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* ToughActToFollow: For a few years after its release, ''Film/{{MASH}}'' ranked as one the top grossing films of all-time, which led producers to place unreasonable expectations on Altman to replicate its success even as his filmmaking was become more idiosyncratic.
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* EarlyInstallmentWeirdness: His pre-"Film/{{MASH}}'' cinematic films are all fairly conventional with few of his signature touches. ''Film/{{MASH}}'' was also his first attempt at comedy. And of course he didn't have much freedom to experiment in his industrial films or TV work.

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* EarlyInstallmentWeirdness: His pre-"Film/{{MASH}}'' cinematic first few theatrical films [[note]]''The Delinquents'' (1956), ''The Creator/JamesDean Story'' (1957), ''Countdown'' (1968) and ''That Cold Day In The Park'' (1969)[[/note]] are all fairly conventional with few of his signature touches. ''Film/{{MASH}}'' was also his first attempt at comedy.comedy and introduced his familiar style.. And of course he didn't have much freedom to experiment in his industrial films or TV work.
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* EarlyInstallmentWeirdness: His pre-"Film/{{MASH}}'' cinematic films [[note]] ''The Delinquents'' (1956), ''The Creator/JamesDean Story'' (1957), ''Countdown'' (1968) and ''That Cold Day In The Park'' (1969) [[/note]] are all fairly conventional with few of his signature touches. ''Film/{{MASH}}'' was also his first attempt at comedy. And of course he didn't have much freedom to experiment in his industrial films or TV work.

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* EarlyInstallmentWeirdness: His pre-"Film/{{MASH}}'' cinematic films [[note]] ''The Delinquents'' (1956), ''The Creator/JamesDean Story'' (1957), ''Countdown'' (1968) and ''That Cold Day In The Park'' (1969) [[/note]] are all fairly conventional with few of his signature touches. ''Film/{{MASH}}'' was also his first attempt at comedy. And of course he didn't have much freedom to experiment in his industrial films or TV work.
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* EarlyInstallmentWeirdness: His pre-"Film/{{MASH}}'' cinematic films [[note]] ''The Delinquents'' (1956), ''The Creator/JamesDean Story'' (1957), ''Countdown'' (1968) and ''That Cold Day In The Park'' (1969) [[/note]] are all fairly conventional with few of his signature touches. ''Film/{{MASH}}'' was also his first attempt at comedy. And of course he didn't have much freedom to experiment in his industrial films or TV work.


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* ToughActToFollow: For a few years after its release, ''Film/{{MASH}}'' ranked as one the top grossing films of all-time, which led producers to place unreasonable expectations on Altman to replicate its success even as his filmmaking was become more idiosyncratic.
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* LeFilmArtistique: Not as many as his reputation would lead you to believe, but ''Images'', ''Film/ThreeWomen'' and ''Quintet'' all qualify.

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* LeFilmArtistique: Not as many as his reputation would lead you to believe, but ''Images'', ''Film/ThreeWomen'' and ''Quintet'' ''{{Film/Quintet}}'' all qualify.
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* LeFilmArtistique: Not as many as his reputation would lead you to believe, but ''Images'', ''Film/ThreeWomen'' and ''Quintet'' all qualify.
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* TheDanza: Played with in ''Images'', where every major cast member plays a character with the same first name as ''another'' major cast member.
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* BlackComedy: His comedies lean heavily in this direction, with ''Film/{{MASH}}'' being one of the first films of that type to become a big box office hit.

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Throw It In and Improv are two different things. If there are examples of both, the should be listed separately and the examples should be clear about how they\'re examples of the trope they\'re listed under.


* {{Improv}}: If you're in a Robert Altman movie, you better be prepared to make up most, if not all of your lines.



* ThrowItIn/ {{Improv}}: If you're in a Robert Altman movie, you better be prepared to make up most, if not all of your lines
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* ThrowItIn/ {{Improv}}: If you're in a Robert Altman movie, you better be prepared to make up most, if not all of your lines
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A moviemaking maverick with little use for the Hollywood establishment, Altman was nevertheless nominated for the AcademyAward for Best Director five times, and was awarded an Honorary Oscar in 2006.

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A moviemaking maverick with little use for the Hollywood establishment, Altman was nevertheless nominated for the AcademyAward UsefulNotes/AcademyAward for Best Director five times, and was awarded an Honorary Oscar in 2006.
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Altman occasionally dabbled in songwriting as well, most notably in CountryMusic singer John Anderson's 1983 hit "Black Sheep".

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Robert Altman (1925–2006) was an American film director and screenwriter.

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Robert Altman '''Robert Altman''' (1925–2006) was an American film director and screenwriter.



* ''Film/TheCompany'' (2003)
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** His movies deconstruct politics as a whole. With ''Tanner '88'' (an {{HBO}} {{mockumentary}} miniseries directed by Altman and written by [[ComicStrip/{{Doonesbury}} Garry Trudeau]]) this is taken UpToEleven, giving us an accurate look at the demands of a Presidential campaign.

