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* NeverHadToys: ''Fit to Be Toyed'' features a company CEO who is obsessed with toys, even during board meetings. Once brought to a shrink, the cause is determined to be father not allowing him to play with toys in his childhood.
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* DerangedAnimation: Creator/JimTyer was an animator for the studio in its early years before leaving for Creator/{{Terrytoons}}. The Popeye cartoons he worked on often showed his uniquely crazy animation style.
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* AnimationBump: The studio began with very lush animation in the mid-forties, followed by a gradual decline through the fiftes and a sharp drop off into an extremely crudely-drawn limited style by 1957-58, with slight improvements during Culhane's and Bakshi's tenures.

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* AnimationBump: The studio began with very lush animation in the mid-forties, followed by a gradual decline through the fiftes and a sharp drop off into an extremely crudely-drawn limited style by around 1957-58, with slight improvements during Culhane's and Bakshi's tenures.
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* AnimationBump: The studio began with very lush animation in the mid-forties, followed by a gradual decline through the fiftes and a sharp drop off by the turn of the sixties, with slight improvements during Culhane's and Bakshi's tenures.

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* AnimationBump: The studio began with very lush animation in the mid-forties, followed by a gradual decline through the fiftes and a sharp drop off into an extremely crudely-drawn limited style by the turn of the sixties, 1957-58, with slight improvements during Culhane's and Bakshi's tenures.
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** Any scene animated by John Gentilella (Johnny Gent), a mainstay on the 1945-55 Popeye shorts, or Marty Taras, a major animator on the Herman and Katnip and Baby Huey shorts circa 1947-56, also qualifies, given both animators' recurring ability to create fluid and characterful work within the confines of the oft-uninspired material and stultifying timing of much of the studio's post-1947 work.

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** Any scene animated by John Gentilella (Johnny Gent), a mainstay on the 1945-55 post-1943 Popeye shorts, or Marty Taras, a major animator on the Herman and Katnip and Baby Huey shorts circa 1947-56, also qualifies, given both animators' recurring ability to create fluid and characterful work within the confines of the oft-uninspired material and stultifying timing of much of the studio's post-1947 work.
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** Any scene animated by John Gentilella (Johnny Gent), a mainstay on the 1945-55 Popeye shorts, or Marty Taras, a major animator on the Herman and Katnip and Baby Huey shorts circa 1947-56, also qualifies, given both animators' recurring ability to create fluid and characterful work within the confines of the oft-uninspired material and stultifying timing of much of the studio's post-1947 work.
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* ComicStrip/LittleLulu (1943 – 1948); character rights owned by Universal through [=DreamWorks=] Classics, though Paramount retains control of the shorts

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* ComicStrip/LittleLulu (1943 – 1948); character rights owned by Universal through [=DreamWorks=] Classics, though Paramount retains control of the shortsshorts; though a few of them are public domain



* WesternAnimation/ScreenSongs (1947 – 1951; originally produced by Fleischer Studios 1929 – 1938); last seven shorts owned by Universal through [=DreamWorks=] Classics. Many from 1947-October 1950 in the public domain.
* WesternAnimation/CasperTheFriendlyGhost (Initially appeared in three Noveltoons short subjects, graduated to a standalone series from 1950 – 1959); character rights and all standalone cartoons owned by Universal through [=DreamWorks=] Classics, while the first three shorts are in the public domain

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* WesternAnimation/ScreenSongs (1947 – 1951; originally produced by Fleischer Studios 1929 – 1938); last seven shorts owned by Universal through [=DreamWorks=] Classics. Many from 1947-October 1950 in the public domain.
domain
* WesternAnimation/CasperTheFriendlyGhost (Initially appeared in three Noveltoons short subjects, graduated to a standalone series from 1950 – 1959); character rights and all standalone cartoons owned by Universal through [=DreamWorks=] Classics, while the first three shorts are in the public domaindomain alongside two made afterwards
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* ComicStrip/{{Popeye}} the Sailor (inherited from Creator/FleischerStudios, 1942 – 1957); shorts now owned by Creator/WarnerBros through Turner Entertainment (some in the public domain)

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* ComicStrip/{{Popeye}} the Sailor (inherited from Creator/FleischerStudios, 1942 – 1957); shorts now owned by Creator/WarnerBros through Turner Entertainment (some are in the public domain)domain)
** ''WesternAnimation/OutToPunch'' is one of them.

