History Creator / DWGriffith

Griffith was also ThePioneer of several common features of American cinema; his short films for the Biograph Company like ''A Corner in Wheat'' introduced radical editing techniques and sophisticated storytelling that few had seen before. He also directed the early appearances of major movie stars like Creator/MaryPickford (''The New York Hat'') and longtime collaborator, Creator/LillianGish (''The Mothering Heart'') and created movie genres. His 1912 short film, ''The Musketeers of Pig Alley'' endures as the [[TropeMaker "world's first gangster film"]] and was shot on location in New York's mean streets and would later inspire Creator/MartinScorsese's ''Film/GoodFellas''. He also directed the first major adaptation of Creator/EdgarAllanPoe, with ''The Avenging Conscience''(an adaptation of ''The Telltale Heart'') which while primitive by today's standards, is fairly advanced for its use of multiple exposures and special effects. Griffith was also the first major film-maker to shift from New York to the fertile climate of Hollywood in Los Angeles, thereby becoming the "father of Hollywood" though, ironically, he operated and functioned as an independent film-maker for all his life, very particular in maintaining copyrights and inscribing his initials in all his intertitles.

Griffith was also ThePioneer of several common features of American cinema, his short films for the Biograph Company like ''A Corner in Wheat'' introduced radical editing techniques and sophisticated storytelling that few had seen before. He also directed the early appearances of major movie stars like Creator/MaryPickford (''The New York Hat'') and longtime collaborator, Creator/LillianGish (''The Mothering Heart'') and created movie genres. His 1912 short film, ''The Musketeers of Pig Alley'' endures as the [[TropeMaker "world's first gangster film"]] and was shot on location in New York's mean streets and would later inspire Creator/MartinScorsese's ''Film/GoodFellas''. He also directed the first major adaptation of Creator/EdgarAllanPoe, with ''The Avenging Conscience''(an adaptation of ''The Telltale Heart'') which while primitive by today's standards, is fairly advanced for its use of multiple exposures and special effects. Griffith was also the first major film-maker to shift from New York to the fertile climate of Hollywood in Los Angeles, thereby becoming the "father of Hollywood" though, ironically, he operated and functioned as an independent film-maker for all his life, very particular in maintaining copyrights and inscribing his initials in all his intertitles.

David Wark "D. W." Griffith (January 22, 1875 – July 23, 1948) was one of the greatest filmmakers of the silent era and a pioneer in developing motion pictures as an art form. He was, arguably, the first person to become famous as a movie director. He was also ThePioneer of several common features of American cinema, his short films for the Biograph Company like ''A Corner in Wheat'' introduced radical editing techniques and sophisticated storytelling that few had seen before. He also directed the early appearances of major movie stars like Creator/MaryPickford (''The New York Hat'') and longtime collaborator, Creator/LillianGish (''The Mothering Heart'') and created movie genres. His 1912 short film, ''The Musketeers of Pig Alley'' endures as the [[TropeMaker "world's first gangster film"]] and was shot on location in New York's mean streets and would later inspire Creator/MartinScorsese's ''Film/GoodFellas''. He also directed the first major adaptation of Creator/EdgarAllanPoe, with ''The Avenging Conscience''(an adaptation of ''The Telltale Heart'') which while primitive by today's standards, is fairly advanced for its use of multiple exposures and special effects. Griffith was also the first major film-maker to shift from New York to the fertile climate of Hollywood in Los Angeles, thereby becoming the "father of Hollywood" though, ironically, he operated and functioned as an independent film-maker for all his life, very particular in maintaining copyrights and inscribing his initials in all his intertitles.

[[quoteright:305:http://static.tvtropes.org/pmwiki/pub/images/dw_griffith_7989.jpg]]

Griffith served as TheMentor to several young film-makers. Creator/ErichVonStroheim appeared as an actor in his films, while Creator/RaoulWalsh, the future director of ''Film/HighSierra'' and ''Film/TheRoaringTwenties'' appeared as John Wilkes Booth in ''Birth of a Nation''. The young Creator/JohnFord played an extra in that same film. Despite the reputation of ''The Birth of a Nation'', he remained highly respected as OurFounder for directors around the world.

