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Changed line(s) 8 (click to see context) from:
* Even Disney did this (albeit unintentionally) in ''WesternAnimation/TheHunchbackOfNotreDame'', when Laverne incorrectly overheard Quasimodo and Esmeralda on top of the bell tower. "Frollo's nose is long, and he wears a truss." According to the directors' commentary, even though this wasn't the effect they were going for, kids often misheard "truss" as "dress." So the adults laughed at the idea of Frollo wearing a truss, and the kids (and some of the adults) laughed at the idea of Frollo wearing a dress.
to:
* Even Disney did this (albeit unintentionally) in ''WesternAnimation/TheHunchbackOfNotreDame'', ''WesternAnimation/{{The Hunchback of Notre Dame|Disney}}'', when Laverne incorrectly overheard Quasimodo and Esmeralda on top of the bell tower. "Frollo's nose is long, and he wears a truss." According to the directors' commentary, even though this wasn't the effect they were going for, kids often misheard "truss" as "dress." So the adults laughed at the idea of Frollo wearing a truss, and the kids (and some of the adults) laughed at the idea of Frollo wearing a dress.
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* WesternAnimation/{{Shrek}}'s line "Do you think maybe he's CompensatingForSomething?", upon seeing Lord Faarquad's towering castle.
to:
* WesternAnimation/{{Shrek}}'s line "Do you think maybe he's CompensatingForSomething?", upon seeing Duloc, [[TheNapoleon Lord Faarquad's Faarquad]]'s towering castle.
Changed line(s) 121 (click to see context) from:
* ''Film/MrAndMrsSmith2005'' are a little ambiguous about just ''how many'':
to:
* ''Film/MrAndMrsSmith2005'' are a little ambiguous about just ''how many'':many'' [[spoiler:people they've killed]]:
Deleted line(s) 126 (click to see context) :
** Naturally, [[spoiler:they were discussing how many people they'd killed.]]
Changed line(s) 130,131 (click to see context) from:
*** This:
--->'''Justin Hammer:''' You know Christine Everhart from Vanity Fair? You two know each other?\\
--->'''Justin Hammer:''' You know Christine Everhart from Vanity Fair? You two know each other?\\
to:
*** This:
Justin Hammer introduces Tony and Pepper to Christine Everhart, the journalist Tony had a one-night stand with in [[Film/IronMan1 the first film]]:
--->'''Justin Hammer:''' You know Christine Everhart fromVanity Fair? ''Vanity Fair''? You two know each other?\\
--->'''Justin Hammer:''' You know Christine Everhart from
Changed line(s) 134 (click to see context) from:
--->'''Hammer:''' She's actually doing a big spread on me for Vanity Fair.\\
to:
Changed line(s) 136,137 (click to see context) from:
'''Tony:''' AND she wrote a story.
*** But wait there's more! After discussing getting Hammer a slot on the schedule to present at the Stark Expo, Tony is called away by Natalie, and drops this little nugget:
*** But wait there's more! After discussing getting Hammer a slot on the schedule to present at the Stark Expo, Tony is called away by Natalie, and drops this little nugget:
to:
*** But wait there's more! After discussing getting Hammer a slot on the schedule to present at the Stark Expo, Tony is called away by
Changed line(s) 140,142 (click to see context) from:
*** Natasha going "Hey, big guy" to the Hulk, especially considering her attraction to Bruce.
*** After Bruce fell [[ThanksForTheMammaries into Natasha's boobs]], she told him to "not turn green".
*** When a gasping Wanda plans to hex Bruce and turn him into the Hulk, she declares "I want... the big one". It's especially hilarious given the Hulk's symbolism as Bruce's unfettered, instinct-driven alter ego.
*** After Bruce fell [[ThanksForTheMammaries into Natasha's boobs]], she told him to "not turn green".
*** When a gasping Wanda plans to hex Bruce and turn him into the Hulk, she declares "I want... the big one". It's especially hilarious given the Hulk's symbolism as Bruce's unfettered, instinct-driven alter ego.
to:
*** Natasha going "Hey, big guy" guy," as part of her lullaby to the Hulk, especially considering her attraction to Bruce.