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* ComicStrip/{{Popeye}} the Sailor (inherited from Creator/FleischerStudios, 1942 – 1957); shorts now owned by Creator/WarnerBros through Turner Entertainment

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* ComicStrip/{{Popeye}} the Sailor (inherited from Creator/FleischerStudios, 1942 – 1957); shorts now owned by Creator/WarnerBros through Turner EntertainmentEntertainment (some in the public domain)
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With that, Paramount's involvement in animation came to a close until they became the distributor of Creator/DreamWorksAnimation in 2006 who soon [[GrowingTheBeard hit its artistic stride]] with great new animated feature films like ''WesternAnimation/KungFuPanda'' and ''WesternAnimation/HowToTrainYourDragon''. Then in 2011, Paramount distributed the Oscar winning hit, ''WesternAnimation/{{Rango}}'', with [[Creator/IndustrialLightAndMagic ILM]] producing and Paramount decided to reenter the animation game once again, with their first project being ''WesternAnimation/TheSpongeBobMovieSpongeOutOfWater'', a sequel to ''WesternAnimation/TheSpongeBobSquarePantsMovie''.

to:

With that, Paramount's involvement in animation came to a close until they became the distributor of Creator/DreamWorksAnimation in 2006 who soon [[GrowingTheBeard hit its artistic stride]] with great new animated feature films like ''WesternAnimation/KungFuPanda'' and ''WesternAnimation/HowToTrainYourDragon''. Then in 2011, Paramount distributed the Oscar winning hit, ''WesternAnimation/{{Rango}}'', with [[Creator/IndustrialLightAndMagic ILM]] producing and Paramount decided to reenter the animation game once again, with their first project being ''WesternAnimation/TheSpongeBobMovieSpongeOutOfWater'', ''[[WesternAnimation/TheSpongeBobMovieSpongeOutOfWater The SpongeBob Movie: Sponge Out of Water]]'', a sequel to ''WesternAnimation/TheSpongeBobSquarePantsMovie''.
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* Raggedy Ann: Appeared in two shorts made by the studio: "Suddenly It's Spring" (1944), and "WesternAnimation/TheEnchantedSquare" (1947).
* WesternAnimation/ScreenSongs (1947 – 1951; originally produced by Fleischer Studios 1929 – 1938); last seven shorts owned by Universal through [=DreamWorks=] Classics

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* Raggedy Ann: Appeared in two shorts made by the studio: "Suddenly It's Spring" (1944), and "WesternAnimation/TheEnchantedSquare" (1947).
(1947). Both shirts are in the public domain.
* WesternAnimation/ScreenSongs (1947 – 1951; originally produced by Fleischer Studios 1929 – 1938); last seven shorts owned by Universal through [=DreamWorks=] ClassicsClassics. Many from 1947-October 1950 in the public domain.
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* StrictlyFormula: The studios cartoons are notorious for how formula-driven they were, although part of this was the result of Paramount's frugal budgets and explicit forbidding of the studio taking artistic risks--this was an attempt to prevent the studio from going through another financial meltdown like what had happened with the two Fleischer Studios features. Lee Mishkin, an inbetweener for the studio, even has a quote about it:

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* StrictlyFormula: The studios cartoons are notorious for how formula-driven they were, although part of this was the result of Paramount's frugal budgets and explicit forbidding of the studio taking artistic risks--this was an attempt to prevent the studio from going through another financial meltdown like what had happened with the two Fleischer Studios features.[[WesternAnimation/GulliversTravels animated]] [[WesternAnimation/MrBugGoesToTown features]]. Lee Mishkin, an inbetweener for the studio, even has a quote about it:
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Unlike the Fleischer Brothers, this studio proved to be a mere shadow creatively to their work as the films produced gradually declined into largely formulaic kiddie stuff. This especially applied after their original characters like Casper were sold to Creator/HarveyComics (along with their October 1950 - March 1962 cartoons) and production budgets were slashed. There was a momentary ray of hope in 1964 when comic book veteran Howard Post assumed control with some creative films along with ShamusCulhane, but they soon left after internal conflicts. Eventually, Creator/RalphBakshi was hired in 1967, but he barely got going with his vision when Paramount's new corporate owners, Gulf+Western, began shutting the shorts department down.

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Unlike the Fleischer Brothers, this studio proved to be a mere shadow creatively to their work as the films produced gradually declined into largely formulaic kiddie stuff. This especially applied after their original characters like Casper were sold to Creator/HarveyComics (along with their October 1950 - March 1962 cartoons) and production budgets were slashed. There was a momentary ray of hope in 1964 when comic book veteran Howard Post assumed control with some creative films along with ShamusCulhane, Creator/ShamusCulhane, but they soon left after internal conflicts. Eventually, Creator/RalphBakshi was hired in 1967, but he barely got going with his vision when Paramount's new corporate owners, Gulf+Western, began shutting the shorts department down.



** It is important to note that by the 60's, when Howie Post (and later, ShamusCulhane) got on board with the studio, they deliberately started leading the studio in a more anti-formulaic, experimental direction, with shorts like "My Daddy The Astronaut" (notably designed to [[StylisticSuck look like a child drew the whole film]], with a kid narrating it and the soundtrack all done by harmonica), "The Plumber" and "WesternAnimation/TheOperaCaper", but by then it was too little, too late.

