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Changed line(s) 10 (click to see context) from:
* AdaptationalKarma: Dished out at the end to Miss Minchin, who [[spoiler:loses the school and is forced to work as a chimney sweep under the boy she abused earlier in the film.]]
to:
* AdaptationalKarma: Dished out at the end to Miss Minchin, who [[spoiler:loses the school after Sara's father returns and is discovers how horribly she treated his daughter. In her last scene, she's reduced to a destitute wreck, forced to work as a chimney sweep under the boy she abused earlier in the film.]]film]].
Deleted line(s) 20 (click to see context) :
* AdaptationalKarma: While Miss Minchin keeps the school in the book, here she [[spoiler:ends up losing it as punishment for her horrible abuses against Sara, and is reduced to working as a chimney sweep -- with the same boy she had abused earlier]].
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* KarmaHoudiniWarranty: While Miss Minchin keeps the school in the book, here the story ends with her [[spoiler:losing ''everything'' as punishment for all the horrible abuses she inflicted towards Sara, and she's reduced to working as a chimney sweep -- with the same boy she had maltreated earlier]].
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* AdaptationalKarma: While Miss Minchin keeps the school in the book, here she [[spoiler:ends up losing it as punishment for her horrible abuses against Sara, and is reduced to working as a chimney sweep -- with the same boy she had abused earlier]].
Deleted line(s) 70 (click to see context) :
* KarmaHoudiniWarranty: [[spoiler:While Miss Minchin keeps the school in the book, here she loses it and is reduced to working as a chimney sweep -- with the same boy she had abused earlier]].
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Changed line(s) 109 (click to see context) from:
* SillyRabbitCynicismIsForLosers!: A key divide between Sara and Miss Minchin is that Minchin has grown bitter after spending years unloved while Sara has kept herself hopeful. Because of this, among other possible reasons, Miss Minchin resents Sara even more for not seeing her world, and keeps working her to the bone in hopes that the little girl will face reality like a "true grown-up".
to:
* SillyRabbitCynicismIsForLosers!: SillyRabbitCynicismIsForLosers: A key divide between Sara and Miss Minchin is that Minchin has grown bitter after spending years unloved while Sara has kept herself hopeful. Because of this, among other possible reasons, Miss Minchin resents Sara even more for not seeing her world, and keeps working her to the bone in hopes that the little girl will face reality like a "true grown-up".
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* SillyRabbitCynicismIsForLosers!: A key divide between Sara and Miss Minchin is that Minchin has grown bitter after spending years unloved while Sara has kept herself hopeful. Because of this, among other possible reasons, Miss Minchin resents Sara even more for not seeing her world, and keeps working her to the bone in hopes that the little girl will face reality like a "true grown-up".
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Changed line(s) 109 (click to see context) from:
* SparedByTheAdaptation: [[spoiler:Like in [[Film/TheLittlePrincess1938 the Shirley Temple version]], Sara's father is alive. He's traumatized/amnesiac, but alive.]]
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* SparedByTheAdaptation: [[spoiler:Like in [[Film/TheLittlePrincess1938 [[Film/TheLittlePrincess1939 the Shirley Temple version]], Sara's father is alive. He's traumatized/amnesiac, but alive.]]
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Changed line(s) 109 (click to see context) from:
* SparedByTheAdaptation: [[spoiler:Sara's father is alive. He's traumatized/amnesiac, but alive.]]
to:
* SparedByTheAdaptation: [[spoiler:Sara's [[spoiler:Like in [[Film/TheLittlePrincess1938 the Shirley Temple version]], Sara's father is alive. He's traumatized/amnesiac, but alive.]]
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Changed line(s) 60 (click to see context) from:
* FreudianExcuse: Implied. Miss Minchin is clearly shaken by Sara's question about whether or not her father ever told her that all girls are princesses, and is seen wiping a tear away in anger after leaving the attic, hinting that her relationship with her parents was decidedly different from Sara's.
to:
* FreudianExcuse: Implied. Miss Minchin is clearly shaken by Sara's question about whether or not her father ever told her that all girls are princesses, she was a princess, and is seen wiping a tear away in anger after leaving the attic, hinting that her relationship with her parents was decidedly different from Sara's.
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* OffIntoTheDistanceEnding: [[spoiler:The film ends with Sara and Becky waving goodbye to their friends from the back of a pony-trap carriage as it drives away from the school.]]
Changed line(s) 97 (click to see context) from:
* RedemptionInTheRain: Captain Crewe and Sara are reunited in the middle of the rain.
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* RedemptionInTheRain: Captain [[spoiler:Captain Crewe and Sara are reunited in the middle of the rain.]]
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Changed line(s) 22 (click to see context) from:
** The Large Family that Sara watches from outside their window don't appear in the film.
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** The Large Family family that Sara watches from outside their window don't doesn't appear in the film.
* EasyAmnesia: Crewe comes down with acute amnesia as a side-effect of being hit by the poison gas in the trenches. [[spoiler:He overcomes it in the end in time to save Sara from being taken away by the police.]]
Changed line(s) 54 (click to see context) from:
** During the climax, after escaping the school and entering Mr. Randolph's house, Sara is caught between the police and, unbeknownst to her, her amnesiac father. At this point, the lights in Mr. Randolph's house go out. when Sara is about to realize that her father is right in front of her, the lights come on again.
to:
** During the climax, after escaping the school and entering Mr. Randolph's house, Sara is caught between the police and, unbeknownst to her, her amnesiac father. At this point, the lights in Mr. Randolph's house go out. when When Sara is about to look up and realize that her father is right in front of her, the lights come on again.
* InnocentFlowerGirl: After buying a bun with money she got as a handout, Sara sees an impoverished girl trying to sell yellow roses to passersby next to her mother and little sister. Sara gives the bun to the girl's little sister, who was eyeing it, and the girl gives her a rose for free as thanks.
Changed line(s) 90 (click to see context) from:
* OutlivingOnesOffspring: Mr. Randolph's son is killed in the trenches. He's devastated by the loss and Sara leaves a flower at his door to show her sympathy.
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* OutlivingOnesOffspring: Mr. Randolph's son is killed in the trenches. He's devastated by the loss and Sara leaves a flower yellow rose at his door to show her sympathy.
Changed line(s) 106 (click to see context) from:
* SparedByTheAdaptation: Sara's father is alive. He's traumatized/amnesiac, but alive.
to:
* SparedByTheAdaptation: Sara's [[spoiler:Sara's father is alive. He's traumatized/amnesiac, but alive.]]
Changed line(s) 110 (click to see context) from:
* TroubledFetalPosition: Sara goes into the troubled fetal position whenever she's in her new room in the dirty attic. The first time, she curls up in the middle of a "magic circle" she drew on the floor to try to feel safe.