-->--Griffith, in one of his final interviews.

* ''Film/AbrahamLincoln'' (1930)

Stung by the charges of racism, Griffith followed up ''The Birth of a Nation'' with ''Film/{{Intolerance}}'', a film showing the effects of [[CaptainObvious intolerance]] on human society over different periods in history. ''Intolerance'' was an even bigger spectacle than ''The Birth of a Nation'', running over three hours and requiring some [[http://en.wikipedia.org/wiki/File:Griffith-intolerance.jpg massive sets]]. It was a commercial failure due to the high production cost ($2.5 million in 1916 money) but is remembered as a classic. Griffith followed up ''Intolerance'' with hits such as ''Broken Blossoms'' (1919) and ''Way Down East'' (1920) but his career went into decline in TheRoaringTwenties and his last film was released in 1931. He got a special UsefulNotes/AcademyAward in 1935. Griffith died in 1948. Five of his films are preserved in the UsefulNotes/NationalFilmRegistry: ''Lady Helen's Escapade'', ''A Corner in Wheat'', ''The Birth of a Nation'', ''Intolerance'', and ''Broken Blossoms''.

His first feature (after directing hundreds of short films since 1908) was a Bible story, ''Judith of Bethulia'', released in 1914. The next year he hit it big with ''Film/TheBirthOfANation'', which was a massive critical and commercial success. ''The Birth of a Nation'' was wildly innovative, both in its running time (133 minutes, far longer than even the few feature films made prior to that date), and in Griffith's use of night photography, continuity editing, cross-cutting, staging of battle scenes, and use of motion pictures to tell a story of epic scope. It was a huge financial success, becoming the highest-grossing film at the time. It was also horrifically racist, showing the Ku Klux Klan as ''the good guys'', so racist that even in 1915 it stirred up widespread protest.

* ''Film/TheBirthOfANation'' (1915)

* ''Hearts of the World'' (1918)

-->--'''Griffith''', in one of his final interviews.

--> ''"What modern movies seem to be lacking is the sense of the wind in the trees."''
-->-- Griffith, in one of his final interviews.

David Wark "D. W." Griffith (1875-1948) was one of the greatest filmmakers of the silent era and a pioneer in developing motion pictures as an art form. He was, arguably, the first person to become famous as a movie director. He was also ThePioneer of several common features of American cinema, his short films for the Biograph Company like ''A Corner in Wheat'' introduced radical editing techniques and sophisticated storytelling that few had seen before. He also directed the early appearances of major movie stars like Creator/MaryPickford (''The New York Hat'') and longtime collaborator, Creator/LillianGish (''The Mothering Heart'') and created movie genres. His 1912 short film, ''The Musketeers of Pig Alley'' endures as the [[TropeMaker "world's first gangster film"]] and was shot on location in New York's mean streets and would later inspire Creator/MartinScorsese's ''Film/GoodFellas''. He also directed the first major adaptation of Creator/EdgarAllanPoe, with ''The Avenging Conscience''(an adaptation of ''The Telltale Heart'') which while primitive by today's standards, is fairly advanced for its use of multiple exposures and special effects. Griffith was also the first major film-maker to shift from New York to the fertile climate of Hollywood in Los Angeles, thereby becoming the "father of Hollywood" though, ironically, he operated and functioned as an independent film-maker for all his life, very particular in maintaining copyrights and inscribing his initials in all his intertitles.

Griffith served as TheMentor to several young film-makers. Creator/ErichVonStroheim appeared as an actor in his films, while Raoul Walsh, the future director of ''Film/HighSierra'' and ''Film/TheRoaringTwenties'' appeared as John Wilkes Booth in ''Birth of a Nation''. The young Creator/JohnFord played an extra in that same film. Despite the reputation of ''The Birth of a Nation'', he remained highly respected as OurFounder for directors around the world.

