidedKarma: [[spoiler: In the very end Sandro dies of the epileptic fit.]]
Added DiffLines:
* PayEvilUntoEvil: Giulia to Sandro in the end.
Is there an issue? Send a MessageReason:
None
Changed line(s) 13 (click to see context) from:
* Matricide: Spoiler tags are useless because this trope is self-obvious once it is listed. Yes, this trope '''is''' present in this film.
to:
* Matricide: LazerGuidedKarma: [[spoiler: In the very end Sandro dies of the epileptic fit.]]
* {{Matricide}}: Spoiler tags are useless because this trope is self-obvious once it is listed. Yes, this trope '''is''' present in this film.
* {{Matricide}}: Spoiler tags are useless because this trope is self-obvious once it is listed. Yes, this trope '''is''' present in this film.
Changed line(s) 20 (click to see context) from:
* UpToEleven: The trope of BigScrewedUpFamily
to:
* UpToEleven: The trope of of BigScrewedUpFamily
Is there an issue? Send a MessageReason:
None
* Matricide: Spoiler tags are useless because this trope is self-obvious once it is listed. Yes, this trope '''is''' present in this film.
* SiblingMurder: It also occurs.
Changed line(s) 17 (click to see context) from:
* TheVoiceless: Leone who is mostly silent
to:
* TheVoiceless: Leone who is mostly silentsilent
* UpToEleven: The trope of BigScrewedUpFamily
* UpToEleven: The trope of BigScrewedUpFamily
Is there an issue? Send a MessageReason:
None
Added DiffLines:
I pugni in tasca (English title Fists in the Pocket) is a 1965 film which was a debut work by Marco Bellocchio, future classic of the Italian underground cinema. This film is defined as the precursor to the works in the spirit of the contestazione/contestation.
The film describes a family led by the blind mother. She has four children (three boys and a girl), the eldest of who is a working person and the rest three are barely functional. They live in a big house but mostly don't know what to do with their free time abusing one another.
Once the second brother decides that the eldest brother who can lead a normal life should be liberated from all of them, himself included because they are unable to do anything. The film folloows his attempts to achieve this goal as well as half-hearted attempts to somehow adapt to the surrounding life.
----
!! Tropes of contestation
* AmbiguousDisorder: Giulia who is not epileptic but still is more than slightly off.
** Averted with Sandro and Leone who are both epileptic.
* BigScrewedUpFamily: The movie.
* MeaningfulName: Augusto which is derived from the Lariin adjective meaning "esteemed, venerable".
** Subverted with Leone who is not a lion.
* ReasonableAuthorityFigure: Played with for Augusto who is definitely the most reasonable but his behavior and attitude towards his family is unstable. At times he is patient and rational, at times angry and snarking.
* SuddenlyVoiced: Leone talks once but without any dramatic consequences
* TheVoiceless: Leone who is mostly silent
The film describes a family led by the blind mother. She has four children (three boys and a girl), the eldest of who is a working person and the rest three are barely functional. They live in a big house but mostly don't know what to do with their free time abusing one another.
Once the second brother decides that the eldest brother who can lead a normal life should be liberated from all of them, himself included because they are unable to do anything. The film folloows his attempts to achieve this goal as well as half-hearted attempts to somehow adapt to the surrounding life.
----
!! Tropes of contestation
* AmbiguousDisorder: Giulia who is not epileptic but still is more than slightly off.
** Averted with Sandro and Leone who are both epileptic.
* BigScrewedUpFamily: The movie.
* MeaningfulName: Augusto which is derived from the Lariin adjective meaning "esteemed, venerable".
** Subverted with Leone who is not a lion.
* ReasonableAuthorityFigure: Played with for Augusto who is definitely the most reasonable but his behavior and attitude towards his family is unstable. At times he is patient and rational, at times angry and snarking.
* SuddenlyVoiced: Leone talks once but without any dramatic consequences
* TheVoiceless: Leone who is mostly silent