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* TroubledFetalPosition: During her first night in the attic, Sara goes into the troubled fetal curls up in this position whenever she's in her new room in the dirty attic. The first time, she curls up in the middle of a "magic circle" she drew with chalk on the floor to try to feel safe.safe (referencing how Rama drew a circle of protection for Sita).
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Changed line(s) 20 (click to see context) from:
* AdaptationExplanationExtrication: Sara wakes up to find her attic room filled with food, clothing and other luxuries. In the book, these things were brought to her in secret over a number of weeks by Ram Dass, the Indian man living next door, while she slept. In the film, they're just there with no explanation. The implication is that 'the magic' Sara believes in is real.
to:
* AdaptationExplanationExtrication: Sara wakes up to find her attic room filled with food, clothing and other luxuries. In the book, these things were brought to her in secret over a number of weeks by Ram Dass, the Indian man living next door, while she slept. In the film, they're just there with no explanation. explanation outside of Ram Dass overhearing Sara and Becky's conversation about what foods they imagine having. The implication is that 'the magic' Sara believes in is real.real and Ram Dass somehow has it.
Changed line(s) 28 (click to see context) from:
* AllegoryAdventure: The film weaves in bits of the ''{{Literature/Ramayana}}'' by making it Sara Crewe's favorite book. The strong implication is that King Rama's story mirrors Captain Crewe's—the two characters are even [[AndYouWereThere played by the same actor]].
to:
* AllegoryAdventure: The film weaves in bits of the ''{{Literature/Ramayana}}'' by making it Sara Crewe's favorite book. The strong implication is that King Rama's story mirrors Captain Crewe's—the two characters are even [[AndYouWereThere played by the same actor]]. Princess Sita is also played by the same woman who portrays Sara's mother (which is subtler, as she's a PosthumousCharacter who never appears outside of photos).
Changed line(s) 49 (click to see context) from:
* EekAMouse: Invoked by Becky to distract Miss Minchin, while the other girls are raiding her office for Sara's locket.
to:
* EekAMouse: Invoked by Becky to distract Miss Minchin, while Minchin from catching Ermengarde and the other girls are raiding in her office for Sara's locket.office. She screams right at the second that Minchin opens the door, distracting her and allowing the girls to escape with the locket while she stammers her way through lying that she thought she saw a mouse.
* FreudianExcuse: Implied. Miss Minchin is clearly shaken by Sara's question about whether or not her father ever told her that all girls are princesses, and is seen wiping a tear away in anger after leaving the attic, hinting that her relationship with her parents was decidedly different from Sara's.
Changed line(s) 66 (click to see context) from:
* JerkassHasAPoint: Miss Minchin isn't exactly the nicest headmistress on the planet, especially how she treats Sara, Becky and her students, but she does have a good point to make at times. After punishing Sara with no food as a result of her telling the girls one of her stories, she gives Sara a "life lesson" on reality:
to:
* JerkassHasAPoint: Downplayed. Miss Minchin isn't exactly the nicest headmistress on the planet, is far from pleasant, especially with how she treats Sara, Becky Becky, and her students, but she does have a good point to make at times. After punishing Sara with no food as a result of her telling the girls one of her stories, she gives Sara a "life lesson" on reality:reality she gives Sara after punishing her with extra chores and no meals for continuing to tell her stories to the other girls isn't exactly wrong. What downplays it is that she's saying all of this to a child who is, as far as she knows, an orphan with no one in the world, which makes it a vindictive KickTheDog moment.
Changed line(s) 72 (click to see context) from:
*** She deliberately starves Sara as a consequence for bringing her friends into the attic even if it was justified.
to:
*** She deliberately starves both Sara and Becky as a consequence punishment for bringing her friends into the attic even if it was justified.attic.
Changed line(s) 74,75 (click to see context) from:
** Lavinia had her moments too, specifically when she blatantly walked across the floor with dirty shoes right after Sara had finished mopping it, and when she taunted Sara by telling her to not touch anything in her (Lavinia's) room with her "dirty hands," and rudely asks "when was the last time you took a bath?!"
* MagicalNegro: Ram Dass is a South Asian variant.
* MagicalNegro: Ram Dass is a South Asian variant.
to:
*** She recognizes Captain Crewe when she sees him in the Randolph house, but lies to the police that Sara has no father ''just'' to get her arrested.
** Lavinia had her moments too, specifically when she blatantly walked across the floor with dirty shoes right after Sara had finished mopping it, and when she taunted Sara by telling her to not touch anything in her (Lavinia's) room with her "dirty hands," and rudely asks"when was the her when she last time you took a bath?!"
bath.
*MagicalNegro: MagicalAsian: Ram Dass is a South Asian variant.variant. It's hinted that he used ''some'' kind of magic to instantly put the finery, food, and new clothes in Sara's room overnight.
** Lavinia had her moments too, specifically when she blatantly walked across the floor with dirty shoes right after Sara had finished mopping it, and when she taunted Sara by telling her to not touch anything in her (Lavinia's) room with her "dirty hands," and rudely asks
*
Changed line(s) 96 (click to see context) from:
* RepeatCut: At the end of the film, when Lavinia hugs Sara.
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* RepeatCut: At Twice.
** The shot of Sara jerking awake in shock at the luxurious makeover of her room and the food on the table is repeated twice from different angles.
** It occurs again at the end of the film, when Lavinia hugs Sara.
** The shot of Sara jerking awake in shock at the luxurious makeover of her room and the food on the table is repeated twice from different angles.
** It occurs again at the end of the film, when Lavinia hugs Sara.
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Changed line(s) 102 (click to see context) from:
* SiblingYinYang: Between Miss Minchin and Miss Amelia. One is a thin, stern and greedy broodmare businesswoman; the other is a heavyset, joyful and energetic woman who is in love with a local milkman.
to:
* SiblingYinYang: Between Miss Minchin and Miss Amelia. One is a thin, stern stern, and greedy broodmare cruel businesswoman; the other is a heavyset, joyful joyful, and energetic woman who is in love with a local milkman.
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[[quoteright:1000:https://static.tvtropes.org/pmwiki/pub/images/9v4bavesksnbeqjvi0ymeub0n8i.png]]
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*{{Elopement}}: Amelia and the Milkman at Sara's suggestion.