Stung by the charges of racism, Griffith followed up ''The Birth of a Nation'' with ''Film/{{Intolerance}}'', a film showing the effects of [[CaptainObvious intolerance]] on human society over different periods in history. ''Intolerance'' was an even bigger spectacle than ''The Birth of a Nation'', running over three hours and requiring some [[http://en.wikipedia.org/wiki/File:Griffith-intolerance.jpg massive sets]]. It was a commercial failure due to the high production cost ($2.5 million in 1916 money) but is remembered as a classic. Griffith followed up ''Intolerance'' with hits such as ''Broken Blossoms'' (1919) and ''Way Down East'' (1920) but his career went into decline in TheRoaringTwenties and his last film was released in 1931. He got a special UsefulNotes/AcademyAward in 1935. Griffith died in 1948. Five of his films are preserved in the NationalFilmRegistry: ''Lady Helen's Escapade'', ''A Corner in Wheat'', ''The Birth of a Nation'', ''Intolerance'', and ''Broken Blossoms''.

Griffith served as TheMentor to several young film-makers. Erich Von Stroheim appeared as an actor in his films, while Raoul Walsh, the future director of ''Film/HighSierra'' and ''Film/TheRoaringTwenties'' appeared as John Wilkes Booth in ''Birth of a Nation''. The young Creator/JohnFord played an extra in that same film. Despite the reputation of ''The Birth of a Nation'', he remained highly respected as OurFounder for directors around the world.

Stung by the charges of racism, Griffith followed up ''The Birth of a Nation'' with ''Film/{{Intolerance}}'', a film showing the effects of [[CaptainObvious intolerance]] on human society over different periods in history. ''Intolerance'' was an even bigger spectacle than ''The Birth of a Nation'', running over three hours and requiring some [[http://en.wikipedia.org/wiki/File:Griffith-intolerance.jpg massive sets]]. It was a commercial failure due to the high production cost ($2.5 million in 1916 money) but is remembered as a classic. Griffith followed up ''Intolerance'' with hits such as ''Broken Blossoms'' (1919) and ''Way Down East'' (1920) but his career went into decline in TheRoaringTwenties and his last film was released in 1931. He got a special AcademyAward in 1935. Griffith died in 1948. Five of his films are preserved in the NationalFilmRegistry: ''Lady Helen's Escapade'', ''A Corner in Wheat'', ''The Birth of a Nation'', ''Intolerance'', and ''Broken Blossoms''.

* ''Film/LadyHelensEscapade'' (1909)

David Wark "D. W." Griffith (1875-1948) was one of the greatest filmmakers of the silent era and a pioneer in developing motion pictures as an art form. He was, arguably, the first person to become famous as a movie director. He was also ThePioneer of several common features of American cinema, his short films for the Biograph Company like ''A Corner in Wheat'' introduced radical editing techniques and sophisticated storytelling that few had seen before. He also directed the early appearances of major movie stars like Mary Pickford(''The New York Hat'') and longtime collaborator, Lillian Gish (''The Mothering Heart'') and created movie genres. His 1912 short film, ''The Musketeers of Pig Alley'' endures as the [[TropeMaker "world's first gangster film"]] and was shot on location in New York's mean streets and would later inspire Creator/MartinScorsese's ''Film/GoodFellas''. He also directed the first major adaptation of Creator/EdgarAllanPoe, with ''The Avenging Conscience''(an adaptation of ''The Telltale Heart'') which while primitive by today's standards, is fairly advanced for its use of multiple exposures and special effects. Griffith was also the first major film-maker to shift from New York to the fertile climate of Hollywood in Los Angeles, thereby becoming the "father of Hollywood" though, ironically, he operated and functioned as an independent film-maker for all his life, very particular in maintaining copyrights and inscribing his initials in all his intertitles.

