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* AdaptationalAgeLift: Agrippa is played as being similar in age to Julius Ceaser and already an experienced officer, rather than a childhood friend of Octavian.


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* AgeLift: Agrippa is played as being similar in age to Julius Ceaser and already an experienced officer, rather than a childhood friend of Octavian.
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* AdaptationalAgeLift: Agrippa is played as being similar in age to Julius Ceaser and already an experienced officer, rather than a childhood friend of Octavian.
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*HypercompetentSidekick: Agrippa is an astute politician and a highly experienced naval officer. He leads Octavian's armies for him and destroys Anthony and Cleopatra's navy at Actium, by luring Anthony into a trap.
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Misuse, Disabled Love Interest renamed/redefined and example didn't qualify
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* DisabledLoveInterest: Phoebus, Cleopatra's blind poet.
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* DeadManWriting: Cleopatra sends a message with her request to Octavius after her capture. It reads simply [[spoiler:that she asks to be buried next to Antony. Octavius immediately realized what she must be doing and sends his guard to stop her, but they are too late.]]

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* DeadManWriting: Cleopatra sends a message with her request to Octavius Octavian after her capture. It reads simply [[spoiler:that she asks to be buried next to Antony. Octavius Octavian immediately realized what she must be doing and sends his guard to stop her, but they are too late.]]
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* NoLoveForTheWicked: Octavian. Even though the other main characters are as scheming and ruthless as he is, they do have PetTheDog moments, mostly in the manner of EvenEvilHasLovedOnes: Cesar and Cleopatra love their son, Antony and Cleopatra love each other, and all of them feel warmth towards certain servants and companions. Octavian, on the other hand, is extremely economic with affection of any kind.

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* NoLoveForTheWicked: Octavian. Even though the other main characters are as scheming and ruthless as he is, they do have PetTheDog moments, mostly in the manner of EvenEvilHasLovedOnes: Cesar Caesar and Cleopatra love their son, Antony and Cleopatra love each other, and all of them feel warmth towards certain servants and companions. Octavian, on the other hand, is extremely economic with affection of any kind.
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* SissyVillain: Octavian, of the seemingly asexual variety.

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* SissyVillain: Octavian, of the seemingly asexual variety. Ptolemy and some of his advisors also qualify.
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* NoLoveForTheWicked: Octavian. Even though the other main characters are as scheming and ruthless as he is, they do have PetTheDog moments, mostly in the manner of EvenEvilHasLovedOnes: Cesar and Cleopatra love their son, Antony and Cleopatra love each other, and all of them feel warmth towards certain servants and companions. Octavian, on the other hand, is extremely economic with affection of any kind.


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* SissyVillain: Octavian, of the seemingly asexual variety.
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* HistoricalVillainUpgrade: While Octavian was certainly ruthless during the Civil Wars, he was really no worse than Mark Anthony and the film went out of its way to vilify him. He certainly never killed Sosigenes whose death was invented for the movie. And while he did have Caesarion executed, he was a young man of seventeen rather than the child the movie depicts him as.

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* TheAlcoholic: In the second part of the movie, there is hardly a scene where Mark Antony is not drinking.

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* TheAlcoholic: In AdaptationalWimp: Octavian, perhaps the second part most successful ruler in Roman history, is portrayed as an [[SissyVillain effeminate wimp]] and a two-faced schemer with delusions of the movie, there is hardly a scene where Mark Antony is not drinking. grandeur.



* TheAlcoholic: In the second part of the movie, there is hardly a scene where Mark Antony is not drinking.



* HistoricalHeroUpgrade: Brutus is shown in a very sympathetic light. Likewise, the fact that Caesar is painted to have openly sought Imperial titles vindicates and justifies TheConspiracy where earlier accounts at least kept things ambiguous (as it was in history).
* HistoricalVillainUpgrade:
** Octavian, perhaps the most successful ruler in Roman history, is portrayed as an [[SissyVillain effeminate wimp]] and a two-faced schemer with delusions of grandeur.
** Agrippa. Portrayed as a former Lieutenant of Caesar and then Octavian's Flunky.

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* HistoricalHeroUpgrade: Brutus is shown in a very sympathetic light. Likewise, the fact that Caesar is painted to have openly sought Imperial titles vindicates and justifies TheConspiracy where earlier accounts at least kept things ambiguous (as it was in history).
* HistoricalVillainUpgrade:
** Octavian, perhaps the most successful ruler in Roman history, is portrayed as an [[SissyVillain effeminate wimp]] and a two-faced schemer with delusions of grandeur.
** Agrippa. Portrayed as a former Lieutenant of Caesar and then Octavian's Flunky.
ambiguous.
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''Cleopatra'' is a 1963 American {{epic|movie}} historical film directed by Creator/JosephLMankiewicz, with a screenplay adapted by Mankiewicz, Ranald [=MacDougall=] and Sidney Buchman from the 1957 book ''The Life and Times of Cleopatra'' by Carlo Maria Franzero, and from histories by [[Literature/ParallelLives Plutarch]], Suetonius and Appian.