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Changed line(s) 13 (click to see context) from:
* AdaptationalNiceGuy: Nearly all the students (sans Ermengarde and Lottie), who in the novel, while not mean per se, did treat Sara as if she were another servant after the loss of her fortune despite earlier being her friend. Here, while unsure what to do at first, they are still genuinely friendly with her, even helping to obtain her locket.
to:
* AdaptationalNiceGuy: Nearly all the students (sans Ermengarde and Lottie), who in the novel, while not mean per se, did treat Sara as if she were another servant after the loss of her fortune despite earlier being her friend. Here, while unsure what to do at first, they are still genuinely friendly with her, even helping to obtain her locket. Notably, [[spoiler: Lavinia is redeemed by the end.]]
Changed line(s) 59 (click to see context) from:
* HeelFaceTurn: [[spoiler:Lavinia by the end of the film, who after being cursed by Sara into losing her hair fir all if her cruelty, ends up hugging her goodbye once she leaves the boarding school. Seeing how this scene receives a RepeatCut, it showcases both the significance and the sincerity of her redemption.]]
to:
* HeelFaceTurn: [[spoiler:Lavinia by the end of the film, who after being cursed by Sara into losing her hair fir for all if of her cruelty, ends up hugging her goodbye once she leaves the boarding school. Seeing how this scene receives a RepeatCut, it showcases both the significance and the sincerity of her redemption.]]
Changed line(s) 68 (click to see context) from:
*** After telling Sarah that her father is dead, she blatantly forces Sarah into servitude, taking all of her belongings, including her locket -- which contains a picture of her mother and father, and threatens to have her arrested if she retrieves it.
to:
*** After telling Sarah Sara that her father is dead, she blatantly forces Sarah Sara into servitude, taking all of her belongings, including her locket -- which contains a picture of her mother and father, and threatens to have her arrested if she retrieves it.
Changed line(s) 70,71 (click to see context) from:
*** When she notices all the fine things that Ram Dass had given both Sarah and Becky, she assumes that the girls stole them, and calls the police on them.
** Lavinia had her moments too, specifically when she blatantly walked across the floor with dirty shoes right after Sarah had finished mopping it, and when she taunted Sarah by telling her to not touch anything in her (Lavinia's) room with her "dirty hands," and rudely asks "when was the last time you took a bath?!"
** Lavinia had her moments too, specifically when she blatantly walked across the floor with dirty shoes right after Sarah had finished mopping it, and when she taunted Sarah by telling her to not touch anything in her (Lavinia's) room with her "dirty hands," and rudely asks "when was the last time you took a bath?!"
to:
*** When she notices all the fine things that Ram Dass had given both Sarah Sara and Becky, she assumes that the girls stole them, and calls the police on them.
** Lavinia had her moments too, specifically when she blatantly walked across the floor with dirty shoes right afterSarah Sara had finished mopping it, and when she taunted Sarah Sara by telling her to not touch anything in her (Lavinia's) room with her "dirty hands," and rudely asks "when was the last time you took a bath?!"
** Lavinia had her moments too, specifically when she blatantly walked across the floor with dirty shoes right after
Changed line(s) 86 (click to see context) from:
* OutlivingOnesOffspring: Mr. Randolph's son is killed in the trenches. He's devastated by the loss and Sarah leaves a flower at his door to show her sympathy.
to:
* OutlivingOnesOffspring: Mr. Randolph's son is killed in the trenches. He's devastated by the loss and Sarah Sara leaves a flower at his door to show her sympathy.
Changed line(s) 95 (click to see context) from:
* ScyllaAndCharybdis: After escaping to Mr. Randall's house in the climax, Sarah is caught between the police and Miss Minchin at the front door and Captain Crewe, who, at this point, is presumed by Sara to be a stranger. Sara heads in her father's direction. This proves to be her saving grace, as captain Crewe remembers who he is just in time to save Sarah from being seized by the police.
to:
* ScyllaAndCharybdis: After escaping to Mr. Randall's house in the climax, Sarah Sara is caught between the police and Miss Minchin at the front door and Captain Crewe, who, at this point, is presumed by Sara to be a stranger. Sara heads in her father's direction. This proves to be her saving grace, as captain Crewe remembers who he is just in time to save Sarah Sara from being seized by the police.
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Changed line(s) 13 (click to see context) from:
* AdaptationalNiceGuy: Nearly all the students (sans Ermengarde and Lottie), who in the novel, while not mean per se, did treat Sara as if she were another servant after the loss of her fortune despite earlier being her friend. Here, while unsure what to do at first, are still genuinely friendly with her, even helping to obtain her locket.
to:
* AdaptationalNiceGuy: Nearly all the students (sans Ermengarde and Lottie), who in the novel, while not mean per se, did treat Sara as if she were another servant after the loss of her fortune despite earlier being her friend. Here, while unsure what to do at first, they are still genuinely friendly with her, even helping to obtain her locket.
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Changed line(s) 43 (click to see context) from:
* DeniedFoodAsPunishment: As a punishment for telling another one of her stories to the girls, Miss Minchin punishes both Sarah and Becky by having the former stay locked in her room and the latter to do all of the former's chores without meals. There is very little effort put into enforcing that proclamation as Sarah openly defies Miss Minchin out of sight by pretending there is food. Thanks to Ram Dass, her dream comes true.
to:
* DeniedFoodAsPunishment: As a punishment for telling another one of her stories to the girls, Miss Minchin punishes both Sarah Sara and Becky by having the former latter stay locked in her room and the latter former to do all of the former's latter's chores without meals. There is very little effort put into enforcing that proclamation as Sarah Sara openly defies Miss Minchin out of sight by pretending there is food. Thanks to Ram Dass, her dream comes true.
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* DeniedFoodAsPunishment: As a punishment for telling another one of her stories to the girls, Miss Minchin punishes both Sarah and Becky by having the former stay locked in her room and the latter to do all of the former's chores without meals. There is very little effort put into enforcing that proclamation as Sarah openly defies Miss Minchin out of sight by pretending there is food. Thanks to Ram Dass, her dream comes true.
* ImaginationBasedSuperpower: Sara supposedly has this.
Changed line(s) 61,62 (click to see context) from:
* JerkassHasAPoint: As part of her schtick, Miss Minchin gives Sara a "life lesson" on reality.
-->'''Miss Minchin:''' It’s time you learn, Sara Crewe, that real life has nothing to do with your little fantasy games. It’s a cruel, nasty world out there and it’s our duty to make the best of it—not to indulge in ridiculous dreams, but to be productive and useful!
-->'''Miss Minchin:''' It’s time you learn, Sara Crewe, that real life has nothing to do with your little fantasy games. It’s a cruel, nasty world out there and it’s our duty to make the best of it—not to indulge in ridiculous dreams, but to be productive and useful!
to:
* JerkassHasAPoint: As part of her schtick, Miss Minchin isn't exactly the nicest headmistress on the planet, especially how she treats Sara, Becky and her students, but she does have a good point to make at times. After punishing Sara with no food as a result of her telling the girls one of her stories, she gives Sara a "life lesson" on reality.
reality:
-->'''Miss Minchin:'''It’s It's time you learn, Sara Crewe, that real life has nothing to do with your little fantasy games. It’s It's a cruel, nasty world out there and it’s it's our duty to make the best of it—not to indulge in ridiculous dreams, but to be productive and useful!
