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* ''Manga/MyDeerFriendNokotan''
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* CreatorBacklash: His first directing gig, ''Crescent Love'', had a scene with a cabbage that was so embarrassingly bad it's synonymous with "animation collapse", a Japanese term used when a production completely falls apart due to tight deadlines and a lack of money. On the Japanese Wikipedia, although he doesn't name ''Crescent Love'' directly, he does say that the potential for animation collapse is the reason he prefers to work with a tightly-knit ProductionPosse.
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* ''LightNovel/DidntISayToMakeMyAbilitiesAverageInTheNextLife''
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* ''LightNovel/DidntISayToMakeMyAbilitiesAverageInTheNextLife''''Literature/DidntISayToMakeMyAbilitiesAverageInTheNextLife''
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** ''Anime/{{Onipan}}'': Taken up to eleven. When the ''onikko'' try and return a stuffed animal to a little girl, Ohta takes advantage of Studio Wit's [=3D=] department to create an epic, two-minute parkour sequence as they race through town.
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** ''Anime/{{Onipan}}'': Taken up to eleven. When the ''onikko'' try and return a stuffed animal to a little girl, Ohta takes advantage of Studio Wit's [=3D=] department to create an epic, two-minute parkour sequence as they race through town.town.
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** ''Manga/DiaryOfOurDaysAtTheBreakwater'': In the episode he guest-directed, there is a very brief (probably due to budget reasons) 3D shot of a heron swooping towards the breakwater.
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Up To Eleven is being dewicked.
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** ''Anime/{{Onipan}}'': Taken UpToEleven. When the ''onikko'' try and return a stuffed animal to a little girl, Ohta takes advantage of Studio Wit's [=3D=] department to create an epic, two-minute parkour sequence as they race through town.
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** ''Anime/{{Onipan}}'': Taken UpToEleven.up to eleven. When the ''onikko'' try and return a stuffed animal to a little girl, Ohta takes advantage of Studio Wit's [=3D=] department to create an epic, two-minute parkour sequence as they race through town.
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* AssociatedComposer: All his shows since ''Minami-ke'' have been scored by Yasuhiro Misawa, so naturally they tend to have similar incidental music. Generally, the "everyday life" music will use and arrythmic hi-hat-heavy percussion and extended silences punctuated by heavy pizzacato strings doubled with xylophones. It perfectly encapsulates the quirky, off-beat SliceOfLife that Ohta's shows depict.
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* AssociatedComposer: All his shows since ''Minami-ke'' have been scored by Yasuhiro Misawa, so naturally they tend to have similar incidental music. Generally, the "everyday life" music themes will use and arrythmic hi-hat-heavy cymbal-heavy percussion and extended silences punctuated by heavy pizzacato strings doubled arrhythmic fills, along with xylophones. It repetitive, stop-and-start pizzicato melodies. (Occasionally a driving techno beat or funky disco riff will be mixed in too.) Misawa's style perfectly encapsulates the quirky, off-beat SliceOfLife that Ohta's shows depict.
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* MundaneMadeAwesome: Often exaggerates simple movements and gestures into portentous, world-shaking events, such as Kana Minami stomping into her classroom like Godzilla to confront somebody or Futaba Marui rising in slow-motion from an underwear bin with loud mechanical whining like a giant robot launching from its underground bunker.
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** If there's a mother character in his works, it ''will'' be played by Creator/KikukoInoue. She's starred in no less than five of his works as the mother of a main or supporting character: ''Mitsudomoe'', ''Kotoura-san'', ''Sabagebu'', ''Himouto! Umaru-chan'', and ''[=UzaMaid=]''. She also has a role in the upcoming ''Onipan!''
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** If there's a mother character in his works, it ''will'' be played by Creator/KikukoInoue. She's starred in no less than five of his works as the mother of a main or supporting character: ''Mitsudomoe'', ''Kotoura-san'', ''Sabagebu'', ''Himouto! Umaru-chan'', and ''[=UzaMaid=]''. She also has plays against type as a role diminutive bear-''thing'' that only uses PokemonSpeak in the upcoming ''Onipan!''
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** ''Manga/UzaMaidOurMaidIsWayTooAnnoying'': After Misha spots Tsubame clinging to a utility pole outside her window, the camera follows Misha as she races out of her room, pelts through the hallway, and stomps down the stairs.