*** After Brucefell falls [[ThanksForTheMammaries into Natasha's boobs]], boobs]] during Ultron's first attack, she told tells him to "not turn green".
*** Whena Wanda, gasping Wanda in pain (from Clint sticking a taser-arrow to her forehead), plans to hex Bruce and turn him into the Hulk, she declares to Pietro, "I want... the big one". It's especially hilarious given the Hulk's symbolism as Bruce's unfettered, instinct-driven alter ego.ego.
*** When Vision comes to life, [[LoveAtFirstSight Wanda]] [[DistractedByTheSexy can't stop]] [[EatingTheEyeCandy ogling his naked body]]. The first thing she says to [[{{Robosexual}} her]] [[Film/AvengersInfinityWar future]] [[Series/WandaVision lover]]?
--->'''Wanda Maximoff:''' I looked in your head, and saw annihilation.[[note]]Vision was being created for Ultron to use as a body. Wanda decided to read Ultron's thoughts as he was transferring his consciousness into the body, and saw a flash of an asteroid smashing into Earth[[/note]]\\
'''Vision:''' Look again.\\
'''Clint Barton:''' ''[scoffs]'' Yeah. Her [[FemaleGaze seal of approval]] means jack to me. ''[Wanda shoots Clint an annoyed look]''
*** After Bruce
*** When
*** When Vision comes to life, [[LoveAtFirstSight Wanda]] [[DistractedByTheSexy can't stop]] [[EatingTheEyeCandy ogling his naked body]]. The first thing she says to [[{{Robosexual}} her]] [[Film/AvengersInfinityWar future]] [[Series/WandaVision lover]]?
--->'''Wanda Maximoff:''' I looked in your head, and saw annihilation.[[note]]Vision was being created for Ultron to use as a body. Wanda decided to read Ultron's thoughts as he was transferring his consciousness into the body, and saw a flash of an asteroid smashing into Earth[[/note]]\\
'''Vision:''' Look again.\\
'''Clint Barton:''' ''[scoffs]'' Yeah. Her [[FemaleGaze seal of approval]] means jack to me. ''[Wanda shoots Clint an annoyed look]''
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Changed line(s) 147 (click to see context) from:
'''Satine:''' Why don't you lie down over here?\\
to:
'''Satine:''' Why don't you lie come down over here?\\
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Changed line(s) 148 (click to see context) from:
'''Christian:''' I prefer to do it standing. ''(cue a very flabbergasted look from Satine)'' You see, it can be quite long...
to:
'''Christian:''' I prefer to do it standing. ''(cue a very flabbergasted look from Satine)'' You see, it can be don’t have to stand, I mean. It's sometimes that... It’s quite long...
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Changed line(s) 8 (click to see context) from:
* Even Disney did this (albeit unintentionally) in ''Disney/TheHunchbackOfNotreDame'', when Laverne incorrectly overheard Quasimodo and Esmeralda on top of the bell tower. "Frollo's nose is long, and he wears a truss." According to the directors' commentary, even though this wasn't the effect they were going for, kids often misheard "truss" as "dress." So the adults laughed at the idea of Frollo wearing a truss, and the kids (and some of the adults) laughed at the idea of Frollo wearing a dress.
to:
* Even Disney did this (albeit unintentionally) in ''Disney/TheHunchbackOfNotreDame'', ''WesternAnimation/TheHunchbackOfNotreDame'', when Laverne incorrectly overheard Quasimodo and Esmeralda on top of the bell tower. "Frollo's nose is long, and he wears a truss." According to the directors' commentary, even though this wasn't the effect they were going for, kids often misheard "truss" as "dress." So the adults laughed at the idea of Frollo wearing a truss, and the kids (and some of the adults) laughed at the idea of Frollo wearing a dress.
