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** Blank/[[spoiler:Breathless]] was [[spoiler:in love with Tracy]] and desperate to get out from under Big Boy.

to:

** The Blank/[[spoiler:Breathless]] was [[spoiler:in love with Tracy]] and desperate to get out from under Big Boy.



* IronicNickname: Alphonse Caprice is also referred to as "Big Boy", but he's actually [[TheNapoleon shorter]] the movie's main adult characters, including her moll Breathless Mahoney and his archenemy Dick Tracy.

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* IronicNickname: Alphonse Caprice is also referred to as "Big Boy", but he's actually [[TheNapoleon shorter]] the movie's main adult characters, including her which includes his moll Breathless Mahoney and his archenemy Dick Tracy.Mahoney.
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* IronicNickname: Alphonse Caprice is also referred to as "Big Boy", but he's actually [[TheNapoleon shorter]] than many of the movie's main characters, including her moll Breathless Mahoney and his archenemy Dick Tracy.

to:

* IronicNickname: Alphonse Caprice is also referred to as "Big Boy", but he's actually [[TheNapoleon shorter]] than many of the movie's main adult characters, including her moll Breathless Mahoney and his archenemy Dick Tracy.



* TheNapoleon: Big Boy Caprice is a definite example for this trope, considering his relatively short height when compared to the other main characters. He even mentions the real-life French revolutionary figure himself in one scene from the movie:

to:

* TheNapoleon: Big Boy Caprice is a definite example for this trope, considering his relatively short height when compared to the other main adult characters. He even mentions the real-life French revolutionary figure himself in one scene from the movie:
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* TheNapoleon: Big Boy Caprice is a definite example for this trope, considering his relatively short height when compared to the other main characters. He even mentiones the actual real-life French figure himself in one scene from the movie:

to:

* TheNapoleon: Big Boy Caprice is a definite example for this trope, considering his relatively short height when compared to the other main characters. He even mentiones mentions the actual real-life French revolutionary figure himself in one scene from the movie:
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Null edit, Spelling/grammar fix(es)


* GoodIsNotNice: {{Downplayed|Trope}}. The most unsavory thing we see Tracy do... is maybe get [[DistractedByTheSexy distracted by the sexiness of]] [[TheVamp Breathless Mahoney]]. He can also act like... well, a [[IncrediblyLamePun dick]] when it comes to interrogating criminals but tends to stay away from violent methods unless it's really necessary.

to:

* GoodIsNotNice: {{Downplayed|Trope}}. The most unsavory thing we see Tracy do... is maybe get [[DistractedByTheSexy distracted by the sexiness of]] [[TheVamp Breathless Mahoney]]. He can also act like... well, [[ADickInName a [[IncrediblyLamePun dick]] when it comes to interrogating criminals but tends to stay away from violent methods unless it's really necessary.



--> '''Big Boy:''' "There was one Napoleon, one Washington, one me!"

to:

--> '''Big Boy:''' Boy Caprice:''' "There was one Napoleon, one '''ONE''' ''Napoleon'', '''ONE''' Washington, [[ItsAllAboutMe one me!"me]]!"
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** The Blank as well, although perhaps more of a VigilanteMan [[(or actually, a VigilanteWoman after that person's revelation)]].

to:

** The Blank as well, although perhaps more of a VigilanteMan [[(or [[spoiler:(or actually, a VigilanteWoman after that person's mysterious criminal's revelation)]].

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Added example(s)


* TheBlank: Trope namer, in this case, a faceless (literally) mystery man who undermines Big Boy's operation, and Tracy's career, too.

to:

* TheBlank: Trope namer, in this case, a faceless (literally) faceless mystery man person who undermines Big Boy's operation, and Tracy's career, too.



** The Blank as well, although perhaps more of a VigilanteMan.

to:

** The Blank as well, although perhaps more of a VigilanteMan.VigilanteMan [[(or actually, a VigilanteWoman after that person's revelation)]].



* {{Catchphrase}}: "I'm on my way."



* CharacterCatchphrase: "I'm on my way."



