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Trope was cut/disambiguated due to cleanup


* GutturalGrowler: Sammy the Bull's default volume is a gruff whisper, even when he is [[TranquilFury visibly fuming]] - particularly noticeable when he is [[TheReasonYouSuckSpeech chewing out Gotti]] in prison for betraying him and getting caught on tape doing so.
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* HistoricalRelationshipOverhaul: Sammy Gravano is shown killing Nicholas Scibetta, an associate of the family, via ambushing him in a warehouse and using a weapon that repeatedly jams while Scibetta begs for his life. The real-life Gravano never killed Scibetta, based on the known reports (Gravano himself alleges two other hitman committed the deed), and was so angry about Castellano ordering the hit that he initially wanted to kill Castellano himself before being calmed down by Frank [=DeCicco=]. Scibetta was also Gravano's brother-in-law, a fact that is actually referenced towards the end of the film by Gotti during their conversation in the holding cell, but Gravano himself never displays any remorse about killing a relative.
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* GutturalGrowler: Sammy the Bull's default volume is a gruff whisper, even when he is [[TranquilFury visibly fuming]] - particularly noticeable when he is [[TheReasonYouSuckSpeech chewing out Gotti]] in prison for betraying him and getting caught on tape doing so.


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* TheReasonYouSuckSpeech: Both Gotti and Sammy, after being put in the same prison cell by the authorities to stir the pot, get one in at the other's expense; it is depicted as the moment that leads to Sammy deciding to turn state's evidence against Gotti.

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->''"Five, ten years from now, they're gonna wish there was American ''cosa nostra''. Five, ten years from now, they're gonna miss John Gotti."''



In 1973, [[VillainProtagonist John Gotti]] (Creator/ArmandAssante) is an up-and-coming captain within the Gambino Crime Family, a mob organization based out of [[BigApplesauce New York City]]. After a hit personally sanctioned by [[TheChessmaster Don Carlo Gambino]] results in Gotti having to execute a made man in order to [[HeKnowsTooMuch ensure his silence]], Gotti runs afoul of Paul Castellano (Richard C. Sarafian), a ''caporegime'' in the family. Gambino names Castellano his heir to the family just before dying, over longtime underboss Neil Dellacroce (Creator/AnthonyQuinn), and causing resentment from Gotti and his crew.

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In 1973, [[VillainProtagonist John Gotti]] (Creator/ArmandAssante) is an up-and-coming captain within the Gambino Crime Family, a mob organization based out of [[BigApplesauce New York City]]. After a hit personally sanctioned by [[TheChessmaster [[TheDon Don Carlo Gambino]] results in Gotti having to execute a made man in order to [[HeKnowsTooMuch ensure his silence]], Gotti runs afoul of Paul Castellano (Richard C. Sarafian), a ''caporegime'' in the family. Gambino names Castellano his heir to the family just before dying, over longtime underboss Neil Dellacroce (Creator/AnthonyQuinn), and causing resentment from Gotti and his crew.

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* IdiotBall: Castellano openly tells several members of the Gambino Family (including his driver, Frank [=DiCicco=], Gravano and D.B. [=DiBernardo=]) that he's been openly talking with several members of the Columbo Family about an apparent deal where they will assassinate Gotti and several other troublesome elements on his say-so if he gives the order. This causes the three latter men to get so outraged at this news (particularly as it's breaking a fundamental rule for Families never to talk with each other openly about internal business) that they decide to initiate the plot to have Castellano killed.



* {{Irony}}: At a point in the film where he's displaying clear ItsAllAboutMe tendencies and dressing in flashy suits and ties, Gotti tells the rest of his crew a joke during a victory party (held after he is acquitted during his second RICO trial) about a bar patron named "Jo Jo" who wears branded apparel, but doesn't want to be recognized by anyone else. This comes shortly before Gotti is informed by his lawyer about a third RICO trial, and before others warn him that he is TemptingFate by continuing to show off in the press.

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* {{Irony}}: {{Irony}}:
**
At a point in the film where he's displaying clear ItsAllAboutMe tendencies and dressing in flashy suits and ties, Gotti tells the rest of his crew a joke during a victory party (held after he is acquitted during his second RICO trial) about a bar patron named "Jo Jo" who wears branded apparel, but doesn't want to be recognized by anyone else. This comes shortly before Gotti is informed by his lawyer about a third RICO trial, and before others warn him that he is TemptingFate by continuing to show off in the press.press.
** Gotti spends a ''lot'' of time browbeating Angelo Ruggiero for being overheard on wiretaps, repeatedly chastizing him and reminding the rest of his group that the FBI has new technology that's nigh-untrackable. It's this technology that eventually does Gotti in, as the FBI team led by Russo and Mouw deploy the same kind of wiretaps used in Angelo's house at the private apartment above the Ravenite, which leads to both Gotti and Locascio being caught dead to rights with incriminating evidence.



* JerkassHasAPoint: In the same conversation where Castellano ultimately lets slip to D.B., Sammy and others that the Columbo Family had given him the okay to whack Gotti and his crew if needed, Castellano points out that Gotti's antics have resulted in undue attention being placed on the Gambino Family, and chastizes him for wearing expensive suits and getting into pointless fights when he doesn't have to (a concern shared by Joe Armone, who express similar sentiments later in the film, despite his shared complaints about Gotti).

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* JerkassHasAPoint: JerkassHasAPoint:
**
In the same conversation where Castellano ultimately lets slip to D.B., Sammy and others that the Columbo Family had given him the okay to whack Gotti and his crew if needed, Castellano points out that Gotti's antics have resulted in undue attention being placed on the Gambino Family, and chastizes him for wearing expensive suits and getting into pointless fights when he doesn't have to (a concern shared by Joe Armone, who express similar sentiments later in the film, despite his shared complaints about Gotti).Gotti).
** Joe Armone makes it explicitly clear that he doesn't think highly of Gotti, being openly dismissive of the way he took the role (assassinating a boss without Commission approval) and flaunting his wealth for the benefit of the media and the public... but he also points out in the same conversation that La Cosa Nostra has a set of rules and guidelines ''for a reason'', and that parading around is only going to put him in the sights of the FBI, who won't tire or get complacent. True to form, the FBI ends up nabbing Gotti several years later after netting incriminating wiretaps in his private apartment.


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* NiceJobFixingItVillain: Gotti's inability to stop himself from lambasting Gravano (particularly as he openly mused about killing the latter) ends up biting in the back when Gravano turns state's witness and ultimately brings Gotti and Locasio's tenure to an end.