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Changed line(s) 12 (click to see context) from:
** It's most likely [[AccidentalInnuendo unintentional]], but really? The main characters' names are ''Woody'' and ''Buzz''? The [[ParallelPornTitles Sex Toy Story]] parody writes ''itself''.
to:
** It's most likely [[AccidentalInnuendo unintentional]], but really? The the main characters' names are ''Woody'' and ''Buzz''? ''Buzz''. The [[ParallelPornTitles Sex Toy Story]] parody writes ''itself''.
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Changed line(s) 148 (click to see context) from:
'''Christian:''' I prefer to do it standing." ''(cue a very flabbergasted look from Satine)'' "You see, it can be quite long...
to:
'''Christian:''' I prefer to do it standing." ''(cue a very flabbergasted look from Satine)'' "You You see, it can be quite long...
Changed line(s) 152 (click to see context) from:
-->'''Colonel Sandurz:''' It's Mega Maid! She's gone from suck to blow! [[note]]Her vacuum cleaner stealing the air from Druidia is now ''returning'' the air.[[/note]]
to:
-->'''Colonel Sandurz:''' It's Mega Maid! She's gone from suck to blow! [[note]]Her blow![[note]]Her vacuum cleaner stealing the air from Druidia is now ''returning'' the air.[[/note]]
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Changed line(s) 57 (click to see context) from:
* The song "Let's Duet" from ''Film/WalkHardTheDeweyCoxStory' turns several innocuous lines into double entendres by virtue of well-(or poorly-)timed pauses. Such as: "In my dreams, you're blowing me... some kisses." and "I just want to beat off... all my demons."
to:
* The song "Let's Duet" from ''Film/WalkHardTheDeweyCoxStory' ''Film/WalkHardTheDeweyCoxStory'' turns several innocuous lines into double entendres by virtue of well-(or poorly-)timed pauses. Such as: "In my dreams, you're blowing me... some kisses." and "I just want to beat off... all my demons."
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Changed line(s) 37 (click to see context) from:
--->'''Dr. Manning''': Well, statistics show us that—-
to:
--->'''Dr. Manning''': Well, statistics show us that—-that--
Changed line(s) 39 (click to see context) from:
--->'''Dr. Manning''': Now, if you take—-
to:
--->'''Dr. Manning''': Now, if you take—-take--
Changed line(s) 42 (click to see context) from:
* The 1935 version of ''Literature/LesMiserabes'' features a scene where Valjean carries unconscious Marius through the Paris sewers and all they entail. When at last they make it to safety, Marius thanks his hero by voicing one of the funniest unintentional lines in film history: "I know what you went through to bring me here."
to:
* The 1935 version of ''Literature/LesMiserabes'' ''Literature/LesMiserables'' features a scene where Valjean carries unconscious Marius through the Paris sewers and all they entail. When at last they make it to safety, Marius thanks his hero by voicing one of the funniest unintentional lines in film history: "I know what you went through to bring me here."
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Changed line(s) 181 (click to see context) from:
* In ''Film/LiarLiar'', Fletcher is forced to call his ex-wife, Audrey, to make an excuse as to why he can't come to his son's birthday party. He claims that the boss is ''really riding him'' with work he has to do for his law firm. In actuality, his boss, Miranda, truly was working him sexually when Fletcher made the claim.
to:
* In ''Film/LiarLiar'', ''Film/LiarLiar''
** Fletcher manages to impress his law firm boss, Miranda, with his lying capabilities so much that she informs Fletcher that he will surely be promoted up to Partner if he wins the upcoming divorce case. Miranda then moves toward Fletcher asking if he would like to ''make a partner right now''. Fletcher is caught off-guard knowing that Miranda is referring to the two of them becoming [[OfficeRomance sex partners]], but that doesn't stop her from quickly pulling him in for a deep make-out session.