** [[spoiler: Pruneface seems like he's one of the stronger members of Big Boy's new gang, not hesitating to talk back to Big Boy when Tracy's screwing up their empire. He ends up getting killed off by the Blank around the film's midway point.]]

to:

** [[spoiler: Pruneface [[spoiler:Pruneface seems like he's one of the stronger members of Big Boy's new gang, not hesitating to talk back to Big Boy when Tracy's screwing up their empire. He ends up getting killed off by the Blank around the film's midway point.]]



* EvilIsHammy: The way Big Boy talks to, or interacts with others frequently has him behaving as such.



%%* FemmeFatale: Breathless loves playing with this trope.

to:

%%* * FemmeFatale: Breathless loves playing with is a classic example of this trope.trope, mainly towards Tracy.



%%* IronicNickname

to:

%%* IronicNickname* IronicNickname: Alphonse Caprice is also referred to as "Big Boy", but he's actually [[TheNapoleon shorter]] than many of the movie's main characters, including her moll Breathless Mahoney and his archenemy Dick Tracy.



* TheNapoleon: Big Boy Caprice is a definite example for this trope, considering his relatively short height when compared to the other main characters. He even mentiones the actual real-life French figure himself in one scene from the movie:
--> '''Big Boy:''' "There was one Napoleon, one Washington, one me!"



* RedemptionEqualsDeath: [[spoiler:The Blank.]]

to:

* RedemptionEqualsDeath: [[spoiler:The Blank.Blansk, who is revealed to be Breathless Mahoney in disguise, after she got fatally wounded with some gun shots by her old boss Big Boy.]]
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* BeautyEqualsGoodness: An exaggerated trope, as all of the gangsters are [[RedRightHand deformed looking]], while anyone who is at least somewhat sympathetic looks at least normal. This follows the pattern of the original ComicStrip, which has the bad guys similarly [[RedRightHand malformed]].

to:

* BeautyEqualsGoodness: An exaggerated trope, as all of the gangsters are [[RedRightHand deformed looking]], while anyone people who is at least are somewhat sympathetic looks at least normal.usually aren't. This follows the pattern of the original ComicStrip, which has the bad guys similarly [[RedRightHand malformed]].
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** Most of Big Boy’s victims are also in the mob, but fall under this due to the brutality of their executions, especially Lips Manlis.

to:

** Most of Big Boy’s victims are victims, being also in the mob, but fall under this due to the brutality of their executions, and being brutally executed, especially Lips Manlis.
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Trope was cut/disambiguated due to cleanup


* HeroesWantRedheads: Tracy ultimately sticks up with the redhead Tess Trueheart. Not that the blonde Breathless didn't put up a hell of a fight...
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* BloodlessCarnage: When criminals are Tommy gunned, there's virtually no aftermath to be seen. [[spoiler: This is especially prevalent in Flattop's death scene, where he's machine gunned by multiple cops, including Tracy, yet falls down and dies without any visible bloody gunshot wounds.]]


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* DeadpanSnarker: Flattop does this to Tracy a lot, as does The Kid, and Mike from Mike's Diner.


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* DrivenToSuicide: Played with. [[spoiler: Itchy and Flattop are the last two members of Big Boy's gang still alive after the final fire fight with the city's police force. They're heavily outgunned, but Itchy, and then Flattop, both open fire on Tracy in an apparent attempt at TakingYouWithMe, when the only real option for survival was by surrendering, and they'd have to know that trying to shoot Tracy down was going to end up in their deaths. In short order, Tracy and the other cops unload on them both, and both Itchy and Flattop end up dead.]]


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** [[spoiler: Pruneface seems like he's one of the stronger members of Big Boy's new gang, not hesitating to talk back to Big Boy when Tracy's screwing up their empire. He ends up getting killed off by the Blank around the film's midway point.]]


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* TakingYouWithMe: [[spoiler: Subverted. Flattop busts out of his wrecked car gun blazing and aiming only at Tracy right before the final gun battle ends in an attempt to kill Tracy before he's taken down by the mass of cops. He's unsuccessful, and gets riddled with bullets from Tracy and the other cops present for his troubles.]]
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* IAmTheNoun: When Tracy tells Big Boy that he's guilty of attempting to bribe an officer of the law, the mobster furiously rants that he ''IS'' the law with such fury it'd make [[Film/JudgeDredd Stallone's Dredd]] blush:
-->'''Big Boy Caprice:''' You just said goodbye to oxygen! You silly, stupid cop! You refuse me, I offer you the keys to a kingdom... and you tell me you're an "officer of the law"?! '''''[[SuddenlyShouting I AM THE LAW!!]]''''' ''ME!!!''
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* InvincibleHero: Dick Tracy never seems to get a blow landed on him in fistfights with dozens of hoodlums.