-->'''Miss Minchin:'''
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*** She deliberately starves Sara as a consequence for bringing her friends into the attic even if it was justified.
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Added DiffLines:
Read the screenplay [[https://drive.google.com/file/d/1gca7evSZHW-F8UT-RQozY1zeNv7j8yvn/view?usp=drivesdk here.]]
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* TookALevelInKindness: Lavinia in the end.
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* HeelFaceTurn: [[spoiler:Lavinia by the end of the film, who after being cursed by Sara into losing her hair fir all if her cruelty, ends up hugging her goodbye once she leaves the boarding school. Seeing how this scene receives a RepeatCut, it showcases both the significance and the sincerity of her redemption.]]
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* OrphanageOfFear: Played with: the boarding school is clearly not an orphanage, but [[spoiler:it briefly becomes one for Sara after her father is presumed killed in action, she is forced to work as a often mistreated servant in the school and she is left alone and penniless in the world.]]
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* SiblingYinYang: Between Miss Minchin and Miss Amelia. One is a thin, stern and greedy broodmare businesswoman; the other is a heavyset, joyful and energetic woman who is in love with a local milkman.
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* FreudianExcuseIsNoExcuse: Miss Minchin is implied to have had a very harsh childhood if Sara's question is anything to go by, resulting in her becoming the cold and hardened woman we see in the movie. While that explains why she's so determined to make life miserable for Sara, that doesn't justify her cruelty to Sara and Becky even if her actions are understandable and lawful.
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The solicitor is another character and, as in canon, tells Ms. Minchin about Captain Crewe's death.
Changed line(s) 20 (click to see context) from:
** Carrisford, Captain Crewe's solicitor, does not appear in the film.
to:
** Carrisford, Captain Crewe's solicitor, business partner, does not appear in the film.
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Changed line(s) 54 (click to see context) from:
* HarpOfFemininity: Miss Minchin is shown playing a harp at moments when she's not actively working to make Sarah's life miserable. Her musical ability is arguably the only likable trait the character has.
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* HarpOfFemininity: Miss Minchin is shown playing a harp at moments when she's not actively working to make Sarah's Sara's life miserable. Her musical ability is arguably the only likable trait the character has.
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* JerkassHasAPoint: As part of her schtick, Miss Minchin gives Sara a "life lesson" on reality.
-->'''Miss Minchin:''' It’s time you learn, Sara Crewe, that real life has nothing to do with your little fantasy games. It’s a cruel, nasty world out there and it’s our duty to make the best of it—not to indulge in ridiculous dreams, but to be productive and useful!
-->'''Miss Minchin:''' It’s time you learn, Sara Crewe, that real life has nothing to do with your little fantasy games. It’s a cruel, nasty world out there and it’s our duty to make the best of it—not to indulge in ridiculous dreams, but to be productive and useful!
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Changed line(s) 12 (click to see context) from:
* AdaptationalVillainy: Miss Minchin's most reprehensible evil deed by far -- choosing vengeance over truth by refusing to acknowledge Captain Crewe after ''clearly recognising him'' in order to stop Sara from being saved from arrest -- did not occur in the book. Up until this point, as horrible and abusive as she was, she had ''genuinely'' believed the Captain to be dead.
to:
* AdaptationalVillainy: As horrible as Miss Minchin's Minchin is, for most of the film she genuinely believes Captain Crewe to be dead. When he turns up alive, she commits her most reprehensible evil deed by far -- choosing vengeance over truth by refusing to acknowledge Captain Crewe after action yet: despite ''clearly recognising him'' in order him'', she continues to stop lie that Sara from being saved from arrest -- did not occur has no father, letting the girl be taken away by the police on false charges. None of this occurs in the book. Up until this point, as horrible and abusive as she was, she had ''genuinely'' believed the Captain to be dead.original book.
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Changed line(s) 8 (click to see context) from:
* AdaptationalNationality: Sara is a British child in the books, but played by an American. Her father is still British and her mother is said to have been a student at the school (which is now in New York), implying she is half-American.
to:
* AdaptationalNationality: AdaptationalNationality:
** Sara is a British child in the books, but played by an American. Her father is still British and her mother is said to have been a student at the school (which is now in New York), implying she is half-American.
** Sara is a British child in the books, but played by an American. Her father is still British and her mother is said to have been a student at the school (which is now in New York), implying she is half-American.
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* AdaptationalVillainy: Miss Minchin's most reprehensible evil deed by far -- choosing vengeance over truth by refusing to acknowledge Captain Crewe after ''clearly recognising him'' in order to stop Sara from being saved from arrest -- did not occur in the book. Up until this point, as horrible and abusive as she was, she had ''genuinely'' believed the Captain to be dead.
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* OffToBoardingSchool: Sara has to live at a boarding school her mother attended because her father is going away to war.
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** Miss Minchin is also British in the book, but here, she is American. Ironically, Elenore Bron, the actress who plays her, is British.
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Dewicked trope
Deleted line(s) 69 (click to see context) :
* NiceHat: Sara is wearing a big white one when she first arrives at the school. [[spoiler:The ones she and Becky wear at the end are much simpler]].
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from trope pages
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* BladeOfGrassCut: Sara and the camera briefly focus on a balloon when Miss Minchin tells her what happened to her father.
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* DadsOffFightingInTheWar: Sara's father goes off to fight in World War I.
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* DefeatMeansMenialLabor: At the end, Miss Minchin no longer runs the school, but is working as a chimney sweep, with the boy she mistreated earlier in the movie as her new boss.
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* HarpOfFemininity: Miss Minchin is shown playing a harp at moments when she's not actively working to make Sarah's life miserable. Her musical ability is arguably the only likable trait the character has.
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* IWantMyMommy: One of the youngest girls at the boarding school, Lottie, throws routine fits and cries out for her mother. While the others just let her have her fits, Sara, who is trying to do her studies, asks her to stop, only to find out from Lottie that her mother is [[spoiler:dead. Sara then tells her that her own mother is dead, too, along with [[DeathByChildbirth her baby sister]] and then comforts her by explaining what a beautiful and happy place heaven is and how they're at peace]], which cheers the younger girl up to a point that she doesn't throw another fit again in the whole film, except one which was used as a distraction.
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* MistakenForThief: Miss Minchin discovers the things hidden in Sara's room and assumes she stole them.