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* SparedByTheAdaptation: The last time he's seen (in December 1990, when Gotti is arrested at the Ravenite), Joe Armone is shown reacting to the news story about it in his coffee shop, nonplussed by the news. Compare this to the real life Armone, who was imprisoned by this time (having been arrested in 1987 over tax evasion charges) and would end up dying there via natural causes by February 1992.
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Not So Different has been renamed, and it needs to be dewicked/moved


* FamedInStory: As the events of the film get going, Gotti and Gravano's first meeting with each other (at Don Gambino's) showcases that each of them are aware of the other's fearsome reputation, and regard each other as NotSoDifferent.

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* FamedInStory: As the events of the film get going, Gotti and Gravano's first meeting with each other (at Don Gambino's) showcases that each of them are aware of the other's fearsome reputation, and regard each other as NotSoDifferent.the same.
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* ShownTheirWork: The transcripts and circumstances behind the wiretaps that incriminated Gotti are largely taken verbatim from the real-life record.

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* ShownTheirWork: The transcripts and circumstances behind the wiretaps that incriminated Gotti are largely taken verbatim from the real-life record. Armand Assante also peppered much of his dialogue with quotes from Gotti himself e.g. "Cosa Nostra 'till I die", "You think I was put on this Earth to make them rich and me poor?".
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* HistoricalVillainUpgrade: Sammy Gravano is portrayed as much more greedy and bloodthirsty than in real life. For example, film Sammy volunteers to kill his own brother-in-law, Nicky Scibetta, whereas in real life, Sammy fought tooth and nail against the hit on Nicky, and had vowed to kill Paul Castellano in retaliation for ordering the hit until Neil Dellacroce convinced him otherwise. He was also much more reluctant to kill D.B. as well, only relenting because he was told by Angelo Ruggiero that D.B. was making a move against Gotti.

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* HistoricalVillainUpgrade: Sammy Gravano is portrayed as much more greedy and bloodthirsty than in real life. For example, film Sammy volunteers to kill his own brother-in-law, Nicky Scibetta, whereas in real life, Sammy fought tooth and nail against the hit on Nicky, and had vowed to kill Paul Castellano in retaliation for ordering the hit until Neil Dellacroce Frankie DeCicco convinced him otherwise. He was also much more reluctant to kill D.B. as well, only relenting because he was told by Angelo Ruggiero that D.B. was making a move against Gotti.

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* RedOniBlueOni: Gotti is Red, Gravano is Blue. Gotti is emotional, charismatic, and openly defiant towards both Paul Castellano and the FBI. Gravano is quiet, calculating, and avoids the limelight. Another case of TruthInTelevision, as Gotti and Gravano butted heads both before and after their arrest over John's obsession with his celebrity status, vs Gravano's insistence that LCN is a secret society.



* VillainousFriendship: Gotti and Gravano, who are seen having drinks and hanging together at certain points in the film, and come up with the plan to assassinate Castellano and seize power for themselves.

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* VillainousFriendship: Gotti and Gravano, who are seen having meeting for the first time at the beginning of the film, go on to share drinks and hanging together at certain points in the film, later on, and come up with mastermind the plan to assassinate Castellano and seize power for themselves.
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* HistoricalVillainUpgrade: Sammy Gravano is portrayed as much more greedy and bloodthirsty than in real life. For example, film Sammy volunteers to kill his own brother-in-law, Nicky Scibetta, whereas in real life, Sammy fought tooth and nail against the hit on Nicky, and had vowed to kill Paul Castellano in retaliation for ordering the hit until Neil Dellacroce convinced him otherwise. He was also much more reluctant to kill D.B. as well, only relenting because he was told by Angelo Ruggiero that D.B. was making a move against Gotti.
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* AmbiguousSituation: Whether D.B. was moving against John or not. A case of TruthInTelevision, as Sammy Gravano later stated that he was told by Angelo Rugierro that D.B. was moving against Gotti, only to later learn after the hit that Ruggiero was into D.B. for $250,000.

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* AudienceSurrogate: The FBI agents (particularly Mouw) lampshade the most ridiculous elements of the plot during the scenes where it cuts to them eavesdropping on Gotti, including Mouw pointing out the ridiculousness of the [[PoliceAreUseless police not intervening in the Castellano hit]], [[AsYouKnow explaining the difference between the different Italian heritages]] and commenting on how Gotti's ''[[PunctuatedForEmphasis criminal]]'' enterprise rivals that of a Fortune 500 company.



* BeingWatched: The film cuts to a team of F.B.I. agents, led by Mouw and Russo, who are busy running surveillance on Gotti from a neighboring apartment or facility. Towards the end of the film, the team is able to ascertain the location of Gotti's private meeting space (an unused apartment above the bar he frequents), and subsequently wiretap it, leading to them listening in on private conversations Gotti is having with his most trusted associates.

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* BeingWatched: The film often cuts to a team of F.B.I. agents, led by Mouw and Russo, who are busy running surveillance on Gotti from a neighboring apartment or facility. Towards the end of the film, the team is able to ascertain the location of Gotti's private meeting space (an unused apartment above the bar he frequents), and subsequently wiretap it, leading to them listening in on private conversations Gotti is having with his most trusted associates.



* DefectorFromDecadence: Once Gravano realizes that his options are extremely limited and that Gotti had openly talked about having him killed, he turns state's witness and works with the F.B.I. to dismantle the Gravano Family from the inside-out, destroying any chance of Gotti getting free.

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* DefectorFromDecadence: Once Gravano realizes that his options are extremely limited and that Gotti had openly talked about having him killed, he turns state's witness and works with the F.B.I. to dismantle the Gravano Gambino Family from the inside-out, destroying any chance of Gotti getting free.



* FriendlyEnemy: Gotti comes to respect (if not like) several of the F.B.I. agents trailing him, including Agents Mouw and Russo, going so far as to thank them for giving him intel, even though he understands that he is on their radar.

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* FriendlyEnemy: Gotti comes to respect (if not like) several of the F.B.I. FBI agents trailing him, including Agents Mouw and Russo, going so far as to thank them for giving him intel, even though he understands that he is on their radar.



* FromNobodyToNightmare: Gotti, who is established as having come from nothing, rises from obscurity in a few short years to take the reins of one of New York's notorious crime families, and is equally revered (and feared) by almost everyone who knows him. This is discussed late in the film by Armone, who points out that Gotti went from "a cockroach tenement to the cover of ''Time'' Magazine).