* ''The Musketeers of Pig Alley'' (1912) (regarded as the first gangster film)

David Wark "D. W." Griffith (1875-1948) was one of the greatest filmmakers of the silent era and a pioneer in developing motion pictures as an art form. He was, arguably, the first person to become famous as a movie director. He was also ThePioneer of several common features of American cinema, his short films for the Biograph Company like ''A Corner in Wheat'' introduced radical editing techniques and sophisticated storytelling that few had seen before. He also directed the early appearances of major movie stars like Mary Pickford(''The New York Hat'') and longtime collaborator, Lillian Gish (''The Mothering Heart'') and created movie genres. His 1912 short film, ''The Musketeers of Pig Alley'' endures as the [[TropeMaker "world's first gangster film"]] and was shot on location in New York's mean streets and would later inspire Creator/MartinScorsese's ''Film/GoodFellas''. He also directed the first major adaptation of Edgar Allan Poe, with ''The Avenging Conscience''(an adaptation of ''The Telltale Heart'') which while primitive by today's standards, is fairly advanced for its use of multiple exposures and special effects. Griffith was also the first major film-maker to shift from New York to the fertile climate of Hollywood in Los Angeles, thereby becoming the "father of Hollywood" though, ironically, he operated and functioned as an independent film-maker for all his life, very particular in maintaining copyrights and inscribing his initials in all his intertitles.

* ''OrphansOfTheStorm'' (1921)

David Wark "D. W." Griffith (1875-1948) was one of the greatest filmmakers of the silent era and a pioneer in developing motion pictures as an art form. He was, arguably, the first person to become famous as a movie director.

Stung by the charges of racism, Griffith followed up ''The Birth of a Nation'' with ''Film/{{Intolerance}}'', a film showing the effects of [[CaptainObvious intolerance]] on human society over different periods in history. ''Intolerance'' was an even bigger spectacle than ''The Birth of a Nation'', running over three hours and requiring some [[http://en.wikipedia.org/wiki/File:Griffith-intolerance.jpg massive sets]]. It was a commercial failure due to the high production cost ($2.5 million in 1916 money) but is remembered as a classic.

Griffith followed up ''Intolerance'' with hits such as ''Broken Blossoms'' (1919) and ''Way Down East'' (1920) but his career went into decline in TheRoaringTwenties and his last film was released in 1931. He got a special AcademyAward in 1935. Griffith died in 1948. Five of his films are preserved in the NationalFilmRegistry: ''Lady Helen's Escapade'', ''A Corner in Wheat'', ''The Birth of a Nation'', ''Intolerance'', and ''Broken Blossoms''.

* ''Way Down East'' (1920)

* ''[[Film/LadyHelensEscapade Lady Helen's Escapade]]'' (1909)

* ''Sally of the Sawdust'' (1925) (film debut of Creator/WCFields)

His first feature was a Bible story, ''Judith of Bethulia'', released in 1914. The next year he hit it big with ''Film/TheBirthOfANation'', which was a massive critical and commercial success. ''The Birth of a Nation'' was wildly innovative, both in its running time (133 minutes, far longer than even the few feature films made prior to that date), and in Griffith's use of night photography, continuity editing, cross-cutting, staging of battle scenes, and use of motion pictures to tell a story of epic scope. It was a huge financial success, becoming the highest-grossing film at the time. It was also horrifically racist, showing the Ku Klux Klan as ''the good guys'', so racist that even in 1915 it stirred up widespread protest.

His first feature was a Bible story, ''Judith of Bethulia'', released in 1914. The next year he hit it big with ''Film/TheBirthOfANation'', which was a massive critical and commercial success. ''The Birth of a Nation'' was wildly innovative, both in its running time (133 minutes, far longer than even the few feature films made prior to that date), and in Griffith's use of night photography, continuity editing, cross-cutting, staging of battle scenes, and use of motion pictures to tell a story of epic scope. It was also horrifically racist, showing the Ku Klux Klan as ''the good guys'', so racist that even in 1915 it stirred up widespread protest.

* ''Orphans of the Storm'' (1921)