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* TheStoryteller: Sara's narratives are shown in detail, and become an important plot point.
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* TroubledFetalPosition: Sara goes into the troubled fetal position whenever she's in her new room in the dirty attic. The first time, she curls up in the middle of a "magic circle" she drew on the floor to try to feel safe.
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* ColorCodedForYourConvenience: Miss Minchin’s school is punctuated by green, signifying that Sara has to adapt to living in a one-color world.
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* ColorCodedForYourConvenience: ColourCodedForYourConvenience: Miss Minchin’s school is punctuated by green, signifying that Sara has to adapt to living in a one-color world.
* [[FantasyForbiddingFather Fantasy-Forbidding Mother-Figure]]: An extreme example. Miss Minchin counts Sara encouraging the girls to use their imaginations during story time as a dangerous, rebellious fantasy.
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* [[FantasyForbiddingMother Fantasy-Forbidding Mother-Figure]]: An extreme example. Miss Minchin counts Sara encouraging the girls to use their imaginations during story time as a dangerous, rebellious fantasy.
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migrating from A Little Princess
Added DiffLines:
''A Little Princess'' is a 1995 film directed by Creator/AlfonsoCuaron, based on the novel ''Literature/ALittlePrincess'' by Creator/FrancesHodgsonBurnett.
----
!!This film contains examples of:
* AdaptationalAlternateEnding: Sort of. The film keeps the book's ending of [[spoiler:Sara being restored to her wealth]], but it happens in a different way. [[spoiler:Captain Crewe is actually alive, suffering from amnesia. Miss Minchin discovers the finery in Sara's attic room, assumes it's stolen and phones the police. Sara is reunited with her father while trying to escape. Additionally while Becky is promoted to Sara's personal attendant in the book, the film goes ahead and says that she's been adopted as a sister instead. And Miss Minchin is removed from her position and has to work as a chimney sweep]].
* AdaptationalAttractiveness: Played with. Sara in the book believes she isn't pretty (because she doesn't have beautiful blonde hair), and it's her kindness and spunkiness that compels people to attend to her. This trait is abandoned in the film, where she's played by the cute Liesel Matthews.
* AdaptationalKarma: Dished out at the end to Miss Minchin, who [[spoiler:loses the school and is forced to work as a chimney sweep under the boy she abused earlier in the film.]]
* AdaptationalNationality: Sara is a British child in the books, but played by an American. Her father is still British and her mother is said to have been a student at the school (which is now in New York), implying she is half-American.
* AdaptationalNiceGuy: Nearly all the students (sans Ermengarde and Lottie), who in the novel, while not mean per se, did treat Sara as if she were another servant after the loss of her fortune despite earlier being her friend. Here, while unsure what to do at first, are still genuinely friendly with her, even helping to obtain her locket.
* AdaptationalWealth: [[spoiler:At the end of the book, Becky becomes Sara's personal attendant. At the end of this film, she's adopted by Captain Crewe]].
* AdaptationDyeJob: Sara has dark hair in the book but it's a light brown in the film.
* AdaptationExpansion: In the book, Miss Minchin never sees the room filled with finery by Ram Dass. In the film, her discovering it (and assuming Sara has stolen everything) prompts the climax -- where Minchin summons the police.
* AdaptationExplanationExtrication: Sara wakes up to find her attic room filled with food, clothing and other luxuries. In the book, these things were brought to her in secret over a number of weeks by Ram Dass, the Indian man living next door, while she slept. In the film, they're just there with no explanation. The implication is that 'the magic' Sara believes in is real.
* AdaptationPersonalityChange: While still keeping her kindness, this version of Sara is much more of a MouthyKid and LittleMissSnarker, although mostly towards her antagonists.
* AdaptedOut:
** The Large Family that Sara watches from outside their window don't appear in the film.
** Carrisford, Captain Crewe's solicitor, does not appear in the film.
* AgeLift:
** The other way around. Lavinia is older in the book -- said to be about fourteen to Sara's eight. In the film, Sara and Lavinia are about eleven and twelve years old, respectively.
** Becky is also aged down from fourteen to Sara's nine to being the same age.
* AllegoryAdventure: The film weaves in bits of the ''{{Literature/Ramayana}}'' by making it Sara Crewe's favorite book. The strong implication is that King Rama's story mirrors Captain Crewe's—the two characters are even [[AndYouWereThere played by the same actor]].
* ArmorPiercingQuestion: From Sara to Miss Minchin:
-->'''Sara:''' Didn't your father ever tell you you were a princess?
* BigFun: Miss Amelia is shown to be a chubby woman who, while a little awkward and neurotic, is still very fun and kind to the girls.
* BitchAlert: Lavinia is introduced by dipping Ermengarde's hair in an ink well, and looking furious when she hears how wealthy Sara is.
* CacophonyCoverUp: [[CuteButCacophonic Lottie's]] ear-piercing scream creates a diversion under the cover of which the girls can fetch Sara's locket from Miss Minchin's office.
* CentralTheme: The central theme of the film is that all girls can be princesses, no matter their disadvantages and that magic can be real if you believe. The contrast between Sara, a plain servant girl but kind and helpful person, and Miss Minchin, a pristine headmistress but ruthless and cruel woman, emphasizes the theme.
* ChildHater: This version of Miss Minchin really seems to hate children (at least those who aren't her pupils). In addition to treating Sara and Becky horribly (including [[spoiler:trying to get them arrested]] in the climax), she's seen mistreating a young chimney sweep and denying him pay.
* ColorCodedForYourConvenience: Miss Minchin’s school is punctuated by green, signifying that Sara has to adapt to living in a one-color world.
* CompanionCube: Emily the doll is this to Sara.
* CompressedAdaptation: Sara is at the school for several years in the book, but it's only two years at most in the film.
* CostumePorn: Even more than in the novel. You can hardly blame Miss Minchin when she says Sara can't wear her finery looking at what she's wearing in that very scene.
* DeathByChildbirth: Sara's mother dies giving birth to [[spoiler:Sara's younger sister, who died as well.]]
* DeathGlare: Miss Minchin does this twice to Sara in both scenes where she confronts her in the attic.
* DidntThinkThisThrough: The girls stealing Sara's locket from Miss Minchin's office. They didn't think that Minchin would notice and assume Sara stole it?
* DisneyDeath: Sara's father, who in this case is confused for being dead with John Randolph from next door.
* DramaticNecklaceRemoval: Sara's locket. Minchin rips it off her once news of her father's death gets to her, and she confiscates it.
* EekAMouse: Invoked by Becky to distract Miss Minchin, while the other girls are raiding her office for Sara's locket.