** Another occurs shortly after. Fletcher is forced to call his ex-wife, Audrey, to make an excuse as to why he can't come to his son's birthday party. He claims that the boss is ''really ridinghim'' him'', which implies to Audrey that he's been overloaded with work he has to do for his at the law firm. In actuality, his boss, Miranda, truly was working Miranda is [[CoitusEnsues riding him sexually when sexually]] the moment Fletcher made the claim.
** Fletcher manages to impress his law firm boss, Miranda, with his lying capabilities so much that she informs Fletcher that he will surely be promoted up to Partner if he wins the upcoming divorce case. Miranda then moves toward Fletcher asking if he would like to ''make a partner right now''. Fletcher is caught off-guard knowing that Miranda is referring to the two of them becoming [[OfficeRomance sex partners]], but that doesn't stop her from quickly pulling him in for a deep make-out session.
** Another occurs shortly after. Fletcher is forced to call his ex-wife, Audrey, to make an excuse as to why he can't come to his son's birthday party. He claims that the boss is ''really riding
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Changed line(s) 26 (click to see context) from:
* Groucho Marx: ''Film/AnimalCrackers'' gives him the line "We took some pictures of the native girls, but they weren't developed." and has him present Margaret Dumont with a large wooden box. While describing it as "a magnificent chest", he accidentally points at her torso.
to:
* Groucho Marx: ''Film/AnimalCrackers'' ''Theatre/AnimalCrackers'' gives him the line "We took some pictures of the native girls, but they weren't developed." and has him present Margaret Dumont with a large wooden box. While describing it as "a magnificent chest", he accidentally points at her torso.
Changed line(s) 42 (click to see context) from:
* The 1935 version of ''Les Miserabes'' features a scene where Valjean carries unconscious Marius through the Paris sewers and all they entail. When at last they make it to safety, Marius thanks his hero by voicing one of the funniest unintentional lines in film history: "I know what you went through to bring me here."
to:
* The 1935 version of ''Les Miserabes'' ''Literature/LesMiserabes'' features a scene where Valjean carries unconscious Marius through the Paris sewers and all they entail. When at last they make it to safety, Marius thanks his hero by voicing one of the funniest unintentional lines in film history: "I know what you went through to bring me here."
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revision
Changed line(s) 59 (click to see context) from:
** Played for laughs when Dewey sings a sweet song about holding hands at his high school dance. It's an utterly banal, benign song, but it inspires all the kids to dance provocatively; the girls even rip their shirts open. The outraged preacher later insists that everyone knows what "hold your hand" ''really'' means; a befuddled Dewey insists it means exactly that.
to:
** Played for laughs when Dewey sings a sweet song about holding hands at his high school dance. It's an utterly banal, benign song, but it inspires all the kids to dance provocatively; the girls even rip their shirts open. The outraged preacher later insists that everyone knows what "hold your hand" ''really'' means; a befuddled Dewey insists it [[LiteralMinded means exactly that.that]].
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revision
Changed line(s) 58 (click to see context) from:
** And of course, the title of the film itself is the [[ThatsWhatSheSaid biggest]] [[SelfDemonstratingArticle double entendre]] of them all, since "dewey" is often a reference to moisture [[LampshadedDoubleEntendre in someones eyes]] and the rest, [[ForegoneConclusion well]]...
to:
** And of course, the title [[DoubleMeaningTitle title]] of the film itself is the [[ThatsWhatSheSaid biggest]] [[SelfDemonstratingArticle double entendre]] of them all, since "dewey" is often a reference to moisture [[DoubleEntendre moisture]] [[LampshadedDoubleEntendre in someones eyes]] and eyes]]. And the rest, [[ForegoneConclusion well]]...
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revision
Added DiffLines:
** And of course, the title of the film itself is the [[ThatsWhatSheSaid biggest]] [[SelfDemonstratingArticle double entendre]] of them all, since "dewey" is often a reference to moisture [[LampshadedDoubleEntendre in someones eyes]] and the rest, [[ForegoneConclusion well]]...