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** ''Manga/UzaMaidOurMaidIsWayTooAnnoying'': After Misha spots Tsubame clinging to a utility pole outside her window, the camera follows Misha as she races out of her room, pelts through the hallway, and stomps down the stairs.stairs.
** ''Anime/{{Onipan}}'': Taken UpToEleven. When the ''onikko'' try and return a stuffed animal to a little girl, Ohta takes advantage of Studio Wit's [=3D=] department to create an epic, two-minute parkour sequence as they race through town.
** ''Anime/{{Onipan}}'': Taken UpToEleven. When the ''onikko'' try and return a stuffed animal to a little girl, Ohta takes advantage of Studio Wit's [=3D=] department to create an epic, two-minute parkour sequence as they race through town.
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** He cast Creator/AkiToyosaki as "schoolgirl friend of other protagonists" three times in a row: Yoshino in ''Minami-ke'', Yuki Yoshida in ''Mitsudomoe'', and Chitose Ikeda in ''[=YuruYuri=]''. She also gets older and weirder every time, from a level-headed 10 year old, to a ditzy romance-obsessed 12 year old, to a 14 year old yuri fanatic who gets explosive nosebleeds when she fantasizes about her friends getting together.
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** He cast Creator/AkiToyosaki as "schoolgirl friend of other protagonists" three times in a row: Yoshino in ''Minami-ke'', Yuki Yoshida Yoshioka in ''Mitsudomoe'', and Chitose Ikeda in ''[=YuruYuri=]''. She also gets older and weirder every time, from a level-headed 10 year old, to a ditzy romance-obsessed 12 year old, to a 14 year old yuri fanatic who gets explosive nosebleeds when she fantasizes about her friends getting together.
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** If there's a mother character in his works, it ''will'' be played by Creator/KikukoInoue. She's starred in no less than five of his works as the mother of a main or supporting character: ''Mitsudomoe'', ''Kotoura-san'', ''Sabagebu'', ''Himouto! Umaru-chan'', and ''UzaMaid!''. She also has a role in the upcoming ''Onipan!''
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** If there's a mother character in his works, it ''will'' be played by Creator/KikukoInoue. She's starred in no less than five of his works as the mother of a main or supporting character: ''Mitsudomoe'', ''Kotoura-san'', ''Sabagebu'', ''Himouto! Umaru-chan'', and ''UzaMaid!''.''[=UzaMaid=]''. She also has a role in the upcoming ''Onipan!''
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** If there's a mother character in his works, it ''will'' be played by Creator/KikukoInoue. She's starred in no less than five of his works as the mother of a main or supporting character: ''Mitsudomoe'', ''Kotoura-san'', ''Sabagebu'', ''Himouto! Umaru-chan'', and ''UzaMaid!''. She also has a role in the upcoming ''Onipan!''
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* ProductionPosse: He never directs a show without Takashi Aoshima as the head writer and Yasuhiro Misawa as the composer.
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* ProductionPosse: ProductionPosse:
** He never directs a show without Takashi Aoshima as the head writer and Yasuhiro Misawa as thecomposer.composer.
** He cast Creator/AkiToyosaki as "schoolgirl friend of other protagonists" three times in a row: Yoshino in ''Minami-ke'', Yuki Yoshida in ''Mitsudomoe'', and Chitose Ikeda in ''[=YuruYuri=]''. She also gets older and weirder every time, from a level-headed 10 year old, to a ditzy romance-obsessed 12 year old, to a 14 year old yuri fanatic who gets explosive nosebleeds when she fantasizes about her friends getting together.
** He never directs a show without Takashi Aoshima as the head writer and Yasuhiro Misawa as the
** He cast Creator/AkiToyosaki as "schoolgirl friend of other protagonists" three times in a row: Yoshino in ''Minami-ke'', Yuki Yoshida in ''Mitsudomoe'', and Chitose Ikeda in ''[=YuruYuri=]''. She also gets older and weirder every time, from a level-headed 10 year old, to a ditzy romance-obsessed 12 year old, to a 14 year old yuri fanatic who gets explosive nosebleeds when she fantasizes about her friends getting together.