* EmeraldPower: Downplayed. The school uniforms are green, with a white pinafore over them. Possibly symbolizing how Sara will have to work hard to uncover the magic there.
* EmpathicEnvironment:
** There's a torrential downpour going on when Sara is moved into the attic.
** Another rainstorm starts along with the climax.
** During the climax, after escaping the school and entering Mr. Randolph's house, Sara is caught between the police and, unbeknownst to her, her amnesiac father. At this point, the lights in Mr. Randolph's house go out. when Sara is about to realize that her father is right in front of her, the lights come on again.
* EvenEvilHasStandards: Miss Minchin looks downright horrified when Sara nearly falls to her death multiple times trying to escape the police. Once she sees that Sara has gotten to safety, however, she does still order the police to go after her.
* EyeTake: Lavinia when she sees stray hairs clinging to her brush. She's scared that her hair might be falling out.
* {{Foreshadowing}}: During Sara and Becky's imagine spot of the two of them in India, Becky is wearing [[spoiler:the same clothes she has on when Captain Crewe adopts her]].
* [[FantasyForbiddingMother Fantasy-Forbidding Mother-Figure]]: An extreme example. Miss Minchin counts Sara encouraging the girls to use their imaginations during story time as a dangerous, rebellious fantasy.
* HiddenDepths: The confrontation between Sara and Miss Minchin heavily implies that, on some level, the latter does feel guilty for her actions, and that one of the reasons she is what she is, according to the novelization by Diane Molleson, is because "no one had ever loved her, or told her they loved her", with her doing everything she can to bury it and ignore it.
* KarmaHoudiniWarranty: [[spoiler:While Miss Minchin keeps the school in the book, here she loses it and is reduced to working as a chimney sweep -- with the same boy she had abused earlier]].
* KickTheDog:
** Miss Minchin does so on several occasions:
*** After telling Sarah that her father is dead, she blatantly forces Sarah into servitude, taking all of her belongings, including her locket -- which contains a picture of her mother and father, and threatens to have her arrested if she retrieves it.
*** When she notices all the fine things that Ram Dass had given both Sarah and Becky, she assumes that the girls stole them, and calls the police on them.
** Lavinia had her moments too, specifically when she blatantly walked across the floor with dirty shoes right after Sarah had finished mopping it, and when she taunted Sarah by telling her to not touch anything in her (Lavinia's) room with her "dirty hands," and rudely asks "when was the last time you took a bath?!"
* MagicalNegro: Ram Dass is a South Asian variant.
* MaybeMagicMaybeMundane: It's implied that Ram Dass genuinely has some magic about him. It's the only explanation for Sara's room filling up with the finery so quickly (in the book he gradually does it over several months), and his goal seems to be to reunite father and daughter.
* MistakenIdentity: [[spoiler:Thanks to a mix-up with their tags, Captain Crewe is briefly mistaken for Mr. Randolph's son John, who he was trying to save in the trenches.]]
* MoodWhiplash:
** The fun and jolly scene of Sara's birthday party gets interrupted with the news that Captain Crewe has died.
** When Sara and the girls are peacefully bowing to Ram Dass from the attic room, Miss Minchin appears behind the girls and catches them.
** PlayedForLaughs when Miss Amelia is hurriedly trying to find Sara to calm Lottie down during one of her tantrums. As soon as she finds Sara, Lottie cheerfully walks past them (the plan to steal back the locket now having succeeded).
** The comedy scene of Miss Amelia and Francis trying to elope abruptly segues into Miss Minchin busting Sara for the stolen locket.
* NiceHat: Sara is wearing a big white one when she first arrives at the school. [[spoiler:The ones she and Becky wear at the end are much simpler]].
* NotEvenBotheringWithTheAccent: Eleanor Bron speaks French with no attempt at an accent in order to show how bad she is at it compared to Sara.
* OminousHairLoss: Lavinia is "cursed" by Sara in response to her mistreatment. Later while obsessively brushing her hair later that evening, Lavinia finds a large strand of hair coming out along with the brush, prompting her to faint in shock. Of course, in this version she usually has a BetaBitch brushing her hair for her, so this is possibly the first time she's done it herself -- and therefore mistook stray hairs coming loose for it falling out.
* TheOner: Well, it is an Creator/AlfonsoCuaron (with Emmanuel Lubezki as cinematographer) joint. The camera tracks down a (foreshadowing) painting of Lucifer being cast from heaven and along the breakfast table as the girls pass a gossiping conversation down it. It's an understated example but impressive when you consider all the actors in it are young children who have to time their lines and engage in background business as the camera moves.
* OutlivingOnesOffspring: Mr. Randolph's son is killed in the trenches. He's devastated by the loss and Sarah leaves a flower at his door to show her sympathy.
* RaceLift:
** Becky. In the original, she is a typical Victorian-era Cockney girl and becomes a TokenBlackFriend in the film. With the setting changed from Britain to America, rendering a Cockney girl as black is a logical enough CulturalTranslation.
** Sara herself to a lesser extent. There are references to Sara's "brown hand" and "small, dark face" implying she might be mixed race. She's clearly white in the film. Of course, the aforementioned comments could just be a result of tanning in India.
* RagsToRiches: Not only does Sara become rich again, but [[spoiler:her father adopts Becky]].
* RedemptionInTheRain: Captain Crewe and Sara are reunited in the middle of the rain.
* RegalRinglets: While wealthy, Sara's hair is elegantly styled in long ringlets, which she loses when she becomes a servant. At the end of the film, when she has regained her wealth, her hair is once more worn in ringlets.
* RepeatCut: At the end of the film, when Lavinia hugs Sara.
* SayMyName: [[spoiler:When Sara's father remembers who she is, he runs outside and shouts "Sara!"]]
* ScyllaAndCharybdis: After escaping to Mr. Randall's house in the climax, Sarah is caught between the police and Miss Minchin at the front door and Captain Crewe, who, at this point, is presumed by Sara to be a stranger. Sara heads in her father's direction. This proves to be her saving grace, as captain Crewe remembers who he is just in time to save Sarah from being seized by the police.
* SettingUpdate: This film relocates the story to New York, during World War I.
* SheCleansUpNicely: [[spoiler:Becky appears now wearing finery like Sara at the end as she's adopted by Captain Crewe]].
* ShooOutTheClowns: The comical Amelia runs away with the milkman ''seconds'' before the dramatic climax. Sara is actually ''watching her go'' when Miss Minchin bursts in and accuses her of stealing the locket.
* SparedByTheAdaptation: Sara's father is alive. He's traumatized/amnesiac, but alive.