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* InvincibleHero: Dick Tracy never seems to get a blow landed on him in fistfights fist fights with dozens of hoodlums.
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-->"They said I'm kidnapping you! I didn't kidnap you -- but, I'm kidnapping you now. Does life imitate art?"
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* AccidentalKidnapping: Big Boy unknowingly kidnaps [[spoiler:Tess]], thanks to The Blank. Big Boy, thinking Tracy is intentionally framing him, suitably freaks out.

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* AccidentalKidnapping: Big [[spoiler:Big Boy unknowingly kidnaps [[spoiler:Tess]], thanks to is framed by The Blank. Big Boy, thinking Blank for Tess's abduction -- "a federal offence!" -- and pursued by Tracy is intentionally framing him, suitably freaks out.for it. Ranting and raving that he's been set up and it's not what it looks like, he's forced to flee [[NotHelpingYourCase with Flattop taking Tess as a hostage in the panic]], turning it into ''intentional'' kidnapping.]]
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In 1990, Creator/TouchstonePictures took Chester Gould's relatively simple crime-drama [[ComicStrip/DickTracy comic strip]] and reimagined it as a big-budget extravaganza with big-name actors, colorful costumes, special effects, comedic timing, and plenty of music. Creator/WarrenBeatty both directed the film and starred in the title role.

to:

In 1990, Creator/TouchstonePictures took Chester Gould's relatively simple crime-drama [[ComicStrip/DickTracy comic strip]] strip ''ComicStrip/DickTracy'' and reimagined it as a big-budget extravaganza with big-name actors, colorful costumes, special effects, comedic timing, and plenty of music. Creator/WarrenBeatty both directed the film and starred in the title role.



The movie also starred Creator/GlenneHeadly as Tess Trueheart and Charlie Korsmo as the nameless "Kid." It won Academy Awards for Best Art Direction, Best Makeup, and Best Original Song (Music/StephenSondheim's "Sooner or Later"). Pacino was also nominated for Best Supporting Actor (in a Playboy interview, he actually listed it among his top 5 performances).

One of the striking features of the film was its attempt to replicate, in live-action, the flat colors and limited palette of the comic strip. Every yellow thing was the same bright yellow as Dick Tracy's trademark outfit, every blue thing was the same blue, every red thing the same red, and so forth. Years later, Film/SinCity did this through the use of digital tinting, but in 1990 it was done "the old-fashioned way," using specific paint and lighting techniques to create the look.%%It feels like there ought to be a trope that covers this, but if so I haven't found it.

For some reason, many people seem to be under the impression that the movie bombed at the box office, when [[http://boxofficemojo.com/movies/?id=dicktracy.htm in fact it made double its budget back in America, and triple when you factor in the rest of the world.]] In fact, it was actually the highest-grossing film of Warren Beatty's career. However, a combination of performing under Disney's expectations (Disney had hoped that ''Dick Tracy'' would be a hit on the same level as the previous year's ''Film/Batman1989'', and initiated an ''immense'' marketing campaign accordingly, which ended up costing more than the movie itself cost to produce and enormously inflated its budget in real terms) and a decades-long battle over the rights between Beatty and the Tribune Co. [[StillbornFranchise put the kibosh on any immediate follow-ups]]. Beatty continues to hold onto the rights of the character through [[AshcanCopy in-character interview specials]] shown on Creator/TurnerClassicMovies in 2010 and 2023.

to:

The movie also starred Creator/GlenneHeadly as Tess Trueheart and Charlie Korsmo as the nameless "Kid." It won Academy Awards UsefulNotes/{{Academy Award}}s for Best Art Direction, Best Makeup, and Best Original Song (Music/StephenSondheim's "Sooner or Later"). Pacino was also nominated for Best Supporting Actor (in a Playboy interview, he actually listed it his role in this film among his top 5 performances).