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* FromNobodyToNightmare: Gotti, who is established as having come from nothing, rises from obscurity in a few short years to take the reins of one of New York's notorious crime families, commits all sorts of illegal and dangerous crimes, and is equally revered (and feared) by almost everyone who knows him. This is discussed late in the film by Armone, who points out that Gotti went from "a cockroach tenement to the cover of ''Time'' Magazine).Magazine".



--> '''Gotti:''' You know what F.B.I. stands for, don't you?
--> '''F.B.I Agent:''' Why don't you tell me.

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--> '''Gotti:''' You know what F.B.I. FBI stands for, don't you?
--> '''F.B.I '''FBI Agent:''' Why don't you tell me.



* HistoricalInJoke: During a meeting with his ''caporegimes'', Castellano mentions that recordings the F.B.I. made of Angelo Ruggiero (that subsequently became public) could jeopardize a deal he is trying to make with "a chicken guy, with the head that looks like a chicken". While not identified directly in the film, the "chicken man" Castellano is referring to is the owner of Perdue Farms, Frank Perdue who Castellano once had his daughter's boyfriend murdered over because he compared Castellano to the former. Castellano not knowing who Perdue is refers to an unrealized deal both men had where Perdue approached him for help thwarting a unionization drive in 1981.

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* HistoricalInJoke: During a meeting with his ''caporegimes'', Castellano mentions that recordings the F.B.I. FBI made of Angelo Ruggiero (that subsequently became public) could jeopardize a deal he is trying to make with "a chicken guy, with the head that looks like a chicken". While not identified directly in the film, the "chicken man" Castellano is referring to is the owner of Perdue Farms, Frank Perdue Perdue, who Castellano once had his daughter's boyfriend murdered over because he compared Castellano to the former. Castellano not knowing who Perdue is refers to an unrealized deal both men had where Perdue approached him for help thwarting a unionization drive in 1981.



---> '''Gotti:''' ''Is that something new?'' [[ContractualBossImmunity He's a boss, you get it?]]

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---> '''Gotti:''' ''Is that something new?'' [[ContractualBossImmunity He's a boss, you get it?]]it?



* KarmaHoudini: Unlike most of the other gangsters (who end up assassinated, dying from cancer or being charged with numerous offences), Joe Armone and Sammy Gravano seemingly escape justice. Armone is last shown being semi-retired and running a small coffee shop in New York, while Gravano turns state's witness and seemingly skirts all charges while ratting out Gotti and the rest of the Gambino crew. This is also a case of ArtisticLicence -- Armone's tenure as underboss for Gotti (from early 1986-mid 1987) is not adapted into the film, while in Gravano's case, he still served a bare minimum of prison time (less than one year) in exchange for his cooperation in the FBI's case against Gotti and Locascio.

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* KarmaHoudini: Unlike most of the other gangsters (who end up assassinated, dying from cancer or being charged with numerous offences), Joe Armone and Sammy Gravano seemingly escape justice. Armone is last shown being semi-retired and running a small coffee shop in New York, while Gravano turns state's witness and seemingly skirts all charges while ratting out Gotti and the rest of the Gambino crew. This is also a case of ArtisticLicence -- Armone's tenure as underboss for Gotti (from early 1986-mid 1987) 1987, when he was arrested and imprisoned) is not adapted into the film, while in Gravano's case, he still served a bare minimum of prison time (less than one year) in exchange for his cooperation in the FBI's case against Gotti and Locascio.[=LoCascio=].



* LoopholeAbuse: Despite Carlo Gambino telling Gotti point-blank that the Family doesn't deal in narcotics trafficking, the regime under Paul Castellano (his successor) tends to deal in it to shore up the profits caused by Castellano squeezing out profits from the crews. This is highlighted in the scene where Paul orders Gotti to take Joe Galione (an obvious cocaine addict) on a hit, who proceeds to botch it horribly and necessitate Gotti to step in to correct the situation.

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* LoopholeAbuse: Despite Carlo Gambino telling Gotti point-blank that the Family doesn't deal in narcotics trafficking, the regime under Paul Castellano (his successor) tends to unofficially deal in it to shore up the profits caused by Castellano squeezing out profits from the crews. This is highlighted in the scene where Paul orders Gotti to take Joe Galione (an obvious cocaine addict) on a hit, who proceeds to botch it horribly calls out Angelo and necessitate Gotti to step another associate for complaining about profits drying up while they're engaged in to correct drug deals on the situation.side -- a fact they try to hide from him.



* TemptingFate: Nearly every member of Gotti's crew gets it at some point: Ruggiero presumes that his house isn't bugged because he "had someone assure him it was safe," Gotti makes a spectacle of himself and gets warned by other mobsters to lower his profile; Castellano presumes that he's untouchable after he refuses to see Dellacroce before his death; and other examples.



* UnusuallyUninterestingSight: When Joe D'miglia chases down and kills Castellano's soldier after the botched club hit, a group of children and their parents (some seen in the foreground, and some of which are facing the direction of the action) look on with disinterest as D'miglia walks up to and executes the downed soldier before walking off in a hurry.

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* UnusuallyUninterestingSight: When Joe D'miglia chases down and kills Castellano's soldier Galione after the botched club hit, a group of children and their parents (some seen in the foreground, and some of which are facing the direction of the action) look on with disinterest as D'miglia walks up to and executes the downed soldier him before walking off in a hurry.
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* TheFriendThatNobodyLikes: Angelo Ruggiero, a member of Gotti's crew, is routinely [[ButtMonkey mocked by the rest of the group]] for his inepitude and inability to safeguard his business dealings, to such an extent that he's nicknamed "Quack Quack" for his tendency to reveal sensitive information. Castellano even suggests having Ruggiero whacked after the latter is caught on an FBI wiretape. Gotti only tolerates him because they were childhood friends, and at one point has a falling-out with him, though they manage to repair their friendship before Ruggiero passes away.

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* TheFriendThatNobodyLikes: TheFriendNobodyLikes: Angelo Ruggiero, a member of Gotti's crew, is routinely [[ButtMonkey mocked by the rest of the group]] for his inepitude and inability to safeguard his business dealings, to such an extent that he's nicknamed "Quack Quack" for his tendency to reveal sensitive information. Castellano even suggests having Ruggiero whacked after the latter is caught on an FBI wiretape. Gotti only tolerates him because they were childhood friends, and at one point has a falling-out with him, though they manage to repair their friendship before Ruggiero passes away.