* TroubledAbuser: Miss Minchin verbally and emotionally abuses Sara and Becky, but it’s stated in the novelization that she was never loved by anyone (it is implied Amelia was more loved than her and she got tired of living in her sister’s shadow) and is aware of her problems, but feels out of resources. It's also one of her few redeeming qualities which prevents her from being a complete HateSink.
* VillainBall: In the climax, when Miss Minchin is [[spoiler:trying to get Sara arrested for theft, they discover that Captain Crewe is alive. Minchin seals her own fate by hurriedly trying to claim Sara "has no father" and get her taken away]] -- rather than admitting she made a mistake and apologising. Presumably she was also thinking of her KarmaHoudiniWarranty running out if she's discovered, [[spoiler:which is exactly what happens when Captain Crewe remembers who he is]].
----
!!This film contains examples of:
* AdaptationalAlternateEnding: Sort of. The film keeps the book's ending of [[spoiler:Sara being restored to her wealth]], but it happens in a different way. [[spoiler:Captain Crewe is actually alive, suffering from amnesia. Miss Minchin discovers the finery in Sara's attic room, assumes it's stolen and phones the police. Sara is reunited with her father while trying to escape. Additionally while Becky is promoted to Sara's personal attendant in the book, the film goes ahead and says that she's been adopted as a sister instead. And Miss Minchin is removed from her position and has to work as a chimney sweep]].
* AdaptationalAttractiveness: Played with. Sara in the book believes she isn't pretty (because she doesn't have beautiful blonde hair), and it's her kindness and spunkiness that compels people to attend to her. This trait is abandoned in the film, where she's played by the cute Liesel Matthews.
* AdaptationalKarma: Dished out at the end to Miss Minchin, who [[spoiler:loses the school and is forced to work as a chimney sweep under the boy she abused earlier in the film.]]
* AdaptationalNationality: Sara is a British child in the books, but played by an American. Her father is still British and her mother is said to have been a student at the school (which is now in New York), implying she is half-American.
* AdaptationalNiceGuy: Nearly all the students (sans Ermengarde and Lottie), who in the novel, while not mean per se, did treat Sara as if she were another servant after the loss of her fortune despite earlier being her friend. Here, while unsure what to do at first, are still genuinely friendly with her, even helping to obtain her locket.
* AdaptationalWealth: [[spoiler:At the end of the book, Becky becomes Sara's personal attendant. At the end of this film, she's adopted by Captain Crewe]].
* AdaptationDyeJob: Sara has dark hair in the book but it's a light brown in the film.
* AdaptationExpansion: In the book, Miss Minchin never sees the room filled with finery by Ram Dass. In the film, her discovering it (and assuming Sara has stolen everything) prompts the climax -- where Minchin summons the police.
* AdaptationExplanationExtrication: Sara wakes up to find her attic room filled with food, clothing and other luxuries. In the book, these things were brought to her in secret over a number of weeks by Ram Dass, the Indian man living next door, while she slept. In the film, they're just there with no explanation. The implication is that 'the magic' Sara believes in is real.
* AdaptationPersonalityChange: While still keeping her kindness, this version of Sara is much more of a MouthyKid and LittleMissSnarker, although mostly towards her antagonists.
* AdaptedOut:
** The Large Family that Sara watches from outside their window don't appear in the film.
** Carrisford, Captain Crewe's solicitor, does not appear in the film.
* AgeLift:
** The other way around. Lavinia is older in the book -- said to be about fourteen to Sara's eight. In the film, Sara and Lavinia are about eleven and twelve years old, respectively.
** Becky is also aged down from fourteen to Sara's nine to being the same age.
* AllegoryAdventure: The film weaves in bits of the ''{{Literature/Ramayana}}'' by making it Sara Crewe's favorite book. The strong implication is that King Rama's story mirrors Captain Crewe's—the two characters are even [[AndYouWereThere played by the same actor]].
* ArmorPiercingQuestion: From Sara to Miss Minchin:
-->'''Sara:''' Didn't your father ever tell you you were a princess?
* BigFun: Miss Amelia is shown to be a chubby woman who, while a little awkward and neurotic, is still very fun and kind to the girls.
* BitchAlert: Lavinia is introduced by dipping Ermengarde's hair in an ink well, and looking furious when she hears how wealthy Sara is.
* CacophonyCoverUp: [[CuteButCacophonic Lottie's]] ear-piercing scream creates a diversion under the cover of which the girls can fetch Sara's locket from Miss Minchin's office.
* CentralTheme: The central theme of the film is that all girls can be princesses, no matter their disadvantages and that magic can be real if you believe. The contrast between Sara, a plain servant girl but kind and helpful person, and Miss Minchin, a pristine headmistress but ruthless and cruel woman, emphasizes the theme.
* ChildHater: This version of Miss Minchin really seems to hate children (at least those who aren't her pupils). In addition to treating Sara and Becky horribly (including [[spoiler:trying to get them arrested]] in the climax), she's seen mistreating a young chimney sweep and denying him pay.
* ColorCodedForYourConvenience: Miss Minchin’s school is punctuated by green, signifying that Sara has to adapt to living in a one-color world.
* CompanionCube: Emily the doll is this to Sara.
* CompressedAdaptation: Sara is at the school for several years in the book, but it's only two years at most in the film.
* CostumePorn: Even more than in the novel. You can hardly blame Miss Minchin when she says Sara can't wear her finery looking at what she's wearing in that very scene.
* DeathByChildbirth: Sara's mother dies giving birth to [[spoiler:Sara's younger sister, who died as well.]]
* DeathGlare: Miss Minchin does this twice to Sara in both scenes where she confronts her in the attic.
* DidntThinkThisThrough: The girls stealing Sara's locket from Miss Minchin's office. They didn't think that Minchin would notice and assume Sara stole it?
* DisneyDeath: Sara's father, who in this case is confused for being dead with John Randolph from next door.
* DramaticNecklaceRemoval: Sara's locket. Minchin rips it off her once news of her father's death gets to her, and she confiscates it.
* EekAMouse: Invoked by Becky to distract Miss Minchin, while the other girls are raiding her office for Sara's locket.
* EmeraldPower: Downplayed. The school uniforms are green, with a white pinafore over them. Possibly symbolizing how Sara will have to work hard to uncover the magic there.
* EmpathicEnvironment:
** There's a torrential downpour going on when Sara is moved into the attic.
** Another rainstorm starts along with the climax.
** During the climax, after escaping the school and entering Mr. Randolph's house, Sara is caught between the police and, unbeknownst to her, her amnesiac father. At this point, the lights in Mr. Randolph's house go out. when Sara is about to realize that her father is right in front of her, the lights come on again.
* EvenEvilHasStandards: Miss Minchin looks downright horrified when Sara nearly falls to her death multiple times trying to escape the police. Once she sees that Sara has gotten to safety, however, she does still order the police to go after her.