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Changed line(s) 3 (click to see context) from:
* In the proud and dirty tradition of British comedy, ''Franchise/WallaceAndGromit'' has some well-hidden but very deliberate double entendres.
to:
* In the proud and dirty tradition of British comedy, ''Franchise/WallaceAndGromit'' ''WesternAnimation/WallaceAndGromit'' has some well-hidden but very deliberate double entendres.
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Changed line(s) 177 (click to see context) from:
* In ''Film/WelcomeToMooseport'' plumber Handy Harrison (Creator/RayRomano) comes out of the bathroom of ex-president Monroe Cole (Creator/GeneHackman).
to:
* In ''Film/WelcomeToMooseport'' ''Film/WelcomeToMooseport'', plumber Handy Harrison (Creator/RayRomano) comes out of the bathroom of ex-president Monroe Cole (Creator/GeneHackman).
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Changed line(s) 177 (click to see context) from:
* In ''Film/WelcomeToMooseport'' plumber Handy Harrison (Ray Romano) comes out of the bathroom of ex-president Monroe Cole (Creator/GeneHackman).
to:
* In ''Film/WelcomeToMooseport'' plumber Handy Harrison (Ray Romano) (Creator/RayRomano) comes out of the bathroom of ex-president Monroe Cole (Creator/GeneHackman).
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Changed line(s) 177 (click to see context) from:
* In ''Film/WelcomeToMooseport'' plumber Handy Harrison (Ray Romano) comes out of the bathroom of his mayoral candidate Monroe Cole (Creator/GeneHackman).
to:
* In ''Film/WelcomeToMooseport'' plumber Handy Harrison (Ray Romano) comes out of the bathroom of his mayoral candidate ex-president Monroe Cole (Creator/GeneHackman).
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* In ''Film/TheBakersWife'', some characters discuss the shepherd picking up a bread delivery from the baker's wife, though their choice of words is mostly thinly-veiled sexual innuendo.
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Changed line(s) 2 (click to see context) from:
* WesternAnimation/{{Shrek}}'s line "Do you think maybe he's compensating for something?", upon seeing Lord Faarquad's towering castle, could both be interpreted as Faarquad compensating for [[TheNapoleon his height]] or... [[CompensatingForSomething something else]]. (Especially since at the time, Shrek doesn't actually know Lord Farquaad is short.)
to:
* WesternAnimation/{{Shrek}}'s line "Do you think maybe he's compensating for something?", CompensatingForSomething?", upon seeing Lord Faarquad's towering castle, could both be interpreted as Faarquad compensating for [[TheNapoleon his height]] or... [[CompensatingForSomething something else]]. (Especially since at the time, Shrek doesn't actually know Lord Farquaad is short.)castle.
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Changed line(s) 34,41 (click to see context) from:
--->Ilka Chase: At what age should a girl marry? It seems to me Dr. Manning that it’s very dangerous to generalize.
--->Dr. Manning: We have found out after many years of research—
--->Constance Bennett: I quite agree with Ilka. I know lots of girls that have been married at sixteen, and very happily, too.
--->Dr. Manning: Well, statistics show us that—-
--->Wendy Barrie: But Connie, for a certain type maturity is terribly important.
--->Dr. Manning: Now, if you take—-
--->Ilka Chase: Gladys, what do you think?
--->Gladys Glover: Well, ''[takes sip of water]'', I think if they’re big enough, they’re old enough.
--->Dr. Manning: We have found out after many years of research—
--->Constance Bennett: I quite agree with Ilka. I know lots of girls that have been married at sixteen, and very happily, too.
--->Dr. Manning: Well, statistics show us that—-
--->Wendy Barrie: But Connie, for a certain type maturity is terribly important.
--->Dr. Manning: Now, if you take—-
--->Ilka Chase: Gladys, what do you think?
--->Gladys Glover: Well, ''[takes sip of water]'', I think if they’re big enough, they’re old enough.
to:
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Changed line(s) 184,188 (click to see context) from:
:: :Yeah, whatever. First things first.