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* ArtisticLicenseHistory: [[ArtisticeLicenseHistory/Gotti1996 Now has its own subpage.]]

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* ArtisticLicenseHistory: [[ArtisticeLicenseHistory/Gotti1996 [[ArtisticLicenseHistory/Gotti1996 Now has its own subpage.]]


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* TheFriendThatNobodyLikes: Angelo Ruggiero, a member of Gotti's crew, is routinely [[ButtMonkey mocked by the rest of the group]] for his inepitude and inability to safeguard his business dealings, to such an extent that he's nicknamed "Quack Quack" for his tendency to reveal sensitive information. Castellano even suggests having Ruggiero whacked after the latter is caught on an FBI wiretape. Gotti only tolerates him because they were childhood friends, and at one point has a falling-out with him, though they manage to repair their friendship before Ruggiero passes away.
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* AdaptedOut: Due to time and material constraints, numerous major incidents that occurred during Gotti's life are never referenced or mentioned within the film, such as his participation in the Lufthansa Heist (a robbery dramatized in ''Film/{{Goodfellas}}''), two indictments leveled against him during the 1976-1985 period, his nomination of Joe Armone as underboss after the Castellano hit, the late 80s recognization of the Gambino family and participation in the New York Commission, or the presence of John Gotti Jr. and his initiation into the family in 1998.

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* AdaptedOut: Due to time and material constraints, numerous major incidents that occurred during Gotti's life are never referenced or mentioned within the film, such as his participation in the Lufthansa Heist (a robbery dramatized in ''Film/{{Goodfellas}}''), two indictments leveled against him during the 1976-1985 period, his nomination of Joe Armone as underboss after the Castellano hit, the late 80s recognization of the Gambino family and participation in the New York Commission, or the presence of John Gotti Jr. and his initiation into the family in 1998.1988.



* HowWeGotHere: The film begins with Gotti having a conversation with Frank LoCascio before getting ready to head to maximum security prison in 1992, then flashes back twenty years to show his ascendency (and eventual takeover) within the Gambino crime family.

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* HowWeGotHere: The film begins with Gotti having a conversation with Frank LoCascio [=LoCascio=] before getting ready to head to maximum security prison in 1992, then flashes back twenty years to show his ascendency (and eventual takeover) within the Gambino crime family.



--> '''Joe:''' He's taking drug money from Roy [=DiMeo=]. He don't ask where the cash comes from, but he knows, John.
--> '''Gotti:''' So he's a hypocrite?
--> '''Joe:''' Yeah.
--> '''Gotti:''' ''Is that something new?'' [[ContractualBossImmunity He's a boss, you get it?]]

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--> ---> '''Joe:''' He's taking drug money from Roy [=DiMeo=]. He don't ask where the cash comes from, but he knows, John.
--> ---> '''Gotti:''' So he's a hypocrite?
--> ---> '''Joe:''' Yeah.
--> ---> '''Gotti:''' ''Is that something new?'' [[ContractualBossImmunity He's a boss, you get it?]]



* KarmaHoudini: Unlike most of the other gangsters (who end up assassinated, dying from cancer or being charged with numerous offences), Joe Armone and Sammy Gravano seemingly escape justice. Armone is last shown being semi-retired and running a small coffee shop in New York, while Gravano turns state's witness and seemingly skirts all charges while ratting out Gotti and the rest of the Gambino. This is also a case of ArtisticLicence -- Armone's tenure as underboss for Gotti (from early 1986-mid 1987) is not adapted into the film, while in Gravano's case, he still served a bare minimum of prison time (less than one year) in exchange for his cooperation in the FBI's case against Gotti and Locascio.

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* KarmaHoudini: Unlike most of the other gangsters (who end up assassinated, dying from cancer or being charged with numerous offences), Joe Armone and Sammy Gravano seemingly escape justice. Armone is last shown being semi-retired and running a small coffee shop in New York, while Gravano turns state's witness and seemingly skirts all charges while ratting out Gotti and the rest of the Gambino.Gambino crew. This is also a case of ArtisticLicence -- Armone's tenure as underboss for Gotti (from early 1986-mid 1987) is not adapted into the film, while in Gravano's case, he still served a bare minimum of prison time (less than one year) in exchange for his cooperation in the FBI's case against Gotti and Locascio.

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* BasedOnATrueStory: The film is largely adapted from the court notes of Jerry Capeci, a New York reporter who covered much of the inner workings of the Five Families, and served as an executive producer on the project. The subject matter itself is a RecursiveAdaptation of the 1996 book of the same name, ''Gotti: the Rise and Fall''.

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* BasedOnATrueStory: The film is largely adapted from the court notes of Jerry Capeci, a New York reporter who covered much of the inner workings of the Five Families, and served as an executive producer on the project. The subject matter itself is a RecursiveAdaptation an adaptation of the 1996 book of the same name, ''Gotti: the Rise and Fall''.


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* TheDragon: Gravano, who allies himself with Gotti and plans out the Castellano hit, then serves as his enforcer and trusted confidante for the next seven years.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/gotti1996poster_5.jpg]]
[[caption-width-right:350:[[TemptingFate The rise and fall of a Mafia Don.]]]]

''[[AntagonistTitle Gotti]]'' (also known as ''Gotti: The Rise and Fall of a Real Life Mafia Don'') is a 1996 Creator/{{HBO}} docudrama about the life and criminal career of former Gambino Family mob boss John Gotti, who was arrested and sentenced to life in prison in 1992 for numerous criminal charges, including conspiracy to commit murder, obstruction of justice, extortion and other offences.

In 1973, [[VillainProtagonist John Gotti]] (Creator/ArmandAssante) is an up-and-coming captain within the Gambino Crime Family, a mob organization based out of [[BigApplesauce New York City]]. After a hit personally sanctioned by [[TheChessmaster Don Carlo Gambino]] results in Gotti having to execute a made man in order to [[HeKnowsTooMuch ensure his silence]], Gotti runs afoul of Paul Castellano (Richard C. Sarafian), a ''caporegime'' in the family. Gambino names Castellano his heir to the family just before dying, over longtime underboss Neil Dellacroce (Creator/AnthonyQuinn), and causing resentment from Gotti and his crew.