One of the striking features of the film was its attempt to replicate, in live-action, the flat colors and limited palette of the comic strip. Every yellow thing was the same bright yellow as Dick Tracy's trademark outfit, every blue thing was the same blue, every red thing the same red, and so forth. Years later, Film/SinCity ''Film/SinCity'' did this through the use of digital tinting, but in 1990 1990, it was done "the old-fashioned way," using specific paint and lighting techniques to create the look.%%It feels like there ought to be a trope that covers this, but if so I haven't found it.

For some reason, many people seem to be under the impression that the movie bombed at the box office, when [[http://boxofficemojo.com/movies/?id=dicktracy.htm in fact it made double its budget back in America, and triple when you factor in the rest of the world.]] world]]. In fact, it was actually the highest-grossing film of Warren Beatty's career. However, a combination of performing under Disney's expectations (Disney had hoped that ''Dick Tracy'' would be a hit on the same level as the previous year's ''Film/Batman1989'', and initiated an ''immense'' marketing campaign accordingly, which ended up costing more than the movie itself cost to produce and enormously inflated its budget in real terms) and a decades-long battle over the rights between Beatty and the Tribune Co. [[StillbornFranchise put the kibosh on any immediate follow-ups]]. Beatty continues to hold onto the rights of the character through [[AshcanCopy in-character interview specials]] shown on Creator/TurnerClassicMovies in 2010 and 2023.
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* RealMenWearPink: The Kid tells Tracy, "For a tough guy, you do a lot of pansy things."

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* ElectiveUnintelligible: Mumbles.

to:

* ElectiveUnintelligible: Mumbles.Mumbles only [[MeaningfulName mumbles]] throughout the movie until his final scene when Tracy [[spoiler:slows down a recording of Mumbles to show he confessed that Big Boy killed Lips Manlis]]. Only then does Mumbles speak in a regular voice.



* FemmeFatale: Breathless loves playing with this trope.

to:

* %%* FemmeFatale: Breathless loves playing with this trope.



* TheHyena: Flattop.

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* %%* TheHyena: Flattop.



* OutsideRide: Kid's specialty.

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* OutsideRide: Kid's specialty.The Kid gets around the city by riding on cars' bumpers.



* SparedByTheAdaptation: 88 Keys. He's killed while resisting arrest in the comic strip, in the movie he's just taken into custody, and he's given a larger role in the novelization sequel.



* SparedByTheAdaptation: 88 Keys. He's killed while resisting arrest in the comic strip, in the movie he's just taken into custody, and he's given a larger role in the novelization sequel.



* TheTropeKid: Kid.
* TheUnintelligible: Mumbles
* TheVamp: Breathless Mahoney.

to:

* TheTropeKid: Kid.
*
The Kid only goes by "the Kid" [[spoiler:until he legally changes his name to "Dick Tracy, Jr."]].
%%*
TheUnintelligible: Mumbles
*
Mumbles [addressed by ElectiveUnintelligible]
%%*
TheVamp: Breathless Mahoney.
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* KickTheDog: Big Boy smashes the fingers of 88 Keys in a piano when he becomes frustrated with the slow progress made by his performers during a rehearsal at the Club Ritz.

to:

* KickTheDog: Big Boy [[PianoCoverSlam smashes the fingers of 88 Keys in a piano piano]] when he becomes frustrated with the slow progress made by his performers during a rehearsal at the Club Ritz.
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For some reason, many people seem to be under the impression that the movie bombed at the box office, when [[http://boxofficemojo.com/movies/?id=dicktracy.htm in fact it made double its budget back in America, and triple when you factor in the rest of the world.]] In fact, it was actually the highest-grossing film of Warren Beatty's career. However, a combination of performing under Disney's expectations (Disney had hoped that ''Dick Tracy'' would be a hit on the same level as the previous year's ''Film/Batman1989'', and initiated an ''immense'' marketing campaign accordingly, which ended up costing more than the movie itself cost to produce and enormously inflated its budget in real terms) and a decades-long battle over the rights between Beatty and the Tribune Co. [[StillbornFranchise put the kibosh on any immediate follow-ups]]. Beatty continues to hold onto the rights of the character through [[AshcanCopy in-character interview specials]] shown on Creator/TurnerClassicMovies in 2008 and 2023.