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''Cleopatra'' is a 1963 American {{epic|movie}} historical film directed by Creator/JosephLMankiewicz, with a screenplay adapted by Mankiewicz, Ranald [=MacDougall=] and Sidney Buchman from the 1957 book ''The Life and Times of Cleopatra'' by Carlo Maria Franzero, and from histories by [[Literature/ParallelLives Plutarch]], Suetonius and Appian.Appian, with a dash of [[Creator/WilliamShakespeare Shakespeare]]'s ''Theatre/AntonyAndCleopatra''.
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* TheWomanWearingTheQueenlyMask: Cleopatra knows her role.
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corrected misspellings


* DistractedByTheSexy: Cleopatra tries this several times to varying degrees of success. Caesar sees through it more often than not, but he becomes impressed with her cunningness. It works better on Antony, who is definitely not her intellectual equal.

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* DistractedByTheSexy: Cleopatra tries this several times to varying degrees of success. Caesar sees through it more often than not, but he becomes impressed with her cunningness.cunning. It works better on Antony, who is definitely not her intellectual equal.



** Agrippa. Portrayed as a former Lieutenant of Ceaser and then Octavian's Flunky.
* IdiotBall: For reasons that are never quite explained. Anthony goes out of his way to antagonise Ceaser's Admiral, Agrippa. With Ceaser dead, Agrippa goes over to Octavian providing the future emperor with a highly experienced naval and land commander.
* ImpaledWithExtremePrejudice: Sosigenes arrives in Rome to negotiate peace at the exact wrong moment. [[spoiler:Octavius is standing with the symbolic war spear in front of a crowd howling for Antony’s blood. When Sosigenes shows up, he finds the perfect spot to put the spear and buries it directly in his chest.]]

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** Agrippa. Portrayed as a former Lieutenant of Ceaser Caesar and then Octavian's Flunky.
* IdiotBall: For reasons that are never quite explained. Anthony goes out of his way to antagonise Ceaser's antagonize Caesar's Admiral, Agrippa. With Ceaser Caesar dead, Agrippa goes over to Octavian Octavian, providing the future emperor with a highly experienced naval and land commander.
* ImpaledWithExtremePrejudice: Sosigenes arrives in Rome to negotiate peace at the exact wrong moment. [[spoiler:Octavius is standing with the symbolic war spear in front of a crowd howling for Antony’s blood. When Sosigenes shows up, he Octavian finds the perfect spot to put the spear and buries it directly in his chest.]]



* RecliningReigner: Cleopatra and Caesar be argued as the {{Trope Codifier}}s.

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* RecliningReigner: Cleopatra and Caesar can be argued as to be the {{Trope Codifier}}s.



* ShownTheirWork: The film, although no stranger to HollywoodHistory, is remarkably respectful of Classic sources. Many colourful and dramatic episodes (Cleopatra rolled in a carpet, Caesar killed near Pompey's monument, Mark Antony covering Brutus' body with a cloak) are directly lifted from Suetonius, Plutarch, and other ancient writers. Many historical events, place-names and figures are mentioned in the movie, raising its educational value.

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* ShownTheirWork: The film, although no stranger to HollywoodHistory, is remarkably respectful of Classic sources. Many colourful colorful and dramatic episodes (Cleopatra rolled in a carpet, Caesar killed near Pompey's monument, Mark Antony covering Brutus' body with a cloak) are directly lifted from Suetonius, Plutarch, and other ancient writers. Many historical events, place-names and figures are mentioned in the movie, raising its educational value.
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* IdiotBall: For reasons that are never quite explained. Anthony goes out of his way to antagonise Ceaser's Admiral, Agrippa. With Ceaser dead, Agrippa goes over to Octavian providing the future emperor with a highly experienced naval and land commander.
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* NoOneCouldSurviveThat: When it is reported to Cleopatra that Antony has died in battle, no one actually saw him die, but with his ship surrounded and burning, it must be true.
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* LeftForDead: Cleopatra sails away from the battle of Actium after being told Antony is certainly dead. The reports were very wrong and it costs them the battle.
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* LastKiss: Cleopatra kisses Antony one last time as he dies in her arms.
*LastRequest: Cleopatra sends only one request to her vanquisher, [[spoiler: that he bury her next to Antony]].
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* InspirationalMartyr: Killing Caesar has the exact opposite effect the conspirators hope for, he becomes even more beloved in death and they must name his heir as emperor.
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* ImpaledWithExtremePrejudice: Sosigenes arrives in Rome to negotiate peace at the exact wrong moment. [[spoiler:Octavius is standing with the symbolic war spear in front of a crowd howling for Antony’s blood. When Sosigenes shows up, he finds the perfect spot to put the spear and buries it directly in his chest.]]
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* HerHeartWillGoOn: It’s a few years between Caesar’s death and when Antony and Cleopatra meet again, but she wastes no time in seducing him.
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* FictionalizedDeathAccount: The real Caesarion outlived his mother, if only by a few weeks.
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* DiedInYourArmsTonight: Antony dies with his head in Cleopatra’s lap.

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