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** His movies deconstruct politics as a whole. With ''Tanner '88'' (an {{HBO}} {{Creator/HBO}} {{mockumentary}} miniseries directed by Altman and written by [[ComicStrip/{{Doonesbury}} Garry Trudeau]]) this is taken UpToEleven, giving us an accurate look at the demands of a Presidential campaign.
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[[quoteright:306:http://static.tvtropes.org/pmwiki/pub/images/robert_altman_6864.jpg]]
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* ''Film/ThreeWomen'' (1977)
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* RaisedCatholic: He was lapsed by his adulthood, and his films generally have an indifferent or irreverent attitude toward religion (exemplified by the LastSupperSteal in ''Film/{{MASH}}'').

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* RaisedCatholic: He was became lapsed by his adulthood, over the years, and his films generally have an indifferent or irreverent attitude toward religion (exemplified by the LastSupperSteal in ''Film/{{MASH}}'').
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* RaisedCatholic: He was lapsed by his adulthood, and his films generally have an indifferent or irreverent attitude toward religion (exemplified by the LastSupperSteal in ''Film/{{MASH}}'').
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* ''TheCompany'' (2003)

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* ''TheCompany'' ''Film/TheCompany'' (2003)
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* EitherOrTitle: ''Buffalo Bill and the Indians, or Sitting Bull's History Lesson''
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* ''Film/{{MASH}}''
* ''Film/McCabeAndMrsMiller''
* ''Film/TheLongGoodbye''
* ''Film/CaliforniaSplit''
* ''Film/{{Nashville}}''
* ''Film/{{Quintet}}''
* ''Film/{{Popeye}}''
* ''Film/SecretHonor''
* ''Film/ThePlayer''
* ''Film/ShortCuts''
* ''Film/CookiesFortune''
* ''Film/GosfordPark''
* ''TheCompany''
* ''Film/APrairieHomeCompanion''

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* ''Film/{{MASH}}''
''Film/{{MASH}}'' (1970)
* ''Film/McCabeAndMrsMiller''
''Film/McCabeAndMrsMiller'' (1971)
* ''Film/TheLongGoodbye''
''Film/TheLongGoodbye'' (1973)
* ''Film/CaliforniaSplit''
''Film/CaliforniaSplit'' (1974)
* ''Film/{{Nashville}}''
''Film/{{Nashville}}'' (1975)
* ''Film/{{Quintet}}''
''Film/{{Quintet}}'' (1979)
* ''Film/{{Popeye}}''
''Film/{{Popeye}}'' (1980)
* ''Film/SecretHonor''
''Film/SecretHonor'' (1984)
* ''Film/ThePlayer''
''Film/ThePlayer'' (1992)
* ''Film/ShortCuts''
''Film/ShortCuts'' (1993)
* ''Film/CookiesFortune''
''Film/CookiesFortune'' (1999)
* ''Film/GosfordPark''
''Film/GosfordPark'' (2001)
* ''TheCompany''
''TheCompany'' (2003)
* ''Film/APrairieHomeCompanion''
''Film/APrairieHomeCompanion'' (2006)
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Robert Altman (1925 – 2006) was an American film director and screenwriter.

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Robert Altman (1925 – 2006) (1925–2006) was an American film director and screenwriter.
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** His movies deconstruct politics as a whole. With ''Tanner 88'' a {{Mockumentary}} taken UpToEleven, giving us an accurate look at the demands of a Presidential campaign.

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** His movies deconstruct politics as a whole. With ''Tanner 88'' a {{Mockumentary}} '88'' (an {{HBO}} {{mockumentary}} miniseries directed by Altman and written by [[ComicStrip/{{Doonesbury}} Garry Trudeau]]) this is taken UpToEleven, giving us an accurate look at the demands of a Presidential campaign.

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* ''Film/{{Mash}}''

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* ''Film/{{Mash}}''''Film/{{MASH}}''



* {{Deconstruction}} : Of all kinds of American ideas, myths and imagery in general. His genre films like McCabeAndMrsMiller portrayed the most historically [[ShownTheirWork researched]] depiction of what TheWildWest was really like and the kind of characters that existed there.

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* {{Deconstruction}} : {{Deconstruction}}: Of all kinds of American ideas, myths and imagery in general. general.
**
His genre films like McCabeAndMrsMiller ''Film/McCabeAndMrsMiller'' portrayed the most historically [[ShownTheirWork researched]] depiction of what TheWildWest was really like and the kind of characters that existed there.