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** It is important to note that by the 60's, when Howie Post (and later, ShamusCulhane) Creator/ShamusCulhane) got on board with the studio, they deliberately started leading the studio in a more anti-formulaic, experimental direction, with shorts like "My Daddy The Astronaut" (notably designed to [[StylisticSuck look like a child drew the whole film]], with a kid narrating it and the soundtrack all done by harmonica), "The Plumber" and "WesternAnimation/TheOperaCaper", but by then it was too little, too late.
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* ScrewedByTheLawyers: Paramount stopped making Little Lulu cartoons when Famous tried, and failed, to buy the rights to the character from Marge. They got around it by creating [[CaptainErsatz Little Audrey]].
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* WesternAnimation/LittleAudrey (1947-1958); character rights and shorts produced from October 1950 to 1958 owned by Universal through [=DreamWorks=] Classics, though all cartoons prior to that are still owned by Paramount

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* WesternAnimation/LittleAudrey (1947-1958); character rights and shorts produced from October 1950 to 1958 owned by Universal through [=DreamWorks=] Classics, though all cartoons prior to that are still owned by ParamountParamount or are in the public domain



* WesternAnimation/ScreenSongs (1947 – 1951; originally produced by Fleischer Studios 1929 – 1938)

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* WesternAnimation/ScreenSongs (1947 – 1951; originally produced by Fleischer Studios 1929 – 1938)1938); last seven shorts owned by Universal through [=DreamWorks=] Classics
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* WesternAnimation/{{Noveltoons}} (1943 – 1967); characters, trademarks and cartoons produced from October 1950 to March 1962 owned by Creator/{{Universal}} Studios through [[Creator/DreamWorksAnimation [=DreamWorks=] Classics]] though all other shorts remain with Paramount

to:

* WesternAnimation/{{Noveltoons}} (1943 – 1967); characters, trademarks and cartoons produced from October 1950 to March 1962 owned by Creator/{{Universal}} Studios through [[Creator/DreamWorksAnimation [=DreamWorks=] Classics]] though all other shorts remain with ParamountParamount or are in the public domain
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* Segments of ''Popeye'' (1960 – 1962; outsourced from King Features)

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* Segments of ''Popeye'' (1960 – 1962; outsourced from King Features)Features); owned by Hearst Corporation



* Segments of ''King Features Trilogy'' (1963 – 1965; outsourced from King Features)

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* Segments of ''King Features Trilogy'' (1963 – 1965; outsourced from King Features)Features); owned by Hearst Corporation
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Unlike the Fleischer Brothers, this studio proved to be a mere shadow creatively to their work as the films produced gradually declined into largely formulaic kiddie stuff. This especially applied after their original characters like Casper were sold to Creator/HarveyComics and production budgets were slashed. There was a momentary ray of hope in 1964 when comic book veteran Howard Post assumed control with some creative films along with ShamusCulhane, but they soon left after internal conflicts. Eventually, Creator/RalphBakshi was hired in 1967, but he barely got going with his vision when Paramount's new corporate owners, Gulf+Western, began shutting the shorts department down.

to:

Unlike the Fleischer Brothers, this studio proved to be a mere shadow creatively to their work as the films produced gradually declined into largely formulaic kiddie stuff. This especially applied after their original characters like Casper were sold to Creator/HarveyComics (along with their October 1950 - March 1962 cartoons) and production budgets were slashed. There was a momentary ray of hope in 1964 when comic book veteran Howard Post assumed control with some creative films along with ShamusCulhane, but they soon left after internal conflicts. Eventually, Creator/RalphBakshi was hired in 1967, but he barely got going with his vision when Paramount's new corporate owners, Gulf+Western, began shutting the shorts department down.



* ComicStrip/{{Popeye}} the Sailor (inherited from Creator/FleischerStudios, 1942 – 1957)
* [[WesternAnimation/SupermanTheatricalCartoons Superman]] (inherited from Creator/FleischerStudios, 1942 – 1943)
* WesternAnimation/{{Noveltoons}} (1943 – 1967)
* ComicStrip/LittleLulu (1943 – 1948)
* WesternAnimation/LittleAudrey (1947-1958)

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* ComicStrip/{{Popeye}} the Sailor (inherited from Creator/FleischerStudios, 1942 – 1957)
1957); shorts now owned by Creator/WarnerBros through Turner Entertainment
* [[WesternAnimation/SupermanTheatricalCartoons Superman]] (inherited from Creator/FleischerStudios, 1942 – 1943)
1943); all shorts in the public domain
* WesternAnimation/{{Noveltoons}} (1943 – 1967)
1967); characters, trademarks and cartoons produced from October 1950 to March 1962 owned by Creator/{{Universal}} Studios through [[Creator/DreamWorksAnimation [=DreamWorks=] Classics]] though all other shorts remain with Paramount
* ComicStrip/LittleLulu (1943 – 1948)
1948); character rights owned by Universal through [=DreamWorks=] Classics, though Paramount retains control of the shorts
* WesternAnimation/LittleAudrey (1947-1958)(1947-1958); character rights and shorts produced from October 1950 to 1958 owned by Universal through [=DreamWorks=] Classics, though all cartoons prior to that are still owned by Paramount



* WesternAnimation/CasperTheFriendlyGhost (Initially appeared in three Noveltoons short subjects, graduated to a standalone series from 1950 – 1959)
* WesternAnimation/BabyHuey (1950-1959)
* Kartunes (1951 – 1953)
* WesternAnimation/HermanAndKatnip (1952 – 1959)
* Modern Madcaps (1958 – 1967)
* Jeepers and Creepers (1960)
* The Cat (1961)
* Swifty and Shorty (1964 – 1965; originated in 1963 as Ralph and Percy)
* Honey Halfwitch (1965 – 1967)
* Merry Makers (1967)
* Go Go Toons (1967)
* Fractured Fables (1967)