* EyeTake: Lavinia when she sees stray hairs clinging to her brush. She's scared that her hair might be falling out.
* {{Foreshadowing}}: During Sara and Becky's imagine spot of the two of them in India, Becky is wearing [[spoiler:the same clothes she has on when Captain Crewe adopts her]].
* [[FantasyForbiddingMother Fantasy-Forbidding Mother-Figure]]: An extreme example. Miss Minchin counts Sara encouraging the girls to use their imaginations during story time as a dangerous, rebellious fantasy.
* HiddenDepths: The confrontation between Sara and Miss Minchin heavily implies that, on some level, the latter does feel guilty for her actions, and that one of the reasons she is what she is, according to the novelization by Diane Molleson, is because "no one had ever loved her, or told her they loved her", with her doing everything she can to bury it and ignore it.
* KarmaHoudiniWarranty: [[spoiler:While Miss Minchin keeps the school in the book, here she loses it and is reduced to working as a chimney sweep -- with the same boy she had abused earlier]].
* KickTheDog:
** Miss Minchin does so on several occasions:
*** After telling Sarah that her father is dead, she blatantly forces Sarah into servitude, taking all of her belongings, including her locket -- which contains a picture of her mother and father, and threatens to have her arrested if she retrieves it.
*** When she notices all the fine things that Ram Dass had given both Sarah and Becky, she assumes that the girls stole them, and calls the police on them.
** Lavinia had her moments too, specifically when she blatantly walked across the floor with dirty shoes right after Sarah had finished mopping it, and when she taunted Sarah by telling her to not touch anything in her (Lavinia's) room with her "dirty hands," and rudely asks "when was the last time you took a bath?!"
* MagicalNegro: Ram Dass is a South Asian variant.
* MaybeMagicMaybeMundane: It's implied that Ram Dass genuinely has some magic about him. It's the only explanation for Sara's room filling up with the finery so quickly (in the book he gradually does it over several months), and his goal seems to be to reunite father and daughter.
* MistakenIdentity: [[spoiler:Thanks to a mix-up with their tags, Captain Crewe is briefly mistaken for Mr. Randolph's son John, who he was trying to save in the trenches.]]
* MoodWhiplash:
** The fun and jolly scene of Sara's birthday party gets interrupted with the news that Captain Crewe has died.
** When Sara and the girls are peacefully bowing to Ram Dass from the attic room, Miss Minchin appears behind the girls and catches them.
** PlayedForLaughs when Miss Amelia is hurriedly trying to find Sara to calm Lottie down during one of her tantrums. As soon as she finds Sara, Lottie cheerfully walks past them (the plan to steal back the locket now having succeeded).
** The comedy scene of Miss Amelia and Francis trying to elope abruptly segues into Miss Minchin busting Sara for the stolen locket.
* NiceHat: Sara is wearing a big white one when she first arrives at the school. [[spoiler:The ones she and Becky wear at the end are much simpler]].
* NotEvenBotheringWithTheAccent: Eleanor Bron speaks French with no attempt at an accent in order to show how bad she is at it compared to Sara.
* OminousHairLoss: Lavinia is "cursed" by Sara in response to her mistreatment. Later while obsessively brushing her hair later that evening, Lavinia finds a large strand of hair coming out along with the brush, prompting her to faint in shock. Of course, in this version she usually has a BetaBitch brushing her hair for her, so this is possibly the first time she's done it herself -- and therefore mistook stray hairs coming loose for it falling out.
* TheOner: Well, it is an Creator/AlfonsoCuaron (with Emmanuel Lubezki as cinematographer) joint. The camera tracks down a (foreshadowing) painting of Lucifer being cast from heaven and along the breakfast table as the girls pass a gossiping conversation down it. It's an understated example but impressive when you consider all the actors in it are young children who have to time their lines and engage in background business as the camera moves.
* OutlivingOnesOffspring: Mr. Randolph's son is killed in the trenches. He's devastated by the loss and Sarah leaves a flower at his door to show her sympathy.
* RaceLift:
** Becky. In the original, she is a typical Victorian-era Cockney girl and becomes a TokenBlackFriend in the film. With the setting changed from Britain to America, rendering a Cockney girl as black is a logical enough CulturalTranslation.
** Sara herself to a lesser extent. There are references to Sara's "brown hand" and "small, dark face" implying she might be mixed race. She's clearly white in the film. Of course, the aforementioned comments could just be a result of tanning in India.
* RagsToRiches: Not only does Sara become rich again, but [[spoiler:her father adopts Becky]].
* RedemptionInTheRain: Captain Crewe and Sara are reunited in the middle of the rain.
* RegalRinglets: While wealthy, Sara's hair is elegantly styled in long ringlets, which she loses when she becomes a servant. At the end of the film, when she has regained her wealth, her hair is once more worn in ringlets.
* RepeatCut: At the end of the film, when Lavinia hugs Sara.
* SayMyName: [[spoiler:When Sara's father remembers who she is, he runs outside and shouts "Sara!"]]
* ScyllaAndCharybdis: After escaping to Mr. Randall's house in the climax, Sarah is caught between the police and Miss Minchin at the front door and Captain Crewe, who, at this point, is presumed by Sara to be a stranger. Sara heads in her father's direction. This proves to be her saving grace, as captain Crewe remembers who he is just in time to save Sarah from being seized by the police.
* SettingUpdate: This film relocates the story to New York, during World War I.
* SheCleansUpNicely: [[spoiler:Becky appears now wearing finery like Sara at the end as she's adopted by Captain Crewe]].
* ShooOutTheClowns: The comical Amelia runs away with the milkman ''seconds'' before the dramatic climax. Sara is actually ''watching her go'' when Miss Minchin bursts in and accuses her of stealing the locket.
* SparedByTheAdaptation: Sara's father is alive. He's traumatized/amnesiac, but alive.
* TroubledAbuser: Miss Minchin verbally and emotionally abuses Sara and Becky, but it’s stated in the novelization that she was never loved by anyone (it is implied Amelia was more loved than her and she got tired of living in her sister’s shadow) and is aware of her problems, but feels out of resources. It's also one of her few redeeming qualities which prevents her from being a complete HateSink.
* VillainBall: In the climax, when Miss Minchin is [[spoiler:trying to get Sara arrested for theft, they discover that Captain Crewe is alive. Minchin seals her own fate by hurriedly trying to claim Sara "has no father" and get her taken away]] -- rather than admitting she made a mistake and apologising. Presumably she was also thinking of her KarmaHoudiniWarranty running out if she's discovered, [[spoiler:which is exactly what happens when Captain Crewe remembers who he is]].
