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In 1950, a young musician named George Martin became Parlophone's assistant manager, then assumed control in 1955. He had limited success with performers like Adam Faith, The Vipers and the Temperance Seven, as well as RecordedAndStandUpComedy acts like Creator/PeterSellers (both as a solo artist and part of ''Radio/TheGoonShow''), Theatre/BeyondTheFringe and Music/FlandersAndSwann, but Parlophone's sales still lagged behind Columbia and HMV. Then, in 1962, Martin auditioned a young group from UsefulNotes/{{Liverpool}} who had already been rejected by several other labels, a band with the unusual name Music/TheBeatles. Martin liked what he heard, and Parlophone (and the world in general) was never the same.

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In 1950, a young musician named George Martin became Parlophone's assistant manager, then assumed control in 1955. He had limited It's often reported that Parlophone was a minor label until the Beatles came along, but in the late 1950's and early 1960's Martin found success with performers like Buddy Hollyesque crooner-with a-hiccup Adam Faith, Faith (who scored two #1 UK hits, and several other top ten smashes between 1959 and 1962), skiffle group The Vipers (two top tenners in 1957) and trad jazz revivalists the Temperance Seven, as well as Seven (a #1 hit in 1961, and three more chart entries in 61/62). As well, the label was noted for RecordedAndStandUpComedy acts like Creator/PeterSellers (both as a solo artist and part of ''Radio/TheGoonShow''), Theatre/BeyondTheFringe and Music/FlandersAndSwann, but Parlophone's Music/FlandersAndSwann. Still, prior to 1962 UK Parlophone was noted chiefly as a novelty-oriented label (even its successful pop acts had a novelty flavour about them), and sales still definitely lagged behind Columbia and HMV. Then, in 1962, Martin auditioned a young group from UsefulNotes/{{Liverpool}} who had already been rejected by several other labels, a band with the unusual name Music/TheBeatles. Martin liked what he heard, and Parlophone (and the world in general) was never the same.
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Parlophon (as its name was originally spelled) was founded in 1896 by Carl Lindström, a [[UsefulNotes/{{Sweden}} Swedish]] inventor living in UsefulNotes/{{Berlin}}. (The label's logo is a German "L" for Lindström, but is often mistaken for the British pound note symbol.) The company originally manufactured gramophones, but eventually switched over to making records. In 1923, the label started a British branch (which is when the "e" was added). Around the same time, Parlophone became the European licensee for American {{Blues}} and {{Jazz}} label Creator/OkehRecords, allowing the company to add major performers such as Music/LouisArmstrong and Bessie Smith to its roster. In 1931, Parlophone became part of the new Creator/{{EMI}} conglomerate, which put it under the same ownership as two larger labels, [[Creator/HisMastersVoiceRecords His Master's Voice]] and [[Creator/EMIColumbiaRecords the European offshoot]] of Creator/ColumbiaRecords.

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Parlophon (as its name was originally spelled) was founded in 1896 by Carl Lindström, a [[UsefulNotes/{{Sweden}} Swedish]] inventor living in UsefulNotes/{{Berlin}}. (The label's logo is a German "L" for Lindström, but is often mistaken for the British pound note symbol.) The company originally manufactured gramophones, but eventually switched over to making records. In 1923, the label started a British branch (which is when the "e" was added). Around the same time, Parlophone became the European licensee for American {{Blues}} and {{Jazz}} label Creator/OkehRecords, allowing the company to add major performers such as Music/LouisArmstrong and Bessie Smith Music/BessieSmith to its roster. In 1931, Parlophone became part of the new Creator/{{EMI}} conglomerate, which put it under the same ownership as two larger labels, [[Creator/HisMastersVoiceRecords His Master's Voice]] and [[Creator/EMIColumbiaRecords the European offshoot]] of Creator/ColumbiaRecords.
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* Music/LongJohnBaldry[[note]]Australia only[[/note]]

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