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* WesternAnimation/CasperTheFriendlyGhost (Initially appeared in three Noveltoons short subjects, graduated to a standalone series from 1950 – 1959)
1959); character rights and all standalone cartoons owned by Universal through [=DreamWorks=] Classics, while the first three shorts are in the public domain
* WesternAnimation/BabyHuey (1950-1959)
(1950-1959); character rights and all shorts from October 1950 to 1959 owned by Universal through [=DreamWorks=] Classics, with earlier shorts in the public domain or still with Paramount
* Kartunes (1951 – 1953)
1953); all shorts owned by Universal through [=DreamWorks=] Classics
* WesternAnimation/HermanAndKatnip (1952 – 1959)
1959); character rights and shorts owned by Universal through [=DreamWorks=] Classics
* Modern Madcaps (1958 – 1967)
1967); character rights and shorts from 1958 to March 1962 owned by Universal through [=DreamWorks=] Classics, and all other shorts remain with Paramount
* Jeepers and Creepers (1960)
(1960); character rights and shorts owned by Universal through [=DreamWorks=] Classics
* The Cat (1961)
(1961); character rights and shorts owned by Universal through [=DreamWorks=] Classics
* Swifty and Shorty (1964 – 1965; originated in 1963 as Ralph and Percy)
Percy); still owned by Paramount
* Honey Halfwitch (1965 – 1967)
1967); still owned by Paramount
* Merry Makers (1967)
(1967); still owned by Paramount
* Go Go Toons (1967)
(1967); still owned by Paramount
* Fractured Fables (1967)
(1967); still owned by Paramount



* Segments of ''WesternAnimation/FelixTheCat'' (1958 – 1961; outsourced from King Features and Trans-Lux)
* ''The New Casper Cartoon Show'' (1962 – 1963, produced for Harvey Films)

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* Segments of ''WesternAnimation/FelixTheCat'' (1958 – 1961; outsourced from King Features and Trans-Lux)
Trans-Lux); now owned by [=NBCUniversal=]
* ''The New Casper Cartoon Show'' (1962 – 1963, produced for Harvey Films)Films); now owned by [=NBCUniversal=]



* The Mighty Thor segments of ''WesternAnimation/TheMarvelSuperHeroes'' (1966; outsourced from Grantray-Lawrence Animation)

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* The Mighty Thor segments of ''WesternAnimation/TheMarvelSuperHeroes'' (1966; outsourced from Grantray-Lawrence Animation)
Animation); now owned by Creator/{{Disney}}
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* SomethingElseAlsoRises: In "Sheep Shape", when the wolf sees the singing senorita, he does a WildTake, and has two soda bottles he was holding [[FreudWasRight erupt in a mountain of fizz.]]

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* SomethingElseAlsoRises: In "Sheep Shape", when the wolf sees the singing senorita, he does a WildTake, and has two soda bottles he was holding [[FreudWasRight erupt in a mountain of fizz.]]
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* HaveAGayOldTime: One of their shorts from 1955 is called ''Poop Goes The Weasel''. At the time, Poop didn't have the same connotation as it does today.
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** It is important to note that by the 60's, when ShamusCulhane got on board with the studio, they deliberately started leading the studio in a more anti-formulaic, experimental direction, with shorts like "My Daddy The Astronaut" (notably designed to [[StylisticSuck look like a child drew the whole film]], with a kid narrating it and the soundtrack all done by harmonica), "The Plumber" and "WesternAnimation/TheOperaCaper", but by then it was too little, too late.

to:

** It is important to note that by the 60's, when ShamusCulhane Howie Post (and later, ShamusCulhane) got on board with the studio, they deliberately started leading the studio in a more anti-formulaic, experimental direction, with shorts like "My Daddy The Astronaut" (notably designed to [[StylisticSuck look like a child drew the whole film]], with a kid narrating it and the soundtrack all done by harmonica), "The Plumber" and "WesternAnimation/TheOperaCaper", but by then it was too little, too late.
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Famous Studios (renamed Paramount Cartoon Studios in 1956) was the animation division of the film studio Creator/{{Paramount}} Pictures from [[TheGoldenAgeOfAnimation 1942]] to [[TheDarkAgeOfAnimation 1967]]. Famous was founded as a successor company to Creator/FleischerStudios, after Paramount acquired Fleischer Studios and ousted its founders, Max and Dave Fleischer, in 1941. The studio's productions included three series started by the Fleischers—[[ComicStrip/{{Popeye}} Popeye the Sailor]], [[WesternAnimation/SupermanTheatricalCartoons Superman]], and Screen Songs—as well as ComicStrip/LittleLulu, WesternAnimation/CasperTheFriendlyGhost, WesternAnimation/HermanAndKatnip, WesternAnimation/BabyHuey, WesternAnimation/LittleAudrey, and the anthology WesternAnimation/{{Noveltoons}} series.