Tensions continue to rise before coming to a head in 1985, when Gotti and Gambino enforcer Sammy "The Bull" Gravano (Creator/WilliamForsythe) stage a daring coup after Dellacroce passes away, assassinating Castellano outside a busy New York steakhouse and installing a new regime -- with Gotti at the head of the table. Over the next seven years, Gotti rules the Gambino family with an iron fist, culminating in his arrest after a team of F.B.I. agents successfully bug a private meeting space and catch incriminating evidence. In the ensuing trial, one of Gotti's closest allies makes the decision to [[DefectorFromDecadence turn state's witness]]...

Originally planned to be a feature film, the project was later converted into a telemovie for HBO after the initial funding was reduced. Despite that challenge, the film went on to become the highest-rated telemovie in HBO's history, and many of its supporting cast members would later appear in ''Series/TheSopranos'', the famed HBO drama that would air three years later, in 1999.

Not to be confused with [[Film/{{Gotti}} the 2018 film of the same name]].

!!This film contains examples of the following tropes:

* ActuallyPrettyFunny: Near the end of the film, Agent Mouw is shown being on the verge of bursting out laughing at Gotti's bail hearing, as the incriminating FBI recordings are played in court for the first time.
* AffablyEvil: As is befitting of a mob enterprise, most of the main characters display this attitude:
** Carlo Gambino comes across as a kind grandfather-like type who has civil meetings with his top ''caporegimes'', but in actuality, he is TheChessmaster, and casually deals with the life and death of associates and soldiers without getting angry or raising his voice.
** While Gotti is shown joking and laughing with reporters and members of the public during his trials, his antics belie the behavior of someone who leads a criminal enterprise that engages in murder and mayhem on a regular basis.
* AdaptedOut: Due to time and material constraints, numerous major incidents that occurred during Gotti's life are never referenced or mentioned within the film, such as his participation in the Lufthansa Heist (a robbery dramatized in ''Film/{{Goodfellas}}''), two indictments leveled against him during the 1976-1985 period, his nomination of Joe Armone as underboss after the Castellano hit, the late 80s recognization of the Gambino family and participation in the New York Commission, or the presence of John Gotti Jr. and his initiation into the family in 1998.
* AlasPoorVillain: Despite his history of murder and death (a fact he even points out for Gotti's benefit), Dellacroce dies in bed with Gotti and his crew near him, and gets a final conversation with his protege where he talks about honor and time slipping by.
* AnachronismStew: A minor example -- the shots of the World Trade Center in New York (which were filmed in the mid-90s) have an antenna on top of the North Tower and show a building near the Financial Center that didn't exist in 1973, the time in which the establishing scenes of the film show.
* AntagonistInMourning: Gotti (and, by extension, the rest of his crew) after the death of his son, Frank, due to a drunk driver.
* AntiVillain: Gotti himself, to the point that it was called out in reviews. The film gives a lot of nuance and PetTheDog moments to him, including AFatherToHisMen tendencies, respect for mobsters the rest of the family didn't like (Gotti is ''far'' more respectful towards Angelo Ruggiero than he was [[ArtisticLicenseHistory in real life]]), attempts to let the Favara matter go despite Gravano's objections, and his actual work[=/=]responsibilities within the Gambino Family are muddled ''at best'', prompting a much more upbeat portrayal of the character than he was in real-life.
* ArtisticLicenseHistory: [[ArtisticeLicenseHistory/Gotti1996 Now has its own subpage.]]
* AssholeVictim: Castellano, in spades. It speaks volumes about his character that nearly every major character in the film talks trash about him behind his back, Gotti plans his execution for a significant period of time, and when Castellano (and his bodyguard) finally dies, ''no one'' mourns him. This is also a case of TruthInTelevision -- he was denied the right to a Catholic funeral because of his criminal career.
* AwesomeMomentOfCrowning: Gotti leads the rest of the New York Commission in a salute once he takes the reins of the Gambino Family, shortly after Castellano is assassinated. To note, Gotti gets a ''standing ovation'' from the group as he raises his glass in triumph.
* BasedOnATrueStory: The film is largely adapted from the court notes of Jerry Capeci, a New York reporter who covered much of the inner workings of the Five Families, and served as an executive producer on the project. The subject matter itself is a RecursiveAdaptation of the 1996 book of the same name, ''Gotti: the Rise and Fall''.
* BadGuyBar: The Ravenite Social Bar (and, earlier in the film, the [unidentified on-screen] Bergin Hunt and Fish Club) act as home base for Gotti and his crew off-hours. Towards the end of the film, the FBI raids the Ravenite and arrests Gotti, Gravano and [=DiCascio=] for numerous charges.
* BeCarefulWhatYouWishFor: Gravano invokes this once both he and Gotti are locked up in prison near the end, and the former learns just what Gotti was saying about him on the FBI tapes.
--> '''Gravano:''' When John Gotti wanted someone in the ground, John Gotti called Sammy Gravano. You barked, I bit, remember?
--> '''Gotti:''' You bit? You pillaged this fuckin' city under [[ItsAllAboutMe my flag, using my name, every step of the way]]. [[SuddenlyShouting MY NAME!]]
* BeingWatched: The film cuts to a team of F.B.I. agents, led by Mouw and Russo, who are busy running surveillance on Gotti from a neighboring apartment or facility. Towards the end of the film, the team is able to ascertain the location of Gotti's private meeting space (an unused apartment above the bar he frequents), and subsequently wiretap it, leading to them listening in on private conversations Gotti is having with his most trusted associates.
* BewareTheQuietOnes: Dellacroce could be mistaken for a polite, quiet older man who doesn't make waves to any normal citizen. This belies that he is a razor-sharp underboss who has no problem committing the Gambino family's dirty work, up to and including the assassination of Gotti himself (had Carlo asked for it).
* BookEnds: Gotti's speech at the beginning of the film (directed towards [=LoCascio=]) about the potential fall of the Gambino Family is repeated at the end of the film, just as Gotti is led into a federal prison cell and examines his image in a mirror.
--> '''Gotti:''' 5-10 years from now, they're gonna wish there was an American Cosa Nostra. 5-10 years from now, [[ItsAllAboutMe they're gonna miss John Gotti]].
* BreakTheHaughty: The FBI finally catches Gotti dead to rights by the end of the film, via damaging audio recordings that implicate himself and [=DeCascio=] and using LoopholeAbuse to ensure that Gotti's preferred lawyer can't engage in JuryAndWitnessTampering. Gravano deciding to turn state's witness is ultimately the event that finally causes him to realize the charges are serious enough that he may not be able to escape, and by the end of the film, he is left alone in a prison cell, musing about how [[ItsAllAboutMe Cosa Nostra will be lost without him]].