* GenreBusting : All his films, to the point that he invented his own genre of HyperlinkStory that later critics called the Altmanesque film. His earlier films, TheLongGoodbye and McCabeAndMrsMiller deconstructed FilmNoir and TheWestern itself.
* HyperlinkStory: ''Brewster Mc Cloud'', MASH, Short Cuts'', ''Nashville'', ''Health'', ''GosfordPark'', ''Kansas City'', ''APrairieHomeCompanion'', ''CookiesFortune'' and his TV Miniseries ''Tanner' 88''.
* LoadsAndLoadsOfCharacters: Frequently, it's pretty much what he's best known for. Massively ensemble dramas like ''{{Magnolia}}'' and ''Film/{{Crash}}'' tend to get compared to his work.

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* GenreBusting : GenreBusting: All his films, to the point that he invented his own genre of HyperlinkStory that later critics called the Altmanesque film. His earlier films, TheLongGoodbye ''Film/TheLongGoodbye'' and McCabeAndMrsMiller ''Film/McCabeAndMrsMiller'', deconstructed FilmNoir and TheWestern itself.
itself.
* HyperlinkStory: ''Brewster Mc Cloud'', MASH, Short Cuts'', ''Nashville'', ''[=Brewster McCloud=]'', ''Film/{{MASH}}'', ''Film/ShortCuts'', ''Film/{{Nashville}}'', ''Health'', ''GosfordPark'', ''Film/GosfordPark'', ''Kansas City'', ''APrairieHomeCompanion'', ''CookiesFortune'' ''Film/APrairieHomeCompanion'', ''Film/CookiesFortune'' and his TV Miniseries ''Tanner' 88''.
88''.
* LoadsAndLoadsOfCharacters: Frequently, it's pretty much what he's best known for. Massively ensemble dramas like ''{{Magnolia}}'' ''Film/{{Magnolia}}'' and ''Film/{{Crash}}'' tend to get compared to his work.



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* HyperlinkStory: ''Short Cuts'', ''Nashville''

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* {{Deconstruction}} : Of all kinds of American ideas, myths and imagery in general. His genre films like McCabeAndMrsMiller portrayed the most historically [[ShownTheirWork researched]] depiction of what TheWildWest was really like and the kind of characters that existed there.
** His movies deconstruct politics as a whole. With ''Tanner 88'' a {{Mockumentary}} taken UpToEleven, giving us an accurate look at the demands of a Presidential campaign.
* GenreBusting : All his films, to the point that he invented his own genre of HyperlinkStory that later critics called the Altmanesque film. His earlier films, TheLongGoodbye and McCabeAndMrsMiller deconstructed FilmNoir and TheWestern itself.
* HyperlinkStory: ''Short ''Brewster Mc Cloud'', MASH, Short Cuts'', ''Nashville''''Nashville'', ''Health'', ''GosfordPark'', ''Kansas City'', ''APrairieHomeCompanion'', ''CookiesFortune'' and his TV Miniseries ''Tanner' 88''.
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* ''Film/{{Quintet}}''
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* ''CaliforniaSplit''

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* ''CaliforniaSplit''''Film/CaliforniaSplit''



* ''SecretHonor''
* ''ThePlayer''

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* ''SecretHonor''
''Film/SecretHonor''
* ''ThePlayer''''Film/ThePlayer''



* ''GosfordPark''

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* ''GosfordPark''''Film/GosfordPark''

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* ''Film/TheLongGoodbye''
* ''CaliforniaSplit''



* ''Film/ThreeWomen''
* ''Film/TheLongGoodbye''
* ''CaliforniaSplit''
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* ''Film/ThreeWomen''
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Robert Altman (1925 – 2006) was an American film director and screenwriter.

One of his famous techniques was to film group scenes continuously with multiple cameras, forcing the actors to stay in character and sometimes to improvise action or dialogue because any moment of their performance could [[ThrowItIn end up in the film]].

A moviemaking maverick with little use for the Hollywood establishment, Altman was nevertheless nominated for the AcademyAward for Best Director five times, and was awarded an Honorary Oscar in 2006.

!!Works by Robert Altman with their own trope pages include:

* ''Film/{{Mash}}''
* ''Film/McCabeAndMrsMiller''
* ''Film/{{Nashville}}''
* ''Film/TheLongGoodbye''
* ''CaliforniaSplit''
* ''Film/{{Popeye}}''
* ''SecretHonor''
* ''ThePlayer''
* ''Film/ShortCuts''
* ''Film/CookiesFortune''
* ''GosfordPark''
* ''TheCompany''
* ''Film/APrairieHomeCompanion''

!!Other works by Robert Altman provide examples of:

* TheDanza: Played with in ''Images'', where every major cast member plays a character with the same first name as ''another'' major cast member.
* HyperlinkStory: ''Short Cuts'', ''Nashville''
* LoadsAndLoadsOfCharacters: Frequently, it's pretty much what he's best known for. Massively ensemble dramas like ''{{Magnolia}}'' and ''Film/{{Crash}}'' tend to get compared to his work.
* RealisticDictionIsUnrealistic: Famous for averting this trope, usually with overlapping dialogue and some improvisation.
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