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Famous Studios (renamed Paramount Cartoon Studios in 1956) was the animation division of the film studio Creator/{{Paramount}} Pictures from [[TheGoldenAgeOfAnimation [[UsefulNotes/TheGoldenAgeOfAnimation 1942]] to [[TheDarkAgeOfAnimation [[UsefulNotes/TheDarkAgeOfAnimation 1967]]. Famous was founded as a successor company to Creator/FleischerStudios, after Paramount acquired Fleischer Studios and ousted its founders, Max and Dave Fleischer, in 1941. The studio's productions included three series started by the Fleischers—[[ComicStrip/{{Popeye}} Popeye the Sailor]], [[WesternAnimation/SupermanTheatricalCartoons Superman]], and Screen Songs—as well as ComicStrip/LittleLulu, WesternAnimation/CasperTheFriendlyGhost, WesternAnimation/HermanAndKatnip, WesternAnimation/BabyHuey, WesternAnimation/LittleAudrey, and the anthology WesternAnimation/{{Noveltoons}} series.

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Changed: 81

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With that, Paramount's involvement in animation came to a close until they became the distributor of Creator/DreamWorksAnimation in 2006 who soon [[GrowingTheBeard hit its artistic stride]] with great new animated feature films like ''WesternAnimation/KungFuPanda'' and ''WesternAnimation/HowToTrainYourDragon''. Then in 2011, Paramount distributed the Oscar winning hit, ''WesternAnimation/{{Rango}}'', with [[Creator/IndustrialLightAndMagic ILM]] producing and Paramount decided to reenter the animation game once again, with their first project to be a sequel to ''WesternAnimation/TheSpongeBobSquarePantsMovie''.

to:

With that, Paramount's involvement in animation came to a close until they became the distributor of Creator/DreamWorksAnimation in 2006 who soon [[GrowingTheBeard hit its artistic stride]] with great new animated feature films like ''WesternAnimation/KungFuPanda'' and ''WesternAnimation/HowToTrainYourDragon''. Then in 2011, Paramount distributed the Oscar winning hit, ''WesternAnimation/{{Rango}}'', with [[Creator/IndustrialLightAndMagic ILM]] producing and Paramount decided to reenter the animation game once again, with their first project to be being ''WesternAnimation/TheSpongeBobMovieSpongeOutOfWater'', a sequel to ''WesternAnimation/TheSpongeBobSquarePantsMovie''.



* Raggedy Ann: Appeared in two shorts made by the studio: "Suddenly It's Spring" (1944), and "The Enchanted Square" (1947).

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* Raggedy Ann: Appeared in two shorts made by the studio: "Suddenly It's Spring" (1944), and "The Enchanted Square" "WesternAnimation/TheEnchantedSquare" (1947).


Added DiffLines:

* AnimationBump: The studio began with very lush animation in the mid-forties, followed by a gradual decline through the fiftes and a sharp drop off by the turn of the sixties, with slight improvements during Culhane's and Bakshi's tenures.
Is there an issue? Send a MessageReason:
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Famous Studios (renamed Paramount Cartoon Studios in 1956) was the animation division of the film studio Creator/{{Paramount}} Pictures from [[TheGoldenAgeOfAnimation 1942]] to [[TheDarkAgeOfAnimation 1967]]. Famous was founded as a successor company to Creator/FleischerStudios, after Paramount acquired Fleischer Studios and ousted its founders, Max and Dave Fleischer, in 1941. The studio's productions included three series started by the Fleischers—ComicStrip/{{Popeye}} the Sailor, WesternAnimation/[[SupermanTheatricalCartoons Superman]], and Screen Songs—as well as ComicStrip/LittleLulu, WesternAnimation/CasperTheFriendlyGhost, WesternAnimation/HermanAndKatnip, WesternAnimation/BabyHuey, WesternAnimation/LittleAudrey, and the anthology WesternAnimation/{{Noveltoons}} series.

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Famous Studios (renamed Paramount Cartoon Studios in 1956) was the animation division of the film studio Creator/{{Paramount}} Pictures from [[TheGoldenAgeOfAnimation 1942]] to [[TheDarkAgeOfAnimation 1967]]. Famous was founded as a successor company to Creator/FleischerStudios, after Paramount acquired Fleischer Studios and ousted its founders, Max and Dave Fleischer, in 1941. The studio's productions included three series started by the Fleischers—ComicStrip/{{Popeye}} Fleischers—[[ComicStrip/{{Popeye}} Popeye the Sailor, WesternAnimation/[[SupermanTheatricalCartoons Sailor]], [[WesternAnimation/SupermanTheatricalCartoons Superman]], and Screen Songs—as well as ComicStrip/LittleLulu, WesternAnimation/CasperTheFriendlyGhost, WesternAnimation/HermanAndKatnip, WesternAnimation/BabyHuey, WesternAnimation/LittleAudrey, and the anthology WesternAnimation/{{Noveltoons}} series.
Is there an issue? Send a MessageReason:
None