* BrutalHonesty: Dellacroce points out to Gotti that despite his affinity for him, he still follows the Gambino rule and would have whacked him had the decision been made by Carlo:
--> '''Dellacroce:''' I told Don Carlo you were LikeASonToMe. That touched the old man. He told Paul to give you a pass. But if Don Carlo had said you gotta go, I would've come here today with these two Zips... ''and you would go''.
* CameraSniper: Seen from the perspective of the FBI agents running surveillance on Gotti, as they take photos and video of him.
* DamnItFeelsGoodToBeAGangster: TheMovie. Gotti rises in prominence within the Gambino Family -- and has the ego to match, making a larger spectacle of himself as he rises to the level of Boss. To that end, he is shown repeatedly flouting his wealth and power in court, which draws attention from the F.B.I. and makes him an even bigger target.
* DareToBeBadass: How Gotti views his imminent takeover of the Gambino Family:
--> '''Gotti:''' [[TemptingFate We're gonna be a powerhouse now. Ain't no one ever gonna break this.]] Like Cosa Nostra ain't seen since (Albert) Anastasia.
--> '''Gravano:''' Anastasia? Shit, John... this is bigger than killin' the fuckin' President.
--> '''Gotti:''' Hey... you think I was put on this Earth to make them rich and me poor? We're gonna do a hit now, gonna do a ''real hit''. We're goin' back, yeah... back to some real, in your face Cosa Nostra.
* DefectorFromDecadence: Once Gravano realizes that his options are extremely limited and that Gotti had openly talked about having him killed, he turns state's witness and works with the F.B.I. to dismantle the Gravano Family from the inside-out, destroying any chance of Gotti getting free.
* ElitesAreMoreGlamorous: Gambino and Castellano are shown to live in large, opulent properties, which they bring their ''caporegimes'' into on occasion for business meetings. Conversely, Gotti (who lives in a large, yet unremarkable, house) compensates by flouting his wealth in public by wearing expensive suits and ties, partying and hanging out at clubs and touting his reputation for the benefit of the reporters covering the various RICO trials.
* EndOfAnEra: At the end of the film, Gotti implies that this happened to the American Cosa Nostra as a result of his arrest, reasoning that not having him at the head of the Gambino Family will most likely weaken it permanently.
* EverybodySmokes: Most (if not all) of the Gambino leadership and associates smoke, with several -- including Dellacroce and Ruggiero -- eventually succumbing to cancer as a result.
* FamedInStory: As the events of the film get going, Gotti and Gravano's first meeting with each other (at Don Gambino's) showcases that each of them are aware of the other's fearsome reputation, and regard each other as NotSoDifferent.
* FatBastard: Castellano, who is shown in nearly all his scenes either eating or sitting down for a meal -- when he's not making decisions to screw over the underlings working for the Gambino Family. The real-life version of Castellano was not short and overweight -- he was 6-foot-2 and comparatively svelte.
* FriendlyEnemy: Gotti comes to respect (if not like) several of the F.B.I. agents trailing him, including Agents Mouw and Russo, going so far as to thank them for giving him intel, even though he understands that he is on their radar.
* FromNobodyToNightmare: Gotti, who is established as having come from nothing, rises from obscurity in a few short years to take the reins of one of New York's notorious crime families, and is equally revered (and feared) by almost everyone who knows him. This is discussed late in the film by Armone, who points out that Gotti went from "a cockroach tenement to the cover of ''Time'' Magazine).
* FunWithAcronyms: Invoked in-universe when Gotti is informed of an imminent attempt on his life by the FBI.
--> '''Gotti:''' You know what F.B.I. stands for, don't you?
--> '''F.B.I Agent:''' Why don't you tell me.
--> '''Gotti:''' ''Forever Bother the Italians.''
* HeadInTheSandManagement: The SuccessionCrisis is motivated by Gambino picking Castellano (who was more interested in white collar crime than the type of dealings the Family were largely engaged in) over Dellacroce, the long-serving ''underboss'' who was next in line for the top role. As time goes on, more and more of Castellano's soldiers and captains, including Gravano, D.B., Gotti, Ruggiero and others, get fed up with Castellano's ignorance towards his profit margins squeezing out crews, and instigate an assassination in order to install Gotti as the new boss.
* HistoricalInJoke: During a meeting with his ''caporegimes'', Castellano mentions that recordings the F.B.I. made of Angelo Ruggiero (that subsequently became public) could jeopardize a deal he is trying to make with "a chicken guy, with the head that looks like a chicken". While not identified directly in the film, the "chicken man" Castellano is referring to is the owner of Perdue Farms, Frank Perdue who Castellano once had his daughter's boyfriend murdered over because he compared Castellano to the former. Castellano not knowing who Perdue is refers to an unrealized deal both men had where Perdue approached him for help thwarting a unionization drive in 1981.
* HoistByHisOwnPetard: Gotti's statements about whacking D.B. (and admitting to wanting to whack Sammy) come back to bite him when the FBI plays the incriminating recordings in court. Despite his attempts to dismiss the recordings, Gravano realizes that the government has Gotti dead to rights -- and subsequently flips on him.
* HollywoodSilencer: Joe D'miglia uses one in the scene where he executes Galione on Gotti's orders -- in a busy suburban neighborhood, no less.
* HowWeGotHere: The film begins with Gotti having a conversation with Frank LoCascio before getting ready to head to maximum security prison in 1992, then flashes back twenty years to show his ascendency (and eventual takeover) within the Gambino crime family.
* {{Hypocrite}}: ''In spades'', given the dog-eat-dog nature of the crime syndicate Gotti belongs to.
** Don Gambino stresses that the Family doesn't deal in narcotics because it brings too much heat from federal authorities... but he ultimately goes along with Castellano's plan to send Galione (a coke addict) as the shooter on a hit with Gotti, then plays ignorant when Castellano (who is incensed about a made man being whacked) orders Gotti to be killed.
** Gotti calls out Angelo Ruggiero and another associate of his crew for complaining about their illegal operations not bearing enough money (and subsequently being starved out) while both of them are involved in a drug smuggling scheme they're trying to keep hidden from their bosses.
** This is also highlighted in a separate conversation with Joe D'miglia and Gotti about Paul's behavior:
--> '''Joe:''' He's taking drug money from Roy [=DiMeo=]. He don't ask where the cash comes from, but he knows, John.
--> '''Gotti:''' So he's a hypocrite?
--> '''Joe:''' Yeah.
--> '''Gotti:''' ''Is that something new?'' [[ContractualBossImmunity He's a boss, you get it?]]