to:

For some reason, many people seem to be under the impression that the movie bombed at the box office, when [[http://boxofficemojo.com/movies/?id=dicktracy.htm in fact it made double its budget back in America, and triple when you factor in the rest of the world.]] In fact, it was actually the highest-grossing film of Warren Beatty's career. However, a combination of performing under Disney's expectations (Disney had hoped that ''Dick Tracy'' would be a hit on the same level as the previous year's ''Film/Batman1989'', and initiated an ''immense'' marketing campaign accordingly, which ended up costing more than the movie itself cost to produce and enormously inflated its budget in real terms) and a decades-long battle over the rights between Beatty and the Tribune Co. [[StillbornFranchise put the kibosh on any immediate follow-ups]]. Beatty continues to hold onto the rights of the character through [[AshcanCopy in-character interview specials]] shown on Creator/TurnerClassicMovies in 2008 2010 and 2023.
Is there an issue? Send a MessageReason:
None


For some reason, many people seem to be under the impression that the movie bombed at the box office, when [[http://boxofficemojo.com/movies/?id=dicktracy.htm in fact it made double its budget back in America, and triple when you factor in the rest of the world.]] In fact, it was actually the highest-grossing film of Warren Beatty's career. However, a combination of performing under Disney's expectations (Disney had hoped that ''Dick Tracy'' would be a hit on the same level as the previous year's ''Film/Batman1989'', and initiated an ''immense'' marketing campaign accordingly, which ended up costing more than the movie itself cost to produce and enormously inflated its budget in real terms) and a decades-long battle over the rights between Beatty and the Tribune Co. [[StillbornFranchise put the kibosh on any immediate follow-ups]].

to:

For some reason, many people seem to be under the impression that the movie bombed at the box office, when [[http://boxofficemojo.com/movies/?id=dicktracy.htm in fact it made double its budget back in America, and triple when you factor in the rest of the world.]] In fact, it was actually the highest-grossing film of Warren Beatty's career. However, a combination of performing under Disney's expectations (Disney had hoped that ''Dick Tracy'' would be a hit on the same level as the previous year's ''Film/Batman1989'', and initiated an ''immense'' marketing campaign accordingly, which ended up costing more than the movie itself cost to produce and enormously inflated its budget in real terms) and a decades-long battle over the rights between Beatty and the Tribune Co. [[StillbornFranchise put the kibosh on any immediate follow-ups]].
follow-ups]]. Beatty continues to hold onto the rights of the character through [[AshcanCopy in-character interview specials]] shown on Creator/TurnerClassicMovies in 2008 and 2023.
Is there an issue? Send a MessageReason:
None


* BeautyEqualsGoodness: An exaggerated trope, as all of the gangsters are [[RedRightHand deformed looking]], while anyone who is at least somewhat sympathetic looks at least normal.

to:

* BeautyEqualsGoodness: An exaggerated trope, as all of the gangsters are [[RedRightHand deformed looking]], while anyone who is at least somewhat sympathetic looks at least normal. This follows the pattern of the original ComicStrip, which has the bad guys similarly [[RedRightHand malformed]].

Changed: 19

Removed: 246

Is there an issue? Send a MessageReason:
None


In 1990, Creator/TouchstonePictures took Chester Gould's relatively simple crime-drama [[ComicStrip/DickTracy comic strip]] and reimagined it as a big-budget extravaganza with big-name actors, colorful costumes, special effects and plenty of music. Creator/WarrenBeatty both directed the film and starred in the title role.

to:

In 1990, Creator/TouchstonePictures took Chester Gould's relatively simple crime-drama [[ComicStrip/DickTracy comic strip]] and reimagined it as a big-budget extravaganza with big-name actors, colorful costumes, special effects effects, comedic timing, and plenty of music. Creator/WarrenBeatty both directed the film and starred in the title role.