Famous Studios (renamed Paramount Cartoon Studios in 1956) was the animation division of the film studio Creator/{{Paramount}} Pictures from [[TheGoldenAgeOfAnimation 1942]] to [[TheDarkAgeOfAnimation 1967]]. Famous was founded as a successor company to FleischerStudios, after Paramount acquired Fleischer Studios and ousted its founders, Max and Dave Fleischer, in 1941. The studio's productions included three series started by the Fleischers—{{Popeye}} the Sailor, [[SupermanTheatricalCartoons Superman]], and Screen Songs—as well as LittleLulu, CasperTheFriendlyGhost, HermanAndKatnip, BabyHuey, LittleAudrey, and the anthology {{Noveltoons}} series.

to:

Famous Studios (renamed Paramount Cartoon Studios in 1956) was the animation division of the film studio Creator/{{Paramount}} Pictures from [[TheGoldenAgeOfAnimation 1942]] to [[TheDarkAgeOfAnimation 1967]]. Famous was founded as a successor company to FleischerStudios, Creator/FleischerStudios, after Paramount acquired Fleischer Studios and ousted its founders, Max and Dave Fleischer, in 1941. The studio's productions included three series started by the Fleischers—{{Popeye}} Fleischers—ComicStrip/{{Popeye}} the Sailor, [[SupermanTheatricalCartoons WesternAnimation/[[SupermanTheatricalCartoons Superman]], and Screen Songs—as well as LittleLulu, CasperTheFriendlyGhost, HermanAndKatnip, BabyHuey, LittleAudrey, ComicStrip/LittleLulu, WesternAnimation/CasperTheFriendlyGhost, WesternAnimation/HermanAndKatnip, WesternAnimation/BabyHuey, WesternAnimation/LittleAudrey, and the anthology {{Noveltoons}} WesternAnimation/{{Noveltoons}} series.



With that, Paramount's involvement in animation came to a close until they became the distributor of Creator/DreamWorksAnimation in 2006 who soon [[GrowingTheBeard hit its artistic stride]] with great new animated feature films like ''WesternAnimation/KungFuPanda'' and ''WesternAnimation/HowToTrainYourDragon''. Then in 2011, Paramount distributed the Oscar winning hit, ''{{Rango}}'', with [[Creator/IndustrialLightAndMagic ILM]] producing and Paramount decided to reenter the animation game once again, with their first project to be a sequel to ''WesternAnimation/TheSpongeBobSquarePantsMovie''.

to:

With that, Paramount's involvement in animation came to a close until they became the distributor of Creator/DreamWorksAnimation in 2006 who soon [[GrowingTheBeard hit its artistic stride]] with great new animated feature films like ''WesternAnimation/KungFuPanda'' and ''WesternAnimation/HowToTrainYourDragon''. Then in 2011, Paramount distributed the Oscar winning hit, ''{{Rango}}'', ''WesternAnimation/{{Rango}}'', with [[Creator/IndustrialLightAndMagic ILM]] producing and Paramount decided to reenter the animation game once again, with their first project to be a sequel to ''WesternAnimation/TheSpongeBobSquarePantsMovie''.



* {{Popeye}} the Sailor (inherited from FleischerStudios, 1942 – 1957)
* [[SupermanTheatricalCartoons Superman]] (inherited from FleischerStudios, 1942 – 1943)
* {{Noveltoons}} (1943 – 1967)
* LittleLulu (1943 – 1948)
* LittleAudrey (1947-1958)

to:

* {{Popeye}} ComicStrip/{{Popeye}} the Sailor (inherited from FleischerStudios, Creator/FleischerStudios, 1942 – 1957)
* [[SupermanTheatricalCartoons [[WesternAnimation/SupermanTheatricalCartoons Superman]] (inherited from FleischerStudios, Creator/FleischerStudios, 1942 – 1943)
* {{Noveltoons}} WesternAnimation/{{Noveltoons}} (1943 – 1967)
* LittleLulu ComicStrip/LittleLulu (1943 – 1948)
* LittleAudrey WesternAnimation/LittleAudrey (1947-1958)



* ScreenSongs (1947 – 1951; originally produced by Fleischer Studios 1929 – 1938)
* CasperTheFriendlyGhost (Initially appeared in three Noveltoons short subjects, graduated to a standalone series from 1950 – 1959)
* BabyHuey (1950-1959)

to:

* ScreenSongs WesternAnimation/ScreenSongs (1947 – 1951; originally produced by Fleischer Studios 1929 – 1938)
* CasperTheFriendlyGhost WesternAnimation/CasperTheFriendlyGhost (Initially appeared in three Noveltoons short subjects, graduated to a standalone series from 1950 – 1959)
* BabyHuey WesternAnimation/BabyHuey (1950-1959)



* HermanAndKatnip (1952 – 1959)

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* HermanAndKatnip WesternAnimation/HermanAndKatnip (1952 – 1959)



* Segments of ''FelixTheCat'' (1958 – 1961; outsourced from King Features and Trans-Lux)

to:

* Segments of ''FelixTheCat'' ''WesternAnimation/FelixTheCat'' (1958 – 1961; outsourced from King Features and Trans-Lux)



* BlackComedy: When their shorts aren't being lighthearted and sentimental, they can be downright mean spirited and nasty in their humor, which in turn is aided by how violently the gags in shorts like HermanAndKatnip are played out.