* IncurableCoughOfDeath: Dellacroce carries one throughout much of his time in the film, of which the cause isn't directly identified, and Dellacroce refuses to go for treatment due to fearing it would only hasten his condition. In real life, Dellacroce had inoperable lung cancer and died in a Queens hospital at the age of 71.
* {{Irony}}: At a point in the film where he's displaying clear ItsAllAboutMe tendencies and dressing in flashy suits and ties, Gotti tells the rest of his crew a joke during a victory party (held after he is acquitted during his second RICO trial) about a bar patron named "Jo Jo" who wears branded apparel, but doesn't want to be recognized by anyone else. This comes shortly before Gotti is informed by his lawyer about a third RICO trial, and before others warn him that he is TemptingFate by continuing to show off in the press.
* ItsAllAboutMe: Gotti displays this attitude during his trials, to the point of ''clapping'' in court during his second trial after an acquittal verdict is read. It even causes other gangsters to begin to resent him.
* JerkassHasAPoint: In the same conversation where Castellano ultimately lets slip to D.B., Sammy and others that the Columbo Family had given him the okay to whack Gotti and his crew if needed, Castellano points out that Gotti's antics have resulted in undue attention being placed on the Gambino Family, and chastizes him for wearing expensive suits and getting into pointless fights when he doesn't have to (a concern shared by Joe Armone, who express similar sentiments later in the film, despite his shared complaints about Gotti).
* KarmaHoudini: Unlike most of the other gangsters (who end up assassinated, dying from cancer or being charged with numerous offences), Joe Armone and Sammy Gravano seemingly escape justice. Armone is last shown being semi-retired and running a small coffee shop in New York, while Gravano turns state's witness and seemingly skirts all charges while ratting out Gotti and the rest of the Gambino. This is also a case of ArtisticLicence -- Armone's tenure as underboss for Gotti (from early 1986-mid 1987) is not adapted into the film, while in Gravano's case, he still served a bare minimum of prison time (less than one year) in exchange for his cooperation in the FBI's case against Gotti and Locascio.
* KickTheDog: Towards the end of the film, any semblance of sympathy towards Gotti (as little as it was to begin with) evaporates once he kicks Gravano, his top lieutenant and underboss of the family, to the curb, and openly suggests that the latter should be assassinated. Gravano, incensed that Gotti wants to make the subsequent RICO case [[ItsAllAboutMe all about him]] and believing he's going to take the fall, flips and becomes a state witness for the Feds.
* KickTheMoralityPet: Castellano (who has been squeezing out most of the soldiers in the Gambino Family for years due to his policies) finally goes a step too far for Gotti when he refuses to visit the ailing Dellacroce, who is on his deathbed and being watched over by several members of Gotti's crew, and prompts Gotti himself to initiate the hit on Castellano's life.
* KlingonPromotion: Incensed by the way his crew (and others within the Gambino family) are being squeezed out by Castellano, Gotti and Gravano arrange to have the mob boss and his driver killed outside Sparks Steak House, and quickly cement it with a [[AwesomeMomentOfCrowning vote from other members]] that cements Gotti firmly at the top of the food chain.
* LikeASonToMe: Dellacroce considers Gotti to be this, and treats him with a level of respect not afforded to other members of the Gambino family. Interestingly, this trope saves Gotti's life after he kills Galione, due to Dellacroce invoking it in order to play on Carlo Gambino's sympathies.
* LoopholeAbuse: Despite Carlo Gambino telling Gotti point-blank that the Family doesn't deal in narcotics trafficking, the regime under Paul Castellano (his successor) tends to deal in it to shore up the profits caused by Castellano squeezing out profits from the crews. This is highlighted in the scene where Paul orders Gotti to take Joe Galione (an obvious cocaine addict) on a hit, who proceeds to botch it horribly and necessitate Gotti to step in to correct the situation.
* TheMentor: Aniello "Neil" Dellacroce, the older and wiser underboss of the Gambino Family, fulfills this role for Gotti, who considers him to be a father figure and is genuinely disappointed when Dellacroce is passed up by Gambino for the role of boss.
* MotiveDecay: Gotti originally sets out to usurp Castellano by telling Gravano that he wants to get back to the kind of "in your face Cosa Nostra" that led previous regimes to be so powerful. Over time, though, the Gambino family becomes less about ruling from the shadows and more about Gotti's [[ItsAllAboutMe personal mission to make a spectacle of himself]], which catches the attention of long-time associates like Joe Armone, who calls him out for TemptingFate. By the time he's arrested and imprisoned, he's resorted to making [[MotiveRant rants]] about how the organization would be nowhere without his actions.
* MotiveRant: Once Gotti and Gravano are locked up in the same cell together, and the latter complains about what Gotti said about him on the F.B.I. tapes, Gotti finally drops the act and gives an epic response implying that everything that has transpired within the Gambino Family over the seven years has been to [[ItsAllAboutMe him, and no one else]].
* NothingCanStopUsNow: Gotti inspires Gravano to help him plan the assassination of Castellano by telling him that they're going to "make a powerhouse" that harkens back to "real, in your face Cosa Nostra." The ensuing assassination finally puts Gotti right in the FBI's crosshairs, and over the next seven years, a combination of [[TemptingFate Gotti's arrogance during his RICO trials]] and Gravano deciding to [[DefectorFromDecadence turn on him]] once he's swept up by the Feds leads the former to be imprisoned for life without parole.
* OutOfFocus: Victoria [=DiGiorgio=] Gotti, John's wife, to the point that she largely exists as a prop to react whenever John is arrested or in grief over a situation. None of the real-life Victoria's history, including her fights with Gotti over his work or her depression / near-suicide over the death of her son, are included in the film.
* PoliceAreUseless: For much of the film, law enforcement is invisible, with the only consistent presence being the FBI team tracking the Gambino Family, who admit late in the film that they need to step up their efforts against Gotti. This trope is even lampshaded by Agent Mouw when he points out the ridiculousness of the Castellano hit (partially TruthInTelevision -- interviews with Gravano suggest that two cops in the vicinity of Sparks Steak House left a few minutes before the event took place, meaning no one was around to intercede).
--> '''Agent Mouw:''' (Gotti) whacks out Paul Castellano in the middle of 46th Street. Where the hell are the cops? Now it's some "unsolved homicide".