One of the striking features of the film was its attempt to replicate, in live action, the flat colors and limited palette of the comic strip. Every yellow thing was the same bright yellow as Dick Tracy's trademark outfit, every blue thing was the same blue, every red thing the same red, and so forth. Years later, Film/SinCity did this through the use of digital tinting, but in 1990 it was done "the old-fashioned way," using specific paint and lighting techniques to create the look.%%It feels like there ought to be a trope that covers this, but if so I haven't found it.

to:

One of the striking features of the film was its attempt to replicate, in live action, live-action, the flat colors and limited palette of the comic strip. Every yellow thing was the same bright yellow as Dick Tracy's trademark outfit, every blue thing was the same blue, every red thing the same red, and so forth. Years later, Film/SinCity did this through the use of digital tinting, but in 1990 it was done "the old-fashioned way," using specific paint and lighting techniques to create the look.%%It feels like there ought to be a trope that covers this, but if so I haven't found it.



%% * GettingCrapPastThe Radar: Due to overwhelming and persistent misuse, GCPTR is on-page examples only until 01 June 2021. If you are reading this in the future, please check the trope page to make sure your example fits the current definition.

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Shes Got Legs is not longer a trope


* LegFocus: Breathless's backup singers perform or rehearse various dance numbers in short skirts and shorts (Breathless herself tends to wear long gowns, save for when she's trying to seduce Tracy) with there being occasional closeups of their legs.






* ShesGotLegs: Breathless's backup singers perform or rehearse various dance numbers in short skirts and shorts (Breathless herself tends to wear long gowns, save for when she's trying to seduce Tracy) with there being occasional closeups of their legs.
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For some reason, many people seem to be under the impression that the movie bombed at the box office, when [[http://boxofficemojo.com/movies/?id=dicktracy.htm in fact it made double its budget back in America, and triple when you factor in the rest of the world.]] In fact, it was actually the highest grossing film of Warren Beatty's career. However, a combination of performing under Disney's expectations (Disney had hoped that ''Dick Tracy'' would be a hit on the same level as the previous year's ''Film/Batman1989'', and initiated an ''immense'' marketing campaign accordingly, which ended up costing more than the movie itself cost to produce and enormously inflated its budget in real terms) and a decades-long battle over the rights between Beatty and the Tribune Co. [[StillbornFranchise put the kibosh on any immediate follow-ups]].

to:

For some reason, many people seem to be under the impression that the movie bombed at the box office, when [[http://boxofficemojo.com/movies/?id=dicktracy.htm in fact it made double its budget back in America, and triple when you factor in the rest of the world.]] In fact, it was actually the highest grossing highest-grossing film of Warren Beatty's career. However, a combination of performing under Disney's expectations (Disney had hoped that ''Dick Tracy'' would be a hit on the same level as the previous year's ''Film/Batman1989'', and initiated an ''immense'' marketing campaign accordingly, which ended up costing more than the movie itself cost to produce and enormously inflated its budget in real terms) and a decades-long battle over the rights between Beatty and the Tribune Co. [[StillbornFranchise put the kibosh on any immediate follow-ups]].



* TheBlank: Trope namer, in this case a faceless (literally) mystery man who undermines Big Boy's operation, and Tracy's career, too.

to:

* TheBlank: Trope namer, in this case case, a faceless (literally) mystery man who undermines Big Boy's operation, and Tracy's career, too.
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* MoneySlap: [[TheDon Big Boy Caprice]] kidnaps Tracy in order to convince him to [[CorruptCop secretly join his payroll]], and Big Boy entices Tracy with a large stack of bills. Tracy at first acts as though he is going to take the money, but then dramatically throws it into Big Boy's face.
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* RecurringExtra: The Club Ritz backup singers perform onstage along with Breathless in two scenes and get yelled instructions by Big Boy Caprice during rehearsals, but none of them get names or interact with the other characters whenever they're not singing or rehearsing.

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* NiceHat: Tracy's unmistakable butter-colored chapeau.


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* SignatureHeadgear: Tracy's unmistakable butter-colored chapeau.
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** Tracy, when attacking a hobo, Steve the Bum, who's been abusing the Kid.

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** Tracy, when attacking a hobo, Steve the Bum, Tramp, who's been abusing the Kid.
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** And let's not for get Lips... despite having JabbaTableManners.

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** And let's not for get forget Lips... despite having JabbaTableManners.
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** Of course, Creator/JohnSchuck and Creator/CharlesFleischer appear as one of the reporters.

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