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* BlackComedy: When their shorts aren't being lighthearted and sentimental, they can be downright mean spirited and nasty in their humor, which in turn is aided by how violently the gags in shorts like HermanAndKatnip WesternAnimation/HermanAndKatnip are played out.



* LimitedAnimation: The "Modern Madcaps" series, an attempt by Famous to transition into the then-hot {{UPA}} style of animation.

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* LimitedAnimation: The "Modern Madcaps" series, an attempt by Famous to transition into the then-hot {{UPA}} [[Creator/ColumbiaCartoons UPA]] style of animation.



** It is important to note that by the 60's, when ShamusCulhane got on board with the studio, they deliberately started leading the studio in a more anti-formulaic, experimental direction, with shorts like "My Daddy The Astronaut" (notably designed to [[StylisticSuck look like a child drew the whole film]], with a kid narrating it and the soundtrack all done by harmonica), "The Plumber" and "TheOperaCaper", but by then it was too little, too late.

to:

** It is important to note that by the 60's, when ShamusCulhane got on board with the studio, they deliberately started leading the studio in a more anti-formulaic, experimental direction, with shorts like "My Daddy The Astronaut" (notably designed to [[StylisticSuck look like a child drew the whole film]], with a kid narrating it and the soundtrack all done by harmonica), "The Plumber" and "TheOperaCaper", "WesternAnimation/TheOperaCaper", but by then it was too little, too late.
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With that, Paramount's involvement in animation came to a close until they became the distributor of Creator/DreamWorksAnimation in 2006 who soon [[GrowingTheBeard hit its artistic stride]] with great new animated feature films like ''WesternAnimation/KungFuPanda'' and ''WesternAnimation/HowToTrainYourDragon''. Then in 2011, Paramount distributed the Oscar winning hit, ''{{Rango}}'', with {{ILM}} producing and Paramount decided to reenter the animation game once again, with their first project to be a sequel to ''WesternAnimation/TheSpongeBobSquarePantsMovie''.

to:

With that, Paramount's involvement in animation came to a close until they became the distributor of Creator/DreamWorksAnimation in 2006 who soon [[GrowingTheBeard hit its artistic stride]] with great new animated feature films like ''WesternAnimation/KungFuPanda'' and ''WesternAnimation/HowToTrainYourDragon''. Then in 2011, Paramount distributed the Oscar winning hit, ''{{Rango}}'', with {{ILM}} [[Creator/IndustrialLightAndMagic ILM]] producing and Paramount decided to reenter the animation game once again, with their first project to be a sequel to ''WesternAnimation/TheSpongeBobSquarePantsMovie''.
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* EndlessWinter: The cartoon ''Suddenly It's Spring'' from 28 April 1944 features Raggedy Ann pleading with Old Man Winter to relent, so that the sun may shine upon her owner, who lies abed dying from lack of sunlight.

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* EndlessWinter: The cartoon ''Suddenly It's Spring'' from 28 April 1944 1944, features Raggedy Ann pleading with Old Man Winter to relent, so that the sun may shine upon her owner, who lies abed dying deathly ill from the lack of sunlight.
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* PublicDomainAnimation: a decent number of their cartoons (especially Popeye) have entered the Public Domain and are free to view online.

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* PublicDomainAnimation: a decent number 80 of their cartoons (especially Popeye) (including many of their Popeye shorts) have entered the Public Domain and are free to view online.
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Added DiffLines:

[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/Famous-studios-logo_2873.jpg]]

Famous Studios (renamed Paramount Cartoon Studios in 1956) was the animation division of the film studio Creator/{{Paramount}} Pictures from [[TheGoldenAgeOfAnimation 1942]] to [[TheDarkAgeOfAnimation 1967]]. Famous was founded as a successor company to FleischerStudios, after Paramount acquired Fleischer Studios and ousted its founders, Max and Dave Fleischer, in 1941. The studio's productions included three series started by the Fleischers—{{Popeye}} the Sailor, [[SupermanTheatricalCartoons Superman]], and Screen Songs—as well as LittleLulu, CasperTheFriendlyGhost, HermanAndKatnip, BabyHuey, LittleAudrey, and the anthology {{Noveltoons}} series.

Unlike the Fleischer Brothers, this studio proved to be a mere shadow creatively to their work as the films produced gradually declined into largely formulaic kiddie stuff. This especially applied after their original characters like Casper were sold to Creator/HarveyComics and production budgets were slashed. There was a momentary ray of hope in 1964 when comic book veteran Howard Post assumed control with some creative films along with ShamusCulhane, but they soon left after internal conflicts. Eventually, Creator/RalphBakshi was hired in 1967, but he barely got going with his vision when Paramount's new corporate owners, Gulf+Western, began shutting the shorts department down.

With that, Paramount's involvement in animation came to a close until they became the distributor of Creator/DreamWorksAnimation in 2006 who soon [[GrowingTheBeard hit its artistic stride]] with great new animated feature films like ''WesternAnimation/KungFuPanda'' and ''WesternAnimation/HowToTrainYourDragon''. Then in 2011, Paramount distributed the Oscar winning hit, ''{{Rango}}'', with {{ILM}} producing and Paramount decided to reenter the animation game once again, with their first project to be a sequel to ''WesternAnimation/TheSpongeBobSquarePantsMovie''.