* ResignationsNotAccepted: Notably averted, given the subject matter -- during Castellano's confirmation meeting, Joe Armone tells the group that he's decided to retire, and will spend his time managing a small coffee shop in Brooklyn. With the exception of his (requested) appearance during Gotti's AwesomeMomentOfCrowning, Armone sticks to his word and remains retired, and no one bothers him for the rest of the film. (The actual Joe Armone did not retire -- he supported Gotti during the SuccessionCrisis and acted as his underboss until he was arrested for tax evasion in 1987.)
* RuleOfSymbolism: The end of the film shows Gotti musing over how society will wish he was still heading the Gambino Family (reasoning that their influence will diminish to the point of obscurity over the coming years because he [[ItsAllAboutMe isn't around to lead them]]) as he stares into the mirror of his prison cell -- which shows a distorted, exaggerated caricature of his own face, a nod to his larger-than-life antics.
* ShownTheirWork: The transcripts and circumstances behind the wiretaps that incriminated Gotti are largely taken verbatim from the real-life record.
* SoundtrackDissonance: The score underlining the Castellano assassination scene (the main theme) is oddly upbeat and triumphant, despite backing shots of Castellano and his driver being riddled with bullets while Gotti and Gravano look on dispassionately... before leading into an AwesomeMomentOfCrowning, where Gotti is officially recognized as the head of the Gambino family as the theme reaches its climax.
* TheStoolPigeon: Gravano, incensed over complaints about his work and lifestyle directed at him by Gotti on audiotape, and fearing he will be locked up for the rest of his life due to the murder and racketeering charges leveled via the RICO clause, turns on Gotti and becomes a state witness for the Feds, revealing numerous details about the inner workings of the Gambino Family in the process.
* SympatheticMurderer: Despite being shown directly murdering Scibetta (his own brother-in-law) and indirectly participating in the deaths of Favara, [=DiBernardo=] and many others, Gravano is visibly hurt when he learns that Gotti had plotted his death, and calls him out on this when they're moved into a cell together.
--> '''Gravano:''' [[ArmorPiercingQuestion How could you say those things about me, John?]]
* ThereIsNoKillLikeOverkill: Just like the real-life events that inspired it, Castellano and his driver are ambushed outside Sparks Steak House in downtown New York, and pumped full of multiple handgun clips at close range on Gotti and Gravano's orders. Due to the way the scene is edited, they continue pumping bullets into Castellano for a solid 30 seconds before he finally goes down.
* UnusuallyUninterestingSight: When Joe D'miglia chases down and kills Castellano's soldier after the botched club hit, a group of children and their parents (some seen in the foreground, and some of which are facing the direction of the action) look on with disinterest as D'miglia walks up to and executes the downed soldier before walking off in a hurry.
* UnwittingInstigatorOfDoom: Carlo Gambino's deathbed request to have [[BadBoss Paul Castellano]] take over the reins of the Gambino Family instead of Dellacroce ultimately sets off a wave of resentment and eventual SuccessionCrisis within the gang, leading to Gotti taking over the reins via a violent assassination -- and ultimately leading to the Gambino Family's leadership withering over the ensuing years, as Gotti is eventually pursued and nabbed dead-to-rights by the FBI, along with Gravano, who eventually turns state's witness and nearly brings down the whole operation.
* TheUsurper: A combination of factors leads Gotti to conclude that Castellano is unfit for the role of Boss of the Gambino Family, and together with Gravano, D.B. and a collection of other associates within the Family, has Castellano executed so that Gotti can take the reins of the family himself.
* VeryLooselyBasedOnATrueStory: Despite being ShownTheirWork on a handful of occasions, the film plays ''very'' fast and loose with the chronology of Gotti's seven-year tenure as the head of the Gambino Family, and greatly streamlines, removes, or in some cases, [[AdaptedOut adapts out]] characters and situations to fit the two-hour runtime.
* VillainBall: The plot is motivated by each of the three major leaders of the Gambino family (over a 15 year period) making a single bad decision that results in the slow eroding of their organization:
** Carlo Gambino sanctions a hit to avenge the death of his nephew, but allows Castellano to send a soldier (Joe Galione, a known crack addict) along with Gotti for the job. Despite Gotti's misgivings, Dellacroce tells him to go along with it, but the hit predictably goes bad after the target recognizes Galione, leading Gotti to [[HeKnowsTooMuch permanently silence him]]). As a result, Gotti is nearly killed after Castellano demands retribution, and though Dellacroce successfully lobbies Gambino to spare him, the resulting exchange leads Gotti to be permanently resentful, setting up the SuccessionCrisis that follows.
** Castellano makes the mistake of not visiting Dellacroce on his deathbed, thus infuriating Gotti. This, combined with Castellano's poor leadership, causes the leader to have Castellano assassinated and takes the role for himself.
** Gotti starts TemptingFate via his court appearances (which is pointed out by Joe Armone, among others) and eventually starts talking at length about various murders in the apartment above his bar, which is subsequently recorded and used as evidence against him by the FBI.
* VillainousFriendship: Gotti and Gravano, who are seen having drinks and hanging together at certain points in the film, and come up with the plan to assassinate Castellano and seize power for themselves.
* VillainWithGoodPublicity: Gotti doesn't earn the nickname "The Teflon Don" for nothing, beating several charges against him while snarking alongside journalists and celebrating with the residents in his neighborhood, to such an extent that a couple approaches him at dinner to gush over his antics (and he orders a bottle of champagne for their table in appreciation). The FBI eventually grows tired of his antics.
--> '''Agent Mouw:''' I can't believe this son of a bitch. Every time he beats a rap, his popularity goes through the roof. He's making us all look like idiots.
* TheWrongfulHeirToTheThrone: Gambino names Castellano as the new boss of the family on his deathbed, over the (commonly-requested and expected) choice of Dellacroce, the long-time underboss. This creates a situation where the soldiers in the family begin to openly resent Castellano (who has no practical street experience) for squeezing out their profits in favor of higher kickbacks that have to be paid to him, poorly-made choices during negotiations and thinly-veiled contempt for Gotti and his crew (to say nothing of the real-life Castellano's problems). This leads Gotti to instigate a crew that results in Castellano and his driver[=/=]bodyguard being killed and Gotti taking the reins of the family.
* YouWouldntLikeMeWhenImAngry: Just before his death, Dellacroce begs Gotti not to start a gang war with Castellano, pointing out that if he's "backed into a corner," Gotti isn't going to like what happens.
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