:: :I've been on the inside a long time.
:: :I need what every man needs
when he's coming off of lockdown.
It turns out he's ravenously devouring food, not revealed before he mumbles ''Who's your daddy''.
:: :I've been on the inside a long time.
:: :I need what every man needs
when he's coming off of lockdown.
It turns out he's ravenously devouring food, not revealed before he mumbles ''Who's your daddy''.
to:
:: :I've
:: :I
It
[It turns out he's ravenously devouring food, not revealed before he mumbles ''Who's your daddy''.]
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* There's a character in the 1980s anti-''D&D'' movie ''Skullduggery'' who's basically Todd from ''Series/{{Scrubs}}'' before he even existed: every line he speaks is turning something someone else said into a sexual innuendo.
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Changed line(s) 178 (click to see context) from:
-->(''Toilet is heard flushing Handy Steps out'')\\
to:
-->(''Toilet is heard flushing and Handy Steps steps out'')\\
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Changed line(s) 177 (click to see context) from:
* In ''Film/WelcomeToMooseport'' plumber Handy Harrison (Ray Romano) comes out of the bathroom of his mayoral candidate Monroe Cole (Gene Hackman).
to:
* In ''Film/WelcomeToMooseport'' plumber Handy Harrison (Ray Romano) comes out of the bathroom of his mayoral candidate Monroe Cole (Gene Hackman).(Creator/GeneHackman).
Changed line(s) 179,181 (click to see context) from:
'''Handy Harrison''': I'm all done in here.\\
(''beat; Cole stares at him'')\\
'''Handy Harrison''': Err, I mean I'm done ''fixing'' it. That flushing you heard; that's work-related, not personal.
(''beat; Cole stares at him'')\\
'''Handy Harrison''': Err, I mean I'm done ''fixing'' it. That flushing you heard; that's work-related, not personal.
to:
'''Handy Harrison''': I'm all done in here.\\
(''beat; Cole (''Cole stares at him'')\\
'''Handy Harrison''':him'') Err, I mean I'm done ''fixing'' it. That flushing you heard; that's heard--that's work-related, not personal.
(''beat; Cole
'''Handy Harrison''':
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Changed line(s) 106 (click to see context) from:
* In ''Film/ToCatchAThief'', the dialogue between John (CaryGrant) and Francie (Creator/GraceKelly) has many:
to:
* In ''Film/ToCatchAThief'', the dialogue between John (CaryGrant) (Creator/CaryGrant) and Francie (Creator/GraceKelly) has many:
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Changed line(s) 55 (click to see context) from:
''[Cue Bond making love with a woman by a fireplace in Austria]''
to:
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* In ''Film/{{Napoleon}}'', Napoleon tells Hoche—who also has the hots for Joséphine—that he's about to take his Queen [[SmartPeoplePlayChess while they're playing chess]] at the Victims' Ball. And then he looks straight at Joséphine to drive the point home.
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* Darius Stone off Film/XXxStateOfTheUnion:
:: :Yeah, whatever. First things first.
:: :I've been on the inside a long time.
:: :I need what every man needs
when he's coming off of lockdown.
It turns out he's ravenously devouring food, not revealed before he mumbles ''Who's your daddy''.
:: :Yeah, whatever. First things first.
:: :I've been on the inside a long time.
:: :I need what every man needs
when he's coming off of lockdown.
It turns out he's ravenously devouring food, not revealed before he mumbles ''Who's your daddy''.
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troper reaction sinkhole
Changed line(s) 120 (click to see context) from:
* ''Film/MrAndMrsSmith'' are a little ambiguous about just ''how many'':
to:
* ''Film/MrAndMrsSmith'' ''Film/MrAndMrsSmith2005'' are a little ambiguous about just ''how many'':
Changed line(s) 124 (click to see context) from:
'''Mrs. Smith:''' Some were [[{{Squick}} two at a time]].
to:
'''Mrs. Smith:''' Some were [[{{Squick}} two at a time]].time.