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!!Theatrical short subjects series:
* {{Popeye}} the Sailor (inherited from FleischerStudios, 1942 – 1957)
* [[SupermanTheatricalCartoons Superman]] (inherited from FleischerStudios, 1942 – 1943)
* {{Noveltoons}} (1943 – 1967)
* LittleLulu (1943 – 1948)
* LittleAudrey (1947-1958)
* Raggedy Ann: Appeared in two shorts made by the studio: "Suddenly It's Spring" (1944), and "The Enchanted Square" (1947).
* ScreenSongs (1947 – 1951; originally produced by Fleischer Studios 1929 – 1938)
* CasperTheFriendlyGhost (Initially appeared in three Noveltoons short subjects, graduated to a standalone series from 1950 – 1959)
* BabyHuey (1950-1959)
* Kartunes (1951 – 1953)
* HermanAndKatnip (1952 – 1959)
* Modern Madcaps (1958 – 1967)
* Jeepers and Creepers (1960)
* The Cat (1961)
* Swifty and Shorty (1964 – 1965; originated in 1963 as Ralph and Percy)
* Honey Halfwitch (1965 – 1967)
* Merry Makers (1967)
* Go Go Toons (1967)
* Fractured Fables (1967)

!!Television series:

* Segments of ''Popeye'' (1960 – 1962; outsourced from King Features)
* Segments of ''FelixTheCat'' (1958 – 1961; outsourced from King Features and Trans-Lux)
* ''The New Casper Cartoon Show'' (1962 – 1963, produced for Harvey Films)
* Segments of ''King Features Trilogy'' (1963 – 1965; outsourced from King Features)
** Twelve of the Paramount-produced shorts in this series were released theatrically in 1962 under the title ''Comic Kings''
* The Mighty Thor segments of ''WesternAnimation/TheMarvelSuperHeroes'' (1966; outsourced from Grantray-Lawrence Animation)

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!!Tropes:

* BlackComedy: When their shorts aren't being lighthearted and sentimental, they can be downright mean spirited and nasty in their humor, which in turn is aided by how violently the gags in shorts like HermanAndKatnip are played out.
* BloodlessCarnage / FamilyUnfriendlyViolence: Arguably the most prominent aspect of the cartoons. Herman and Katnip and Baby Huey cartoons in particular have some of the most painful-looking violent gags in any cartoon ever.
* CatchPhrase: Katnip's "Dat sounds logical!"
* CleverCrows: Buzzy Crow, who is usually paired with dimwitted Katnip Cat. Katnip tries to eat Buzzy as some form of cure for something, so Buzzy fools him into trying some other "cures", resulting in AmusingInjuries.
* EndlessWinter: The cartoon ''Suddenly It's Spring'' from 28 April 1944 features Raggedy Ann pleading with Old Man Winter to relent, so that the sun may shine upon her owner, who lies abed dying from lack of sunlight.
* FleetingDemographicRule: The rationale behind the re-made Popeye shorts.
* LimitedAnimation: The "Modern Madcaps" series, an attempt by Famous to transition into the then-hot {{UPA}} style of animation.
* PublicDomainAnimation: a decent number of their cartoons (especially Popeye) have entered the Public Domain and are free to view online.
* ShotForShotRemake: Many of their Popeye shorts were blatant remakes of earlier Fleischer ones.
* SomethingElseAlsoRises: In "Sheep Shape", when the wolf sees the singing senorita, he does a WildTake, and has two soda bottles he was holding [[FreudWasRight erupt in a mountain of fizz.]]
* SpinOff: ''Herman and Katnip'' originated from ''Noveltoons''. Additionally, ''Honey Halfwitch'' was spun off from the ''Modern Madcap'' short "Poor Little Witch Girl".
* StrictlyFormula: The studios cartoons are notorious for how formula-driven they were, although part of this was the result of Paramount's frugal budgets and explicit forbidding of the studio taking artistic risks--this was an attempt to prevent the studio from going through another financial meltdown like what had happened with the two Fleischer Studios features. Lee Mishkin, an inbetweener for the studio, even has a quote about it:
-->''"I think the problem lay in the attitude of the management. The bosses would go to screenings with a list of all the gags in a film on a clipboard. They'd put a check after each gag that got a laugh and use it in the next picture. If a gag got a laugh in three pictures in a row, it became a standard and they'd use it in every picture after that. They had a real nuts-and-bolts approach to making films."''
** It is important to note that by the 60's, when ShamusCulhane got on board with the studio, they deliberately started leading the studio in a more anti-formulaic, experimental direction, with shorts like "My Daddy The Astronaut" (notably designed to [[StylisticSuck look like a child drew the whole film]], with a kid narrating it and the soundtrack all done by harmonica), "The Plumber" and "TheOperaCaper", but by then it was too little, too late.
* WholesomeCrossdresser: Done in "Sheep Shape".
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